The 50/50 Podcast

This week,  we sit down with Kira Guess, Coordinator at Mosaic, to discuss how resourcefulness, entrepreneurial thinking, and an actor’s perspective can translate into effective literary representation. After studying performance at LAMDA (an acting conservatory in the UK), Kira found her way into talent representation, where her firsthand understanding of the actor’s experience helped her connect with clients in a uniquely personal way. She later joined Innovative Artists, working for 13 agents simultaneously and finding opportunities to contribute to the literary business by taking initiative and solving problems before anyone asked.

Now at Mosaic, Kira brings her p...

This week, we sit down with reality TV producer (and Wyatt's neighbor) Nicholas Gloria to break down the art and business of producing unscripted television. From his early days at Scout Productions (QUEER EYE) to being IN THE VILLA as a producer on LOVE ISLAND in Fiji, Nicholas shares what it means to get closer to the talent, manage big personalities, and help steer a show's story without sacrificing the authenticity of the people at its center.

We get into the psychology of working with reality TV casts, the importance of validating their emotions and advocating for th...

This week, we sit down with filmmaker and actor Santi MacLean to get physical. Santi breaks down his acting practice, Action Theatre — a highly reactive, physical, and primal form of acting derived from dance. We talk about what happens when you completely surrender to an acting exercise, what it means to align your body and instincts with a performance, and how this practice has fundamentally shaped the way Santi approaches directing and filmmaking at large.

We also get into Santi’s ambitious current project, compiling 12 SHORT FILMS to form a collection of films he’s creating almost like an...

This week, we’re joined by producer Aisling Lynch of Fourth Wall, who moved to Los Angeles in a yellow Smart Car named Leonardo with just a couple bucks to her name — and quickly began figuring out how to make it work.

Aisling talks about PA’ing on the final week of EUPHORIA Season 2, which led to a full run on THE IDOL and gave her a firsthand education in the chaos of constant rewrites, reshoots, and life on set. We get into why actually being on set is so important for producers — especially as more and more you...

Wylie Anderson RETURNS to the Pod fresh off directing Grace Guy’s DECKHAND at the Edinburgh Fringe — and fully recovered from much chaos involving international travel and visceral sickness. We also discuss Wylie's HOME MOVIE SHOW: an event where fellow "adults" bring in the earnest, hilarious, deeply personal home movies they made as kids. The live show taps into Wylie’s love of hosting and her ability to access her inner child, while opening up a bigger conversation about purpose — and remembering what is actually FUN about filmmaking.

We also get into Wylie’s newest feature, which she descri...

(RE-RELEASE) This week, we resurface a CLASSIC episode. We sit down with David Jacobson, marketing director at Cherry Lane Theatre — freshly reopened under A24 — to talk shepherding one of downtown New York’s most historic stages into its next era. David cut his teeth in sports marketing with the New York Knicks and New York Rangers (not to mention a brief, glorious stint working the second floor of the old times square NikeTown — RIP). Along the way, he adopted a simple philosophy passed down from his dad: the squeaky wheel gets the oil. Ask questions. Meet everyone. Be the “dumbest” p...

Director Britt Berke is back on the pod! Since we spoke with her last year, Britt has been BUSY— she most recently directed Ruby Karp’s solo special I DON’T TRUST ADULTS, premiering on VEEPS September 10th. We get into the unique challenges of directing a stand-up special versus theatre (and where the lines between the two blur), including how to manage blocking for stage/film. 

We also dive deep into Britt’s experience directing Julia Atkin’s CRYING AT MY PODIATRIST, a body-horror solo show she was brought on to direct for the Edinburgh Fringe. She and Jul...

This week, we sit down with filmmaker/visual artist Gabriella Mykal to talk about her journey from making experimental films in Texas to CalArts, where she made her first doc feature, RP — a documentary exploring the normalization of traumatic sexual experiences through fan fiction. Gabriella discusses the film’s unconventional approach to documentary filmmaking, heavily featuring reenactments to create something that feels high-concept, intellectual, and deeply psychological. We also talk about the experience of seeing the film connect with audiences at its international premiere at TIFF Next Wave.

