Ballet Help Desk

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This week, it's just us! We're talking all things postgraduate ballet training. We spend some time going over our most recent iteration of the Ballet Help Desk Postgrad Directory, including some trends we've observed over the last few years. There are some new pieces of data we've added for this year and we discuss why we think it's important that this information be included. Finally, we talk about why dancers need to think much more strategically during their high school years if they ha...

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There's one body type for ballet. We asked Peter LeBreton Merz, artistic director of Eglevsky Ballet and former director of Ballet West Academy, and Racheal Nye, director of Oklahoma City Ballet's Yvonne Chouteau School and Studio Company, whether that's true. In Part 2, they also answer your questions about competitions: are they the only way to earn summer intensive scholarships or get into top schools, does training for them give you the best training, and does it matter if your dancer never places? Then P...

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Turn down School of American Ballet once and you'll never get back in. Most ballet parents have heard some version of that, along with plenty of other myths. So we collected your questions and took them to Peter LeBreton Merz, artistic director of Eglevsky Ballet and former director of Ballet West Academy, as well as Racheal Nye, director of Oklahoma City Ballet's Yvonne Chouteau School and Studio Company. We talk about whether blacklists exist, the pressure to send 10-year-olds away for the summer...

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Lily Peta and Emma Wheeler did everything the traditional ballet path asks of young dancers and still found themselves waiting for the right job to come along. Then, they stopped waiting. This past summer they launched Midsommardans, an outdoor ballet festival on Grinda, an island in the Stockholm archipelago.

Lily and Emma tell us how two dancers with no background in fundraising or production pulled it off, from convincing the archipelago foundation to take a chance on them to hand-building a...

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We sit down with Ayisha McMillan Cravotta and Alicia Delgadillo of Charlotte Ballet to talk about what the road from trainee to professional looks like there. Alicia recently became associate director of CB2, the second company.

The pre-professional trainee program is small, capped at 30 dancers, and starts at age 15, though the group skews older. Charlotte Ballet doesn't provide housing, which Ayisha says helps shape who enrolls.

Once dancers move up to CB2, the focus shifts to preparing them for...

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We're back with part 2 of our conversation with former New York City Ballet and Miami City Ballet soloist Kathryn Morgan. This half covers what happens behind the scenes of judging, including why some score sheets come back without comments and what judges actually talk about when they're not watching dancers.

Kathryn also talks about why most company directors steer clear of hiring dancers with a big social media following, and the toll that chasing a following and a certain body image c...

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In part one of this two-part episode, we're joined by former New York City Ballet and Miami City Ballet soloist Kathryn Morgan for an honest conversation about what really goes on inside ballet competitions. She talks about how scoring and judging works, why she believes the real evaluation at YAGP finals comes from the scholarship classes rather than the stage, and how social media has reshaped what young dancers think a ballet career looks like.

We also posed some of the q...

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We're back for part 2 of our parent panel. Stephanie Lombardo, Jen Petersen-Hull, and Lisa Lecamu get specific about what it's like sending your American kid abroad for full-time ballet training. Drop-off day was harder than any of them expected. Lisa now wishes she'd stayed a few extra days to help her son settle into independent living in London, and Stephanie wasn't able to make the trip at all, so she switched to German time by phone instead, making sure she was the first a...

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Did you ever wonder what it's like to send your dancer off to full-time training? Now, ask yourself what it's like to send them to another continent. In part one of this two-part series, we sat down with three parents who, collectively, had four kids attend ballet programs in Europe. One went to Academie Princesse Grace in Monaco. Two headed to London - one to the Royal Ballet School and the other to English National Ballet School. The fourth went to John Cranko...

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As we all know, the ballet job market is incredibly competitive. But, not all ballet careers involve signing a year-long contract with a company. Some dancers choose other paths and we sat down with Linnea Swarting to hear from a dancer who traded the security of a company contract to pursue a freelance career. 

She talked about how she made the decision to walk away from company life and how she got her first freelance gig. We also discussed what kinds o...

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Fran is back for a conversation about respect in the ballet studio.

