UXRZONE — Synthetic Metaradio

Pad Thai Funk · Disco, Funk, Juke, Molam, Thai Disco by ENEA LE FONK. From the album ASEAN Sessions on UXRZONE, a privacy-first synthetic metaradio network.

SIGNAL ID · ◈ UXR·XR·26·XPR·T1BWE
UXRZONE Track ID · the ISRC for the metaverse

▶ Open this transmission on UXRZONE

◈ SISTEMA PAZZO ft ENEA. ASTRONAUTI.

Triple-time kicks hitting somewhere above 160. The 808 sub sits low and warm, anchoring a rhythm that keeps fracturing and reassembling. This is footwork and juke pressure locked into a 2-step frame, the shuffled swing of MJ Cole-era micro-garage bent hard toward Chicago battle-track logic.

The pads are soft, almost humid. Ghost rimshots and juke-speed hi-hats cut through the space between them. Vocal chants surface and dissolve. Negative space does serious work here. The groove breathes in the gaps the kicks leave open.

Rave sirens flare once or twice. The tr...

◈ ENEA. Screen Time. Koh Phangan in the signal.

Opens on a temple gong, then a bass line drops like it owns the room. Cocky, low, sliding. The 2-step shuffle kicks in behind it and the whole thing locks into that classic late-90s UKG swing. Breathy vocal stabs ride the ghost rimshots. A khlui flute threads through the rhythm section like smoke through a fan.

The chorus hits warm. Rhodes chords spread wide. Organ stabs land in the pocket. Sub-bass holds the floor steady while the groove turns sultry, hypnotic, relentless.

This is Th...

◈ ENEA. AUTOFUNK. This is synthetic funk with teeth.

Analog circuitry doing the heavy lifting. The groove is wide, the bass locks in deep, and the synths sweat like they've been running all night. Classic funk DNA rewired through a machine that doesn't apologize for sounding exactly like itself.

No nostalgia trip. AUTOFUNK lives in the present tense. Thick low-end, clipped rhythms, the kind of pocket that makes a room move without asking permission.

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ENEA · From AUTOFUNK EP · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·FNK·...

◈ ENEA. Be Right Back. Thai / Isaan house via Koh Phangan.

Opens on a temple gong. Then the bassline hits. Cocky, sliding, nasty in the best Motown-via-South-London way. The 2-step shuffle locks in fast. Ghost rimshots, crisp hats, breathy vocal stabs cutting through the grid like a late-90s white-label you never managed to ID. This is that MJ Cole-era anticipation stretched across a Bangkok dancefloor at 4am.

The Khlui flute surfaces mid-groove, threading through syncopated UKG drums without asking permission. Rhodes chords sit warm underneath. Organ stabs push up through the mix. Footwork cadence flickers at...

◈ ENEA. BUONGIORNISSIMO KAFFE. Synthetic funk, no apologies.

The groove lands heavy from bar one. Analog synths run warm and slightly overdriven, riding a pocket that leans into classic funk architecture while something synthetic keeps pulling it sideways. This is morning energy encoded into a waveform. Ritual caffeine as rhythm section.

The signal comes through UXRZONE at a tempo that refuses to rush. Around mid-funk range, deliberate. The bass sits low and fat, the leads shimmer with that analog character that digital keeps trying to fake. ENEA locks the parts together tight, then lets them breathe ju...

◈ ENEA. Chilling With You. Thai / Isaan house, transmitted live from Koh Phangan.

A temple gong opens the signal. Then the bassline hits. Cocky, slick, Motown-weight funk wrapped in a shuffled 2-step groove that sits squarely in the MJ Cole-era tradition. Skippy ghost rimshots, crisp hats, breathy vocal stabs cutting through the pocket. The sub does the talking.

Rhodes chords and organ stabs warm the room. A khlui flute surfaces through the rhythm, distant at first, then insistent. Pitched-up vocal hums form a stutter melody that locks into the swing. The groove is deep, sultry, and re...

◈ ENEA. 'Convinced.' Thai / Isaan house out of Koh Phangan.

Opens with a temple gong strike, then the bassline lands. Cocky, sliding, Motown-weight funk with a UKG swagger. The 2-step shuffle kicks in fast, ghost rimshots and crisp hats locking a skippy groove that owes everything to the '99 garage era. Breathy vocal stabs sit right in the pocket. A khlui flute threads through the rhythm like smoke through a cracked window.

The chorus hits warm. Rhodes chords, organ stabs, pure euphoric pressure. Soulful and hypnotic in the same breath. This is the Koh Phangan ni...

◈ ENEA. Fresh Garden of Love.

