Black on Black Cinema | Black Movie Reviews
Black on Black Cinema is a long-running podcast delivering in-depth reviews of Black films — from Oscar winners to hood classics, indie gems to blockbuster hits. Hosted by four Black men from Baltimore, we bring honest opinions, genuine disagreements, and conversations that matter to the Black community. We review: Spike Lee films, Jordan Peele films, Tyler Perry films, Black horror movies, Black indie films, Black action movies, Black comedies, classic Black cinema, new Black movie releases, Black TV shows and limited series, and everything in between. Featured on RogerEbert.com. Over 570 episodes and 13 years of Black film coverage. Topics include: Black fi...
Mr. Crocket (2024): Evil Mr. Rogers Style Black Horror
A mysterious VHS tape shows up in the mailbox, a children's TV host steps out of the television, and one mother has to get her son back. This week on Black on Black Cinema, we're reviewing Mr. Crocket (2024), the Hulu Original horror film from first time feature director Brandon Espy, just in time for Halloween.
Jerrika Hinton stars as Summer Beverly, a mother starting over in 1993 after losing her husband, opposite Elvis Nolasco as the sinister Mr. Crocket, with Ayden Gavin, Kristolyn Lloyd, and Alex Alomar Akpobome. The film expands Espy's 2022 short for Hulu's Bite Size Halloween and...
What Livestreaming the Execution of Nidal Hasan says about Trump's America
Defense Secretary Pete Hegseth wanted the whole country to watch the military's Dec. 3 capital punishment of Fort Hood terrorist, Nidal Hasan, and the Pentagon confirmed it would be livestreamed. In this preview episode of Black on Black Cinema, we argue the plan is a sign of American increased barbarism under the Trump administration, and that you can believe Hasan should face his sentence and still believe broadcasting globally crosses a line a democracy shouldn't cross
(Update: This episode was recorded Oct. 14. On Oct. 15, President Trump said the Pentagon will not livestream the event, though victims' immediate families may...
Antwone Fisher (2002): Proper Therapy for the Black Experience
Black on Black Cinema reviews "Antwone Fisher" (2002), Denzel Washington's feature directorial debut, based on the true story of Antwone Fisher, a young Navy sailor sent to a psychiatrist who must face his painful past and search for the family he never knew. Derek Luke makes his film debut in the title role, opposite Washington as Dr. Jerome Davenport, with Joy Bryant, Salli Richardson-Whitfield, and Viola Davis. Fisher wrote the screenplay himself, drawing on his memoir "Finding Fish." We break down Luke's breakout performance, Washington's choices as a first-time director, how the film portrays a Black man opening up in therapy...
Why Tesla's N-Word Defense is Beyond Stupid
Tesla is on trial in California over claims it let a hostile, racist work environment run for years at its Fremont factory with KKK imagery, swastikas, and the N-word scrawled in bathrooms, Black workers reportedly paid and promoted less, one worker testifying he heard slurs up to 100 times a day. Tesla's defense? Attorney Tyree Jones (a Black man!!!!) argued in open court that the N-word can be a "term of respect and endearment," comparing white employees using it to how Black people interact with each other. We break down why that argument is beyond ridiculous, why it completely dodges the...
I Love Boosters (2026): Style Over Substance?
This week on Black on Black Cinema, the crew returns to discuss the 2026 Boots Riley film, "I Love Boosters." The film follows a group of shoplifters (aka boosters) who take aim at a cutthroat fashion maven by stealing her clothes and reselling them at a lower price, what they call "fashion-forward philanthropy." Narrative overtones of anti-capitalism, push back on the moderate political establishment, the fashion industries exploitation of both its customer base but also the worker creating the products in far off nations for pennies on the dollar. Does Boots Riley's film balance his unique style, in this case, extremely...
