Private Life: A New York Review Podcast
Private Life is a podcast from The New York Review, hosted by contributor Jarrett Earnest. Each episode offers intimate, in-depth conversations with distinguished voices from across the literary landscape—about their lives, their work, and the ideas that shape both. Along the way, they revisit pieces from the The New York Review of Books's robust sixty-year archive (some episodes of the podcast will feature newly recorded readings of these classic essays) to situate arguments within contemporary culture. The show also includes discussions of titles from our book publishing arm, New York Review Books, featuring talks with translator Mark Polizzotti on Andr...
Private Life x Dialogues: The David Zwirner Podcast
Private Life presents a bonus episode from our friends at Dialogues: The David Zwirner Podcast. Produced by the eponymous art gallery, Dialogues brings together artists, creatives, and intellectuals in conversation about what it means to make things today.
In this episode, host Helen Molesworth is joined by the art historian Lisa Saltzman to discuss Walter Benjamin’s final days. Molesworth and Saltzman discuss philosophy, World War II Europe, and the network of intellectuals who saved Benjamin’s most prized possessions, including Angelus Novelus, the Paul Klee print that helped inspired one of his most well-known texts...
“Ghosts in the House” by Martin Filler
In the October 21, 1999, issue of The New York Review of Books, Martin Filler wrote “Ghosts in the House,” about Frank Gehry’s life and work at the turn of the century, including the architect’s own house in Santa Monica, his celebrated Guggenheim Museum Bilbao, and the Walt Disney Concert Hall. In this episode of Private Life, Filler’s essay is read by Maya Lin. Best known for designing the Vietnam Veterans Memorial in Washington D.C. while she was still an undergraduate student, Lin’s forty-year career has also included the Civil Rights Memorial in Montgomery, Alabama, and the landscap...
Martin Filler on Writing, Frank Gehry, and the Dramatic World of Architecture
In this episode of Private Life, Martin Filler joins Jarrett Earnest for a conversation about architecture criticism, Frank Gehry, and the art that makes us weep.
Martin Filler is a longtime contributor to The New York Review of Books. His first article for the Review, “Tall Stories,” about the Pulitzer Prize–winning architecture critic Ada Louise Huxtable, appeared in our December 5, 1985 issue. In the forty years since, Filler has written about, among many other subjects, Richard Meier’s design for the Getty Center in Los Angeles, Michael Arad’s National September 11 Memorial, and the lost beauty and significanc...
“The Banality of Empathy“ by Namwali Serpell
In March 2019 Namwali Serpell wrote for the NYR Online about a choose-your-own-adventure-style episode of the television show Black Mirror, Karl Ove Knausgaard, Hannah Arendt, and Violet Allen’s story “The Venus Effect,” among other subjects, in an expansive essay on about narrative empathy. In this episode of Private Life, “The Banality of Empathy” is read by the writer Lovia Gyarkye, whose work has appeared in The Nation, The New York Times, The Washington Post, Dissent, and Aperture. Gyarkye is also an editor at Hammer & Hope magazine and was previously a critic for The Hollywood Reporter.
This reading accompanies...
Namwali Serpell on Toni Morrison, Criticism, and Narrative Empathy
In this episode of Private Life, the writer and New York Review contributor Namwali Serpell joins Jarrett Earnest to discuss her new book, On Morrison, a collection of essays about Toni Morrison and her work. Their conversation covers Morrison’s life as a literary eminence and public intellectual, but the focus is Serpell’s close-readings of her most famous novels—including Jazz (1992), Sula (1973), Song of Solomon (1977), Beloved(1987), and Tar Baby (1981)—as well as her poetry, criticism, and later books. Earnest also asks Serpell about her essay “The Banality of Empathy,” about the concept of narrative empathy, which was published in the Revie...
Gini Alhadeff Reads from André Breton's ’Nadja’
In this episode of Private Life, the writer, translator, and editor Gini Alhadeff reads excerpts from Mark Polizzotti’s recent translation, for NYRB Classics, of André Breton’s 1928 surrealist novel, Nadja. Blending autobiography and fiction, this abidingly strange book recounts, analyzes, and remembers Breton’s brief love affair with the eponymous young woman in 1920s Paris.
Alhadeff is the author of a memoir, The Sun at Midday (1997), and a novel, Diary of a Dijinn (2003), and the translator of a number of Italian novels, including I Am the Brother of XX, by Fleur Jaeggy, and The Road to the City...