Opens with a cocky funk bassline that sets the room immediately. Sub-bass locked in tight, tabla weaving through the polyrhythm like it owns the space. The 2-step swing is classic MJ Cole-era UKG at the skeleton, but the flesh on it is something else. Juke footwork pressure, tech house precision, and a Rhodes that shimmers warm across the top.

Breathy vocal stabs cut through the shuffle. Organ stabs hit at the chorus like a euphoric gut-punch. Syncopated ghost rimshots hold the swing right on the edge. Soulful and hypnotic in th...

◈ ENEA. FRESH TOUCH
Thai / Isaan House | Koh Phangan

Opens on a temple gong, then a cocky funk bassline hits the floor before the dust settles. The 2-step shuffle locks in fast. Breathy vocal stabs cut across the grid, pure anticipation, nothing wasted. This is the MJ Cole-era garage swing rebuilt somewhere between the Gulf of Thailand and the South Side of Chicago.

The groove is deep and a little nasty. Bass slides with intent. Syncopated hats sit crisp and tight while a khlui flute threads through the rhythm like it was always supposed to be...

◈ ENEA. Grande Nulla. Thai / Isaan house out of Koh Phangan.

Opens with a temple gong strike. Then the bass drops. Cocky, sliding, Motown-weight low-end riding a crisp 2-step shuffle at around 130 BPM. Ghost rimshots and breathy vocal stabs cut through like a late-99 white label pressed in a hurry. The groove is that MJ Cole-era anticipation, tight and coiled.

A Khlui flute threads through the syncopated drum pattern, distant and cool. Rhodes chords warm the room. Organ stabs arrive fat and raw. The whole thing sits somewhere between a Bangkok rooftop and a sweaty South Lo...

◈ ENEA. Grazie Mille. Japanese city-pop house.

Shibuya at closing time. Rhodes warm off the fader, a filtered 2-step kick finding its feet, then that bass arrives and takes over the room. Motown DNA in the fingers, disco swagger in the pocket. Soulful vocal chops land between ghost rimshots and shuffled swing. Strings and horn stabs push the drop wide open. This is the UKG rave lineage running through a city-pop lens, the MJ Cole-era shuffle dressed in something more sensual.

Breakdown strips it back. Saxophone over filtered drums. Chorus guitar sitting low. The groove exhales. Th...

◈ ENEA. Green Like You. Synthetic funk from the inside out.

Analog synths locked into a groove that sweats. The low end rolls thick, the rhythm snaps clean, and every layer feels like it was recorded in a room that smelled like warm circuitry. Funk that moves because the machines meant it.

This is the UXRZONE frequency. Synthetic. Uncut. No filler.

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ENEA · From BRB · UXRZONE

SIGNAL ID · ◈ UXR·JP·26·THS·1Y8V3
UXRZONE Track ID · the ISRC for the metaverse

▶ Open this...

◈ ENEA. SUNSET ECLYPSE. Thai / Isaan house broadcast from the UXRZONE synthetic metaradio network.

Opens on a temple gong. Then the bass drops. Nasty, cocky, slides right into your chest. Classic late-90s 2-step architecture underneath. Skippy ghost rimshots, crisp hats, that MJ Cole-era anticipation locked into every bar. The Khlui flute doesn't decorate the groove. It lives inside it, threading between the syncopated hits like it was always meant to be there.

Rhodes chords sit warm in the mid. Organ stabs cut through. Pitched-up vocal hums stutter into melody. The whole thing runs hot. Euphoric an...

◈ Elias La Fuente. 'Aperitivo.' This is the track that starts the night before the night starts.

Opens with a funk burst. Cocky. Then the bassline drops in, Motown-greased, sliding around the low end like it owns the room. The 2-step shuffle enters on cue. Ghost rimshots, sub-bass locked in tight. Tabla weaving through the polyrhythm, keeping it off-balance in the best possible way. Baile funk stabs land sideways. A distant moan drifts through the groove like smoke.

The tech house framework holds it all together, but the soul is pure MJ Cole-era UKG. Crisp sy...

◈ BIENVENIDO A KPG. Elias La Fuente. Thai / Isaan house.

Opens with a salsa-funk burst that hits like a door kicked off its hinges. Then the bassline drops: deep, slippery, Motown-thick but cut with footwork stutter. A shuffled 2-step kick enters on its own terms. Ghost rimshots, sub-bass that rolls low and clean, organ chords shimmering warm underneath it all.

This is Koh Phangan filtered through a Latin American transmission. The groove carries late-90s UK garage DNA hard. Syncopated UKG drums land crisp. A Cuban-flavoured synth piano cuts across the dembow pulse in a stutter pa...

