Critical Darlings

Critical Darlings is going LIVE at The Savannah Film Festival!

In our first live podcast recording, we’re doing an awards season kickoff at 2pm on Tuesday October 29th at The Gutstein Gallery in Savannah Georgia.

We’ll be talking about the year’s awards narratives, the big races, and more. For more information and tickets, visit: ⁠https://filmfest.scad.edu/schedule/critical-darlings-awards-season-kickoff-live⁠

This week we’re joined by the brilliant Jia Tolentino to build monuments to our love…for this movie! 

It’s You Can See Everything...

Critical Darlings is going LIVE at The Savannah Film Festival!

In our first live podcast recording, we’re doing an awards season kickoff at 2pm on Tuesday October 29th at The Gutstein Gallery in Savannah Georgia.

We’ll be talking about the year’s awards narratives, the big races, and more. For more information and tickets, visit: ⁠https://filmfest.scad.edu/schedule/critical-darlings-awards-season-kickoff-live⁠

The Social Reckoning is Aaron Sorkin's semi-sequel to the Oscar-winning The Social Network. It updates the story of Silicon Valley boy-king Mark Zuckerberg and his Facebook to the near-p...

🚨🚨🚨 Big News! 🚨🚨🚨

Critical Darlings is going LIVE at The Savannah Film Festival!

In our first live podcast recording, we’re doing an awards season kickoff at 2pm on Tuesday October 29th at The Gutstein Gallery in Savannah Georgia.

We’ll be talking about the year’s awards narratives, the big races, and more. For more information and tickets, visit: https://filmfest.scad.edu/schedule/critical-darlings-awards-season-kickoff-live

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Digger may be exhausting to watch, but it sure is fun to talk about! 

This week, we’re joined by Dana Stevens, Slate critic and aut...

Heads up to listeners, this episode includes sensitive discussions of abuse due to the nature of the film.

It's Primetime! The new Robert Pattinson vehicle is a neon-lit, morally murky movie about ratings and perversions of justice that serves as an astonishing acting showcase for Pattinson and costars Merritt Weaver and Skyler Gisondo . It's also a hit, and yet another feather in Pattinson's cap, after The Drama succeeded earlier this year, and with Dune III on the horizon.

We're joined by the incredibly well-traveled Jessica Kiang of Variety and...

In this bonus episode: After a month of festival hopping, we're back in the studio to discuss the fall festival season, its big premieres, and paint a very rough picture of how award season is shaping up. But first, we take a question from the mailbag to demystify the fall festival circuit and how these giant star-studded events actually work.

Email us! [email protected]

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Conflict of interest disclosure:

Critical Darlings is a fully owned subsidiary of The Umbrella Corporation. Today we're joined by David Sims of Blank Check and "friend of" one of this film's featured performers (Critical Darlings' Executive Producer) Griffin Newman, to discuss Zach Cregger's adaptation of the Resident Evil video game series. Resident Evil is Cregger's third triumph in a row, after Barbarian and Weapons, and captures the game series' campy but grotesque sensibility in a completely fresh way that's resonating with audiences, critics, and even the vast majority of gamers. We go deep on Resident Evil lore, whet...

As Richard and Alison are jet-setting across Venice, Europe, and Toronto, North America, we bring to you a special pre-recorded mailbag, featuring your voicemails and questions!

We get into our favorite end-credits songs; the IPs we'd love to see adapted; our imagined Oscar-worthy biopics; the festival circuit; the history of digital media; The Oscars, and much more. We also unlock new Richard and Alison lore, including Rent message boards, Mulder and Scully fanfic listservs, male weepies, and even more discussion of Empire Of Light. Next week, pull out your Umbrellas, because it's raining zombies...

Get your dipping sauces ready, it’s Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma!

Starring Gillian Anderson and Hannah Einbinder, this meta horror picture goes to some very strange places that nonetheless right feel at home with Schoenbrun’s dreamy-sexy vision: a haunted summer camp, an underground eldritch video store, and an emotionally moving Counting Crows music video to name just a few.  

Though dripping in fountains of blood, the movie is also a sensitive depiction of sex and desire as refracted through Einbinder’s character’s obsession...

