Art Is Not a Thing

In today’s episode, host Hannah Balber discusses digital doubles, identity and a new kind of technological theater with Finnish media artist Hanna Haaslahti. Her most recent work, Ancestors focuses on exploring the narrative possibilities of digital doubles. In an immersive room, AI-generated versions of the visitors begin to reproduce with one another. The work raises questions about identity, individualism, and kinship in the future.

This episode of Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner 
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This episode kicks off a new season, produced in cooperation with Radio Ö1–Austria’s leading cultural voice. Today, radio journalist Hannah Balber from Radio Ö1 talks to American artist and technologist Mindy Seu about sex and its influence on the internet. Mindy’s work combines archival research on cyberfeminism, online communities, and the histories embedded in the web with experimental forms of publishing and lecturing, questioning how digital infrastructures shape power, identity and knowledge. 

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea...

In this episode, host Ana-Maria Carabelea is joined by artist Libby Heaney. Libby’s work engages quantum processes as active constraints that undo linear causality, hierarchical relations, and the bounded subject. After a crash course into key concepts, they discuss the potential and limitations of quantum to challenge existing social and political paradigms by proposing new modes of knowledge production. 

Host: Ana-Maria Carabelea 
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner 
Editing: Yazdan Zand 
Music: Karl Julian Schmidinger 

Ars Electronica:
https://ars.electronica.art/
https://www.instagram.com/arselectronica/
https...

In this episode, host Ana-Maria Carabelea is joined by artist Erin Robinson. Her work, XXX Machina, operates as an autonomous desire machine that generates an endless stream of synthetic erotic imagery. They discuss desire, eroticism, human intimacy, and corporeality from Lacan and Bataille, all the way to today's shift brought by artificial intelligence.

Host: Ana-Maria Carabelea
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Yazdan Zand
Music: Karl Julian Schmidinger

Ars Electronica:
https://ars.electronica.art/
https://www.instagram.com/arselectronica/
https://www.linkedin.com/company/arselectronica

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In this episode, host Ana-Maria Carabelea is joined by artist Iz Paehr to talk about inherently ableist technologies. Their work Feeling Virtual: An Archive of Touch looks at how digital technologies can be used to make cultural heritage more accessible. Challenging the sensorial hierarchies and ableist assumptions built into XR technologies, Iz explores the potential of touch and disabled ways of knowing the world around. 

Host: Ana-Maria Carabelea
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Yazdan Zand
Music: Karl Julian Schmidinger

Ars Electronica:
https://ars.electronica.art/
https://www.i...

In this episode, host Ana-Maria Carabelea is joined by researcher and lecturer Alex Damianos and architect John Palmesino of Territorial Agency. Two years after the Subcommission on Quaternary Stratigraphy's decision to reject the proposal to recognise the Anthropocene as a geological unit, they discuss where the Anthropocene is today and where the debates are heading. 

Host: Ana-Maria Carabelea
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Ana-Maria Carabelea
Music: Karl Julian Schmidinger

Ars Electronica:
https://ars.electronica.art/
https://www.instagram.com/arselectronica/
https://www.linkedin.com/company/arselectronica

Using both the conditions and limitations of the photographic medium, Trevor Paglen's investigations into state surveillance, military operations, and data collection raise questions about truth, deception, and imagination. In this episode, Hannah Balber talks to the American photographer, author, and geographer about UFOs, psyops, the power of manipulation, and how seeing and being seen are deeply political.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Hannah Balber, Ana-Maria Carabelea
Music: Karl Julian Schmidinger

In this episode, Hanna Balber talks with architect Marina Otero Verzier about the environmental cost of data centres. Challenging the image of the 'cloud' as an immaterial entity, her project, Computational Compost, uses heat from computer servers to power a vermi-composting machine, thus imagining a potential symbiotic relationship between digital technology and nature. 

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Hannah Balber, Ana-Maria Carabelea
Music: Karl Julian Schmidinger

Ars Electronica:

In this episode, Hannah talks to German media artist Simon Weckert about the societal impacts of digitalisation and his artistic strategies to disrupt, redirect, or reduce the logic of systems to absurdity. His work points to the vulnerability of allegedly infallible digital systems and the risks of relying on them.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Hannah Balber, Ana-Maria Carabelea
Music: Karl Julian Schmidinger

Ars Electronica:
https://ars.e...

In this episode, Hannah Balber talks to German-Iraqi artist Nora Al-Badri about the colonial inscriptions borne by Europe’s cultural heritage. Her work, The Post-truth Museum, reignites seemingly irresolvable debates about restitution. In glitchy deepfakes, the artist puts postcolonial theory in the mouths of former museum directors (rather than institutional discourse), in an attempt to signal where discussions of restitution need to start.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Hannah Balber, Ana-Maria Cara...

In this episode, Hannah talks to members of the Kairos Futura collective from Nairobi, Ajax Axe, Abdul Rop and Willie Ng'ang'a. Their project, The Wild Future Lab, won this year's S+T+ARTS Prize Africa, an initiative of the European Commission, recognising pioneering projects in Africa that catalyse social change by blending science, technology, and art. The Wild Future Lab not only creates a blueprint for the future but tries to build that future with resources available in the present.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

In this episode, Hannah talks to Golden Nica winner Paula Gaetano Adi about Guanaquerx, the first robot in history to cross the Andes Mountains. More than a technical object, Guanaquerx is a poetic, political, and collective operation that was two years in the making, involved a transdisciplinary team and fused ancestral knowledge with contemporary robotic technologies. Its symbolic crossing of the Andes hints at a new kind of revolution, one that brings about alternative technological futures.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber

In the podcast episode, Hannah talks to artists Thomas Kvam and Frode Oldereid about their installation Requiem for an Exit - a piece featuring a towering robot delivering a haunting monologue about the darker side of humanity. The piece confronts audiences with the enduring legacy of human violence and the ethical responsibilities humans outsource to bureaucratic and technological structures.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Hannah Balber, Ana-Maria Carabelea
Music: Karl J...