◈ Elias La Fuente. Cali Caliente. The signal is live.

This one opens with a funk burst and doesn't apologise for it. A cocky bassline rides in fast, all slide and swagger, and then the 2-step swing locks underneath it like it was always there. Rhodes shimmer on top. Tabla weaves through the middle. The groove is deep Cali, but the drum architecture is pure UKG shuffle. Ghost rimshots, skipping 16ths, that MJ Cole-era syncopation pressed into a Latin frame.

The sub-bass sits low and deliberate. Organ chords bloom open in the chorus and the whole tr...

◈ Elias La Fuente. Calypso Syntetico

Opens with a cocky salsa bassline that knows exactly what it's doing. Rhodes shimmer over a shuffled 2-step grid, the sub-bass sitting low and wide. Tabla and organ stack into a polyrhythm that pulls from baile funk and Cuban swing at the same time. Around 128 BPM, the groove locks hard.

The drums hit like classic MJ Cole-era UKG. Ghost rimshots, syncopated snares, that signature swing. Then juke and footwork patterns cut across the bar, fracturing the rhythm just enough to keep you off-balance. Tech house dembow pressure underneath it all.

◈ ELIAS LA FUENTE. CEVICHE.

Raw and acidic at the edges. This is Cyber Latam with its teeth in. The groove sits somewhere between cumbia's lateral swing and a compressed club kick, processed until the seams show. Bright percussion cuts through a low, slow-burning sub. The room it conjures is humid. Open air, concrete walls, a speaker stack pushed too hard.

Elias La Fuente runs the frequency hard here. Nothing decorative. Every element earns its place in the mix. The lead melody has that citrus-sharp attack, resolves into something darker underneath. Tension held without release.

...

◈ ELIAS LA FUENTE. CHIMICHURRI.

Opens with a cocky salsa-funk bassline, all Motown muscle and disco strut. Then the 2-step shuffle drops. Rimshots ghost between the kicks. Sub-bass locks in low and thick. Tabla weaves through the polyrhythm like it owns the room.

The groove is UKG at its core. Syncopated drum hits, that MJ Cole-era skippy swing, but the flavour is somewhere further south. Juke stabs cut across the rhythm. A Rhodes chord shimmers at the edge. Organ swells push the whole thing toward something warmer, more soulful than straight tech house.

CHIMICHURRI ea...

◈ Elias La Fuente. Disco Latam PVT.

This one moves. Warm disco strings chopped tight over a rhythm section that owes as much to the street as to the dancefloor. The groove is shuffled, slightly loose at the edges, locked hard at the centre. Latin America in the circuitry.

CYBER LATAM is the frequency here. Synth lines that shimmer without going soft. A pulse underneath that breathes. La Fuente keeps the tension between organic swing and electronic precision, and that tension is the whole point.

Nu-disco DNA, but routed through somewhere specific. This signal ca...

◈ ELIAS LA FUENTE. FANTASTICO.

Opens with a cocky funk-salsa burst and it doesn't let up. The bassline struts, Rhodes shimmer, and then the 2-step shuffle locks in. Ghost rimshots, tabla accents cutting through the sub. This is that MJ Cole-era swing pushed somewhere warmer, wilder, and a little unhinged.

Mid-track the groove gets polyrhythmic. Organ swells. Juke stabs land sideways. The dembow underneath gives it a low-key hypnotic pull. Around 128 BPM but it rides loose, like the grid is a suggestion.

Soulful without going soft. Euphoric without going obvious. Elias La Fuente is br...

◈ ELIAS LA FUENTE. FLUXO
UXRZONE synthetic metaradio

South India in the sub-bass. The tabla enters early and holds its ground, trading shots with a bassline that slides and snaps like it knows exactly what it's doing. Rhodes chords sit warm in the mid-range. Organ stabs cut through on the chorus like a signal breaking clear.

The 2-step chassis is tight. Ghost rimshots shuffle underneath a syncopated drum pattern that owes as much to MJ Cole-era garage as it does to any club floor in Chennai. Breathy vocal stabs build pressure before the drop. When th...

◈ Elias La Fuente. 'Introducion.' Indian electronic, routed through South India.

The groove arrives confident. A thick, sliding bassline locks in early and doesn't let go. Tabla and sub-bass find each other fast, the kind of low-end conversation that feels ancient and club-ready at the same time. Rhodes shimmer across the top. Organ stabs cut through on the chorus like a signal breaking clear.

The 2-step shuffle is present throughout. Ghost rimshots, syncopated UKG drum patterns, that micro-garage swing sitting just off the grid the way MJ Cole-era tracks always did. The rhythm breathes. It pu...