Trump Can't Build Anything, So He's Destroying Everything Instead
Black on Black Cinema tackles Trump's ongoing assault on American landmarks. The East Wing of the White House was abruptly demolished last October, sparking legal battles over the approval process. Now the Kennedy Center is facing demolition threats over his childish desire to have his name on the building. The historic East Potomac cherry blossom grove; a 1912 gift from Japan is at real risk as Trump terminates a 50-year lease to build a "championship" golf course, with debris from the demolished East Wing literally dumped on the same site. The Lincoln Memorial's Reflecting Pool sits in disarray after a botched...
Why Did I Get Married Again? (2026): A Lazy but Entertaining Sequel
This week on Black on Black Cinema, the crew returns to break its one rule, NO MORE TYLER PERRY MOVIES. This decision came only because of "Why Did I Get Married Again?" is the final movie(?) in this Tyler Perry trilogy, and the other two in the series were previously reviewed (and we actually enjoyed the first one). So this film follows the children of the main characters in the series and as two of the kids are getting married. The film aims to show the character development of the cast that we've been following for almost 20 years. Does the...
Why is Raven Symone Running Away from the Blackness of Her Show
Black on Black Cinema breaks down Raven-Symone's resurfaced comments questioning whether her own iconic character, Raven Baxter from That's So Raven, was actually Black. On her podcast Tea Time, Raven told Kalen Allen, "Take away the color, make them green, and hear the words. What color are they?," challenging the idea that the show's Blackness was inherent rather than just visual.
The internet had immediate and strong reactions. Fans pointed to the show's entire episode about racial profiling, Tonya's locs, Victor's soul food references, Cory's Black history paper storyline, and Della Reese's jazz singer character as clear, undeniable...
Chameleon Street (1989): Ambitious, Flawed, Unforgettable
Black on Black Cinema tackles Chameleon Street (1989), Wendell B. Harris Jr.'s astonishing writer-director-star debut based on the true story of Detroit con artist William Douglas Street Jr., who successfully impersonated reporters, lawyers, an Ivy League exchange student, and even a surgeon, performing over 30 real hysterectomies without any medical training. The film won the Grand Jury Prize at Sundance in 1990, beating out Reservoir Dogs, and then inexplicably went without distribution for over a year, effectively burying Harris's career before it started.
The concept is genuinely brilliant, a razor-sharp satire about race, class, and identity performance in America, anchored...
The NABJ Was Right to Drag Stephen A. Smith, Here's Why
Black on Black Cinema breaks down the National Association of Black Journalists giving Stephen A. Smith its "Thumbs Down" award, reserved for commentary the organization considers especially insensitive, stereotypical, or at odds with NABJ's mission around fair representation of the Black community. NABJ's statement specifically cited Smith's recurring pattern of disparaging commentary toward prominent Black women across politics, sports, and media, saying it reinforces harmful narratives and undermines fair, respectful representation.
We agree with NABJ here, and we break down exactly why. Smith has spent years building a media empire on saying whatever gets a reaction, and his...
Stepfather (2026): Unhinged Dialogue and Recycled Storylines
This week on Black on Black Cinema, the entire crew returns to discuss the 2026 film that was written and directed by Chris Stokes, "Stepfather." The film stars Taye Diggs as a desperate man who hunts for the perfect family, but when his new wife and daughters fear he may be deranged, escaping him will have deadly consequences.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster ac...
Graham Platner's Campaign Collapses, The Signs Were There All Along
This week on Black on Black Cinema we break down the collapse of Graham Platner's Maine Senate campaign and why none of us were surprised. For months, white leftists rallied behind Platner despite a tattoo associated with WW2 fascism, resurfaced posts disparaging veterans and sexual assault survivors on Reddit, and troubling accounts from past relationships. None of it mattered until an ex-girlfriend came forward with a serious sexual assault allegation, and only then did the Democratic Party's left wing scramble to distance themselves and Platner suspended his campaign.
We ask the real question: why did it take THIS...
