Discord and Rhyme: An Album Podcast

Back to the Wrecking Crew! Since "Good Vibrations" got its own showcase as it deserves, this is tracks 2-6, including some of the best sunshine pop and some of the most annoying protest music, all performed expertly by the best musicians in Los Angeles. 

Songs: 

Other clips:

If there was ever a song that deserved a whole episode to itself, it's the Beach Boys' "Good Vibrations." A psychedelic masterpiece assembled bit by bit over several months and several studios, on paper it shouldn't have worked - but with the help of the Wrecking Crew, the Beach Boys successfully brought Brian Wilson's musical vision to life. It's become so familiar to everyone at this point that you might not even notice how brilliant it really is, so Ben, Rich, and special guest Sean are breaking it down piece by piece to illustrate its true genius. 

A...

This quarterly double feature is about Fleetwood Mac for a couple of reasons: because they’re a very interesting and important band, and because they have two self-titled albums that sound nothing like each other. Launched by Peter Green in 1968 as a British blues band, in less than a decade they became an unstoppable California pop-rock monster. Their progression from one to the other is one of the most fascinating stories in rock history, and includes a lot of incredible music that you might not have known about. Mike, John, and Amanda had a great time talking about the va...

This quarterly double feature is about Fleetwood Mac for a couple of reasons: because they’re a very interesting and important band, and because they have two self-titled albums that sound nothing like each other. Launched by Peter Green in 1968 as a British blues band, in less than a decade they became an unstoppable California pop-rock monster. Their progression from one to the other is one of the most fascinating stories in rock history, and includes a lot of incredible music that you might not have known about. Mike, John, and Amanda had a great time talking about the va...

This week, we dive into the second half of "Weird Al" Yankovic's tribute to the alternative rock format, featuring angsty anthems from Smashing Pumpkins and Soundgarden, the return of America's brother-in-law Anthony Kiedis, and a song that Rivers Cuomo stole from this medley, so we're stealin' it back.

Co-hosts: Rich Bunnell, Phil Maddox, Ben Marlin

Tracklist:

Other clips:

For this year's Q&A episode, we asked you guys what artists and albums you'd like to hear us cover on the show, and you did not disappoint! We got literally hundreds of suggestions, and we did our best to narrow them down but we still ended up having to split this episode into two parts. We published Part 1 last week, and here's Part 2 right here. We had a great time talking about everything from Bob Dylan to Dennis Wilson, and we hope you enjoy it too. 

Cohosts: Everybody

Spotify playlist: https://open.spotify.com/p...

For this year's Q&A episode, we asked you guys what artists and albums you'd like to hear us cover on the show, and you did not disappoint! We got literally hundreds of suggestions, and we did our best to narrow them down but we still ended up having to split this episode into two parts. Part 1 is right here, and you'll hear Part 2 next week. We had a great time talking about everything from Bob Dylan to Dennis Wilson, and we hope you enjoy it too. 

Cohosts: Everybody

Spotify playlist: https://open.spotify.com/p...

This week, we don our lederhosen and celebrate the return of our compilation series dissecting "Weird Al" Yankovic's polka medleys, on which he rounded up and lovingly lampooned the chart music of the day. Originally released on his 1996 album Bad Hair Day, "The Alternative Polka" was Al's attempt to catalog the emerging radio format of alternative rock, though the artists in this batch cover so much stylistic ground as to suggest that maybe, just maybe, the whole "alternative" label was just a marketing gimmick. Whether it's a real genre or not, we've finally reached the radio hits our hosts...

By the late 60s, Harry Nilsson’s songs had a way of showing up everywhere, from TV and movies to other people’s hit records. However, it was 1971’s Nilsson Schmilsson that finally scored him a bona fide hit album, spawning three hit singles and a Grammy win. The record holds the unique status of being Harry’s most focused and disciplined album while still featuring an idiosyncratic range of styles including hard rock, power ballads, and oddball novelties. All of these genres are effortlessly held together with one of the best voices in the business. Join Dan, Amanda, and Rich...

It's time for a release from the Patreon vault! In this one, originally released in October 2025, we're talking about one of the best percussion instruments: handclaps! From the doomiest metal to the sunniest pop, handclaps add an interesting new layer to anything. 

P.S. Mike is aware that he mixed up the two singers on Napalm Death’s Scum: Justin Broadrick sings on the first side and Lee Dorrian sings on the second. In his defense, they both sound exactly the same.

P.P.S. Turns out it was Rich who noticed the Moody Blues sim...