◈ ELIAS LA FUENTE. KOH INDIOS. Broadcasting now on UXRZONE.

Opens with a cocky funk salsa bassline, the kind that struts before it even finds the pocket. Then the 2-step shuffle rolls in, ghost rimshots and breathy vocal stabs stacking anticipation on top of each other. Rhodes shimmer across the top. Tabla locks into the polyrhythm and pulls it somewhere else entirely.

The groove underneath carries that MJ Cole-era micro-garage swing, shuffled and warm, but the sub-bass hits with a low-end clarity that belongs to a different decade. Tech house dembow patterns cut through mid-track. A di...

◈ ENEA. Sea Breeze. Around 132 BPM, shuffled and swung like a proper 2-step cut from the MJ Cole-era playbook. Ghost rimshots drop between punchy kicks. The sub-bass sits deep and warm, Motown-weighted, rolling under everything like a slow tide.

Funky brass stabs cut through the mid-range. Analog synths drift and shimmer above the groove. Soul-vocal chops float in the space between beats, sensual and slightly unmoored. The whole thing moves at the edge of trance without losing its footing on the dancefloor.

Vinyl crackle grounds the signal. Prismatic reverb opens the room up wide. Ecstatic but co...

◈ ENEA. 'The Bay.' Thai / Isaan house transmitted from the shore of Koh Phangan.

Salt air and 2-step. The groove lands somewhere between a late-90s garage white-label and the Gulf of Thailand at low tide. Shuffled swing, ghost rimshots, sub-bass rolling in like a slow wave. Analog synths carry warmth the way the coast holds heat after dark. ENEA's vocal sits high in the signal, clear and close.

This is Isaan melody routed through MJ Cole-era micro-garage architecture. The rhythm has that classic 2-step skip. The bass has weight. The bay has a pulse.

◈ ENEA. TRI BAY. Koh Phangan in the grid.

Around 132 BPM and the groove is pure 2-step lineage. Shuffled hi-hats carry that MJ Cole-era micro-garage swing, but the room it conjures is nowhere near London. Punchy kick up front. Bassline that moves through the low end like something alive, shifting shape beneath a dense canopy. Organ chords hold the harmonic centre. An arpeggiator traces the edges.

Then the shakuhachi cuts in and the signal changes frequency. Bird-call melodics fold into the rhythm. Rimshots arrive at odd angles, ghost hits that feel lifted from a forest floor ra...

◈ ENEA ft SISTEMA PAZZO. A Night in Koh Phangan
Thai / Isaan house. Around 132 BPM. UXRZONE.

Koh Phangan at full tilt. This transmission runs on deep sub-bass, warm walking basslines, and a 2-step shuffle that owes a direct debt to the late-90s UK garage moment. Ghost rimshots. Syncopated swing. The kind of groove that keeps moving even when you think it's settled.

Over the top of that engine: lush string stabs, disco-warm guitar, and pads with real breath in them. Then the Thai melodic lines cut through. Traditional tonal phrasing riding a house framework. Th...

◈ ENEA. FLY UP MON FRERE.

Chicago footwork skeleton, UK garage muscle. The rhythm section runs at battle-track tempo, ghost kicks tripling underneath a shuffled 2-step swing that carries the MJ Cole-era micro-garage lineage hard. Sub-bass moves slow and low while the top-end percussion accelerates into juke hyperspeed. Warm pads hold the room together. Barely.

Vocoder chants loop like ghetto-house mantras. The 808 lands with weight. Rave sirens cut through the negative space. ENEA builds the thing like a transmitter: signal stripped back to essentials, then pushed until the frequency bends.

This is footwork that kn...

◈ ENEON. FORZA 1982. Thai / Isaan house from the Gulf of Thailand.

Opens on a temple gong strike. Then the bass drops. Cocky, slippery, Motown-weight funk lines riding a shuffled 2-step grid. Ghost rimshots, crisp hats, the whole MJ Cole-era skeleton alive in humid island air. A khlui flute threads through the rhythm like smoke through a ceiling fan.

Pitched-up vocal hums stutter into melody. Rhodes chords bloom warm over the top. Organ stabs hit with that raw, floor-level certainty. Footwork pulse underneath keeps the grid nervous and alive. Around 130 BPM but it sits heavier than the nu...

FRESCO SODA · Ambient, UK Garage, House, Disco, Techno by AENEAE. From the album FRESCO AERO MIXTAPE on UXRZONE, a privacy-first synthetic metaradio network.

