The MOOD Podcast

In this episode I’m joined by Emiliano Zúñiga Hernández, a Costa Rican photographer whose photobook Paraíso, published by Trespasser in 2023, grew out of one of the hardest chapters of his life. We talk about the healing community he helped to build in the hills of Costa Rica, how it fell apart, and how photography gave him his purpose back when depression had taken it away. Emiliano opens up about feeling like a fraud, the question at the Chico Review that changed how he saw his own work, and why he believes the most meanin...

I'm joined again by Zahra Ciardi, a registered psychologist and the founder of Ascendant Bali, for a second conversation about the psychology behind photography and creativity. We talk about what happens when a photographer's identity becomes fused with their work, and why that turns making, editing, sharing and feedback into a constant threat. We also talk about how to hold a sense of self that is clear but flexible. Zahra explains the difference between creating from the wound and creating from wholeness, why healing can mean grieving the emotional charge your photographs once carried, and how to...

This is a Q&A with questions sent in by photographers from my community. I answer whether your audience needs to understand your photography, if a project shot in a few days can have real depth, how to deal with perfectionism, the small steps behind my own work that nobody saw, and what to do when your work feels stagnant. 

If your photography feels stuck or you can’t say what it’s about, some of these answers might help.

Message me, leave a comment and join in the conversation!

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THIS IS PART 2 OF A 2 PART CONVERSATION WITH MATTHEW GENITEMPO.

In Part 2 of my conversation with photographer and publisher Matthew Genitempo, we go deep into his photobooks Mother of Dogs and Dogbreath, and into Trespasser, the small press he runs with Bryan Schutmaat and Cody Haltom. We talk about making Mother of Dogs on lockdown walks, why its pages are held together with packing tape, and the 3 smashed pennies on the cover. Then we turn to Dogbreath: photographing teenagers in the heat, and Dove, the boy whose words narrate a photobook he never...

THIS IS PART 1 OF A 2 PART CONVERSATION WITH MATTHEW GENITEMPO.

I sat down with photographer Matthew Genitempo, the graphic designer turned photographer and publisher behind the photobooks Jasper, Mother of Dogs and Dogbreath.

In part one we go deep into Jasper, the photobook he made largely in the forests of the Ozarks as his MFA thesis at the University of Hartford: the critique that told him to stay in one place, the Frank Stanford poems that shaped how he saw the landscape, the men who had cut themselves off from society...

I sat down with Andrea Modica, the ‘Italian Story’ photographer (as well many other books) who has made every photograph since 1980 with an 8x10 view camera and prints all her work herself. Andrea studied with Richard Benson at Yale, teaches photography at Drexel University, and has just published ‘Italian Story’ with L'Artiere, 40 personal years of large format photographs made in and about Italy. 

We talked about what makes a good photograph and why complexity matters more than beauty, how the 8x10 camera changes both the pictures and the way people behave in front...

In this week’s Moments of Mood episode, you’ll learn why I believe meditation is the most direct route to a photographic voice that is unmistakably yours, and exactly what it does to your attention, your creativity and the way you see.

I make the full case for meditation as a photography practice. I share my own history with depression, anxiety, loneliness and cancer, the years of therapies and frameworks that never stuck, and how Sam Harris's Waking Up finally gave me a tool I could use anywhere, in any state. I break down what the rese...

In this week’s podcast episode you'll learn why the photographs you're most proud of are probably the ones hiding you, and what a documentary photographer who has stood at 600 deaths says it actually costs to make work that changes something.

I sat down with Richard Sharum, the American documentary photographer behind Campesino Cuba, Spina Americana and the forthcoming American Homicide, all published by GOST Books, to talk about photography as an act of empathy, why he believes the photo industry has abandoned the general public, and what happened to him after a ye...

In this week’s Moments of Mood episode, you'll learn the 4 questions curators, juries, and publishers silently ask about every photography project, and how to answer them in 100 words so your work actually gets seen.

I take apart the idea that photography speaks for itself, starting with the Vivian Maier story everyone gets backwards, and share what Shana Lopes, photography curator at SFMOMA, told me she actually needs to hear from an artist: why she has to defend every acquisition in front of a committee, her test of whether she can write about a project, and why "I...

Learn exactly what an SFMOMA photography curator looks for, what she passes over, and how to get your work seen without an MFA, a gallery, or a 6-paragraph artist statement.

I sat down with Shana Lopes, Assistant Curator of Photography at the San Francisco Museum of Modern Art (SFMOMA), to find out how photography actually enters a museum collection. Shana has worked at the Metropolitan Museum of Art and the Center for Creative Photography, holds a PhD in the history of photography, and has spent over 7 years at SFMOMA curating exhibitions, acquiring work, and reviewing...

In this Moments of Mood episode, I get into the question of whether we as photographers should explain our images or let them try and ‘speak for themselves’, why the readings you want to correct are actually a map to your photographic voice, and the two gaps every photograph has to cross, from Garry Winogrand's famous riddle to a passage in 'Art & Fear' by David Bayles and Ted Orland that reframes the distance between what you intended, what you made, and what people see.

