Person Place Thing with Randy Cohen

Sought-after accompanist, artistic director of the New York Festival of Song, purveyor of beauty tips: "I don't recommend a coma as a way of looking good, but if you are ever in a coma, trust me, you're going to look your best." What the music teaches. Produced with the Kaufman Music Center. Plus pianist Winnie Zheng, singers Nicoletta Berry and Sophia Baete.

Former artistic director of the Alvin Ailey company, current choreographer with the Paul Taylor company, his early love wasn't dance but singing. "I was really good at home, but in front of people my voice would crack. Dance was the only thing I could muscle through the nerves." Highly specific stage fright. Presented with the PTDC.

This former principal with the New York City Ballet is a resident choreographer with the Paul Taylor Dance Company, a daunting transition. "If I'm not a little bit scared, a little bit uncomfortable, I'm not living or growing the way I want to." I tried to make her scared and uncomfortable, but now I realize she meant professionally. Presented with the PTDC.

Conductor and Music Director of the Paul Taylor Dance Company, he began in the eighties as rehearsal pianist for the Dance Theatre of Harlem. It was another era. "There were more difficult personalities and diva-type behavior." The good old days. For the divas. Presented with the PTDC. Music: the Orchestra of St. Luke's.

"One of the great strengths of being a standup comedian," he says, "is that the person most likely to use things that will embarrass me, is me." That's self-reliance. And my kind of Judaism. Presented with Littlefield, the first in our series of Conversations with Comics. Music: Taylor Ashton.

The president and CEO of the New York Philharmonic describes their task: "It's about the creation of those incredible moments that lead up to probably the most important moment in a concert, which is the silence before the first note." Almost Zen. Presented with the Viñoly Foundation. Music: violist Edwin Kaplan, cellist Titilayo Ayangade.

This authority on artist Frederic Church notes his confidence in America. "He's saying we in the United States are worthy of occupying a place on the world stage." Church died in 1900. He didn't see what we've done to the place lately. Presented with the Hunter College Office of the Arts. Music: Jenny Rroji.

The head of Transportation Alternatives, an advocacy group for cyclists, pedestrians, and transit, says traveling by bus or subway is egalitarian, less polluting, and this: "A reading commute is one of the great luxuries of a city where you don't have to drive." The rolling reading-rooms of New York. Produced with P&T Knitwear.  Music: Christopher McBride.

If this historian could go back in time and attend any of Lincoln's speeches, he'd pick the Cooper Union address rather than the one you (I?) think: "Why go to Gettysburg and stand around for hours for a two-and-a-half minute speech?" Plus Lincoln's choice of weapons when challenged to a duel. Presented with Roosevelt House. Music: Hubby Jenkins.

This social scientist and policy advisor finds hope in local resistance to data centers. "These are our neighbors saying we thought we had no power, but we know where AI sits in our lives, and we can say something about it." I'm still uneasy about my toaster-oven. Presented with the Park Avenue Armory. Music: Hubby Jenkins.

"Eye surgery now is so marvelous," says this ophthalmologist. "I'm amazed." At age 97, he's one of the innovators who made it amazing, and he found time to go out for beers with Wernher von Braun and perform Shakespeare (not simultaneously). Produced with New York's Amateur Comedy Club with the sponsorship of Thomas Campbell Jackson. Music: Ray Lustig.

Gilbert Stuart's portrait of George Washington does not convey his actual appearance, says the Jewish Museum's director. "It's the way Washington wanted to present himself." The dubious task of the society painter, plus 3,500 years of Jewish life expressed as art. Listen quickly. Music: Pete Rushefsky, Jake Shulman-Ment.

They note that the leaders of the Irish rebellion of 1916 "wrote plays and poems and were well known in Irish literary circles." I'd be happy to have leaders who went to a play or read a poem. The curators of Risings: The Irish Literary Revival and the Making of a Nation, presented with the Grolier Club. Music: Cashel Day-Lewis.

These historians note that our Revolutionary War was also a civil war. "In New York and Philadelphia and Charleston, it really was neighbor against neighbor, brother against brother." Not what I learned in cold-war high school. But what is? Produced with the Gotham Center for New York City History, and without the Ultimate Fighting crowd. Music: Anne and Ridley Enslow.

A little sadness tints his exultant photographs of subway repair shops: "I'm one step ahead of the wrecking ball, whether it's a factory that's going to close or a process that's going to change. It's heart-breaking." Presented with MTA Arts and Design and the New York Transit Museum. Music: Dingonek Street Band.

When he asked Frederick Douglass to the White House, did he serve snacks? "We did offer some refreshments, perhaps tea and bread." Tea and bread? Great Emancipator, chintzy host. A conversation with the 16th President, as portrayed by ChatGPT: call him AI-braham Lincoln.

From the day she was born, her father was determined to make her a musician: "When I was brought home, my father piped classical music throughout the house and in our bedrooms. All night. Newborns! We were newborns!" Today she's a pediatrician. No no, a pianist. And a fine one. Presented with Yamaha Artist Services of New York.

The Lutheran Bishop of New York esteems the subway. "It doesn't discriminate based on age, race, gender identity, religion, lack of religion, none of those things." Not just a public good, "a manifestation of the kingdom of God." The second of a two-part episode recorded at St. Luke's Lutheran Church. Music: Ashley Wool, Arden Strasser.

The Lutheran Bishop of the Metropolitan New York Synod has a complex and nuanced view of God but unbridled affection for His son: "I'm a big fan of Jesus; we go way back." The first of a two-part episode recorded at St. Luke's Lutheran Church. Music: Ashley Wool, Arden Strasser.