We get into the mechanics of a real ballet class. A teacher giving thirty corrections in ninety minutes doesn't have room to let one go unanswered, and Fran talks about why trying a correction immediately signals something different than thinking it over first. We also press him on how a teacher decides who earns individual attention in a crowded room, and how he tells the difference between a student a...

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Ever wonder what it actually takes to move up through the ranks at a major ballet company's school, and what happens once your dancer gets there? We sat down with Adam Sklute, artistic director of Ballet West, and Evelyn Cisneros-Legate, who runs Ballet West Academy, to find out.

They walk us through how the academy trains dancers from age three all the way up, and how the trainee program Sklute built actually works day to day. We also get into mentorship: how the school handles t...

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We sit down with Carter Alexander, Chair of the Division of Dance at Southern Methodist University, to find out what sets the program apart from the more ballet-specific schools. Carter walks us through the conservatory-within-a-liberal-arts structure: required training in ballet, modern, and jazz, a newly added Afro modern component, and how the school's BFA program allows roughly 60% of students double major in fields like mechanical engineering, psychology, and business.

We discuss admissions and auditions, how merit scholarships get awarded, and why the program has struggled to a...

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Shane Jewell, executive director of Oregon Ballet Theatre, was kind enough to sit down with us to explain how ballet companies actually run as businesses. He takes us through the nonprofit structure, including what makes up the primary revenue streams. We also discussed what goes into building a season budget and how that impacts dancer compensation, benefits and artistic programming. With funding for the arts being cut, Shane also addresses how OBT is handling these challenges through creative solutions like co-productions between companies as well as new ways of d...

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Peter Stark, president and director of The Rock School for Dance Education, has spent 26 years running ballet schools and knows the recruiting process from both sides of the table.

We talk with him about how he evaluates students for recruitment. We also cover how his approach has changed over the years, including how he now weighs student conduct and how his views on age and late starters have shifted. Stark discusses what full-time training requires of a teenager beyond technical preparation, including conversations about consent, hygiene, and r...

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Our parent panel is back for part two, picking up right where we left off.

In this half of the conversation, Erin, Sarah, and Sue cover the topics that come up most for families navigating full-time residential training: how a highly competitive environment can affect a dancer's confidence, how SAB, Houston Ballet Academy, and Canada's National Ballet School each approach annual cuts, and how the academic models differ across the three programs.

The conversation also gets into the pressure dancers carry during audition season, the f...

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We are so excited to be publishing part 1 of this 2 part interview. It's something we've wanted to do for a long time. Three parents of dancers who attended some of the largest full-time training programs in North America joined us for an in-depth and candid conversation about what it was like, from the family's perspective, to allow their teenagers to head off to full-time training while they were still in their teens.

Erin Miller's son, Wesley, attended Canada's National Ballet School and now dances with Boston Ballet...

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Riley Weber is back on the podcast. Since leaving a corporate dance brand job, Riley has been speaking more openly about how the influencer side of the dance industry actually works. In this episode, we talk about how influencer income works, from per view payouts to brand collabs, and what actually happens behind the scenes of a sponsored post.

We also talk about brand ambassadorships for dance students. What it means when a brand sends a 12 year old free leotards in exchange fo...

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Jenny and I are taking a much needed vacation with our families so we're rereleasing one of our most popular episodes. We sat down with Francis Veyette, former principal dancer with Pennsylvania (now Philadelphia) Ballet, Co-Founder of the Veyette Virtual Ballet School and Rehearsal Director & Outreach Manager for Indianapolis Ballet. In this episode, Fran breaks down loaded terms like potential, facility, and body type, offering a practical understanding of what they mean. He also shares insights into the qualities dancers need to thrive in t...

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If you've been paying attention, you've noticed: Japanese dancers are everywhere. Winning competitions, yes, but also filling the upper ranks of major ballet companies around the world. We've been wondering for a while now what is actually going on over there. Turns out, Kenta Kura has some answers.

Kura spent nearly three decades inside the Royal Ballet, first as a soloist with the Royal Ballet, then as the first Japanese permanent teacher at the Royal Ballet School. In 2023, he came home to J...

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Your dancer has decided to pursue the college path. But which program is the right fit? What's the real difference between a BFA and a BA? What does a video pre-screen actually need to accomplish? And when tuition can tip into six figures, how do families make smart financial decisions?

