The VHS Strikes Back

Chris has picked this week, and he has gone for Face/Off, John Woo’s 1997 action thriller in which John Travolta and Nicolas Cage spend most of the running time playing each other. Mike Werb and Michael Colleary wrote it in the summer of 1990, hoping to sell the next Die Hard, and it then sat at Warner Bros. on a $125,000 option until Paramount picked it up. It went through three directors and more than thirty drafts before Woo signed on, and moving the story from the future to the present day trimmed about $20 million, leaving a final budget of $80 mi...

Lucky LouLou Green has us checking the locks this week with Cape Fear, Martin Scorsese’s 1991 remake of the 1962 thriller, itself taken from John D. MacDonald’s novel The Executioners. The project began at Steven Spielberg’s Amblin with Robert De Niro attached as Max Cady, before Spielberg and De Niro talked Scorsese into directing. Filming began on 19 November 1990 in South Florida, standing in for North Carolina, with Nick Nolte, Jessica Lange and Juliette Lewis as the Bowden family. The houseboat climax was shot last, in a purpose-built ninety-foot water tank, and took four weeks instead of two.

Made...

Susan sends us to Brooklyn this week for She’s Gotta Have It, the 1986 comedy-drama that launched Spike Lee. He wrote, directed, produced and edited it, and it only exists because his previous project, a bike-messenger film called Messenger, collapsed in 1984 when the money never arrived. So he wrote something he could afford: twelve days in the summer of 1985, on $175,000, with a non-union crew and no permits or insurance. Tracy Camilla Johns stars as Nola Darling opposite Tommy Redmond Hicks, John Canada Terrell and Lee himself, who played Mars Blackmon because there was no money to pay an actor.

Blake’s choice this week is Secretary (2002), a film you probably wouldn’t have rented for a quiet evening with your parents. Directed by Steven Shainberg and written by Erin Cressida Wilson, it stars Maggie Gyllenhaal and James Spader. This independent production had a reported $4 million budget and was filmed in Los Angeles, with carefully designed interiors giving it that slightly strange, almost dreamlike look.

Secretary won Sundance’s Special Jury Prize for Originality and helped put Gyllenhaal firmly on the map. Roger Ebert praised the lead performances and its handling of difficult subject matter. Its mix of awk...

Dave’s pick this week is Convoy, Sam Peckinpah’s 1978 trucker movie starring Kris Kristofferson as Rubber Duck, alongside Ali MacGraw, Ernest Borgnine, Burt Young, Madge Sinclair and Franklyn Ajaye. Filmed largely across New Mexico, the production rolled badly over budget, ultimately costing around $12 million — more than twice its original estimate.

Behind the camera, things were almost as unruly as the convoy itself. Peckinpah shot roughly 800,000 feet of film and struggled to bring his cut below three-and-a-half hours before the producers took control of post-production. Reviews were mixed, but audiences turned up: the film earned about $45 million in the...

Chris takes the controls this week with The Living Daylights, the 1987 James Bond adventure that introduced Timothy Dalton as 007 following Roger Moore’s retirement from the role. Directed by Bond veteran John Glen and produced by Albert R. Broccoli and Michael G. Wilson, the film had an estimated $40 million budget and paired Dalton with Maryam d’Abo, Jeroen Krabbé, Joe Don Baker, John Rhys-Davies and Art Malik. Filming took the production from Pinewood Studios to Gibraltar, Vienna and Morocco, with Dalton throwing himself into the action and performing a surprising amount of the stunt work himself.

Released in th...

Patreon Herb sends Dave and Chris into the Australian Outback with The Proposition, John Hillcoat’s 2005 revisionist Western, written by Nick Cave. An Australian–UK co-production made for a reported budget of around $2 million, the film was shot around Winton in Queensland, using the harsh Outback landscape rather than trying to make Australia look like somebody else’s Wild West. Guy Pearce leads an impressive cast alongside Ray Winstone, Emily Watson, Danny Huston, John Hurt and David Wenham, with the unforgiving conditions becoming almost as important to the film’s atmosphere as the actors themselves.

