Headliner Radio

Once a member of the ska band Reel Big Fish, two-time Grammy winner Carlos de la Garza pivoted into his true calling of engineering and mixing albums, racking up credits with the likes of Death Cab for Cutie, Jimmy Eat World, Wolf Alice, as well as his multiple award-winning collaborations with Paramore and Hayley Williams. He chats to Headliner about working with alt-J frontman Joe Newman and his new solo venture Jjerome87 on the debut album The Canyon.

Acclaimed singer-songwriter, cellist, composer and MOBO-nominee Ayanna Witter-Johnson discusses her new album, New Roots, an intimate exploration of British-Caribbean identity, lineage, self-discovery and renewal. She reflects on the central role of the cello in her songwriting, the inspiration behind key tracks from the album, navigating the music industry as a multi-disciplinary artist, and what she hopes listeners take from New Roots.

Four years after joining forces, Kristian Smith and Curt Lopez have quietly positioned Sonata Collective as one of the UK's most exciting names in deep house. The duo discuss the momentum behind Sonata Collective, why consistency matters just as much as talent, what "making it" as a DJ really means, their must-have DJ gear, and why their biggest chapter is still to come. 

Producer Andrew DeRoberts, the creative force behind rising country star Alexandra Kay’s second album, Second Wind, discusses the making of the record and the collaboration that shaped its sound. Bringing a fresh, modern edge to Kay’s country style, DeRoberts helped craft an album that has made a strong impact on the charts, with lead single Straight For The Heart achieving one of the biggest first-week country radio debuts by a solo female artist. He discusses how he balanced country authenticity with pop influences, the studio techniques that helped define Second Wind, and what it takes to create a re...

Manchester soul artist Mica Millar discusses the making of her new album, A Little Bit of Me – a self-written, self-produced statement recorded at the iconic Miraval Studios in the South of France, the residential studio owned by Brad Pitt. As she enters the next chapter of her career, including a major UK and European tour, Millar reflects on finding her voice, recording at Brad Pitt’s studio, the art of producing her own vocals, and the challenges of making the difficult second album.

Blaine Harrison, lead singer of UK indie rock band Mystery Jets, discusses the making of the band’s seventh studio album, A Hole To See The Sky Through. Named after Yoko Ono’s minimalist art piece of the same name, the album features the original artwork on its cover, following special permission from Ono herself. Harrison explains why Ono’s work made such a lasting impression on him, and reflects on how Mystery Jets’ songwriting has evolved over the years. He also looks back at the band’s approach to touring, and how life on the road has changed since they...

Former drummer, songwriter, studio owner and self-described “cynical recording engineer,” Dave Hetrick has built his career trying to bridge the gap between engineering obsession and commercial reality, along the way helping brands such as Event Electronics, KRK and ADAM Audio grow, evolve and ultimately reach successful exits. Now, as president and chief revenue officer of Royer Labs and Undertone Audio, he is applying those lessons to two of the most respected names in high-end recording. In this candid conversation with Headliner, Hetrick reflects on the hard lessons learned from his time at KRK, why some boutique companies succeed while othe...

Two-time BAFTA Award-winning composer Jason Graves, whose work spans the hit games Dead Space, Tomb Raider, Until Dawn, Call of Duty: Modern Warfare II, and Still Wakes The Deep, delves into his score for Supermassive Games' latest cinematic survival horror adventure, Directive 8020. He explores his thinking behind the deceptively simple three-note motif at the heart of the soundtrack, crafting unsettling musical textures, and shares how Cubase helped bring the game's evolving sonic world to life.

alt-J frontman Joe Newman opens up about making his debut Jjerome87 album, The Canyon, experiencing ego death, California inspiration, cinematic Americana, and sampling a double Dutch team.

Rising singer-songwriter ALANI delves into the making of her debut EP, Somewhere Between Saying It. The London-born singer-songwriter, whose French, Lebanese, and Brazilian roots inform her perspective, discusses overcoming writer’s block, what she learned by appearing on  The Voice Kids UK, moving to New York to study at NYU’s Gallatin School, and why the new EP unfolds like a diary.

US country music rising star Alexandra Kay joins Headliner while in the UK for her performance at BST Hyde Park. She discusses turning viral social media success into a loyal global fanbase, the momentum behind her album Second Wind, life on the road, and her rapid rise in country music.

Nigerian-British virtuoso jazz drummer and bandleader Jon Onabowu has become a key figure in the London jazz scene, and 2026 is the year he steps out and releases his debut album, Now’s The Time. He discusses blending modern UK jazz with funk, hip-hop, gospel, being the founder of the Cosmic Fusion residency at Ronnie Scott’s Jazz Club in London, and helping to shape a new generation of live-focused, groove-led jazz in the city.