Francisco Gella and Julie Friedrich of Francisco Gella Dance Works are back for Part 2, and they get specific.

We cover BFA vs. BA, which programs they think are doing strong w...

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Does your dancer need elite training to have a shot at a top college? But what does elite actually mean? Is it competition wins? A company-affiliated school? The right summer intensives? And does the answer look the same whether your dancer is pursuing a BFA or a non-dance degree?

College and career specialists Francisco Gella and Julie Friedrich of Francisco Gella Dance Works have guided hundreds of dancers down both routes.

This is Part 1 of a two-part conversation.

I...

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In this host-only episode, we draw on our combined years of navigating ballet summer intensives to break down how to make the most of every program -- for your dancer and for you. We talk through what to do before your dancer leaves, how to handle drop-off day, and what to expect once they're there. We also get into the stuff nobody warns you about: what a scholarship really signals, how to handle the tap-on-the-shoulder conversation about year-round enrollment, navigating roommate issues, and what t...

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American Reportory Ballet Artistic Director Samantha Dunster and Executive Director Julie Diana Hench join us for a conversation that gets refreshingly honest about the post-graduate pipeline, the job market, and what it means to truly prepare dancers for professional life. 

We dig into the structure of Princeton Ballet School from youngest students through the trainee program, how the school and company function as a single organization, and what actionable feedback actually looks like in practice. We also get into ARB2, the tricky ma...

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The corrections never stop. The casting is always uncertain. And somewhere along the way, many dancers learn to keep all of it behind a smile, because showing weakness feels like handing someone a reason to replace you.

Josh Spell, Kari Brunson Wright, and Rachel Coates have all been in that studio. As former professional dancers (Josh and Kari at Pacific Northwest Ballet, Rachel at Kansas City Ballet), they understand this from the inside. Now, as licensed therapists and coaches, they've built the I...

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Every ballet company's tax return is public record. Most dancers have never seen one.

Liza Yntema, founder of the Dance Data Project, and Griff Braun, National Organizing Director at the American Guild of Musical Artists, walk us through what the numbers reveal. We start with the 990, how to read it, and what a company's revenue structure tells you about its priorities. From there we get into the funding landscape, leadership compensation, and why the gap between what artistic directors make and what...

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What does ballet training look like when it's housed inside a 100-year-old university, with the Semperoper Ballet as your next-door neighbor?

We sat down with Rector Prof. Katharina Christl and Vice-Rector Prof. Juliana Sabino Wilhelm of Palucca University of Dance in Dresden, Germany, for a close look at one of Europe's most distinctive training models. Students can enter as young as 10, earn a bachelor's degree by 18, and perform side-by-side with professional dancers at Semperoper Ballet while still enrolled.

We covered...

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What happens when a dancer who traded pre-professional ballet training at the John Cranko School and the Joffrey Ballet Studio Company for a Harvard degree? Or when a dancer who received offers from the training programs at Joffrey, Colorado Ballet, and Philadelphia Ballet decides that college was always the plan? We sat down with Clara Thiele and Melinda Wang, co-directors of the Harvard Ballet Company, to explore one very compelling way to keep ballet in your life without a professional contract and the decisions t...

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Jason Beechey has spent his career shaping pre-professional ballet training. After 18 years as rector of Palucca University of Dance in Dresden, he now serves as Director of Zurich Dance Academy and Head of Dance at the Zurich University of the Arts.

He walks us through how Zurich Dance Academy actually works: the rotating teacher model, the health team, and how mental resilience, nutrition, and career management are woven directly into the curriculum as graded work, not afterthoughts. He also talks honestly about...

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What happens when a dancer skips the postgrad route entirely and still lands a professional contract? Paityn Lauzon, now in her fourth season as a company artist with Nevada Ballet Theatre, did exactly that. She grew up at a small competition studio in Arizona, turned down a spot at Joffrey New York at 14, and later chose Indiana University so she could study astrophysics alongside ballet. She dropped out during COVID, moved back home to Arizona, and used the year to fall back in love...

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Timothee Chalamet said no one cares about ballet anymore. Fran Veyette disagrees.