In today's episode, we talk to Sarah Ciston about their award-winning project, AI War Cloud Database. The project visualises the links between everyday life technologies and military infrastructure, and reflects on the increasing automation of war.

Art Is Not a Thing is produced by Ars Electronica and developed in collaboration with Radio Ö1.

Host: Hannah Balber
Producers: Ana-Maria Carabelea, Christopher Sonnleitner, Marlene Grinner
Editing: Hannah Balber, Ana-Maria Carabelea
Music: Karl Julian Schmidinger

Ars Electronica:
https://ars.electronica.art/
https://www.instagram.com/arselectronica/
https://www.linkedin.com/company/a...

In today’s episode, we are joined by artists Charlotte Jarvis and Zoran Srdić Janežič, and writer, educator, and curator Rick Dolphijn to discuss entities at the intersection of wetware, software, and hardware, and how they challenge our definitions of life, reproduction, parenthood, or care.

Resources:

Full Surrogacy Now: Feminism Against Family by Sophie Lewis
Beyond the Periphery of the Skin: Rethinking, Remaking, and Reclaiming the Body in Contemporary Capitalism by Silvia Federici
Testo Junkie by Paul Preciado
Humanistic Narratives by Michel Serres
Thumbelina: the culture and technology of millennials by Mi...

In this episode, host Ana Carabelea talks to Yulia Sion, Nuno Correia, and Michael Banissy about the power of haptics and sound in recreating and conveying memories, as a way to build empathy and bridge generational gaps in the digital age.

Resources:

The Sirens of Titan by Kurt Vonnegut
Audio-Vision: Sound on Screen by Michel Chion
Multisensory Experiences: Where the senses meet technology by Carlos Velasco and Marianna Obrist
When We Touch by Michael Banissy
Digital Touch by Carey Jewitt and Sara Price

Host & Producer: Ana-Maria Carabelea<...

In this episode we talk to Lara Lesmes + Fredrik Hellberg of Space Popular, Pierre Christophe Gam, and Brooklyn J. Pakathi about spaces - private, public, real, virtual, but most importantly transmedia spaces that confuse these definitions and open us to different ways of inhabiting spaces, interacting with one another, performing rituals, or building communities. 

Resources:

The Nutmeg’s Curse: Parables for a Planet in Crisis by Amitav Ghosh
Dismantling the Master's Clock: On Race, Space and Time by Rasheedah Phillips
The TESCREAL Bundle: Eugenics and the Promise of Utopia through Artificial Gen...

Greenhouses are sites of encounter between humans, plants, and machines, as well as socio-economic and geopolitical regimes. Within them, intricate stories of our day-to-day food production are weaved out of both visible and invisible threads.  In this episode, we talk to artists Špela Petrič and Penelope Cain, and doctoral researcher Carolien Lubberhuizen about the intricacies these spaces hold.

Resources:

Seasonal Matters Rural Relations — Seasonal Neighbours
Ways of Being by James Bridle
Living Labour (documentary) by Renzo Sgolacchia
Fresh Fruit, Broken Bodies: Migrant Farmworkers in the United States by Seth Holmes
A...

The stories we tell about, with, or for technologies matter. Can we demystify misnomers such as artificial intelligence through storytelling, role-playing, and improvisation? In this episode, we talk to dmstfctn (Francesco Tacchini and Oliver Smith) and Lawrence Lek about how they build narratives around complex computational systems.

Resources:

The Tricks of the Trade by Dario Fo
Dadda by Brood Ma
Role-play with large language models by M. Shanahan, K. McDonell & L. Reynolds 

Host & Producer: Ana-Maria Carabelea
Editing: Ana-Maria Carabelea
Music: Karl Julian Schmidinger

The Digital D...

What happens when our public behaviour is constantly monitored? Do we still hug, kiss, or allow ourselves to be vulnerable in public, does it stop us from being at our worst? In this episode, we talk to artist Noemi Iglesias Barrios and Guggenheim curator Noam Segal about surveillance systems in the public space and why we might want to 'measure' cities in terms of emotionality by training algorithms to search for signs of love on the streets.

Resources:

The Radicality of Love by Srećko Horvat
The Shadow (1981) by Sophie Calle
N...

It’s easy to discard fakes and hoaxes as misinformation. But that might be too abrupt an ending to a discussion about the aesthetics of non-fact and the role of synthetic images in our visual landscape. In this episode, we talk to Martyna Marciniak and Jussi Parikka about synthetic images and their relationship to the material realities that (re-)/produce.

Resources:

The Eye of the Master by Matteo Pasquinelli
Doppelganger by Naomi Klein
Material Witness by Susan Schuppli
Into the White by Chris P. Heue

In today's episode, we talk to Meredith Whittaker of Signal and artist Calin Segal about what surveillance and the concentration of power in the hands of a few tech companies mean for society. We discuss the context that made it possible for these companies to capture data without regard for privacy and use it to produce new social, cultural, and political dynamics. At the edges of what looks like an inescapable panopticon society, we find hope in the role of art, research, critical thinking, and organisations that prove “none of this is natural or inevitable”, in levelling the play...