The result was a gr...

Chosen by Gareth, Double Impact arrived in 1991 at exactly the point where Jean-Claude Van Damme was becoming one of the defining action stars of the VHS era. Directed by Sheldon Lettich and co-written by Lettich and Van Damme, the film had an estimated budget of around $15 million and was shot across Hong Kong and Southern California. Van Damme also co-produced the movie while taking on its dual leading roles, supported by Geoffrey Lewis, Alonna Shaw, Alan Scarfe, Bolo Yeung and Cory Everson. Creating two Van Dammes in the same scene required optical split-screen techniques, carefully controlled camera work and...

This week's pick comes from JAC, who takes us back to 1989 for Best of the Best, directed by Robert Radler and developed from a story by Phillip Rhee and Paul Levine. Made for an estimated $5 million, the film assembled an impressively serious cast for a martial arts tournament movie, including Eric Roberts, Phillip Rhee, James Earl Jones, Sally Kirkland, Chris Penn and Louise Fletcher. Production used locations in both the United States and South Korea, although some of the supposedly Korean tournament action was actually shot at the Olympic Stadium in Los Angeles.

Released in the US...

Chosen by Dave and Directed by Mike Hodges and produced by Dino De Laurentiis, Flash Gordon arrived in 1980 as a gloriously extravagant attempt to bring Alex Raymond’s classic comic-strip hero back to the big screen. With a budget reported at around $20–27 million, the production went all-in on enormous studio sets, lavish costumes and deliberately colourful, old-school effects. Sam J. Jones took the title role alongside Melody Anderson, Max von Sydow, Ornella Muti, Topol, Timothy Dalton and a magnificently enthusiastic Brian Blessed.

And then, of course, there’s Queen. The band supplied the film’s unmistakable rock soundtra...

Chris has chosen a 1995 action classic this week! Produced by action-movie heavyweights Don Simpson and Jerry Bruckheimer, Bad Boys marked Michael Bay’s feature-directing debut after cutting his teeth on commercials and music videos. Will Smith, Martin Lawrence, Téa Leoni, Tchéky Karyo and Joe Pantoliano led the cast, with Miami’s sun-soaked streets providing the film’s glossy backdrop. Estimates place the production budget between $19 million and $23 million—remarkably restrained considering the quantity of gunfire, explosions and expensive-looking shirts on display.

Reviews were mixed, but audiences were considerably more enthusiastic: the film opened at number one in Nort...

Leigh's pick takes us deep into the wonderfully unhinged world of 1980s Taiwanese ninja cinema with Ninja Condors, also known as Ninjas, Condors 13. Directed by Wu Kuo-Ren, credited on some releases as James Wu, the film was written by prolific exploitation filmmaker Godfrey Ho and produced by Chin Chang-Liang and Tomas Tang. Alexander Lo Rei leads a cast that also includes Eugene Thomas, George Nicholas, Jack Long, Li Hai-Hsing and Five Venoms veteran Lu Feng. No reliable published production budget appears to have survived, which somehow feels entirely appropriate for a film this gloriously rough around the edges.

Chosen by Maff, directed and co-written by Sammo Hung, Wheels on Meals was a Hong Kong–Spanish co-production from Golden Harvest and Laurenfilm, filmed extensively on location around Barcelona and Tarragona. Reliable published budget figures are difficult to verify, but the international production gave the film a distinctive scale and sun-drenched European setting rarely seen in Hong Kong action cinema at the time. Jackie Chan, Yuen Biao and Sammo Hung reunited as the leading trio, supported by Spanish actress Lola Forner and American martial artists Benny “The Jet” Urquidez and Keith Vitali.

Released in Hong Kong on 17 August...