After globe-trotting and touring as the keyboardist and producer of Bring Me The Horizon, Reading-born Jordan Fish is now working as a full-time producer for artists including Poppy, Architects, BABYMETAL, and Good Charlotte. He discusses his breakthrough projects with Poppy, his shared history with Amy Lee, how she opened up to co-writing with him after she wasn’t taken seriously as a songwriter in her early years of the band, and the VSTs, plugins, and DAW techniques he used to help create the sound of Evanescene’s new record, Sanctuary. 

AS Fanning is an Irish singer-songwriter based in Berlin, formerly of the band The Last Tycoons. After releasing three critically acclaimed albums and being named Far Out’s Songwriter of the Year, Fanning is back with his fourth album, Take Me Back to Nowhere. He chats to Headliner about getting up at 4am to write lyrics with a broken wrist, recording the album in Sweden, and his upcoming EU and UK tour.

North London emcee and Top Boy actor Scorcher has been one of grime’s pioneers since the early ’00s, and had his talents and contributions recognised as Best Grime Act at the 2025 MOBO awards. His huge music resurgence from recent years continues with new single Comfy ft. K-Trap, followed by his new album, ADMD. He talks about always moving forwards and not getting too nostalgic for the early days of grime, working with the likes of Giggs on recent singles, and his new LP.

Toronto-born WHIPPED CREAM has always moved between worlds, from competitive figure skating to becoming one of electronic music’s most distinctive and emotionally driven producers, vocalists and DJs. She talks about her journey from the ice rink to the DJ booth, the making of her debut album, HOME WAS ALWAYS ME, writing her most personal songs yet, and the life lessons that shaped it all.

In this world of short form TikTok content and AI-generated videos, Glaswegian band Conscious Pilot are a straight-up post-punk/indie rock act committed to recording songs to tape and shooting music videos on 16mm cameras. Frontman Joe Laycock talks about the band’s debut album, Human Poultry, a collection of songs about the grim world of employment, warehouse jobs, and fictional, chaotic film directors.

After a five year wait, chart-topping, Grammy-winning alternative rockers Evanescence return with Sanctuary, their sixth studio album. Following the blistering single Who Will You Follow, the new LP features some of the band’s best work to date. Singer, songwriter, and founding member Amy Lee talks about Who Will You Follow’s blockbuster music video, working with producer Jordan Fish and their shared Bring Me The Horizon history, the album’s title track, and the band’s gargantuan 2026 world tour.

If you amalgamate the names Kate and Lloyd, plus several genres of music, the end result is Kloyd, one of the UK’s most exciting up-and-coming talents making electronic music in the vein of Four Tet, Bonobo, and Sofia Kourtesis. While on tour supporting Art School Girlfriend, she talks to Headliner about her upcoming mixtape, New Love, her London release show and Green Man performances on the horizon, and how she creates her unique, organic sound.

Jenny Hollingsworth is best known as one half of the acclaimed experimental pop duo Let’s Eat Grandma, with three albums and a Netflix score released so far. She discusses Jenny On Holiday, her new solo project which sees her take time away from the band, and her debut solo album Quicksand Heart, a joyous and uplifting collection of alt-pop songs.

Nigerian music mogul Dapper has conquered the business side of the music industry as founder and CEO of the Dapper Group, which owns an eight per cent market share of the industry across the entire African continent. Fresh from earning a Guinness World Record with Dapper Live for staging the largest-ever orchestral Afrobeats concert, he is now taking on a new challenge: stepping into the spotlight as a solo artist with the release of his third single, My Type.

Singer, songwriter, DJ and producer John Newman began his journey in 2012 when he lent his vocals to Rudimental’s UK Number One hit, Feel the Love. However, the real turning point came with the smash hit, Love Me Again. Debuting at number one on the UK Official Chart, the single soared into the top 10 in over 30 countries and has amassed 1.6 billion streams. Newman reflects on the enduring popularity of the song – which is having a second life on TikTok – and discusses his new remix EP, Love Me Again (Again), new single, Merry Go, and what to expect from his new al...

Anglo-Nordic band Girl Group introduce ‘brat-punk’to the world – a unique blend of hyperpop, electronic and indie sounds. After their hit performances at Reading and Leeds Festivals and gaining support from Elton John and BBC 6 Music, Girl Group spoke to Headliner about new songs, Rage Song and SuperDrug, from their new EP Little Sticky Pictures, and why only female acts ever get accused of being ‘industry plants.’

Composer Jesse Zuretti dives into his metal-influenced score for Riot Games’ 2XKO – a fighting game set in the League of Legends Runeterra universe. Zuretti talks all things metal, working with Polyphia on the game’s main theme, continuing the League of Legends legacy, fans’ reactions to his soundtrack, misconceptions about heavy metal, creating the score in Cubase in his studio, and what to expect from him for the next iteration of the game. 

BAFTA Award-winning, Emmy and Ivor Novello–nominated composer Paul Leonard-Morgan discusses scoring his most recent projects, Louis Theroux: Inside the Manosphere, and Pretty Lethal, starring Uma Therman.