After an absurd and depressing attempt by David Zaslov to bury Coyote Vs. Acme, it’s finally in theaters. What’s more, it’s great, making WB’s attempts to shelve the movie for a tax write-off seem all the feckless.

Rescued by the odd-duck distributor Ketchup Entertainment, the movie is a corporate satire and legal thriller about culpability and justice in a world stacked against the little guy—represented by the character of Wiley Coyote, and Will Forte, as Coyote’s ambulance-chasing attorney. Today we’re joined by Looney Tunes expert Connor Ratliff, of The George...

Ey wanna leahn howta shuck an oystah? Jaya Saxena of the new, worker-owned food publication Ravenous, joins us to discuss Tony, the micro-biopic about a pipsqueak version of Anthony Bourdain learning to love food in Provincetown, Mass. 

From director Matt Johnson of Nirvana The Band The Show The Movie, and Blackberry, comes a fictionalized take on Bourdain’s early years. The script loosely covers about a chapter and a half from Bourdain’s hallowed Kitchen Confidential: the book that helped turn him from a working chef into one of the most important food writers in Am...

Dinosaurs are back in business this week, with The End of Oak Street, an original blockbuster about shooting dinos in the face while getting chomped by various raptors, dactyls, and giant primordial snakes. 

We’re joined by Indiewire’s Matt Singer, host of Filmspotting: SVU, and author of the upcoming book Funny Business, to discuss the film, its blend of Amblin-influenced family filmmaking with director David Robert Mitchell’s acidic bite. The movie uses its familiar tropes to lull the audience into a lull before ripping those tropes apart, making the film stranger and darker...

In a technofascist parallel reality, singles are only allowed to have sex one night a year: it’s One Night Only, AKA The Sex Purge! 

Comedian Josh Gondelman joins us to discuss this deeply strange film which has taken the box office by…not very much. Is that more evidence for the slow fade of theatrical rom coms, or is this just a really, really weird movie? 

 Directed by Will Gluck, and starring Callum Turner and Monica Barbaro, We’re split on the movie’s charms, but we’re mesmerized by...

Griffin Newman swings back from Spain, Europe, to discuss Spider-Man: Brand New Day! Brand New Day is likely the biggest movie of the year, maybe of all time, depending on how you count. From the seemingly bulletproof Spider-Man formula to the unquestionable star power of Tom Holland and Zendaya, we should have seen this coming!

On this episode, we go long to discuss the special appeal of Spider-Men of today and yesteryear, the Tom Holland phenomenon, his perpetual boyishness, The Punisher Meets Archie, spider puberty, bathhouses, the X-Men and their soon-to-be integration into the...

Come for the Les Miz karaoke takes, stay for The Invite. New York Magazine’s Emily Gould joins us to discuss Olivia Wilde’s sexy, awkward comedy of domestic manners starring herself, Seth Rogan, Edward Norton, and Penelope Cruz.

Set in an aspirational San Francisco apartment owned by a deeply neurotic twosome, they collide with the sexy couple upstairs at an impromptu dinner party staged by Wilde's character Angela. Their night, and the movie itself, swings from polite nicety to anger to sadness to horniness, ultimately arriving at a poignant question: what relationships are wort...

Daddy, tie us to the mast, we’re off to see The Odyssey!

Christopher Nolan’s epic about a dad going out for cigarettes has vanquished all foes, critical, commercial, and discourse-able. To unpack it all, we’re joined by Vulture’s Fran Hoepfner.

Nolan’s Oppenheimer follow-up both revisits and expands the director’s thematic palette. Among many aspects of the film, we discuss Nolan’s controversial choice to reject many of the signifiers of sword and sandals epics, his thematic quirks, the massive scale of the film, and how the ultimate hero’s journey is also a...

You’re welcome…again! This week we’re scraping the bottom of the barrel of Disney’s “live-action” remakes, with Moana.  As noted on last week’s episode, Producer Ben Frisch is out on a Minions-related leave of absence, so we’re joined by Producer Ben Hosley, to talk about this especially contrived-feeling cultural product. It used to be that Disney remakes were sure to break a billy at the box office, but that’s no longer the case, with only the recent Lilo and Stitch remake having any legs. Moana’s disappointing landing makes us wonder if the steam is truly run out...