Mark Polizzotti on André Breton, Translation, and Surrealism
In this episode of Private Life, Jarrett Earnest is joined by Mark Polizzotti to discuss André Breton’s surrealist novel, Nadja, originally published in 1928 and translated into English by Polizzotti for NYRB Classics in 2025. Polizzotti gives insight into the process of translation, the facts of the real Nadja’s life, and the quotations and photography that Breton employed to evoke the woman behind the “ethereal phantom.”
André Breton was a French poet, writer, and theorist, best known as a pioneering Surrealist and Dadaist. He published Claire de Terre, a collection of poems, in 1923 and the Surrealist Manifesto (Manifeste d...
Richard Hell Reads From ‘Godlike‘
In this episode of Private Life, Richard Hell reads from his novel Godlike (2005), which was reissued last month by NYRB Classics with a new afterword by Raymond Faye. Godlike tells the story of a poet perambulating downtown Manhattan in the 1970s and pining for a young poet who probably won’t love him back, closely mirroring the doomed romance between the nineteenth-century French poètes maudits Arthur Rimbaud and Paul Verlaine.
Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Some of his books incl...
Richard Hell on ’Godlike’ and Poetry as a Way of Life
In this episode of Private Life, Richard Hell joins Jarrett Earnest to discuss his novel Godlike (newly reissued by NYRB Classics), his creative process, the love of poetry, and the stories behind his work.
Richard Hell is a writer and former musician best known as a pioneer of the punk rock scene in 1970s New York. Originally from Kentucky, he moved to New York at the age of seventeen and began publishing his poetry. In his early twenties, along with his friend Tom Verlaine, he started the Neon Boys, which later became the influential punk rock band T...
“The Mystery of JonBenét Ramsey” by Joyce Carol Oates
In the June 24, 1999, issue of The New York Review of Books, Joyce Carol Oates wrote about the murder of JonBenét Ramsey and dissected America’s fascination with “the category of nonfiction known as ‘true crime.’” In this episode of Private Life, “The Mystery of JonBenét Ramsey" is read by writer Alissa Bennett, whose work has appeared in The Paris Review, Vogue, The New York Times, and Artforum. From 2016 to 2019 she also wrote the zine Dead Is Better, about celebrity deaths, and from 2019 to 2022 she cohosted the podcast The C-Word with Lena Dunham.
This reading accompanies the Private Lif...
Joyce Carol Oates on True Crime, Her Improbable Life, and Joan Didion
In the third episode of Private Life, Joyce Carol Oates joins Jarrett Earnest for an expansive conversation on everything from Joan Didion to serial killers. They discuss “New York: Sentimental Journeys,” Didion’s essay from the Review’s March 7, 1991, issue about the Central Park Five, the rush to judgment in a sensational murder case, media mythmaking, and sentimentalized narratives about crime. The conversation also touches on the state of long-form criticism, true crime’s grip on pop culture, and the elusive art of the novella, and Oates reflects on her writing (including three essays about murderers that she wrote for the Re...
“Working Girls: The Brontës” by Elizabeth Hardwick
In the May 4, 1972, issue of The New York Review of Books, Elizabeth Hardwick wrote about the lives and work of the Brontë sisters on the occasion of Winifred Gérin’s then-new biography of Emily (preceded by Gérin’s biographies of Anne, Branwell, and Charlotte, and followed in 1973 by her group biography The Brontës). In this episode of Private Life, Hardwick’s essay is read by Kathleen Chalfant, an actress who has appeared in television, in film, and in stage productions on and off Broadway. She is currently performing in New York in the Playwrights Horizons production of Jacob P...
Darryl Pinckney on Memoir, Friendship, and Elizabeth Hardwick
In the first episode of our podcast Private Life, Darryl Pinckney talks with host Jarrett Earnest about his close friend and former teacher Elizabeth Hardwick. Pinckney discusses her inimitable voice on the page, her love of literature’s most “terrific losers,” and the people in her inner circle, including the Review’s editor Barbara Epstein, Mary McCarthy, and Susan Sontag, who came to shape Hardwick’s life and art. Pinckney reflects on the painful process of writing memoirs and his education in early 1970s New York City.
Darryl Pinckney is the author of two novels as well as the mem...
Introducing: Private Life
We are thrilled to present Private Life, a new podcast from The New York Review that delves into that creative, exhilarating moment where ideas first appeared on the page. Hosted by Jarrett Earnest, one of the most exciting art critics working today, each episode features an intimate, in-depth conversation with a distinguished writer about their lives, their work, their influences, and the ideas that shape our culture.