After the huge success of Promising Young Woman and Saltburn, director Emerald Fennel called upon British-born, L.A.-based composer Anthony Willis to work with her a third time for her adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi. Willis speaks to Headliner about how he worked on the score alongside the Charli XCX album of new songs for the film, how he and Fennel approached this new adaptation, and *that* viral Sophie Ellis-Bextor moment in Saltburn.

Icelandic composer Hildur Guðnadóttir went from releasing indie-classical solo cello albums, to becoming an awards-magnet film composer, with BAFTAs, GRAMMYs, and an Academy Award for her score to the Joaquin Phoenix-starring Joker to her name. She calls 2026 her ‘monster’ year, which has seen her score 28 Years Later: The Bone Temple and the Maggie Gyllenhaal-directed The Bride. She chats to Headliner about working on these idiosyncratic films back to back, her long-awaited upcoming return to the stage this year, and why Cubase is key to her work.

After a musical upbringing that was staunchly classical, Benjamin Wallfisch has married his Bach-influenced skillset with a love of music technology to become one of Hollywood’s go-to composers. After a huge breakthrough working on Blade Runner: 2049 alongside a certain Hans Zimmer, huge jobs kept rolling in, including Shazam!, It and It Chapter Two, Twisters, and Alien: Romulus. The composer discusses scoring Welcome to Derry and Predator Badlands, and pivoting from pursuing orchestral conducting to making music for movies.

Born in South Africa, Lucy Kruger relocated to Berlin to pursue her ambitions for her band, The Lost Boys, an indie art-pop outfit that is lavished with guitar feedback, violas, sparse arrangements, and haunting melodies. Releasing music since 2014, she chats to Headliner about new album Pale Bloom.

Moody Joody’s new single, OOPS!, is the perfect soundtrack to your next wild night out – and next morning hangxiety. The Nashville trio discuss writing OOPS!, what to expect from their forthcoming debut album, alternative band names, and why the new record will shock people from their hometown.

South-East London based, award-winning, British-Nigerian singer-songwriter and musician Ego Ella May opens up on being an introvert in the music industry, forging a path as an independent artist, and delves into the making of her second album, Good Intentions.

German producer Nicolas Rebscher discusses producing and co-writing Louis Tomlinson’s no.1 album, How Did I Get Here?, including a behind the scene look at how hit singles, Lemonade and Imposter came together. He discusses making the record in Costa Rica, how the singer has carved out his own indie sonic identity after One Direction, why this is a lighter record than Tomlinson’s previous efforts, and how he used Steinberg’s Cubase to make the record.

Renee de la Motte and Thomas Eagleton are the duo behind Salarymen, a band making nostalgia-inducing indie songs combining an array of rock, psych, and dream pop influences. Having supported the likes of Royal Otis and touring the States, Japan, and their native Australia, the duo reveal the process behind their debut album, Take It Or Leave It.

JP Cooper talks about keeping his head down growing up as an 'artsy type' in Manchester, duetting with Gabrielle on new single, Sad Song, and making music for connection rather than charts on his new album, Just A Few Folk.

Producer, songwriter, artist and musician Mike Sabath, who has collaborated with RAYE, Shawn Mendes, Lizzo, Sabrina Carpenter and JADE, delves into the making of his emotionally-charged and natured-infused full-length record Album II: The Land Of The Twisted Tree, including how he produced it on the road in an RV. He also breaks down how he co-wrote and produced RAYE’s no.1 single WHERE IS MY HUSBAND! 

S!RENE is a Dutch-Nigerian music artist, saxophonist, DJ and producer who has built a following with his music that fuses Afro Beats, Amapiano, jazz, African funk, and more. Following performances alongside Ezra Collective and at London’s Jazz Café, he speaks to Headliner about his stunning debut album, Silence Gives Life - his latest work that fuses a plethora of genres and sounds, and speaks to the relationship between silence, music, and life.

Shao Hao is a singer-songwriter who has gone from being an unconfident music student who left China for studies in the UK, to having no.1 hit songs across South East Asia and on Netflix and anime shows. He chats to Headliner about how being a resident artist at London’s Roundhouse helped him sign his life changing publishing deals, and the latest single from his Brit pop meets K-pop solo project, Where Is My Home.

Fifteen years after the release of his dance banger, Turn The Lights Off, Danish DJ and producer Kato’s life has taken an unexpected turn. And it’s all thanks to a Jon Hamm meme. He reacts to the song going viral and breaks down the key studio production gear he used to make the track.

Polish composer Hania Rani discusses her ambitious new work, Non Fiction, a piano concerto, which was both released as an album and premiered at the Barbican Hall in London, and her score for Sentimental Value, winner of the Grand Prix award at the Cannes Film Festival – starring Renate Reinsveh and Stellan Skarsgård. 

Composer Henry Jackman (whose previous work includes Captain America: The Winter Soldier, its sequel Civil War, and Captain Phillips), discusses turning his hand to a huge gaming franchise with Battlefield 6. He talks about some of the similarities and differences between the two mediums, still having plenty of budget to work with, including orchestral sessions, and how nu-metal legend Fred Durst became involved in proceedings.