AllOuttaBubbleGum podcast

Are we talking about the Billy Crystal/Gregory Hines buddy cop movie from 1986 or the Paul Walker crime thriller from 2006? You'll have to press play to find out.

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We return with another episode of the career spanning Steven Seagal deep dive examining his entire career going through it chronologically and in reverse chronological order, one double feature at the time.

This time we continue down the decline of the Sensei's theatrical output with the spiritual sequel to On Deadly Ground; Fire Down Below (1997) and then absolutely lose our minds trying to decipher if Seagal is a ghost or not in Code of Honor (2016). An episode of controversial opinions and anecdotes that our lawyer helped edit.

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We finally make a comeback and what better way to celebrate it than with Arnold's big screen comeback The Last Stand (2013) and a little round of what we have been watching,

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Brenton and Brandon discuss the directing career of legendary stuntman and stunt coordinator Craig R Baxley, namely Action Jackson (1988) and Stone Cold (1991).

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Brandon and Stein check out two obscure war films from USA and Italy that have one thing in common; they are both set in Stein's home country of Norway. James Franciscus faces Norwegian game show host Roald Øyen in the family friendly Snow Treasure (1968), while Henry Silva pretends to go to Norway in Probability Zero (1969).

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Breenius: the ability to say a profound thing in a simple way.

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Get jiggy with us as we introduce Will Smith into the Hall of Fame.

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In this quote-unquote Oscar special of the podcast we watch the two sequels to the 1967 Best Picture winner In the Heat of the Night; namely They Call Me Mister Tibbs! (1970) and The Organization (1971) following the further, and less racist, adventures of Sidney Poitier's Philadel... oh... San Francisco detective Virgil Tibbs.

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In a very delayed Super Bowl special the guys check out the debut western outings of two actors first known for playing American football: Jim Brown and Fred Williamson. Those films are Rio Conchos (1964) with Jim Brown and the film that we will be calling The Legend of Black Charley (1972) with Fred Williamson.

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It is episode 100! So we return to where we once started: John Woo! As we sit down to talk about his American debut Hard Target (1993) and get absolutely lost in JCVD's greasy mullet and glistening biceps. Take a chance on this one.

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We finally return with a look at the under-seen neo noir Hickey & Boggs (1972) that reunites the stars of TV's I Spy, namely pirate comics enthusiast Robert Culp and amateur mixologist Bill Cosby

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Ring the Christmas in with us and John McClane as we watch Die Hard and Die Hard 2. Merry Christmas and we will return in the new year.

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We warm up for Christmas by watching two Christmas set Die Hard knock offs. Honorary ICE agent Dean Cain takes on gentleman thief Eric Roberts in Christmas Rush (2002) and Eddie Griffin plays a tugboat captain taking on eco-terrorist Vinnie Jones in Blast (2004). Join us, ho-ho-ho.

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We return with another episode of the career spanning Steven Seagal deep dive examining his entire career going through it chronologically and in reverse chronological order, one double feature at the time. This time it is the start of the decline for the Sensei with the Se7en inspired buddy cop movie The Glimmer Man (1996) and we dive further into the depths of the goatee era supporting roles of Seagal in The Asian Connection (2016). Will this be the last time we actually enjoy any of the films?

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We check out Dev Patel's directorial debut Monkey Man from 2024.

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We again revisit the old well of two films based on different books in the same series made decades apart with the Matthew Scudder novels/films. A very drunk Jeff Bridges in 8 Million Ways to Die (1986) grows up to become a gruff and sober Liam Neeson in A Walk Among the Tombstone (2014). But does it feel like they are the same guy? Join us and find out.

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We finally settle the age old debate: which Penn had the better neo noir about a group of cops set in the 1950s? Chris Penn with Mulholland Falls (1996) or Sean Penn with Gangster Squad (2013). Join us and find out!

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Noir-vember rolls on and we check out the classic neo-noir, the James Ellroy adaptation LA Confidential.

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Its a Charlton Heston double of the classic film noir Touch of Evil (1958) and the dystopian sci-fi noir Soylent Green (1973). One has Heston in brownface, one has him in a steamy shower scene. The duality of man.

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Come for the discussion on Scarecrows (1988), stay for the riveting conversation about who the hell Robert Taylor and Guy Madison were...

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The beefiest, sweatiest men you'll ever lay eyes on. We are finally covering Predator (1987) and Predator 2 (1990). So much testosterone, so much sweat.

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We check out two horror action films from low-budget action maestro William Kaufman. His debut The Prodigy (2005) and his zombie apocalypse film Daylight's End (2016).

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We continue the spooky season with a double feature of Charlton Heston battling classic horror villains. Cheston goes up against vampires in Omega Man (1971) and an Egyptian mummy in The Awakening (1980).

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Last year we did Dusk till Dawn 2: Texas Blood Money and Vampires: Los Muertos. This year it was only natural to return with a double of the final installments in both franchises. How many times can we say titular?

Join us and find out.

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We have ourselves a double feature of the only two film adaptations about Clive Cussler's literary hero Dirk Pitt. Often unfairly labeled as an Indiana Jones rip-off, especially for Sahara (2005), Pitt predates Jones both on the page and on the silver screen. The movies are: Raise the Titanic (1980) and the aforementioned Sahara (2005).

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We put Brandon in charge of programming this, but instead of picking a 50s western star he went with two films inexplicably connected by the soft rock songs of Benny Mardones. Our strangest double feature to date: Street Soldiers (1991) and Shotgun Stories (2007).

So join us as we go "Into the Night" with Benny Mardones.

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The boys sit down to watch Sly Stallone's attempt to ride the erotic thriller wave of the 90s. Stallone seems drowsy in the Miami sun, Sharon Stone is tired of doing nude scenes, Rod Steiger and James Woods are having a contest to see who can chew the most scenery, and Eric Roberts is also there.

A limp dick attempt, or a steamy hidden gem? Join them and find out.

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We watch the movie made by the guys who saw Demolition Man! To mark the passing of Richard Pepin, the P in PM Entertainment, we sit down with the film that Stein calls the DTV action studio's best film: Hologram Man (1995)

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We return to the well of watching a movie and its remake to compare them. We watch Fred Zinnemann's Oscar nominated thriller The Day of the Jackal (1973) and Michael Caton-Jones' The Stinkers Bad Movie Awards nominated update The Jackal (1997).

Link to mentioned video: https://youtu.be/jxQaXSuDLqY

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We return from our summer break with another episode of the career spanning Steven Seagal deep dive examining his entire career going through it chronologically and in reverse chronological order, one double feature at the time. This time it is a rare double of films that don't star the sensei and that both feature a rare on-screen death for him. It is the Kurt Russell movie Executive Decision (1996) and the glorious return of Johnny Messner in The Perfect Weapon (2016). Will less Seagal be more?

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The boys try to shine a light on French/Chinese(/Cambodian?) stuntman, fight-choreographer and DTV action hero Jean-Paul Ly and watch his two "breakout" hits "the Cambodian The Raid" Jailbreak (2017) and the also kind of The Raid-esque British low budget action gem Nightshooters (2018). Both films starring and choreographed Ly.

Please check them both out after, before or instead of listening.

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We finally introduce another action icon to the hall of fame, namely... Richard Burton?

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We try to replicate the success of our Gary Cooper episode by letting Brandon waffle on about another old time-y western star.

NOTE: this episode has very poor audio including a constant echo on Brenton's track. We apologies for this

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Bond girl, X-woman, model and ex-wife to Bryan Mills, Dutch icon (at least to Marty) Famke Janssen gets inducted into our Hall of Fame. So prepare to hear Marty's opinion on every single film and TV appearance she has made.

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For the first full cast episode since October(!) we sit down to watch a double of female led Terminator cash-grabs. First it is The Exterminator vs The Herminator when Robert Ginty takes on a reanimated cyborg Sandahl Bergman in Programmed to Kill (1987). Next a very sleepy Gregory Hines and female scientist (Renée Soutendijk) needs to stop the scientist's creation; a female cyborg with a nuclear bomb inside her (also Renée Soutendijk) in Eve of Destruction (1991).

We also learn about Brenton's poorly disguised fetish for women who lift.

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The boys finally sit down to enjoy some Chuck Norris with An Eye for An Eye (1981). Chuck, Shaft, Dracula, Mako and Subzero, now plain zero, all the stars are here.

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We are back with another episode of the career spanning Steven Seagal deep dive examining his entire career going through it chronologically and in reverse chronological order, one double feature at the time. This time it is the first, but not only(!) sequel of Seagal's career, the contractually obligated, Under Siege 2: Dark Territory, and yet another collaboration with the only man who might ever have claimed Steven Seagal was his muse, Keoni Waxman's End of a Gun another Romanian shot film from the duo.

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Mission: Impossible - The Final Reckoning is hitting cinemas this week so we look back at Christopher McQuarrie's directorial debut The Way of the Gun. A decade before he met his muse Tom Cruise and only made progressively longer M: I films he made this crime film with Ryan Phillipe, Benicio del Toro and James Caan.

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The guys watch maybe the weirdest film they have seen yet; King Kung Fu, a regional kung fu comedy from Kansas featuring a guy in a gorilla suit.

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Alberto is back and he's brought with him another Japanese film, Tokuzô Tanaka's The Betrayal (1966). will it go over better this time?

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