These veterinarians enjoy their work. He says, "I'm always excited when someone from exotics says, 'Hey, do you have time tomorrow? We need to try to get a screw out of a macaw.'" A sentence never before spoken in all of human history. Produced with the Schwarzman Animal Medical Center. Music: Valerie and Ben Turner.

After a lifetime as a lighting designer for theater and dance, much of it working with gels, she received this honor: "There was a color that was named after me. They don't make it anymore." And thus the whirligig of time brings in his revenges. Presented with the Paul Taylor Dance Company.

The chief theater critic of the New York Times is a model of sophistication, but she didn't begin that way. "I was an extremely nerdy, very braces-wearing, awkward girl from Kansas." Not just braces-wearing, very braces-wearing. The making of an analytical mind. Presented with the Hunter College Office of the Arts. Music: Leonardo Reyna.

Having received many awards, this actor and playwright says that winning need not be so great nor losing so dreadful. "Some people can win something and lose their minds. I don't know that losing has to be destructive." We spoke at the Brick Theater after a matinee of his solo performance in without mirrors. Music: Ira Khonen Temple.

This Harlem fashion icon owns more than 600 hats. "There were times I would leave my house, get down the hill, and recognize it's the wrong hat." She'd turn around and march back up that hill, with the dedication of a true artist. Harlem, history, and hats.  Produced with the Maysles Documentary Center. Music: Warner Meadows.

His research on the neuroscience of aesthetics suggests that people crave the human touch. "If they think something is made by a person, they like it more; if they think it's made by a machine they don't like it." He does not mention Twinkies.  Or the late Joan Rivers. Presented with the Viñoly Foundation. Music: Rupert Boyd, Laura Metcalf.

This scholar says, "What made American fashion different is that it was to be wearable, comfortable, practical." But not on the red carpet at the Oscars, she did not add. We spoke in conjunction with her exhibition Art X Fashion currently at the Museum at FIT. Music: Stephanie Jenkins.

I'm reluctant to declare an artist a success or failure. This Syrian-born composer and clarinetist has a better characterization: doing well. "Staying true to what I wanted to do, and leading a fulfilled artistic life." And he does. Presented with the Hunter College Office of the Arts.

The Cathedral of St. John the Divine is an Episcopal church and more, says its Dean. "I have Jewish, Hindu, Muslim friends who pray here, because it feels like a holy place." My house shall be a house of prayer for all nations, said Jesus, quoting Isaiah, quoting God. Music: Daniel Ficarri.

As portrayed by Michael Boriskin, director of Copland House. "I decided from the time I was in my mid-twenties that there was no such thing as a rival or a competitor, that we were all colleagues." So modest, and yet so dead. A conversation from beyond the grave. Sort of. Music: Siwoo Kim, Alexis Pia Gerlach, Michael Boriskin.

Can architecture be witty? At that scale? At those prices? This architect ponders. "It can certainly be smart, and it can do unexpected things, which doesn't necessarily make it witty. That might make it clever," he says wittily. Presented with the Center for Architecture. Music: Hubby Jenkins.

This playwright directed his When the Hurly Burly's Done in Kyiv. "It's about six young women putting on a play in the middle of a war, to be performed by six young women putting on this play in the middle of a war." There was an opening-night air raid. Presented with the Hunter College Office of the Arts.

The leader of the Willie Mae Rock Camp describes a device she uses to teach girls about blues and STEM: "It is a collision of culture and technology and future possibilities." One of those robot vacuum cleaners? Her electronic banjo. Electronic Banjo! Music: Thea King.

"There are only two reasons to be a journalist," says this one, "To bear witness—to see things that your viewers or readers or listeners can't see themselves—and then to use that to hold power to account." No mention of the food in the greenroom. Austere! Presented with the Hunter College Office of the Arts. Music: Ashley Jackson.

As head of NYC's Economic Development Corporation, he guided massive projects. "I knew in my twenties that I wanted to be in urban economic development. I actually knew from being a little kid." When I was a little kid, I wanted to be a cowboy. Presented with the Department of Records and Information Services. Music: Karl Schwarz

"My father was a pastor. My grandfather was a pastor. My great-grandfather was a pastor." Why didn't this composer go into the family business? Perhaps he did. "I'm doing some of the same things as my father, just not in the same place." Music sacred and secular at Klavierhaus.

This preservationist speaks movingly about his great great grandfather, Samuel Untermyer, "the super-lawyer who took on Hitler." It's the comic book Michael Chabon was born to write. A conversation at and about Woodlawn Cemetery.

These Jane Austen scholars note that she long had a diverse readership, but in post-war America that changed. "Publishers pushed her to women specifically. Just like they made pink Cadillacs, they made pink Janes." (Caution: do not read and drive.) Produced with the Grolier Club. Music: Reid Jenkins.

The Curator of Architecture and Design at MoMA enjoys work that surprises, up to a point. "I don't like gigantic provocations, I like small provocations, the ones that sneak up on you." Jolted awake, not pummeled into submission. Presented with the Viñoly Foundation. Music: Ethel—Ralph Farris, Kip Jones, Corin Lee, Dorothy Lawson.

Celebrated for his use of light, this architect is moved by that from distant stars: "Those photons are around us—we can't see them—but they are fundamentally carrying the history of the universe." We spoke at 7 World Trade Center, a building he worked on, through the generosity of Silverstein Properties. Music: Valerie and Ben Turner, DBA Piedmont Bluz.

The heirs of deceased playwrights can be finicky about new productions—Samuel Beckett, Arthur Miller—but the head of the Mint Theater has a different experience. "What I tend to run into from estates is, 'Really? You're interested in that old play? Great!'" How to revive neglected plays. Music: Sean Hagerty