Above the Rim (1994): A Message Film That Forgets Its Message
This week on Black on Black Cinema we take a deep dive into Above the Rim (1994), the final entry in Barry Michael Cooper's Harlem Trilogy following New Jack City and Sugar Hill. Directed by Jeff Pollack in his feature debut, the film stars Duane Martin as Kyle Watson, a high school basketball star torn between two men; Shep (Leon), a security guard with a complicated past seeking redemption, and Birdie (Tupac Shakur), a dangerous local drug dealer who wants to use Kyle's talent for his own ends. Marlon Wayans, Bernie Mac, Wood Harris, and Tonya Pinkins round out the cast.<...
Trump Became Everything Racists Feared a Black President Would Be
Black on Black Cinema announces our next full review: Above the Rim (1994), the final entry in Barry Michael Cooper's Harlem Trilogy. Directed by Jeff Pollack and starring Duane Martin, Tupac Shakur, Leon, Marlon Wayans, Bernie Mac, and Wood Harris. Above the Rim follows high school basketball star Kyle Watson torn between Shep, a fallen athlete trying to redeem himself, and Birdie, a dangerous drug dealer who happens to be Shep's brother. Tupac Shakur's final theatrical film before his 1996 death is reason enough to revisit it.
Then we get into the real conversation: Donald Trump has become everything racists...
Sugar Hill (1994) | Flawed 90s Gangster Nostalgia
This week Black on Black Cinema finally gives Sugar Hill (1994) the deep analysis it deserves. Directed by Leon Ichaso and written by Barry Michael Cooper — the architect behind New Jack City and Above the Rim — Sugar Hill is the second and most emotionally dramatic entry in Cooper's Harlem Trilogy. Wesley Snipes as Roemello Skuggs, a high-level Harlem drug dealer who wants out. He's got money, power, a woman he loves in Melissa (Theresa Randle), and a future waiting for him if his volatile brother Raynathan (Michael Wright) and the game itself will let him leave.
We break down what...
Reparations for Black Americans: Not If, But How?
Black on Black Cinema announces our next film review: Sugar Hill (1994), directed by Leon Ichaso and written by Barry Michael Cooper; the second film in his legendary Harlem Trilogy alongside New Jack City and Above the Rim. Wesley Snipes stars as Roemello Skuggs, a high-level Harlem drug dealer who decides to walk away from the life to start fresh with his girlfriend Melissa (Theresa Randle), only to discover that leaving isn't something the game allows. Co-starring Michael Wright, Clarence Williams III, Ernie Hudson, and Abe Vigoda.
Then we get into it: Reparations for Black Americans. We agree it...
Is God Is (2026) | Brutal Confrontation of Generational Trauma
Black on Black Cinema dives deep into Is God Is (2026), Aleshea Harris' feature directorial debut adapted from her Obie Award-winning stage play. Starring Kara Young as "The Rough One" and Mallori Johnson as "The Quiet One," the film follows twin sisters bearing the disfiguring burn scars of a childhood tragedy, ordered by their bedridden mother to kill the abusive father who destroyed their family. With Janelle Monáe, Sterling K. Brown, Vivica A. Fox, Erika Alexander, and Mykelti Williamson rounding out the cast, and Tessa Thompson and Janicza Bravo producing.
We analyze Harris' genre-blending, part western grind house, p...
Leaked Texts Expose Playbook to "Trap" Black Athletes: We Need to Talk About This
This week on Black on Black Cinema, the crew returns to announce the next film, "Is God Is." The film follows two sisters who embark on an epic quest for revenge; confronting a charged family history that will push them to extraordinary lengths. The movie is written and directed by Aleshea Harris who is also the playwright for the original play the film is based on.
This week's random topic tackles the viral leaked text messages exposing alleged coaching between white women on how to "lock down" Black athletes. The screenshots show detailed "rules" including positioning the athlete...