We also discuss the more business-y elements to Gabriella's film...

This week, we sit down with comedian Ruby Karp! We briefly recap Ruby's unconventional childhood (for more on that, listen to our first episode with her!); how growing up with a single mom ended up with the early UCB improvisers essentially serving as her babysitters. Her solo show, I Don’t Trust Adults, draws from that experience — exploring what it’s like to grow up surrounded by adults, growing up way too fast in some ways and not at all in others. After a successful run at Soho Theatre in NYC, Ruby filmed the show as a standup special, and we...

This week, actor/comedian/musician Kenzie Gross joins us to talk about growing up in a sports family, where constant competition and a full plate of extracurriculars instilled a strong work ethic in her from a young age. After growing up in Portland, OR and finding her place in musical theatre—often playing the comedic relief—Kenzie headed to USC, where she continued performing and eventually interned at The Groundlings. That experience made her realize, “Oh yeah, this is what I want to do forever.”

We dive into the equally terrifying experiences of starting stand-up and posting comedy v...

This week, we talk with Josh Carone of 2bd2bth! We discuss how a conversation with fellow creator and friend Milky Tran was the catalyst for Josh and his comedy partner Jenny to start the group, and they quickly fell in love with the immediate gratification of making internet sketches — the ability to come up with a variety of ideas and bring them to life quickly. For Josh, who had previously only written features, the format felt incredibly freeing artistically. We talk about the process of seeking authenticity while simultaneously paying attention to what the platforms actually want.

...

Some movies become cult classics. THE ROOM became a phenomenon.

This week, we're joined by Josh Folan, Jonathan Mann, and Ted Garvey, the filmmaking team behind the animated documentary ROOM TONE: THE SOUND OF THE ROOM, which tells the unbelievable story of Tommy Wiseau's infamous film through the eyes of the people who were actually there. After meeting legendary sound mixer Zsolt, Josh realized that he was one of the only constants on THE ROOM's famously chaotic set; and he had an incredible story to tell. Alongside boom operator Tim D. Lloyd, Zsolt offers a firsthand perspective...

This week, we're joined by writer/director Parker Fenady (2x 50/50 Alum). Parker reflects on growing up around the film industry while still forging her own creative identity, the pivotal feedback from a professor that challenged her to look beyond technical skill, and how studying acting in London helped shape not only her craft, but her perspective as a storyteller. Together, we explore her mission to tell stories about women coming of age through one another, and why understanding your artistic purpose is just as important as mastering the craft itself.

We also dive into Parker's acclaimed short...

Fear has always fascinated Nolan Lampson. This week on the 50/50 Podcast, Nolan joins us to unpack his lifelong love of horror—from sneaking scary movies while his parents were away to discovering why we're so drawn to the genre's darkest corners. We dive into the anatomy of a great scare, why horror needs moments of levity to truly work, and Nolan's belief that the genre is ultimately about catharsis—scratching a primal itch that no other type of storytelling can.

Nolan goes on to share how college screenwriting courses gave him both a creative community and the disc...

This week, actor/comedian Johnny Marx returns to the pod one year after his first appearance, and a lot has changed. We catch up on the first anniversary of LINDA, the monthly comedy show he co-hosts with Bebe Katsenes, and how building the show has helped him find a true community within comedy. Johnny reflects on meeting some of his comedy heroes through the experience and shares how stand-up has become one of the most valuable tools in shaping his identity as an actor—helping audiences, casting directors, and producers understand exactly who he is as a performer.

...

This week, we're joined by filmmaker, actor, and singer/songwriter Nathan Xia, who we got to know through his short FLAVOR OF THE MONTH, which was an Official Selection of our 50/50 Comedy Fest in May. Nathan kicks things off with a heartfelt, original song dedicated to the roommates he's spent years living with—a fitting tribute as the six friends, who first met at LMU, begin going their separate ways.

Nathan reflects on how building a creative home with like-minded collaborators shaped his filmmaking, from discovering shared tastes and ambitions to finding a collaborative rhythm that has last...