Chosen by Dylan, Once Were Warriors was adapted from Alan Duff’s bestselling 1990 novel by screenwriter Riwia Brown. Made for approximately NZ$2 million and filmed over a demanding six-week shoot, it marked the feature-directing debut of Lee Tamahori. Much of the production took place around Ōtara in South Auckland, grounding the film’s urban Māori setting in real locations rather than a carefully polished studio version of New Zealand. Rena Owen and Temuera Morrison lead the cast as Beth and Jake Heke, supported by Julian Arahanga, Mamaengaroa Kerr-Bell, Taungaroa Emile and Cliff Curtis.

The film became a majo...

Chosen by Dave, and adapted by David Mamet from his Pulitzer Prize-winning stage play, Glengarry Glen Ross was directed by James Foley and assembled one of the most formidable acting line-ups of the 1990s: Al Pacino, Jack Lemmon, Ed Harris, Alan Arkin, Kevin Spacey, Jonathan Pryce and Alec Baldwin. Made for an estimated $12.5 million, the film turns offices, restaurants and rain-soaked streets into a pressure cooker of desperation, ego and spectacularly aggressive salesmanship. Mamet reportedly received $1 million to adapt his own play, expanding the material specifically for the screen.

Despite strong reviews, the film earned approximately $10.7 million...

Chosen by Chris and released in 1993, Falling Down was directed by Joel Schumacher from a screenplay by Ebbe Roe Smith. Produced for an estimated $25 million, the film stars Michael Douglas in one of his most unsettling roles, supported by Robert Duvall, Barbara Hershey, Rachel Ticotin, Frederic Forrest and Tuesday Weld. The production filmed extensively on location across Los Angeles, using the city’s traffic jams, fast-food restaurants, convenience stores and sun-baked streets to create a sweaty urban pressure cooker.

The film opened at number one in the United States and earned more than $40 million domestically, while provoking a...

Chosen by Mike Burton of Genuine Chit-Chat fame, Dune was released in 1984 and was David Lynch’s ambitious attempt to bring Frank Herbert’s famously dense sci-fi novel to the big screen. Produced by Dino De Laurentiis, the film had a reported budget of around $40 million and was shot largely in Mexico, with huge sets, elaborate costumes, miniature effects, and enough invented terminology to make a cinema audience quietly panic into their popcorn.

The cast is absolutely stacked: Kyle MacLachlan, Francesca Annis, Jürgen Prochnow, Patrick Stewart, Max von Sydow, Sean Young, Brad Dourif, Dean Stockwell, and Sting...

Chosen by Timothy and released in 2002, Irreversible was written and directed by Gaspar Noe, the Argentine-born French filmmaker already known for pushing audiences well outside the comfort zone. The film stars Monica Bellucci, Vincent Cassel and Albert Dupontel, with Bellucci and Cassel appearing together while they were married in real life, which adds an extra layer of intensity to an already very uncomfortable viewing experience.

Shot in France on a relatively modest budget, Irreversible became one of the most talked-about films of the early 2000s after its Cannes Film Festival premiere, where it reportedly caused walkouts, outrage...

Chosen by new Patreon Chris! Released in 1985 by Paramount Pictures, Summer Rental gave John Candy one of his early big-screen leading roles, with Carl Reiner directing and a cast that includes Karen Austin, Kerri Green, Joey Lawrence, Rip Torn, and Richard Crenna. Written by Mark Reisman and Jeremy Stevens, the film arrived during that golden VHS-era window when a family comedy could basically be built around one exhausted dad, one bad holiday, and the quiet national fear that your summer break might involve damp walls, sunburn, and emotional collapse.

Production took the crew to Florida, with filming...