Our annual listener Q&A is coming up next month, and this year, we want to know the albums and artists we haven't featured yet on the show that you want us to cover! Send your submissions to discordpod (at) gmail (dot) com by the end of May. We won't be able to discuss everything you send in, but we promise to make it interesting.

Ready for action, nip it in the bud, we’re never relaxin’, this podcast is everlasting! In this episode, Rich has somethin’ to say about OutKast, the Atlanta duo consisting of Antwon “Big Boi” Patton and André “3000” Benjamin, who conquered hip-hop in the late ‘90s and early ‘00s before quietly parting ways. The most fascinating characteristic of OutKast is the duality between Big Boi’s extroverted, in-your-face gangsta persona and Andre’s introverted, quiet philosopher poet persona, a contrast they thoroughly explore on their 1998 album Aquemini, whose title is a portmanteau of their astrological signs. The duo emerged from Atlanta at a time when...

Today we're wrapping up the first disc of The Wrecking Crew! In this episode: the surprise return of a Discord & Rhyme hero, an all-time great that deserves revisiting, and possibly the worst Jan and Dean song ever. 

Today's tracks:

Cohosts: Rich Bunnell, John McFerrin, Ben Marlin

Discord & Rhyme's merch store: http://tee.pub/lic/discordpod

Support the podcast! https://www.patreon.com/discordpod

Big Star are your favorite eighties band’s favorite band; but while you've heard their influence, you may not have heard their music. In the early 1970s, this Memphis-based band recorded two albums filled with jangly power-pop and yearning balladry that should have been huge but that had to settle for being mysterious and legendary. Ben found those albums on his 19th birthday, and he's loved them ever since. Joined by Rich and Phil, he explores the band’s sparkling debut album, #1 Record.

Cohosts: Ben Marlin, Rich Bunnell, Phil Maddox

Complete show notes: https://discordpod.com...

Episode 2 of our Wrecking Crew series features one of the best pop songs of all time followed by one of the worst, with some okay ones in between! Try not to get too excited as we discuss how these incredible musicians could work with just about anything. 

Today's tracks: 

The "Let's Go" montage: 

GoddammitbabyyouknowIain'tlyintoyouThisIsDiscordAndRhyyyymeYEEEEEAAAAHHHHWWWW!!! Van Halen was a cultural phenomenon in the late 1970s and early 1980s until David Lee Roth split with the band, and they’re one of the first bands that John had any real opinions on in his journey of getting into rock music. With this album, the band largely redefined the boundaries of what an electric guitar could do in a rock context, but they also found a way to make this boundary-pushing fun and light on its feet in a way that largely helped shape rock music for the next decade. About half of this album is...

This Is Comp is back! We're reviving our compilation series with a great one: The Wrecking Crew!, released in 2015 as a soundtrack to the excellent documentary film of the same name. The songs on this comp cover a huge range of genre and quality, but the session musicians are always top-notch. From weird crossover country to Mexican folk to one of the finest pop songs ever recorded, we had a ton of fun with this first batch of songs and we're thrilled to be back. 

Cohosts: Ben Marlin, Amanda Rodgers, Sean Rodgers

Songs: 

It … is happening … again! This week, Producer Mike rings in 2026 with NorCal producer DJ Shadow’s 1996 masterpiece Endtroducing….., whose release was a watershed moment for the art of instrumental hip-hop. It’s in the Guinness Book of World Records as the first album to be composed entirely out of sampled sounds, but focusing on the technical achievement seriously undersells the depths of Shadow’s artistry. This is lively, organic music, with compositions that feel like sculptures crafted from the clay of music history, and the entire 21st-century DJing movement stands on the foundation of what Shadow accomplished here. Mike himself is a...

It feels like there shouldn't be anything left to say about The Dark Side of the Moon. It's one of the best-selling albums of all time, and it's consistently rated as one of the greatest albums of all time by critics. If you tune into a classic rock station for more than a couple of hours, chances are better than 50/50 that you'll hear a track or three from it get played. It's so common to hear tracks from here out of context that it's become easy to forget that these tracks, when heard in order from start to finish...

The gang sits down by the fire to discuss a second round of the songs that made them love music. This year's batch covers an astonishing amount of ground, including movie soundtracks, jazz, funk, girl groups, folk, prog (of course), hip-hop, musicals, dub reggae, power pop — and even a hymn! 

Of all the casualties of the Beatles’ Apple label, Badfinger is the most tragic. They had a very promising start, helped along by the Beatles and their associates, but a combination of bad management and personal tragedy stopped them from being as successful as they should have been. However, for a brief period everything worked out exactly right, and Badfinger came up with an album that deserves to be ranked among the all-time classics. From power pop to boogie rock and various points in between, Straight Up is a no-skips album that deserves your attention, so listen up. 