This week, it's a 50/50 re-release! We harken back to Episode 18 of the pod, where we welcomed our bud Alaman Diadhiou (actor/singer/dancer) on the pod.

Just a couple days ago, Alaman wrapped a successful run of La Cage aux Folles at the NY City Center, where he starred opposite Wayne Brady and Billy Porter in the highly regarded musical. 

ANNE ON MY ARM (w/ Alaman, Wayne Brady, Rachel Webb)

PLAYBILL REVIEW

ALAMAN INSTA

SUBMIT YOUR HORROR SHORT!

This week, we're joined by composer Nicolas Snyder, whose work can be heard in acclaimed animated series like SCAVENGERS REIGN and COMMON SIDE EFFECTS, both on HBO Max. Nicolas reflects on his path to composing—from playing in bands and studying narrative writing to discovering that his meticulous, trained approach to crafting sentences was secretly training him to become a songwriter.

We also discuss his long-running creative partnership with creator/showrunner Joe Bennett, how their collaboration evolved organically over time, and why Nicolas rejects the idea of being a musical genius. Instead, he embraces imperfection as a crea...

This week, we're joined by writer/director, and 50/50 selectee Kate Saltel. From the formative experience of screening a student film at the Austin Film Festival while growing up in Texas to secretly creating a viral YouTube alter ego that forever changed her relationship with social media, Kate reflects on the unconventional path that's shaped her voice and her approach to connecting directly with audiences. She also explains why she's intentionally remained an assistant at a management company, and how working on the corporate side of the industry has been instrumental in her growth as a filmmaker.

We...

This week, we're joined by Variety TV reporter Ethan Shanfeld. From his early days studying journalism at Northwestern and freelancing for outlets like Nylon and Pitchfork to landing major cover stories at his current employer, Variety, Ethan breaks down what makes a great pitch email, how he prepares for interviews without over-preparing, and why every celebrity requires a completely different approach.

We dive deep into his unforgettable SEVERANCE cover story, including the surreal experience of interviewing Ben Stiller and Adam Scott over a 4pm dinner at an Italian restaurant on Manhattan's West Side Highway—without quite knowing wha...

Andrew Gerstenblatt and Arthur Goldbart of Silver & Gold Pictures are back on the Pod! The longtime roommates and creative collaborators join us to discuss their latest short film, The Extraordinaries, which recently screened at 50/50 Comedy AND won the Audience Award at NFFTY. 

We dive into the making of the short, from crafting its timeless aesthetic to maximizing the possibilities of a single-location shoot inside a treasure-filled antique store. Andrew and Arthur share how extensive preparation creates room for spontaneity on set, and why they're passionate about bringing back the kind of theatrical studio comedies that audiences can't s...

This week, we speak with Mahalia Latortue-Pridgett, director's assistant on ABBOTT ELEMENTARY. She breaks down her journey from interning at Viola Davis’s production company in its early days to now carving out her own path as a writer in television. She talks about starting her career in Atlanta, realizing she needed to make the leap to Los Angeles, and balancing a day job at a management company while quietly dedicating an hour every day to writing. Using the relationships and industry knowledge she gained in talent representation, Mahalia eventually signed a shopping agreement and sold her script — all befo...

This week , we sit down with Janie Kahan to trace her path through the animation industry — from learning the studio pipeline at DreamWorks on TROLLS WORLD TOUR and CROODS 2, to Nickelodeon’s PLANKTON: THE MOVIE, and eventually Netflix Animation, where she found a creative home working on Charlie Kaufman’s ORION AND THE DARK. Along the way, Janie reflects on gravitating toward more emotionally mature storytelling and the kinds of projects that align with her artistic instincts.

The conversation also dives into the larger purpose Janie brings to every workplace: advocacy, allyship, and creating more inclusive environments for di...

This week, we sit down with 50/50 FESTIVAL WINNER Myles Hodder! We dive into his upbringing in Newfoundland — “straight off the rock” — to becoming an award-winning comedy director. A Second City-trained performer who originally started as an actor, Myles breaks down how a small addition to his commercial directing reel unexpectedly became the project that won him 50/50 Comedy, and why simplicity almost always wins in comedy.