SIGNAL ID · ◈ UXR·XR·26·XPR·QBGD4
UXRZONE Track ID · the ISRC for the metaverse

▶ Open this transmission on UXRZONE

◈ ENEA. Frozen Paradise. This one opens with a burst of raw funk and doesn't let go. A cocky bassline hits before the beat even settles, and when the 2-step pattern drops, it brings that classic UKG shuffle with it. Ghost rimshots. Breathy vocal stabs. The kind of anticipation that MJ Cole-era garage used to build, except wired into something harder and stranger.

The groove sits at the crossroads of micro-garage, juke, and tech house. Tabla pulses thread through syncopated UK drums. Rhodes and organ stabs cut clean above the sub-bass, warm but precise. Pitched-up vocal fragments turn in...

◈ ENEA. PEAK. This one lands like a transmission from a room that hasn't been built yet.

Opens with a thick, skippy 2-step groove. The kind of shuffled swing that carries MJ Cole-era UKG in its bones. Then the bassline hits. Syncopated, slippery, deep in the pocket. Rhodes and organ ride the top end with a warmth that feels almost vintage, almost live. Tabla folds into the polyrhythm and pulls the whole thing sideways in the best way.

The juke influence is real. Stutter patterns locked tight against a tech house pulse. Breathy vocal stabs ghost th...

◈ FULL MOON in KPG. E9. Thai / Isaan house.

This one hits like a generator kicking on at 2am somewhere between the jungle and the shoreline. Acid lines coil tight around a techno grid that doesn't quit. The groove carries weight, the 303-style squeal bends and bites, and the kick lands with the kind of blunt force that moves sand.

Koh Phangan's full moon has a particular energy. E9 captures the sweat, the open sky, the low-end that travels further than it should. This is Thai / Isaan house with acid techno in its bloodstream. Regional identity pr...

◈ Le Fons. Aldebaran. This one arrives from somewhere past the outer belt.

Analog warmth stretched wide. The groove sits low and patient, a synthetic disco pulse with enough nu-disco shimmer to catch the light. No rush. The rhythm breathes like a room that doesn't exist on any map.

Synthesizers doing the heavy lift here. Chorused, slow-blooming, built for long distances. The kind of signal that travels.

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LE FONS · From GOLDEN LIFE · UXRZONE

SIGNAL ID · ◈ UXR·XR·26·HSE·6R5MJ
UXRZONE Track ID · th...

◈ Le Fons. Amore Con Te. Japanese city-pop house out of Shibuya, Tokyo.

Opens on warm Rhodes and a filtered 2-step beat, that classic late-90s UK garage shuffle sitting right underneath the Motown ambiance. Then the bass arrives and takes over. Virtuoso, strutting, lead-instrument confident. Disco strings and horn stabs lock in around it. Soulful vocal chops cut through. The groove is full and deliberate, around 128 BPM, moving with the cocky swing of a white-label from '99 that somehow sounds like now.

Breakdown strips it back to Rhodes, a sax line, chorus guitar, drums filtered lo...

◈ Le Fons. ATMO. Shibuya frequency, broadcast now.

Opens on a Motown haze. Filtered 2-step kick settling in slow, Rhodes chords sitting warm underneath. Then the snare rolls build, percussion shuffles into that classic late-90s garage lean, and the drop lands hard. The bass is the lead instrument here. Virtuoso, cocky, melodic. Disco roots, UKG instincts. Strings and horn stabs cut through. Sax solo in the breakdown, stripped back, just the room and the low end breathing.

This is city-pop house with a Shibuya address and a Ladbroke Grove soul. MJ Cole-era swing in the hi...

◈ Le Fons. Farewell
Japanese city-pop house. UXRZONE transmission.

Opens warm. Filtered drums, a Rhodes sitting in the pocket, the kind of Motown ambiance that makes a room feel smaller and better. Then the shuffle kicks in. That 2-step swing, rimshots ghosting the offbeat, a sub-bass that stops being furniture and starts being the lead instrument. This is the garage lineage: late-90s UK rave energy folded into something lush and distinctly Tokyo.

The drop hits with a Motown-disco bassline that runs the track. Intricate, virtuosic, cocky in the best sense. Soulful vocal chops ride ab...

◈ ELIAS LA FUENTE. LATAM AFFAIR.

Rhodes shimmer, organ surge, tabla cutting through the pocket. The bassline slides in like it owns the room. Shuffled 2-step swing carries the groove, that classic UKG ghost-rimshot feel locked tight under a polyrhythmic Latin pulse. Around 128 BPM and it never breaks a sweat.

The dembow stutter hits mid-track and the floor tilts. Analog synths push warm against a sub-bass that sits low and firm. Soulful, hypnotic, and euphoric all at once. This is the Latin American signal meeting the UK underground at full frequency.

Elias La Fuente. Di...