Michael (2026) | Shallow Biopic of an Icon
Black on Black Cinema reviews Michael (2026), Antoine Fuqua's Michael Jackson biopic starring Jaafar Jackson as the King of Pop. While Jaafar delivers a great impression of his uncle Michael, the film itself is a shallow, sanitized music biopic that refuses to engage with Jackson's complexity and controversies. Director Antoine Fuqua (Training Day, The Equalizer) crafts a visually stunning but emotionally hollow portrait that hits every musical biopic cliché—rise to fame, family dysfunction, creative genius, tragic decline, and rise again without taking risks or offering fresh insight into one of music's most complicated icons.
We break down why the...
Black Voters Are DONE With "Don't Vote" Activists After SCOTUS Guts Voting Rights
This week on Black on Black Cinema, the crew returns to announce the next full film review on the 2026 music biopic "Michael." The film follows the life of famed musician Michael Jackson from early childhood to the middle of his career as one of the biggest names in music history. The random topic this week is all about the Supreme Court further damaging the Voting Rights Act, and how online Black spaces have had just about enough of celebrities and political influencers who helped put us in the current situation and now are asking for Black people to come together...
Love, Brooklyn (2025) | Black Romance Without Stereotypes
Black on Black Cinema breaks down Love, Brooklyn (2025), Rachael Abigail Holder's directorial debut that premiered at Sundance Film Festival. Starring André Holland, Nicole Beharie, DeWanda Wise, and Roy Wood Jr., this indie romantic drama follows writer Roger as he navigates complicated relationships with his ex Casey (an art gallery owner) and current lover Nicole (a newly-single mother) against Brooklyn's rapidly changing landscape.
Executive produced by Steven Soderbergh, Love, Brooklyn delivers intelligent Black characters working through love, loss, career, and friendship without falling into stereotypes—no one raps, dies, or gets incarcerated. Director Holder created a story with "no vil...
Women's "Bear Versus Man" Choice Becomes Crystal Clear
This week on Black on Black Cinema, the crew returns to announce the next film to be reviewed, "Love, Brooklyn." The film follows three longtime Brooklynites navigate careers, love, loss, and friendship against the rapidly changing landscape of their beloved city. The movie stars Andre Holland, Nicole Beharie, DeWanda Wise, and Roy Wood Jr. The random topic this week is an overarching conversation of rape and violence culture in regards to the CNN investigative report on a secret network on men drugging their wives and sexually abusing them and the former Lt. Governor of Virginia who murdered his wife and...
Black Belt Jones (1974) | Jim Kelly's Insanely Fun Karate Flick
Black on Black Cinema examines Black Belt Jones (1974), the groundbreaking Blaxploitation martial arts film that solidified Jim Kelly as an action star following his breakout role in Enter the Dragon. Directed by Oscar Williams and produced by Warner Bros during the height of the Blaxploitation era, the film stars Kelly as a martial arts instructor who battles the mob to protect his community's karate school from a crooked land deal. Co-starring Gloria Hendry as Sydney, Scatman Crothers as Pop Byrd, and featuring incredible fight choreography that showcased Kelly's karate championship skills, Black Belt Jones became a cult classic that merged...
Zohran Mamdani's Wife Said the N-Word...at Age 15
This week on Black on Black Cinema, the crew returns to announce the next film, "Black Belt Jones." The 1974 blaxploitation classic starring Jim Kelly, which follows the Mafia buy out of Papa Byrd's karate school downtown that ends in his death. Byrd's daughter, Sydney, refuses to sell, and wants revenge. Byrd's students call the Black Belt Jones for help. Jones reluctantly teams with Sydney in many battles. The random topic this week is about the discovery that the wife of the Mayor of New York City, Rama Duwaji, said the N-word in a tweet back when she was 15. We have...
Devil in a Blue Dress — Denzel's Neo-Noir Film & The Franchise That Never Was
Devil in a Blue Dress (1995): Denzel Washington's most underrated performance. Directed by Carl Franklin, based on Walter Mosley's novel. Easy Rawlins, a Black WWII veteran in 1948 Los Angeles, takes a job finding a missing white woman. Simple task becomes a labyrinth of violence, corruption, and impossible choices. This week on Black on Black Cinema, we look back on one of Denzel's lesser known classics.