C...

Buenas tardes, amigos, and happy Hallo-Ween, my good friends. It took us way, way too long to get the bright idea to devote our annual All Hallow’s Eve episode to the Brothers Ween, but now that we have, it seems appropriate to discuss 1994’s Chocolate and Cheese, an album where Deaner and Gener try on a whole bunch of different musical costumes. While C&C isn’t their major-label debut, it’s the first album they produced in a major-label fashion, and the songs cover a lot of stylistic ground, including Tom Jones Vegas rockabilly lounge, kaleidoscopic Prince psychede...

Power pop legend Matthew Sweet has had a rough go of it lately, suffering a debilitating stroke last year while setting out on tour, and it’s possible that he may never play music again. So today’s episode is both a bittersweet tribute to his career and a joyous celebration of his music, which is exactly the emotional tightrope that his 1991 cult classic Girlfriend walks from start to finish. Sweet recorded this album during the interim between going through a painful divorce and meeting his now-wife, and while his lyrics aren’t strictly autobiographical, the album’s 15 songs run the...

Creedence Clearwater Revival’s 1969 album Willy and the Poor Boys sounds like something out of 1965, or even 1865 - but definitely not the heavy, psychedelic late 1960s. But even though CCR’s music feels like it's outside of time - or maybe because of it - it became the soundtrack of a generation. Ben, Amanda, and Rich make the case that Willy and the Poor Boys should be pulled down from the cultural wallpaper and appreciated as the fresh, crackling music it still is. 

Cohosts: Ben Marlin, Rich Bunnell, Amanda Rodgers

Complete show notes: https://discordpod.com/l...

Shut up, already. Damn! Prince was one of the most interesting popular artists of the late 20th and early 21st centuries, and Sign o’ the Times from 1987 was the culmination of one of the most interesting periods in a career full of interesting periods. After various circumstances caused him to abandon a double album (Dream Factory), and other circumstances caused him to abandon a single album (Camille) that he didn’t plan to release under his own name, he initially tried to release a triple album before Warner Bros. made him cut it down to a double. Sign o’ the Ti...

Shut up, already. Damn! Prince was one of the most interesting popular artists of the late 20th and early 21st centuries, and Sign o’ the Times from 1987 was the culmination of one of the most interesting periods in a career full of interesting periods. After various circumstances caused him to abandon a double album (Dream Factory), and other circumstances caused him to abandon a single album (Camille) that he didn’t plan to release under his own name, he initially tried to release a triple album before Warner Bros. made him cut it down to a double. Sign o’ the Ti...

A quick State of the Podcast update and info on our release schedule for the rest of this year. Do not fret, we're not ending the podcast! We've just hit a scheduling logjam and need to slow down a bit in order to keep as cool as we can. 

Amanda has been fascinated with murder ballads for many years, so in this episode she's telling you (and Ben and Mike) all about them! This isn't an exhaustive overview of the genre, just the backstories behind a few great songs. From a couple of murdered girls in 18th-century England to a stolen hat in 20th-century America, these tragic stories have been transformed into compelling songs that we're still singing today.

Some notes:

You might think we’re scraping the bottom of the barrel by choosing The Present for our annual Moody Blues episode, but that’s not true at all. Even though the band themselves hated it, and it’s quite polarizing among Moody Blues fans, all of us here at Discord and Rhyme think it’s terrific. As with Long Distance Voyager, you need to be prepared for the ultra-slick ‘80s production, but underneath that gloss there are some top-notch Moody Blues songs and super great instrumental details, including Patrick Moraz’s keyboards. If you’re a The Present skeptic, we hope you’ll...

Discord & Rhyme kicks June off with a feel good hit of the summer. Join Dan, Mike, and Rich for a ride through Queens of the Stone Age’s 2000 sophomore release Rated R, an album that seemed like a refreshing antithesis of mainstream rock trends at the turn of the millennium. Building off the desert rock DNA of Josh Homme’s previous band Kyuss and infusing elements of psychedelia, pop, and punk with a healthy sense of creative, quirky arrangements, Rated R endures as one of the most exciting hard rock albums of the 2000s. 

Cohosts: Dan Watkins, Mike...

Whether you’re a fan of ‘60s jazz, ‘70s funk, ‘80s electro, or things inspired by any of the above (or you just watched a lot of Sesame Street growing up), the music of Herbie Hancock has probably affected your life in some way. So Mike thought it was time to take us all on a good old fashioned head hunt. 1973’s Head Hunters redefined the course of Hancock’s career, was enormously influential on music as a whole, became the first jazz album to ever go platinum, and to this day remains a blast to listen to. If you’re a roc...

