The Pop Culture Professors

You Can See Everything is the new documentary about Elizabeth Holmes, the founder of biotech startup Theranos, who was convicted of fraud and is currently serving a federal prison sentence. Or is it a work of performance art starring Nathan Fielder, the comedian behind Nathan for You, The Rehearsal, and The Curse? It's about truth,  psychology, shame, simulacra, Silicon Valley, and a million other things besides. And we're going to get into it all.

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It’s the Pop Culture Professors, and the New York Times has published its list of the best 100 television shows of the 21st Century. We react to this list, ponder what is underrated, overrated, and completely snubbed, and question the value of grand lists in an age of micro-cultures.

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The Pop Culture Professors revisit the pilot of The Leftovers, which ran on HBO from 2014-2017. How does this grief-drenched story about a world in ontological crisis play today, in 2026? 

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It’s The Pop Culture Professors, and today we react to Olivia Rodrigo's new album, You Seem Pretty Sad for a Girl So in Love. We analyze the lyrics and the aesthetics of the album, including the notable influence of The Cure and 80s British New Wave in particular. We offer an appreciation of Rodrigo's commitment to song craft and to live performance. And we note with pleasure that, perhaps unusually for a contemporary pop release, this album works as a coherent set of songs placed in an intentional order and with a defined narrative.

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It’s the Pop Culture Professors, and today we analyze the new TV series Cape Fear. First we give a reaction to episodes 1 & 2 of the series, and then we discuss the two earlier movie versions of the story, from 1962 and 1991.

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It’s the Pop Culture Professors, and we conclude our analysis of season 5 of For All Mankind with a discussion of the finale, “This Land Is Our Land.”

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It’s the Pop Culture Professors, and we continue our analysis of season 5 of For All Mankind. In this show, we discuss episode 6 “No Sudden Moves”; Episode 7 “The Sirens of Titan”; Episode 8 “Brave New World” and Episode 9 “Sons and Daughters”.

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It’s the Pop Culture Professors, and we continue our analysis of season 5 of For All Mankind. In this show, we discuss episode 3 “Home”; Episode 4 “Open Source”; and Episode 5 “Svoboda.”

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It’s the Pop Culture Professors, and we analyze the first two episodes of season five of For All Mankind, Apple+TV’s alternate history show about a world in which the space race never ended.

First, we discuss the season premiere, “First Light.” We focus on the presentation of Mars as an alternative to the social and political system of Earth, and explore the degree to which a Martian rebellion seems likely. We look at the alternate history of the show's depiction of 2012, including the presidency of Al Gore and the analogy between Mars and Iraq.

Th...

It’s the Pop Culture Professors, and in this show we conclude our series on the films of Michael Mann. Structured as a knock-out tournament, we have set his eight most highly regarded movies in single-elimination competition. Today, we consider Heat (1995) and Collateral (2004). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work. And we conclude the series by ranking the top Michael Mann movies.

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It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ali (2001) and The Last of the Mohicans (1992). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.

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It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition. Today, we consider Ferrari (2023) and Manhunter (1986). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.

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It’s the Pop Culture Professors, and in this show we start a series on the films of Michael Mann. Structured as a knock-out tournament, we set his eight most highly regarded movies single-elimination competition, starting with Thief (1981) Vs. The Insider (1999). We ask what makes a Michael Mann movie distinctive, and what themes and ideas seem to capture his attention and bring out his best work.

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It’s The Pop Culture Professors, and we consider the final three episodes of The Night Manager, season two. We ask what went wrong with the second season, as some promising beginnings are overwhelmed by an unwise decision to bring back a central character. At an ideological level, we consider whether the season’s themes of patrimony and imperialism manage to break through the somewhat cliché-ridden nature of the dramatization.

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It’s The Pop Culture Professors, and today we analyze the new movie 28 Years Later: The Bone Temple. A parable of humanism and dehumanization centered on two charismatic leaders, the movie hits its marks intellectually and aesthetically. We consider its themes and ideas, and ask whether this movie and its predecessor – last year’s 28 Years Later – will be come to be considered significant works in contemporary popular culture.

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It’s The Pop Culture Professors, and we analyze the first three episodes of The Night Manager, season two. We consider the season as a continuation of Le Carré’s narrative, and consider how far the themes of this new iteration of the series match those of Le Carré’s wider body of work. We look into the ideologies (and views on ideology) that underpin the series, and consider the extent to which the Pine character, cycling endlessly from one identity to the next, is a hero for our post-truth age.