The Minions are back with a film designed to pander…to us! On this episode, three Minions neophytes try to make sense of Minions And Monsters, where the round yellow ones land in 1920s Hollywood. among Chaplin, Keaton, and all of Gen Alpha’s favorite silent film stars. For two of us at least, it worked!

We also discuss Minions lore: The movie posits that the species consists of roving tribes of task rabbits, and raise questions about their mortality, reproductive cycle, edibility, and of course their role in 20th century geopolitical conflict.  We also...

This week we’re Gunn-ing for Supergirl, with filmmaker and video essayist Patrick Willems!

Supergirl is the second feature film in the new DC cinematic universe, now helmed by Guardians of the Galaxy mastermind James Gunn. Gunn’s 2025 Superman breathed new life into one of the genre’s biggest icons, but Supergirl blew a raspberry at the box office, despite the good vibes surrounding the new DCU.

Supergirl, directed by I, Tonya's Craig Gillespie, borrows liberally from Gunn’s style, but in imitating Gunn, it shows just how difficult it is to...

It’s Pride Week on Critical Darlings, and we’re joined by the co-host of the Alright Mary podcast (and Best Supporting Actress expert) Colin Drucker to break down two new wide-release gay movies: RuPaul’s spoofy Stop! That! Train! and the Australian conversion therapy horror film Leviticus.

First, we discuss the delightful Stop! That! Train!, its performances, cameos, and various controversies including lying drag queens (funny) and AI visual effects (depressing). We also get into RuPaul and her legacy as both an artist and screen presence, and the incredibly fickle nature of the RuPaul...

It’s Disclosure Week on Critical Darlings, with writer, podcaster, and E.T. super fan Starlee Kine! 

Almost five decades after Steven Spielberg reimagined aliens on screen with E.T. and Close Encounters, he’s delivered another story of extraterrestrial awe. The movie stars Emily Blunt and Josh O’Connor. But the figure who looms largest over Disclosure Day is Spielberg himself.  We discuss our relationships to Spielberg’s work, how Disclosure Day fits into his slate of alien films, and how the movie worked on us. Like audiences and critics, we’re split. Despite some...

By the power of Grayskull, we have cartoonist and co-host of the No Gods No Mayors podcast, Mattie Lubchansky, in studio to discuss Masters of the Universe! 

The movie is a test for Mattel, who are going all-in on IP management in the post-Barbie era but Masters has underperformed at the box office and with critics. Has the He-Man IP run out of gas? Did it ever have gas? What would a coherent He-Man movie even look like? Where’s Orko? 

On this episode, we try and figure it out...

This week we’re joined by the very liminal Ryan Broderick, proprietor of the great Garbage Day newsletter and host of the podcast Panic World, to discuss A24’s hit, Backrooms!  Based on a 4-Chan thread, creepypasta, and web series, the movie has captured young filmgoers and its young director, Kane Parsons, has captured Hollywood’s attention. 

Compared to last week’s subject, Obsession, Backrooms is a much more ambitious blend of effects-driven horror: juggling mid-life ennui, childhood trauma, and corporate conspiracy against an endless fluorescent yellow backdrop. It turns out, men would rather go to the...

This week, it’s springtime for sad boys, with “Obsession!” a horror flick from Blumhouse and director Curry Barker. The movie has exceeded all expectations and is currently doing better than its opening weekend, largely thanks to great word-of-mouth. The movie tells a monkey’s paw story about a one-sided, obsessive relationship that’s taken to horrific, supernatural heights. It’s both fun and genuinely upsetting, thanks to two excellent lead performances and confident direction that makes the most of a very low budget.

We also explore the history of YouTubers who’ve made it big in Holl...

Coucou les cheris! As Cannes is underway on the Riviera, we take a break from our usual movie-of-the-week format to look back at the year so far, and look forward to this summer. We count down our top 5 favorite movies of the year (that haven’t been covered on the show), including big studio movies and European arthouse fare. We’ll also take a temperature check on the summer blockbuster slate, from The Mandalorian & Grogu, Disclosure Day, Spider-Man, The Odyssey, and more. Finally, we’ll hear a transmission from Alison and Richard, live from Cannes, to discuss the festival so far...

Wake up sheeple, it’s The Sheep Detectives! This week we’re joined by our very own executive sheepherder Griffin Newman to discuss the new cozy mystery for families. After the mysterious death of their shepherd, played by Hugh Jackman, his band of sheep team up to solve the mystery in a picturesque British countryside. Surprisingly, it’s very good! Knitting together themes of memory and grief, tied up in a wooly bow.

We discuss the plot and characters, our histories with upsetting kid’s movies, the exceptional voice performance of Julia Louis-Dreyfus and more. We...

Description: “…You think that you've made a choice that exempts you from the podcast industry when, in fact, you're listening to a podcast that was selected for you by the people in the room…and Who? Weekly!” This week on the show, we’re joined by the hosts of ⁠Who? Weekly⁠, Lindsey Webber and Bobby Finger, to discuss The Devil Wears Prada 2, starring a list of all-star Thems: Meryl Streep, Anne Hathaway, Emily Blunt, and Stanley Tucci. 20 years on, much has changed in the worlds of Miranda Priestly and Andy Sachs; amidst the cratering value of traditional media, Miranda and Andy recon...

Michael is many things: a box-office triumph, a savvy piece of IP management, and a Frankenstein stitched together from a movie we’ll never get to see. Today on the show, we’re joined by two journalists who have reported on Michael Jackson for the Think Twice: Michael Jackson podcast: our own producer Benjamin Frisch, and Danielle Hewitt, to try and make sense of a deeply flawed film that also features some of the best pop music of all time.  

We get into the drawn-out trajectory of the movie, its legal woes and reshoots, the casting of Micha...

This week, we’re holding a seance in a Dress Barn™ with Mother Mary! Directed by David Lowery and starring Anne Hathaway and Michaela Cole, this two-hander sees a pop singer and her former designer revisiting the rift that severed their early creative partnership, with spooky results. The film goes wide on April 24th, so with extra spoiler guard rails, we’ll discuss the film, its heightened language, and the unusually depicted supernatural elements. We’ll also discuss Lowery’s filmography, contemporary Hathaway, and Michaela Cole’s trajectory. Finally, we’ll discuss fictional pop singers on screen. From Vox Lux to Spice W...

This week, we’re confessing the worst thing we’ve ever done with Zendaya and Batman himself with The Drama. The twist premise of A24’s newest hit throws a grenade into the idyllic romance of a beautiful couple in Boston in the days before their wedding. The movie hinges on the question of whether we can really know the people we love, but the premise, the worst thing Zendaya’s character has ever done, is what audiences are talking about. Is it a purposeful provocation or an empty one?

We discuss the movie’s masterfu...

This week, it's The Mario Galaxy Movie! The second film in the Nintendo/Illumination franchise is already a global hit despite less than stellar reviews. It is nevertheless a fascinating film: an amalgam of stunning animation and music, full of hyperactive action, with little interest in the typical conventions of narrative storytelling, and like, plot.

On this episode Alison and Richard, along with producer Benjamin Frisch, discuss the film, its beauty and weirdness, offer a sidebar on Shigeru Miyamoto as-artist, and delve into the history of video game adaptations.

We discuss producer...

This week we’re eating the rich with two new horror films that share devilishly similar premises: Ready Or Not 2: Here I Come and They Will Kill You both feature women fighting back against satanic cults run by rich elites in order to protect an estranged younger sister, written with wry humor aimed at the ultra-wealthy. Neither film did particularly well critically or at the box office, but they raise a fascinating question for Critical Darlings: Has the Trump-era social satire horror film finally run out of steam? In this episode, Richard and Alison trace this specific strain of me...

Beam me up…Rocky!? Critical Darlings is back, from outer space, in our new feed, talking about the first blockbuster of the year. Project Hail Mary, directed by Phil Lord and Chris Miller for Amazon, is a family-friendly science fiction film about Ryan Gosling on a risky space mission with a cute alien pal. The movie is a critical and commercial success and feels livelier than so many would-be blockbusters. But what is it about Hail Mary that works where last year’s Gosling-led The Fall Guy failed? Is this the return of the ’80s-era cute puppet friend movie? Is Gosling t...

It’s Critical Darlings’ biggest morning! After a marathon season, we react to this year’s Academy Awards: the winners, losers, presenters, performances, and awkward play-offs.

One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan’s wins signal a shift in how the Academy sees horror? What exactly is the Best Casting...

Welcome to Critical Darlings, where critics Richard Lawson and Alison Willmore cover the latest film driving the conversation—from big summer blockbusters to festival favorites, buzzy streamers, and major awards contenders. New episodes every Thursday.

Produced by Benjamin Frisch

Subscribe to Richard's newsletter, ⁠⁠Premiere Party,⁠⁠ and read Alison's work ⁠⁠at Vulture.⁠⁠

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What time is it? It’s time to study the revolutionary texts with David “Rocketman” Sims! On our last episode before The Oscars, we’re talking about One Battle After Another, Paul Thomas Anderson’s epic about parental legacy, revolutionary identity, and a dad trying to charge his Goddamn phone. But first we reflect on the influx of last-minute Oscar narratives, before getting into One Battle After Another’s plot and politics, sidebar on Leonardo DiCaprio’s legacy at the Oscars, and finally give our official Critical Darlings Oscar Predictions for Sunday’s ceremony. Read more about Richard’s predictions at ⁠Pre...

This week we’re joined by Sam Sanders of The Sam Sanders Show to discuss Sinners, the most nominated film in Academy Awards history. With sixteen nominations across directing, writing, music, and acting categories, Sinners is a somewhat surprising record breaker, as genre films, especially films with horror elements, are rarely awarded by The Academy. 

On this episode we discuss the film, why it was able to break through, if Sinners counts as a genre film; and if so, what genre it represents. We also get into what effect the Warner Bros. Paramount merger might have...

This week we’re in hygge mode, uncovering traumas in our generational home with the host of This Had Oscar Buzz, Joe Reid! One of the breakout Oscar films of the year is Joachim Trier’s Sentimental Value, a warm, realist Norwegian film about a difficult but brilliant director (Stellan Skarsgard), his two daughters (Renate Reinsve and Inga Ibsdotter Lilleaas), and an American actress cast in the auteur’s new film (Elle Fanning). All four performances earned Oscar nominations, along with nominations for Best Picture, Best International Feature, Best Film Editing, and Best Original Screenplay.

Sentimental Value also high...

Viva Brazil! Today we discuss Best Picture nominee The Secret Agent, the simmering, colorful Brazilian thriller about a man on the run, starring the dreamy Wagner Moura and directed by Kleber Mendonça Filho. The story, about retaining personal and political memory under authoritarianism, has proven resonant with an international audience and awards bodies, garnering three additional Oscar nominations for Best International Feature, Best Casting, and Best Actor for Moura. On this episode, we discuss The Secret Agent itself, how it fits into and subverts the tropes of international films at the Oscars, the Eurovision-like process for international nominations, chec...

This week we’re brooding, Victorian style, with Vulture’s Bilge Ebiri! Guillermo del Toro’s Frankenstein is a Best Picture nominee and is well represented in the craft categories, but it has only one acting nomination, for Jacob Elordi’s hulking monster. It’s of a piece with past craft-heavy Oscar contenders like Dune or The Lord of the Rings, but does Frankenstein actually stand a chance? We discuss the film itself, its lavish sets and costumes, del Toro’s choice to center the monster as the hero, and how that decision reshapes the monster’s opposite, Victor, played by Oscar Isaac...

Honey, we’re buzzing about Bugonia with Marie Bardi-Salinas! The movie surprised us with its appeal to Oscar voters, but maybe it shouldn’t have: Director Yorgos Lanthimos and star, frequent collaborator Emma Stone, have proven themselves Oscar favorites with strong showings from their past films, especially The Favourite and Poor Things. 

We discuss the film, but first, a Sundance report from Richard before digging into Lanthimos and Stone’s history with the Oscars, and why this somewhat prickly, political movie succeeded with the Academy despite a relatively weak showing upon release. Then we discuss the...