He's back on #NoThirds, and this episode goes deep into one of the most debated questions in the ballet world right now: are the classical, full-length ballets still relevant? Swan Lake. Giselle. Sleeping Beauty. Romeo and Juliet. These are the stories that have filled theaters for over a century. But in a world where audiences have shorter attention spans and higher expectations, do they still have something to say?

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How long can your dancer stay home before it starts to matter? It's one of the most common questions ballet parents face, and one of the most consequential. Jen Sommers, Director of Houston Ballet Academy, joins us to talk through exactly that, along with everything else families need to understand about the road from pre-professional training to a professional dance career.

Jen is refreshingly direct about how much a company-affiliated environment matters, and it goes well beyond technique. We talk about what d...

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Author, teacher, and former principal dancer Gavin Larsen has spent her post-performance life doing something she loves just as much as dancing: drawing stories out of other people. Her new book, Infinite Steps: 33 Dancers and Their Lives in Ballet, grew out of a collaboration with longtime ABT staff photographer Gene Schiavone, who wanted the dancers behind his archive of images to be truly known, not just catalogued.

In this conversation, Gavin sits down with us to talk about what surprised her while...

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What does it really take to go from pre-professional student to professional ballet dancer? Charlotte Junge, a company member with Madison Ballet, shares the unfiltered version of her journey from competition dance roots in Houston to training at Boston Ballet School through the height of COVID, to landing her contract via an Instagram DM from Artistic Director Ja' Malik.

But the conversation doesn't stop at the audition story. Charlotte gets refreshingly honest about the financial realities of dancing at a smaller non-union...

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Madison Ballet's Ja'Malik didn't arrive to tinker around the edges. He came to change things, and four years in, it's working.

He shares a journey that started with Michael Jackson's Thriller in his front yard and led him through the Joffrey Ballet School, the Ailey school, and North Carolina Dance Theater before landing him in the director's chair in Wisconsin. He talks about what it was like to grow up in ballet without seeing anyone who looked like him on stage, what...

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In the final episode of our four-part bullying series, we're joined again by Kelsey Fyffe, a therapist who works with pre-professional dancers, and Suzette Takei, a veteran academic school administrator and educator, as we get into the messy stuff. Lobby politics, ballet parents behaving badly, peer conflict between students, nepotism at the dance studio, and yes, that one kid who thinks the entire barre belongs to her. We also tackle some bigger questions: how do you know when a ballet training environment has turned...

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What does it actually feel like to train at the Vaganova Academy, the school that produced some of the greatest dancers in history, and then go on to perform at one of Russia's most storied companies? Elena Kunikova has lived that story, and she's generous enough to share it.

In this episode, we talk about what serious Vaganova method training actually looks like from the inside, why character dance matters more than most ballet training programs realize, and how the pandemic turned...

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In part three of our bullying series, we tackle some of the toughest conversations ballet parents face: what to do when teachers make harmful comments about weight, body image, or use abusive language in class. Psychotherapist Kelsey Fyffe and educator Suzette Takei give parents the exact roadmap for addressing these issues at ballet schools and pre-professional programs.

Kelsey, who specializes in eating disorders and works with Houston Ballet Academy, explains why pre-professional students should never be put on diets, what questions to...

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We sit down with Michelle Martin, Associate Artistic Director of Ballet Austin, for a refreshingly honest conversation about their complete training pipeline: the tuition-free Butler Fellowship program, Ballet Austin TWO, and the path into the main company.

Michelle doesn't sugarcoat anything. She talks about why Ballet Austin kept their academy as an after-school program instead of going the full-time route, how the rise of post-grad programs has changed the industry, and what families need to know when they're researching trainee programs. Spoiler...

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LeeAnaca "Lee" Moore (Pacific Northwest Ballet) and Natalie Bowman (St. Louis Ballet) are the duo behind Tights Under, the popular social media account showcasing the realities of pre-professional and professional ballet life.

In this episode, Lee and Natalie get candid about their journeys from training to landing their first professional contracts. They discuss the pivotal moments that shaped their careers, including their transformative (and humbling) experiences at PNB's Professional Division program — where pointe shoes at the barre at 8:30 AM became the new no...