We also get into the mechanics of directing funny material — from balancing improv with preparation on set to the importance of timing, rhythm, and why some of the best comedy lives in close-ups...

This week, we sit down with writer and animator Anca Vlasan -- we start by discussing how her Romanian heritage shaped her love of storytelling, particularly her pull toward “fish out of water” narratives. She reflects on her debut short Lizard Queen, which became her calling card and helped her break into Adult Swim, where she also formed a close creative partnership with Mike Lazzo. 

We also get into how Anca approaches animation from a writer’s perspective, with a strong emphasis on structure, and how working on Adult Swim’s bumps became an unexpected comedy bootcamp. She talks...

This week, we sit down with writer and comedian Grace Guy to unpack the complicated, often unspoken dynamics of assistant culture in the entertainment industry. Drawing from her own experience as a former assistant, Grace shares the inspiration behind her deeply personal play Deckhand—a sharp, emotionally charged story about a boss and assistant trapped together on a boat. We dive into the love/hate tension that defines so many of these relationships, and the uncomfortable truth that while assistants are often told their proximity to power will lead to opportunity, that promise rarely materializes.

Grace also op...

This week, Chloë Kerwin reflects on church basements, circuses, ghost-hunting, and oh yeah... acting! Chloë grew up dreaming of Broadway, later finding herself drawn to films like True Grit and Moonrise Kingdom. After high school, she brought that curiosity to Emerson, where she collaborated with filmmakers like her cousin (previous podcast guest) Wylie Anderson, and began building the kind of reel that would eventually open doors.

We get into the realities of auditioning (including Little Women with Greta Gerwig), navigating relationships with reps, and her intentional pivot toward comedy—a space she’s found both more challenging and mor...

This week, we sit down with director/producer Talia Light Rake to talk about what it really means to self-empower as an artist. Talia dives into redefining her creative identity, how aligning who you are with what you make can unlock new momentum, and the unexpected ways social media gave her work legitimacy and reach.

We also get into her algorithm-driven networking events—bringing creatives together across cities—and the recent success of her indie pilot Too Romantic. 

TICKETS for 50/50 FILM FESTIVAL (MAY 3rd)

TOO ROMANTIC Pilot (FESTIVAL DATES ETC)

HEA...

This week, we’re joined by Allie Kahan, producer at Headgum, who carved out her own lane into entertainment by doing something deceptively simple—paying close attention. After immersing herself in podcasts about the industry, Allie found an authentic entry point that led her to Artists First, where she began building both her career and her creative voice in tandem.

We talk through her transition to Headgum, including the nuanced balance of being a genuine fan of the company while stepping into a professional role. From there, the conversation expands into her work today—navigating high-profile talent, what a...

This week, we sit down with Jared Corwin, Co-Executive Director of Silverlake Shorts. After feeling stuck following his first feature, Jared found renewed purpose by helping launch a monthly, sold-out, non-profit film festival alongside collaborator Benjamin Sharpe. What started as a grassroots community event has grown into a meaningful creative engine—one that’s not only spotlighting emerging filmmakers, but actively shaping Jared’s own career as a writer and animator.

We dive into the evolution of the festival, from screening films to funding them through their fellowship program, and what kinds of projects they’re looking to suppo...

This week, we’re joined by John Li (Development at Amazon TV) where we dive deep into how careers in entertainment really take shape. From being the guy who’s always grabbing drinks to mastering the art of authentic networking, John shares how genuine relationships—not transactional ones—have driven his path. He reflects on landing at USC just as the industry was being flipped upside down, and why adaptability, curiosity, and getting specific about what you actually want are key to finding your footing.

We also dive into why being an assistant might be one of the most...

This week, we sit down with actor/comedian Natalie Ortega to talk about carving out your own lane in an industry that rarely hands you one. Natalie shares how she found her niche in musical comedy (and why it’s not just because the bar is low), her complicated relationship with stand-up, and why she believes actors shouldn’t sit around waiting for the next audition.