Other things I mention:

On this episode, I sat down with David Chancellor, the award-winning documentary photographer behind ‘Hunters’, ‘Handle Like Eggs’, and the Taylor Wessing Prize-winning portrait ‘Huntress with Buck’, for a conversation about the moral grey areas of documentary photography, trophy hunting, wildlife conservation. David has spent decades photographing human-wildlife coexistence across Africa, sleeping beside trophy hunters for weeks at a time, documenting leopard hunting in Namibia that was later stopped, and turning the personal cost of that work, including the collapse of his marriage, into his most intimate project. 

We talked about how beauty gets people to look at wh...

Attention has collapsed, and every photographer feels it. In this Moments of Mood episode, I make the case that this might be the best thing to happen to serious photography in a generation. You'll learn why the photographers who matter from here on won't be the ones who make the most, they'll be the ones who compress the best: one photograph dense enough to stop a stranger mid-scroll and earn the second look. I break down what has actually broken in visual culture (the capacity to stay, not the capacity to look), why posting more is a hiding place...

Odette England  makes her photographs and then damages them, and this conversation is about why that is the most honest thing she has ever done with her voice.

Odette is an Australian artist, writer and photography professor at Rhode Island School of Design and Brown University, whose latest book Isn't X Beautiful is an autobiographical reckoning with family, memory and the limits of what a photograph can hold.

We talk about growing up on a 200 acre dairy farm in rural South Australia where her father made Polaroid portraits of newborn calves f...

In this Moments of Mood episode I sit with a single photograph from my own archive, one I made by accident in under ten seconds, and use it to unpack an idea Cristina Mittermeier gave me: that the photographer is not a messenger but a membrane, a semi-permeable skin whose job is to let a conversation pass between the subject and the stranger who will one day stand in front of the print. I look at why the pressure to have a signature style is muting your photography, why your creative voice is not a possession you transmit but...

Trent Davis Bailey spent 7 years photographing a remote farming valley in Colorado, convinced he was making documentary work. He wasn't. The pictures knew before he did: he was searching for the family he'd lost to a twenty-year estrangement, and by the end of The North Fork he had found his aunt, his cousins, and the woman who became his wife. Then he turned the camera toward something far harder. His new photobook Son Pictures, published by Chose Commune, reckons with the crash of United Flight 232, the disaster that killed his mother when he was 3 years old, through...

In this episode you'll discover why beauty in photography is made by your attention, not found in your subjects, and how reading your own form reveals the photographic voice you've been searching for elsewhere.

In this Moments of Mood, I sit with one idea from my recent conversation with photographer and writer Tim Carpenter: that beauty in a photograph is form, not subject matter. Drawing on Robert Adams' book ‘Beauty in Photography’ and Tim's book ‘To Photograph Is to Learn How to Die’, I unpack what form actually is, why we have a bodily response to it, and how...

If you have ever felt technically capable but creatively lost, this conversation shows you how one photographer turned a decade of pictures, and the hardest years of his life, into a body of work that is unmistakably his own.

In this episode I sit down with Rory King, an Australian photographer who works in black and white, prints by hand in the darkroom, and turned 10 years of images into his photobook 'Gumsucker', published by Charcoal Press after he won the 2023 Charcoal Publishing Prize at the Chico Review. We talk about how photography found him, the...

In this solo episode of Moments of Mood, you'll learn why the flood of AI images is about to make real, human photography more valuable, not less, and how to find the voice that's unmistakably yours.

I break down what AI really means for emerging photographers, starting with VSCO's "your eye can't be generated" campaign and the paradox that the same company also builds the AI tools and sells the reassurance back to you.

Drawing on Josef Koudelka's legendary photographs, the "revenge of the humanities," and his own work in a disappearing place, I argue...

In this episode you'll learn how to tell whether your photography is actually art, why chasing technical perfection is holding your work back, and how to develop a photographic voice that's unmistakably your own.

This week Matt chats with Ridwan Didot, a fine art documentary and wedding photographer from Indonesia who runs the studio Native Visual and approaches commercial work with the eye and patience of a documentarian.

We get into one of the oldest debates in photography, whether there's such a thing as photography that is art and photography that isn't, and...

Matt sits down with photographer, writer, and educator Tim Carpenter, author of 'To Photograph Is to Learn How to Die' and photobooks such as 'Local Objects', 'Little' and 'Christmas Day, Bucks Pond Road', for a deep conversation on the philosophy beneath the photographic image. 

In this episode you will learn a way to understand why the form of a photograph, not its subject, is where its meaning and beauty actually live, and how working with a camera can teach you to make peace with a world that will never bend to your wishes.

W...

Matt talks with psychologist Zahra Ciardi, founder of Ascendant Bali, to explore the inner life of the creative person: why so many photographers feel their work isn't truly theirs, the limiting beliefs that keep artists stuck, and how to put your work into the world without being ruled by validation.

By the end of this episode you'll understand why your photography stops feeling like yours, and what it takes to create from your true self instead of your need to be seen.

Zahra works in trauma recovery and peak performance, and she breaks...

Cristina Mittermeier is a National Geographic photographer, co-founder of SeaLegacy, and author of "Hope." Her work has been featured in National Geographic's series "Photographer" and in publications around the world. Cristinais the photographer who coined the term "conservation photography," co-founded SeaLegacy, and made the starving polar bear image seen by an estimated 2.5 billion people. 

In this episode Matt and Cristina discuss how to find your photographic voice that actually means something, why a point of view separates an artist from a craftsman, and the one principle Cristina has built her life around: t...