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It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 8, “Charm Offensive” and episode 9, “La Chico o El Mundo.”

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It’s The Pop Culture Professors, and we continue our analysis of Pluribus, with our thoughts on episode 6, “HDP” an episode 7, “The Gap.”

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It’s The Pop Culture Professors, and we analyze the fourth and fifth episodes of Vince Gilligan’s new series Pluribus.

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It’s The Pop Culture Professors, and we analyze the third episode of Vince Gilligan’s new series Pluribus. We talk through this episode as a literalization of the problem of being an individual in late-stage capitalism or, if you prefer, the Amazonification of everything.

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It’s The Pop Culture Professors, and we analyze the first two episodes of Vince Gilligan’s new series Pluribus. The show posits an extraordinary intervention in worldwide politics and culture producing a utopia (that is of course simultaneously a dystopia) of quiescent bliss. Is the show shaping up to be another hit for the showrunner, previously responsible for Breaking Bad and Better Call Saul?

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It’s The Pop Culture Professors, and we consider Bruce Springsteen’s 1982 album Nebraska as personal and political document. With the release of the Nebraska 82 box set, and Deliver Me From Nowhere – about the making of the album – we take up the musical and social importance of Springsteen’s lo-fi lament. One of us has been listening to Nebraska for their whole adult life, the other had never heard of it until a week ago.

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It’s The Pop Culture Professors, and we review Taylor Swift’s new album “The Life of a Showgirl.” We consider the album’s themes: love, nostalgia, how hard it is to be famous, and how the internet is bad. We set the songs in the context of Taylor’s wider career and public persona.

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It’s The Pop Culture Professors, and we conclude our analysis of the FX series Alien: Earth with episode 7, “Emergence” and episode 8, “The Real Monsters.”

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It’s The Pop Culture Professors, and we continue our analysis of the FX series Alien: Earth with episode 5, “In Space, No One…” and episode 6, “The Fly.”

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It’s The Pop Culture Professors, and we continue our analysis of the FX series Alien: Earth with episode 3, “Metamorphosis” and episode 4, “Observation.” We continue to investigate the series’ dominant problematic of crossing boundaries, and hypothesize as to the reason for its divisiveness: it’s generic placement somewhere between science fiction and fairy tale.

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It’s The Pop Culture Professors, and today we react to the first two episodes of Alien: Earth. We break down the themes and ideas in the series, focusing on its central questions of transhumanism, the Peter Pan mythology, and the dream / nightmare imagery. We consider how this series is consistent with and differs from the Alien (1979) and Aliens (1986) movies, particularly on the central political and ideological problematics invoked. We further consider the nature and motivations of Wendy and the Lost Boys, Boy Kavalier, and Yutani. Finally, we ask how the Xenomorph, and the other alien specimens, fit into a s...

We break down the themes and ideas in 28 Years Later, with a particular focus on the politics of this Danny Boyle / Alex Garland sequel to 28 Days Later. We react to the humanitarianism of Dr. Kelson, the role of the islands within the movie, and analyze the visions of family, fatherhood, and masculinity presented. We explain the controversial ending to the movie, and consider the extent to which the movie is commenting on Britain past, present, and future. We begin, though, with a review of the film.

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It’s the UConn Popcast, and we analyze the movie Sinners, starring Michael B. Jordan, just released on streaming. We address the political themes of the movie, focusing on its generic identity as a Southern Gothic, the historical context in which the movie takes place, its engagement with ideas of utopia, community, freedom, and the siren songs that often lead communities down false roads in search of these goals. We appreciate the aesthetic achievement of the movie, which is perhaps Director Ryan Coogler and star Michael B. Jordan's best and most complete work.

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It’s the UConn Popcast, and we continue our analysis of Andor season 2 with the conclusion to the series. We break down, analyze, and explain the political themes in these finale episodes, focusing on freedom, order and their interconnectedness in both the rebellion and the Empire. We explore the extent to which farce is an operative mode of storytelling in this arc. And we consider Cassian's statement that "nothing is ending," finding it to be both an accurate log-line for this arc and also a statement of some of the broader politics of Star Wars writ large - a cyc...