We get into her time performing in Wicked on Broadway — including the unspoken rules of the Broadway social scene — and what she learned on set alongside Brett Goldstein and J.Lo, where st...

This week, 50/50 Festival WINNER Ali Rosenthal traces her path towards comedic purpose; after cutting her teeth in New York City, she forged her voice as a comedy filmmaker at Stanford, where she made ICE QUEENS a self-described “fiercely feminist fantasy.” We then dive into her breakout short TEEN MARY - making the film at AFI while managing the creative risk of approaching religion from a fresh, comedic perspective—and why that very risk pushed her to make the film in the first place.

From there, we move to bigger questions: why pitching yourself can sometimes be harder than pitchi...

This week, filmmaker Elijah Davis breaks down how he swung big on his debut feature, Three Colors: Pan African — and what it actually took to get it made. We talk about the influence of French cinema on the film’s visual language, and Elijah’s larger mission: creating real authorship opportunities for Black creatives across every department. He shares how funding the first portion of the project as a proof of concept unlocked momentum — and why fundraising proved to be one of the most difficult stretches of the process.

We also discuss representation theory and Elijah’s perspectiv...

This week, we sit down with Chris Rutledge, whose knowledge of animation extends far beyond his own work and into the underground, deeply influential network of visual artists shaping the medium from the edges. What stands out immediately is Chris’s ability to recognize artistic movements before they even have names, mapping out how ideas circulate through communities long before they surface in the mainstream. His perspective reframes animation not as isolated projects, but as a living conversation between artists pushing each other forward.

We also break down the fundamentals of various animation software tools and why te...

This week, we sit down with director Posy Dixon — currently deep in production on a documentary about cult musician Planningtorock — a project that’s evolved into something far more collaborative than traditional nonfiction. In a rare creative dynamic, Posy's subject is actively writing the film alongside her, shaping a kind of career-long retrospective that blurs the line between observer and participant. We talk about what happens when a documentary becomes co-authored, and how identity sits at the center of Posy’s creative practice.

We also rewind to her early days at VICE — a time she describes as chaotic, f...

This week, we sit down with David Jacobson, marketing director at Cherry Lane Theatre — freshly reopened under A24 — to talk shepherding one of downtown New York’s most historic stages into its next era. David cut his teeth in sports marketing with the New York Knicks and New York Rangers (not to mention a brief, glorious stint working the second floor of the old times square NikeTown — RIP). Along the way, he adopted a simple philosophy passed down from his dad: the squeaky wheel gets the oil. Ask questions. Meet everyone. Be the “dumbest” person in the room. Remain a fan at hear...

This week, we sit down with 50/50 writer-director duo Aimee Hoffman and Elinor Howells about building a creative partnership that’s as honest as it is motivating. From their first days meeting at AFI to developing a shorthand that allows them to pitch wild swings and terrible ideas without judgment, they break down how trust — and taste — sharpen each other’s work.

We talk about walking into every room with reps, producers, and execs armed with ideas, not just ambition, and why they’re unapologetic about aiming big: studio movies, spectacle, scale. They share the origin and on-set evolution...

This week, we’re joined by Arman Yaghmai, a coordinator at Verve, for a candid, nuts-and-bolts look at how the literary side of the industry actually works. We begin with discussing why coverage is such a crucial entry point for assistants—and how to know when you’re ready to graduate out of it. We then pull back the curtain on the inner mechanics of a lit-forward talent agency, from weekly Open Writing Assignment meetings to how information travels internally and jobs get chased. We also dive into what a signing pursuit really looks like, and why many writers land a...

Before Rotten Tomatoes became a cultural barometer for movies and TV, it was just a silly side project built by someone obsessed with community. In this episode, Patrick Lee traces his entrepreneurial instincts back to early adulthood — from reselling computers to launching what would become one of the most influential platforms in entertainment. He opens up about how close Rotten Tomatoes came to disappearing during the dot-com crash, the realities of downsizing, and why the era of canned tuna and instant ramen remains a badge of honor. It’s a candid look at survival, scrappiness, and building something meaningful with...