This should have launched a franchise. Walter Mosley wrote 14 Easy Rawlins books. Denzel was perfect in the role. Don Cheadle's Mouse was a scene stealer. Carl Franklin's direction was a excellent visual take on...
Living Through Moral Collapse (Iran War)
Next week on Black on Black Cinema, we're reviewing Devil in a Blue Dress (1995), starring Denzel Washington in one of his most underrated performances. This Carl Franklin neo-noir follows Easy Rawlins navigating 1940s Los Angeles—a Black veteran trying to survive in a world designed to destroy him.
But first, we need to talk about something: watching the Iran war unfold from inside the United States feels surreal. We're living through what might be the moral collapse of American foreign policy in real time, and the cognitive dissonance is overwhelming. How do you review films about justice and su...
Soul Men (2008) | Bernie Mac's Final Performance & Samuel L. Jackson's Roadtrip Comedy
This week on Black on Black Cinema, the crew returns to review Soul Men (2008) which was released just two months after Bernie Mac's death, making it a bittersweet farewell to one of comedy's greatest talents. Directed by Malcolm D. Lee and starring Samuel L. Jackson alongside Mac, this road trip musical comedy follows two estranged backup singers reuniting for a tribute concert after their lead singer dies.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black ho...
The BAFTA Incident — Disability, Race & Media Responsibility
This week on Black on Black Cinema, the crew returns to introduce the next film to the reviewed, "Soul Men." The 2008 film follows two estranged soul-singing legends who agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader. The movie stars Samuel L. Jackson and the late great Bernie Mac. Available to stream for free on Tubi.
The random topic this week we tackle the complex and difficult incident that unfolded at the 2026 BAFTA Film Awards when John Davidson, a Tourette's syndrome activist and subject of the nominated film "I Swear,"...
The Dutchman (2025) | Amiri Baraka's Explosive Racial Confrontation
This week on Black on Black Cinema, the crew returns to discuss the 2025 psychological thriller, "The Dutchman." Based on Amiri Baraka's groundbreaking 1964 Obie Award-winning one-act play, the film follows Clay (André Holland), a successful but troubled Black businessman navigating a crumbling marriage with his wife Kaya (Zazie Beetz). After a therapy session with the enigmatic Dr. Amiri (Stephen McKinley Henderson), Clay encounters Lula (Kate Mara), a seductive and sinister white woman on a New York subway, who draws him into a dangerous psychological game of cat and mouse that forces him to confront his identity, his marriage, and the concept o...
Bad Bunny vs Turning Point USA: Who Owns the Culture?
This week on Black on Black Cinema, the crew returns to announce the next film, 2025's "The Dutchman." The film follows a successful black businessman, haunted by his crumbling marriage and identity crisis, who is drawn into a sexualized game of cat and mouse with a mysterious white woman on a subway that leads to a violent conclusion. Starring Andre Holland, Kate Mara, Stephen McKinley Henderson, and Zazie Beats. The random topic this week is on our thoughts of the battle for the Super Bowl halftime shows: Bad Bunny vs cadre of washed up white conservative musicians in their Turning...
She's Gotta Have It (REVIEW): Unapologetic Feminine Sexuality | Ep293
This week on Black on Black Cinema, the crew returns to review Spike Lee's 1986 directorial debut "She's Gotta Have It." The film follows Nola Darling, a woman who openly dates three men who are aware of one another and possess three wildy different personalities.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Spike Lee, Jordan Peele, Ryan Coogler, Ava DuVernay, and mo...
Kanye West and Nicki Minaj Chose MAGA Over Their Fans
This week on Black on Black Cinema, we preview our upcoming review of Spike Lee’s groundbreaking 1986 film "She’s Gotta Have It;" a bold, black-and-white exploration of love, agency, and identity. Our full review drops next week.