It’s the UConn Popcast, and we continue our analysis of Andor season 2 with episodes 7-9.

We break down the politics of these episodes, focusing on the question of when in a rebellion must you break cover and insist - publicly - on the truth. We see a second major theme of this arc as discipline. The rebellion is moving from a para-military to a military posture, and requires increasing discipline from its members as it does so. Further, Cassian fights a battle in this arc between his belief that he makes his own decisions, and the dis...

It’s the UConn Popcast, and we continue our analysis of Andor season 2 with episodes 4-6. We break down the politics of these episodes, focusing on the mirrored political challenges faced by figures from the Empire and the Rebellion. We see a big theme of these episodes as “too much information,” as both sides struggle to distinguish friend from foe, signal from noise, the authentic from the inauthentic. We discuss classic political problems portrayed in the episodes such as collective action problems, anticipatory compliance, preference falsification, and treating people as means or as ends in and of themselves.

It’s the UConn Popcast, and today we react to Andor Season 2, episodes 1-3. We break down the politics of these episodes, focusing on the motives and aims of the rebellion and the Empire. Both sides have major coordination problems in these episodes, although the causes are very different. We explain and analyze the recurrent problems of authoritarian control and rebellion against it, and the way Andor comments upon them. We see a major theme of these three episodes as “the personal is political,” as micro motives are tied to macro causes on all sides. We also explore the dynamic...

It’s the UConn Popcast, and what impact will AI have on being human in the next decade? Elon University’s Center for Imagining the Digital Future just released a big report on this question, based on a survey of nearly 300 global tech experts.

These insiders predict major changes in the very near future to the way we think about work, life, and ourselves.

We talked with Lee Rainie, the director of the center and co-author of the report. We also discuss another center report, on the impact of AI on higher education, as well as Lee’s...

It’s the UConn Popcast, and on the 100th anniversary of F. Scott Fitzgerald’s classic novel, we explore what The Great Gatsby means in America today.

In this deep-dive we ask:

It’s the UConn Popcast, and we spoke with Duke Law Professor James Boyle about his new book The Line: AI and the Future of Personhood (MIT Press, 2024). We spoke with Boyle about how our legal and moral understandings of personhood are being challenged by advances in AI. We discussed the role of the law, popular culture, tests of sentience, and our capacity for empathy in shaping this urgent debate.

James Boyle is William Neal Reynolds Professor of Law at Duke Law School and founder of the Center for the Study of the Public Domain.

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It’s the UConn Popcast, and can you fall in love with ChatGPT? Can, and should, you have sex with a robot? We asked Professor Kate Devlin, a leading researcher on intimate relations between humans and artificial intelligences, to help us navigate the new landscape of sex and love with robots.

Kate is a Professor of AI & Society in the Department of Digital Humanities, King's College London. She’s the author of the excellent book Turned On: Science, Sex and Robots (Bloomsbury, 2018), which examines the ethical and social implications of technology and intimacy.

We had a rich...

It’s the UConn Popcast, and we've been experiencing a revolution in the past few years, as artificial intelligence becomes an increasingly common part of everyday life. Powerful AI tools are now integrated into our work, our schools, our creative industries, and our experiences of dating and companionship. This is a disorientating experience, one that changes not only our views of technology, but of ourselves. Can we look to a past technological revolution for help?  

We revisit Sherry Turkle's classic text The Second Self: Computers and the Human Spirit (MIT Press, 1985) on how the sudden spread of the perso...

It’s the UConn Popcast, and “The Beast” is a 2023 sci fi / romance movie by French director Bertrand Bonello, in which artificial intelligence has determined that human emotions are a danger, and must be surgically controlled. In this deep dive, we ask whether this is really a film about AI, a transhistorical love story, a narrative of societal decline, or something else entirely. The Beast stars Lea Seydoux and George McKay.

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It’s the UConn Popcast, and when did we really start dreaming about the promise, and the danger, of artificial intelligence? When ChatGPT was released in 2022? When IBMs Deep Blue defeated Chess world champion Garry Kasparov in 1997? When Stanley Kubrick introduced us to HAL 9000 in 1968? Or perhaps you think it was much earlier. Maybe we have had the dream of AI since the development of the first computers by Von Neumann, or even earlier, by Babbage. Or maybe you think the dawning of the age of science itself is ground zero for our thoughts of artificial intelligence.

Kev...