Nick Drake was an outstanding artist: a gifted songwriter, a wonderful singer, and one of the greatest guitarists you’ll ever hear. But his personality was entirely unsuited to the world of popular music, and his art didn’t gain the popularity it deserves until decades after his death. Ever since he unwittingly helped Volkswagen sell cars in 1999, more and more music lovers have discovered his beautiful sincerity, and he’s more popular now than ever. Amanda, Mike, and Rich are among Nick Drake’s many fans and we’re here today to talk about what makes his music so special...

In this episode, Phil takes Discord & Rhyme further down the spiral with an album that is a harrowing descent into one man’s decaying psyche. If that sounds like a blast, you’re in good company with the millions of people who bought Nine Inch Nails’ The Downward Spiral in 1994. It’s one of the bleakest, most pitch-dark albums to ever achieve massive commercial success, and it still sounds great in 2025, owing to the coherence of Trent Reznor’s sonic vision and ingenious production by Flood. Reznor has gone on to become an Oscar-winning soundtrack composer in the decades since this...

Rich, Ben, and John answer a super-sized mailbag of listener questions, with subjects including jukebox musicals, James Bond themes, songs that give them the happy chills, sample-based hip-hop producers, the usual suite of Moody Blues questions, and a philosophical discussion on how we all listen to music and how this has changed as we've gotten older. This episode also features an interlude on experimental music from Producer Mike, and a listener-submitted puzzle! 

Co-hosts: Rich Bunnell, Ben Marlin, John McFerrin, Mike DeFabio 

Spotify playlist of the songs clipped in this episode: https://open.spotify.com/playlist/2ew...

Everyone has an opinion about the Doors - whether you think they’re transgressive and mind-blowing, or you find them silly and overrated, or - like Ben - you just think they made some killer music. With invaluable help from Amanda, Dan, and Mike, Ben makes the case that the Doors’ 1967 self-titled debut album contains more killer music than many people realize. It might even blow your mind a little, too. 

Cohosts: Ben Marlin, Amanda Rodgers, Mike DeFabio, Dan Watkins

Complete show notes: https://discordpod.com/listen/158-the-doors-the-doors-1967

Discord & Rhyme's merch store: http://tee.p...

It’s taken us nearly seven years, but the time has come. Midnight Oil, one of Australia's quintessential bands, is probably best known for its tireless political activism as expressed through hits like "Beds Are Burning" and "Blue Sky Mine," as well as the on-stage acrobatics of their 6′4″ frontman, Peter Garrett. But behind the sloganeering and agitprop, the Oils are a fiendishly creative and charmingly oddball band, and their 1982 Australian breakout album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, recorded at a make-or-break moment for the group, was when they first really landed on their unmistakable aura. Rich has been an Oils fan literally since he was a...

Discord & Rhyme continues its slow walk through the world of Post-Rock with an examination of the 1996 album Millions Now Living Will Never Die by the Chicago-based group Tortoise. John has been fascinated by the concept of Post-Rock for many years (even if many of the acts associated with it, Tortoise included, rejected it as a useful descriptor), and a large part of this fascination stems from a love he has had for this album for over 20 years. In this episode, John, Mike, Rich, and Dan try to make sense not only of how one should define one of the...

It's that time of year again: question time! We'll be releasing our annual Q&A in mid-April, so if you have any questions for the podcast, send them to discordpod (at) gmail (dot) com, or hit us up on BlueSky, Threads, Instagram, or Patreon @discordpod. Don't be afraid to be creative, within the bounds of good taste, at our discretion. Keep as cool as you can!

If you only know Talk Talk for their ‘80s night staple “It’s My Life,” you might well wonder what an experimental weirdo like Mike is doing hosting an episode about them. However, if you know a little more about their strange and fascinating career trajectory, it makes perfect sense. The sparse, atmospheric Spirit of Eden couldn’t be more different from Talk Talk’s synth-pop origins or from anything else in the musical landscape of 1988, and it more or less doomed the band’s career when it came out, but the sound of rock music in the 21st century wouldn...

Due to some technical difficulties, we had to push back our Talk Talk episode, so to fix the hole in our schedule we are talking about the Beatles again! We've discussed covers of Beatles songs before, but there are millions of them so there will always be more to talk about. We're covering a lot of sonic ground in this episode, with a few songs we all love and a few that are more polarizing. Also: important information for Apple users regarding Patreon, some information about listening on Spotify, and more! 

The covers: