The Filmographers
Welcome to the Filmographers Podcast, where we study a director’s entire career, one film at a time. In each episode, we discuss why a single film succeeded or failed and examine it in the context of the Hollywood landscape when it was released. In our first season, we’re turning the spotlight on Steven Soderbergh, one of the most celebrated, fascinating, and versatile directors in modern American cinema.
The Social Reckoning Review
Sixteen years after winning an Oscar for writing “The Social Network,” Aaron Sorkin follows up by writing AND directing “The Social Reckoning.” He claims it’s not a sequel, but it IS a look at what happens when Mark Zuckerberg—and Facebook—are all grown up. Keir Graff and guest co-host Scott Dummler break it down and tell you whether you should friend, block, or report.
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Interview with Paul Diamond, son of Billy Wilder’s writing partner, I. A. L. Diamond
Paul Diamond knew Billy Wilder well—his dad was Wilder’s writing partner, I. A. L. Diamond. A novelist, screenwriter, and movie producer himself, Paul spoke to Keir about meeting Marilyn Monroe, the true story behind his dad’s initials, and who wrote the line, “Nobody’s perfect.”
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Keir Graff & Michael Moreci, ho...
Irma La Douce
Billy Wilder’s last film, a savage satire of capitalism, was a flop. With Irma la Douce, he returned to the subject that gave him his greatest successes—sex!—by making a movie about a hooker with a heart of gold.
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Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson...
Wilder Inspires: Jerry Maguire
It's no secret that Billy Wilder was an important inspiration in Cameron Crowe's life and work. Crowe did, after all, write a book on Wilder. But how much of Wilder shows up in Crowe's movies? We look at Crowe's 1997 smash-hit Jerry Maguire and ask the most important question: Does Crowe show Wilder the money?
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Keir Graff & Michael Moreci, hosts
Kevin Lau, producer
Gompson, theme music
Cosmo Graff, grap...
It Ends Review
Part existential road trip, part liminal horror nightmare, It Ends captivated audiences during its festival run and is hoping to build on that success with a theatrical release. We explore writer/director Alex Ullom's micro-budget effort and how it might give voice to the Covid generation. Also, we share two updates on our main squeeze, Steven Soderbergh!
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One, Two, Three
It's 1961, and Hollywood is changing. Foreign films are wooing critics and audiences alike, and a new wave of filmmakers is starting to emerge. But while movies are taking a step forward, Wilder is taking a step back with One, Two, Three, a throwback comedy featuring an aging star. Grab yourself a Coca-Cola and find out if audiences would travel back with the classic auteur, of if he was, for the first time, out of step.
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The Samurai and the Prisoner Review
Kiyoshi Kurosawa's The Samurai and the Prisoner is an equally epic and intimate story of war, nobility, and murder in 16th-century Japan. Mike and Kevin explore its many layers, its narrative construction, and how Kurosawa taps into Sydney Lumet's rich tradition of "moral claustrophobia" to create something truly compelling.
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Keir Graff...
The Apartment
By 1960, nearly twenty years into his career as a writer/director, Billy Wilder had made one unforgettable film after another. And yet, his latest effort might just be his best yet--it is, some say, the quintessential Wilder movie: The Apartment. But nothing's easy with Wilder, and making his groundbreaking comedy was no exception.
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Secrets and Lies With Nathan Deming
Nathan Deming is one of our favorite up-and-coming filmmakers. We previously discussed his film February, and now he's back with a new movie, Winter Hymns, an epic and wonderful story of life, death, and more. We chatted with him about his influences, specifically his experience studying under the great Mike Leigh and how Secrets and Lies helped shape his life.
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The Odyssey of Christopher Nolan
A movie as big as The Odyssey cannot be contained to just one episode. Since we've already reviewed Christopher Nolan's masterful epic, we're going to look at how The Odyssey fits into Nolan's filmography--the obsessions, the themes, the recurring motifs. Join us as we journey through Interstellar, Memento, Oppenheimer, and more.
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The Odyssey Review
Christopher Nolan is back, and he's going epic with an adaptation of Homer's The Odyssey. Does is reach the heights of his Academy Award-winning masterpiece Oppenheimer? Mike and producer Kevin share their thoughts, and they rank their five favorite Nolan movies!
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Keir Graff & Michael Moreci, hosts
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Go...
Troma, Lloyd Kaufman, and Billy Wilder
As the co-founder of Troma Entertainment, Lloyd Kaufman has blazed a singular trail through cinema for over 50 years. He's behind all-time classics such as The Toxic Avenger, Class of Nuke 'Em High, Tromeo and Juliet, and so many more. He's an icon, a cult legend, and we were thrilled to talk with him about Billy Wilder, classic movies, and the art of filmmaking.
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Some Like It Hot
With his new writing partner at his side and a parade of hit movies trailing behind him, Billy Wilder was ready to start the next chapter of his career. While he began his latest act by making one of the greatest comedies of all-time, it came at a cost: The cost of doing business with Marilyn Monroe.
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The Billy Wilder Story So Far
Whether you've been following along with us all season or have only recently joined us, this brief recap will prepare you for our journey into the back half of Wilder's career, which kicks off on June 30 with our episode on Some Like It Hot.
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Keir Graff & Michael Moreci, hosts
Kevin...
The Death of Robin Hood Review
Michael Sarnoski's The Death of Robin Hood is a dark and grim reevaluation of the Robin Hood mythos. But is it just another gritty take on a beloved character, or does the movie have something deeper on its mind? We discuss this very question, and more, in our review.
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The Furious Review
Keir and Mike may not be martial artists, but they know a good fight when they see one, and The Furious has *a lot* of great fights. But is that enough to carry a movie?
Plus, our five favorite fightin' movies!
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Billy Wilder's 10 Rules of Screenwriting—with Pulitzer winner Daniel Kraus
Keir and Mike are joined by a very special guest and friend of the show—Pulitzer Prize-winning author Daniel Kraus!—to dissect Billy Wilder’s 10 Rules for Screenwriting. Which ones are still relevant? Which ones aren’t even rules? Listen and find out!
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Witness for the Prosecution
Billy Wilder needed a hit, so who could he turn to? A hit-making machine: the one and only Agatha Christie. But change is in the air for Wilder, and his career is about to experience a plot twist that the queen of mystery herself couldn't see coming.
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Obsession + Hokum
It's a Filmographers first: Mike is flying solo! Keir is away on writer business, but Mike saw two new horror releases that he's dying to discuss: Damian McCarthy's Hokum and Curry Barker's Obsession. Mike breaks down what works about each of these movies and what's a bunch of, well...hokum.
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Love in the Afternoon
Billy Wilder’s last film was a flop. But he would get two do-overs in 1957—and the first was his Ernst Lubitsch homage, “Love in the Afternoon.” He also met his second great writing partner: I. A. L. Diamond.
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Gompson, the...
The Spirit of St. Louis
After stringing together three hit movies based on Broadway plays, Billy Wilder pivoted to new territory: a biopic of Charles Lindbergh. On one hand, Lindbergh was an American myth whose life story was ripe for Hollywood treatment. On the other, he was a Nazi sympathizer, and Wilder was a Jew who'd lost family in the Holocaust. The project was fraught with difficulties from the start--and that was before Jimmy Stewart arrived on set...
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Ace in the Hole Commentary Track
They're no Billy Wilder, and this isn't a director's commentary, but Keir and Mike provide plenty of insight into what makes "Ace in the Hole" one of the best movies of all-time. Also, forgive their math. They're just writers, after all.
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G...
The Christophers Makes the Case for Human-Created Art
Steven Soderbergh is back! The Filmographers' OG director has returned to the scene with The Christophers, a movie about art and authenticity starring Ian McKellen and Michaela Coel. Is his latest effort a forgery, or is it the real deal?
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Go...
Top Five Wilder (So Far)
We're nearly at the midway point of our second season, which means it's time to rank our favorite films from the first half of Billy Wilder's career. We also discuss Steven Soderbergh's embracing of AI, and Mike delivers his review of Exit 8.
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The Seven Year Itch
Billy Wilder’s last film was a classy, black-and-white romance that paid homage to his mentor, Ernst Lubitsch. In The Seven Year Itch, Wilder goes widescreen and Technicolor to squeeze out plenty of boob jokes.
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Cosmo...
Sabrina vs. Sabrina
Hollywood will never tire of remakes, even though few of them manage to capture the spirit of the original. Can the 1995 update of Billy Wilder's classic "Sabrina" buck that trend? It does have an all-star cast and a veteran director behind the camera. Surely this remake won't be like all those other remakes...
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Sabrina
Billy Wilder is still playing it safe. Sabrina (1954) has stars (Humphrey Bogart, Audrey Hepburn, and William Holden) and is based on a popular Broadway play. But is that enough to keep his latest winning streak going?
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...
Wilder Inspires: Network
In Billy Wilder's "Ace in the Hole," audiences were given a look at what happens when news becomes more focused on sensation than truth, more allegiant to entertainment than dignity. Twenty-five years later, Sidney Lumet took those themes even deeper in "Network," a movie that predicted anger-driven "infotainment" years before it became a thing. In this episode, we connect the dots between these two seminal films.
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Stalag 17
Billy Wilder once made a romance in the ruins of post–World War II Berlin, so it makes sense that he'd also have the nerve to write and direct a full-fledged comedy about POWs in a Nazi prison camp. With his 1953 picture, "Stalag 17," the wacky set-ups just keep on coming.
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Ace in the Hole
In complete charge of his destiny, Wilder followed the triumph of Sunset Boulevard with Ace in the Hole, perhaps his most personal movie—certainly his darkest. But the movie bombed, giving Billy Wilder his first taste of failure and changing the course of his career.
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Sunset Boulevard vs. All About Eve
Wilder vs. Mankiewicz! Swanson vs. Davis! Hollywood vs. New York! It's a ten-round, heavyweight bout between two classic films--two classics that explored similar terrain, were released within 10 weeks of each other, and duked it out at the 1950 Oscars. And now, 76 years later, we're putting them into the ring again.
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Sunset Boulevard
Billy Wilder is depressed. He’s breaking up with his writing partner, Charles Brackett, and an encounter with a ghost from Hollywood’s past has left him shaken. What can he do? Make a movie, of course—an enduring classic about the way Hollywood eats its own.
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28 Years Later: The Bone Temple + Best Horror Franchises
We loved "28 Days Later", and we loved "28 Years Later" even more. Does the latest installment continue this upward trajectory? (We're ignoring "28 Weeks Later" for the moment.) Listen to find out!
Also, we tackle what might be our toughest Filmographers Five yet: Top Five Horror Franchises...
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The Best of 2025
2025 might not have been the best year for the movie industry, but it was a very good year for movies themselves, and Keir and Mike watched a lot of them. Here, they look back on the year that was and count down their top 10 favorite movies from 2025.
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The Shop Around the Corner + You've Got Mail
Right in time for the holidays, we discuss one of the best Christmas movies ever made, 'The Shop Around the Corner.' Not only is it a seminal classic, but it's also directed by Billy Wilder's mentor, Ernst Lubitsch. We also discuss one of its remakes, 1998's 'You've Got Mail.'
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Remembering Rob Reiner + Wake Up Dead Man: A Knives Out Mystery
In the wake of Rob Reiner's tragic passing, we discuss his wonderful career and the movies that have impacted us. We also look at Rian Johnson's latest entry in his Knives Out series, "Wake Up Dead Man."
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A Foreign Affair
Many have called Billy Wilder's work "cynical." Some have even called it "mean." But Wilder, well, he'd say he's just being honest. If that's the case, "A Foreign Affair" may just be his most honest film to date. It's also, in his own words, one of his most personal.
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The Emperor Waltz
After a blistering noir and a searing portrait of alcoholism, Billy Wilder’s next film was . . . a Technicolor musical comedy starring Bing Crosby! Why did he make “The Emperor Waltz”? We’re just as puzzled as you are.
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Billy Wilder at War
Just as World War II was ending, Billy Wilder was made a colonel in the United States Army. HIs job? Simple: Root Nazis out of the German film industry and get it up and running again. But this is Billy Wilder, and his return to Germany was a colorful one--and a deeply personal one.
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The Lost Weekend
Billy Wilder, the refugee who arrived in Hollywood unable to speak or write English, is now an A-lister. But will he be able to maintain that status with his grim fourth feature? Will Paramount even release it?
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Gomp...