Chris has gone for an Arnie classic this week. Released in 1988, Red Heat arrived right in the thick of the buddy-cop boom, pairing Arnold Schwarzenegger’s granite-faced Soviet policeman with Jim Belushi’s wisecracking Chicago detective. Directed, co-written and co-produced by Walter Hill, the film sits somewhere between Cold War curiosity, action thriller, and odd-couple comedy, with Hill bringing his usual muscular, stripped-down approach to men glaring at each other near explosions. The cast also includes Peter Boyle, Ed O’Ross, Laurence Fishburne, Gina Gershon and Brion James, which is a very 1988 way of saying, “Yes, this will involve shouting...

Chosen by Dave, A Shot at Glory is a Scottish football drama directed by Michael Corrente and written by Denis O’Neill, bringing together a surprisingly heavyweight cast for a film about lower-league football, club loyalty, and men shouting at each other in tracksuits. Robert Duvall stars as Gordon McLeod and also served as a producer, with Michael Keaton, Ally McCoist, Brian Cox, Cole Hauser, Kirsty Mitchell, and Morag Hood rounding out a cast that feels like someone put Hollywood, Scottish football, and a pub argument into the same blender. The film was produced around 1999/2000 and received a limited US...

Chosen by Patreon supporter Helen, Indecent Proposal is exactly the sort of glossy 90s adult drama that makes perfect VHS Strikes Back territory: stylish, morally messy, wildly debatable, and absolutely guaranteed to make everyone in the room ask what they would do for one million dollars. Directed by Adrian Lyne, the film arrived in 1993 at the peak of Hollywood’s obsession with erotic thrillers and high-stakes relationship dramas, when a soft-focus lens, a luxurious wardrobe, and a deeply questionable premise could still become a major box office event. Based on Jack Engelhard’s 1988 novel, it starred Robert Redford, Demi Moor...

Chosen by Kent and released in 1985, Brewster’s Millions was directed by Walter Hill and produced by Lawrence Gordon, Joel Silver and Gene Levy for Universal Pictures. Hill was best known for tougher, more muscular films like The Warriors, The Driver, 48 Hrs. and Streets of Fire, so seeing him take on a broad Richard Pryor comedy is one of those wonderfully odd 80s career turns that makes perfect sense only after three pints and a VHS rental card. The screenplay came from Timothy Harris and Herschel Weingrod, the writing duo behind Trading Places, adapting George Barr McCutcheon’s much-filmed 1902 nove...

Chosen by Justin, Only the Lonely arrived in 1991 as a gentler, more bittersweet John Candy vehicle than the broad comedy many audiences might have expected. Written and directed by Chris Columbus and produced by John Hughes and Hunt Lowry, the film brought together Candy, Maureen O’Hara, Ally Sheedy, Anthony Quinn, James Belushi and Kevin Dunn for a Chicago-set romantic comedy-drama with a softer heart than its VHS-era packaging probably suggested. A widely reported production budget is not readily available, but the film earned around $21.8 million domestically after opening wide through 20th Century Fox in May 1991.

The pr...

Released in 1986, Crocodile Dundee was directed by Peter Faiman and co-written by Paul Hogan, Ken Shadie, and John Cornell, with Hogan also starring as the now-iconic Mick Dundee. Made on a modest budget of around A$8.8 million, the film was designed to be a broad, crowd-pleasing Australian comedy that could travel internationally — which is exactly what it did, with all the subtlety of a bloke walking into a New York hotel with a knife the size of a paving slab.

Filming took place across Australia and the United States, including Queensland, Kakadu National Park in the Northern Te...

Chosen by Chris, Heat arrived in 1995 as Michael Mann’s grand, granite-jawed crime epic: a nearly three-hour Los Angeles thriller with the emotional temperature of a fridge full of loaded handguns. Produced by Mann and Art Linson, the film brought together Al Pacino and Robert De Niro on-screen for the first time, backed by a frankly ridiculous ensemble including Val Kilmer, Jon Voight, Tom Sizemore, Ashley Judd, Amy Brenneman, Wes Studi, Mykelti Williamson and Ted Levine. With a reported budget of around $60 million, this was not some cosy little cops-and-robbers caper; it was prestige crime cinema wearing an expensive su...

This week, Patreon supporter Matt Bates, the Black Country Vlogger, brings us Innocent Blood (1992) for our Pain and Pleasure theme -- a film that revels in the push and pull between the two. Innocent Blood (1992) came about in a roundabout way, which is fitting for a film that defies easy categorisation. John Landis had originally been developing a vampire project called Red Sleep -- a wild premise about Las Vegas being run by vampires -- before Warner Bros. passed and handed him a first-time script by Michael Wolk. The film had an entirely different trajectory before Landis came aboard...

This week’s pick comes from Patreon supporter Graeme—clearly a man who woke up and chose absolute emotional devastation. Directed by Shane Meadows, Dead Man’s Shoes (2004) is a raw, low-budget British drama that has steadily grown into a cult favourite. Shot primarily in and around Matlock, the film was made on a modest budget estimated at around £723,000. Meadows co-wrote the screenplay with Paddy Considine, who also stars in the lead role. The production leaned heavily on improvisation, giving the performances an unsettling realism that sets it apart from more polished revenge thrillers.

Upon release, the film wa...

This week’s pick comes from Patreon supporter Tony, who’s taken us straight into the neon-soaked world of Purple Rain—a film that’s as much a cultural moment as it is a movie. Directed by Albert Magnoli and starring music legend Prince in his film debut, Purple Rain was created as a semi-autobiographical vehicle to launch Prince into global superstardom. Produced on a modest budget of around $7.2 million, the film was shot primarily in Minneapolis, grounding it in the real club scene that shaped Prince’s early career. The First Avenue nightclub, where much of the film takes place...

Released in 1964, Mary Poppins was a landmark production for Walt Disney Studios, blending live-action with groundbreaking animation in a way that felt genuinely magical at the time—and still holds up remarkably well today. Directed by Robert Stevenson and starring Julie Andrews in her film debut alongside Dick Van Dyke, the film was based on P.L. Travers’ beloved book series. Despite Travers’ well-documented scepticism toward Disney’s adaptation, the production moved forward with an ambitious vision, supported by the Sherman Brothers’ now-iconic musical score. With a budget of around $6 million, it became one of Disney’s most successful releases of...

Released in 1985, Teen Wolf was a low-budget teen comedy (around $1–1.2 million) directed by Rod Daniel and starring Michael J. Fox. Filmed primarily in California, the production leaned into practical effects, with extensive prosthetic makeup used to create the film’s now-iconic werewolf look. At the time of filming in 1984, Fox was already gaining popularity from Family Ties, but had not yet reached full movie-star status.

The film became an unexpected box office hit, grossing over $80 million worldwide. Its release shortly after Back to the Future significantly boosted its visibility, helping turn it into a VHS-era favourite. While crit...

The Night Porter (1974) was chosen by Patreon supporter Spider-Dan, host of Spider-Dan and the Secret Bores, and it remains one of the most controversial and debated films of 1970s European cinema. Directed by Liliana Cavani, the film was produced during a period when European filmmakers were increasingly pushing boundaries around historical trauma, psychology, and taboo subject matter. Cavani approached the project with an intent to explore complex power dynamics and the lingering psychological effects of war, resulting in a film that blurred the lines between arthouse drama and exploitation. The production was backed by Italian producers and shot primarily...

A Bronx Tale (1993) is Matty V's pick, and brings a very personal story to the screen and marked Robert De Niro’s directorial debut, adapting the one-man stage play written and performed by Chazz Palminteri. Palminteri had famously turned down large offers for the film rights unless he could play the central mob figure himself, a condition De Niro respected when he brought the project to the screen. The production aimed for authenticity, recreating the working-class Bronx neighborhoods of the 1960s with meticulous attention to detail. Although the story is set in New York, much of the filming actually too...