We also dive into this week’s random topic: Kanye West’s public apology to fans following his past embrace of white supremacist ideology, and Nicki Minaj’s sudden alignment with the Donald Trump MAGA movement. We break down why these moves feel like a betrayal to their Black and LGBTQ fan bases—and what it says about celebrity, power, and politics...
Shadow Force (REVIEW): Mediocre Black Family Action | Ep292
This week on Black on Black Cinema, the crew is back to discuss the 2025 action thriller film, "Shadow Force." The film stars Omar Sy, Kerry Washington, Mark Strong, Method Man, Jahleel Kamara, and Da'Vine Joy Randolph. The movie follows an estranged couple with a bounty on their heads who must go on the run with their son to avoid their former employer, a unit of shadow ops that has been sent to kill them.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review...
The Implications of the Killing of Renee Good
This week on Black on Black Cinema, the crew returns to preview the next film, "Shadow Force." The film follows an estranged couple (Kerry Washington and Omar Sy) with a bounty on their heads who must go on the run with their son to avoid their former employer, a unit of shadow ops that has been sent to kill them. The random topic is about the unjust murder of Renee Good in Minneapolis at the hand of an ICE agent. The crew discuss what the larger implications of her death will be on the entirety of what's happening in the...
On Becoming A Guinea Fowl (REVIEW): Confronting Generational Abuse | Ep291
This week on Black on Black Cinema, the crew returns to discuss the 2024 dark comedy drama, "On Becoming a Guinea Fowl." The film follows Shula, who on an empty road in the middle of the night, stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sc...
Anti-Intellectualism Wrapped In Capitalism
This week on Black on Black Cinema, the crew returns to announce the next film to be reviewed, "On Becoming a Guinea Fowl." The film starts on an empty road in the middle of the night, where Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family. The random topic of the week is all about Juelz Santana's comments on kids not needing to know how to read in the modern era and that it is somehow more important to know...
40 Acres (REVIEW): Lack of Character Depth | Ep290
This week on Black on Black Cinema, the crew returns to discuss the 2024 film, 40 Acres. The film follows a Black and First Nation family in a post-apocalyptic world ravaged by famine. Their routine has kept the fed and safe for many years. The household is headed by Hailey (Danielle Deadwyler) who's connection to her family is put in peril when their farm is attacked by cannibals.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror an...
One Night of Hope: Welcome to the Real Fight
This week on Black on Black Cinema, the crew returns to introduce the next film, "40 Acres." The film takes place in a post-apocalyptic world with food scarcity, as a Black family of Canadian farmers, descended from American Civil War migrants, they defend their homestead against cannibals trying to seize their resources. The random topic this week is all about the November 4th special elections that happened around the country. While it certain was a positive night, we discuss this but also what the real fight ahead looks like and why people like Charlemagne tha god's advice to Democrats is not...
Him (REVIEW): Flawed Look at Fanaticism | Ep289
This week on Black on Black Cinema, the crew returns to discuss the 2025 horror film, Him. The story follows a young college athlete who descends into a world of terror when he's invited to train with a legendary champion whose charisma curdles into something darker. The film stars Tyriq Withers and Marlon Wayans.
Black on Black Cinema is a long-running podcast featuring in-depth Black movie reviews and frank conversations that matter to the Black community. We review Black films across every genre — from Black horror and Black sci-fi to indie dramas, comedies, and blockbuster action. Covering filmmakers like Sp...
Trump’s America: A Nation Raided, Divided, and Drowning in Debt
This week on Black on Black Cinema, the crew returns to preview their next film review: Him (2025) — a chilling psychological horror story about a promising young athlete whose invitation to train with a legendary champion quickly descends into manipulation, control, and terror. This gripping thriller explores the dark side of mentorship, power, and identity.
In this week’s discussion segment, we deliver a 10-month check-in on the Trump administration’s catastrophic return to power. From devastating ICE raids in major cities, to soaring food prices, and farmer bankruptcies triggered by renewed tariffs, we break down how everyday Americans are pa...