Empire Records (1995) was chosen by Patreon supporter Nick, and it represents a perfect snapshot of mid-90s youth culture wrapped inside a modest studio comedy. Directed by Allan Moyle and produced by Regency Enterprises for Warner Bros., the film was developed during a period when studios were eager to tap into the alternative music scene and Generation X attitudes. Rather than focusing on blockbuster spectacle, the production centered on character-driven storytelling and the energy of independent record store culture, something that resonated strongly with the decade’s music-obsessed audiences.

Filming took place primarily in Wilmington, North Carolina, wi...

Top Secret! (1984) was chosen by Dave, and it arrived during a golden era for absurdist American comedy. Directed by the Zucker-Abrahams-Zucker team — Jim Abrahams, David Zucker, and Jerry Zucker — the film followed the massive success of Airplane! (1980) as the trio continued refining their signature style of rapid-fire sight gags, visual jokes, and deadpan delivery. Rather than parodying a single film, the production blended elements of Cold War spy thrillers with the glossy style of Elvis-era musical films, creating a deliberately ridiculous mash-up that leaned fully into the trio’s love of relentless, layered comedy.

The film also marked...

A View to a Kill (1985) was chosen by Chris, and it marked a significant transitional moment for the long-running James Bond franchise. Produced by Albert R. Broccoli and Michael G. Wilson and directed by John Glen, the film was developed during a period when the series was balancing its established formula with the shifting tone of mid-1980s blockbuster cinema. With a reported budget of around $30 million, the production aimed to deliver classic Bond spectacle while maintaining the polished globe-trotting style audiences expected. Notably, the film became Roger Moore’s seventh and final appearance as 007, closing out the longest te...

The Protector (1985) was chosen by Greig, and it stands as one of the more unusual entries in Jackie Chan’s filmography — an attempt to firmly break him into the American action market during the mid-1980s. Directed by James Glickenhaus and produced by Golden Harvest in collaboration with U.S. partners, the film was conceived as a tougher, more hard-edged vehicle than Chan’s Hong Kong output. The production reflected a clear effort to reshape Chan’s screen persona for Western audiences, emphasizing a grittier tone and more conventional cop-movie structure compared to the acrobatic, comedy-infused style that had made him...

This week on The VHS Strikes Back, we dive into Erotic Ghost Story (1990), chosen by friend of the show John Hammond — a man clearly unafraid of wandering into the “back shelf” section of the video rental store. Directed by Lam Ngai Kai during the golden age of Hong Kong Category III cinema, this supernatural fantasy blends martial arts, folklore, horror and soft-focus seduction into one uniquely 90s experience.

Released at a time when Hong Kong cinema was pushing boundaries with stylised ghost stories and adult-themed genre hybrids, Erotic Ghost Story arrived as part of a wave inspired by the...

Sworn to Justice (1996) was chosen by friend of the show and Patreon supporter Leigh, and is a prime example of mid-90s direct-to-video action thrillers built around martial arts credentials and late-night cable appeal. Produced by PM Entertainment — a studio known for churning out low-budget, high-concept action films — the movie was designed specifically for the booming VHS rental market rather than theatrical release. Director Paul Maslak leaned into the studio’s house style: fast-paced action, neon-lit cityscapes, and a blend of crime, thriller, and exploitation elements. The film was shot quickly and economically, typical of PM’s efficient production model, w...

Red Sonja (1985) was chosen by Dave, and it represents one of the most high-profile attempts to expand the sword-and-sorcery boom that followed the success of the early 1980s fantasy epics. Produced by Dino De Laurentiis and directed by Richard Fleischer, the film was developed as a companion piece to the popularity of Conan-style fantasy cinema, drawing inspiration from the Marvel Comics version of the character rather than directly adapting Robert E. Howard’s original prose stories. The production was mounted as an international co-production, with a sizeable budget for the genre and a clear goal of building a new fa...