Why Does the Wilhelm Scream?

We are back, screamers! And we have three wildly different films to talk about. First up is the narrative-in-commericals film "Buffet Infinity," followed by a conversation about hideous men, "Hurlyburly." We wrap up with another entry into the early Alts with the frozen dystopian "Quintet." We also talk about the nascent fascism of Spider-man, and the surveillance nature of superhero movies.

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While Brock is away, Dr. Colin Tait is gracious enough to sit in and talk about three (well...two) films by Steven Soderbergh. It helps that Dr. Tait helped write the book on Soderbergh. 

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Oak Cliff Film Festival is back, and that means there's more Driving Wile Screaming. This time, a very special guest to talk about Joe Swanberg's "The Sun Never Sets."

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It's the last (solo) Driving While Screaming of the 2026 AFFD. Oh, and also the Wilhelm Boys say the new concept by NWR. 

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It's day 3, and Brock is back for another Driving While Screaming (remote and with technical difficulties).

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It's day two of AFFD! And another version of Driving While Screaming where Jason tells you which films you should seek out, and which ones you can maybe skip.

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Jason puts in yeoman's work for a solo Driving While Screaming recap of day one of the Asian Film Festival of Dallas

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On today's show: Amanda Kramer's latest 'By Design,' Daniel Roher's 'Tuner,' and Robert Altman's 'A Wedding,' Plenty of other extremely interesting topics discussed as well (as always).

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We watched 'Citizen Vigilante' so you don't have to. But on a happier not, we also watched and discuss Boots Riley's 'I Love Boosters,' and the next installment in the Early Alts, 'Buffalo Bill and the Indians, or Sitting Bull's History Lesson.' 

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Our first PhD in the studio! Dr. Colin Tait joins Brock and Jason to talk about the latest Spielberg film, Disclosure Day, as well as Robert Altman's Nashville. Stick around to hear Colin link Nashville with Taxi Driver so he can wax poetic about Robert De Niro.

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It's a jam-packed show, Screamers. We look at the new horror films Backrooms, and Hokum, as well as discussing horror, in general, and this new crop of directors. We discuss the A.I. controversy at this year's Tribeca Film Festival, and Martin Scorsese's place in A.I. history. We wrap up by talking about Robert Altman's 1974 under-seen gem, Thieves Like Us. Enjoy the show.

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A special Driving While Screaming: Cory McAbee's American Astronaut on 35mm.

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Jason sat down with writer/director Jay Pendarvis Jr. to discuss his short film, See You, Soon. See You, Soon is "an intimate, character-driven drama about grief, memory, and the weight of unfinished conversations." It's powerful, moving, and looks beautiful. Pendarvis manages to pack a whole lot into 10 minutes. We cannot wait to see what he does next. He's definitely one to watch. 

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It's our last day at DIFF and we try something different: Driving While Screaming...in Separate Cars. While the audio might not always be great, the conversation is. Films discussed: As We Breathe; If I Go Will They Miss Me; and Poetic License. We're already looking forward to DIFF 2027. 

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It's a solo rendition of Driving While Screaming. Brock had things he could not get out of; things that could not be avoided; Brock is not happy about that. But Jason is here to tell you all about day five of DIFF '26 (and some interesting non-DIFF films as well).

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We were honored to sit down with Ellen Rodnianski to talk about her film, American Baby. A powerful, and beautiful movie about a pregnant 15 year old confronting isolation, double standards, and adult choices. Keep an eye out for this one.

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We love DIFF. We think it's one of the top (and one of the most underrated) film festivals in the country. But even great film festivals have bad days.

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Coming to you from a corner of an Alamo Drafthouse, it's a midday recap: Misper, Obsession, and American Baby.

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We are back at DIFF, recording in any space and time we can find between trying to catch as many movies as possible. We recap day one by looking at the films Last Shot, Gaslit, and non-fest films The Drama, and Mother Mary--all from the crowded press lounge at Cineopolis. 

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S...

DIFF 2026 is upon us, and first up, a real treat: the documentary Gaslit, and two separate interviews with the director, Katie Comosy, and activist Sharon Wilson. Gaslit is urgent and essential viewing. It plays at DIFF on Saturday, April 25th 3:45PM and Sunday, April 26th 1:45PM.

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A very special episode! Brock and Jason are joined by the dynamic duo of Joey LePage and Lindsey Robertson--the pair behind the funny, touching, and brilliant film Party People--to talk Robert Altman's 3 Women. A dreamy conversation for a dreamy film. 

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We're finally back with the second part of gift exchange. On this episode we're talking the Soviet film Kin-dza-dza!, the puppet thriller Abruptio, and the 1997 film Sunday. Also, prediction markets suck. Enjoy the show.

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Welcome back, screamers. On today's show: more of the early-Alts with Altman's take on the private eye (and we mean the private eye: Marlowe) The Long Goodbye. It's a shaggy, laconic tale of friendship, deception, and a man out of time and place. We also wonder what it would be like to be drug lords...but, you know, altruistic drug lords.

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We're back with our interviews from DIFF. On this episode, we chat with the director and cast of 'The Confession.' This film is nuanced, and layered--a movie that only gets better the more you watch it. 

More DIFF interviews coming soon. 

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What a treat! A special entry into the Early Alts...We are joined by Will Canon, director, most recently, of The Confession, to talk about Robert Altman's gambling/buddy movie California Split. Will is welcome back any time.

The Confession is streaming everywhere you might stream a movie. Check out the trailer here.

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It's part one of our holiday gift exchange! The gifts that Brock gave Jason were the films: Mami Wata, Only the River Flows, and Suzhou River. Also discussions about the Letterboxd rental program, MoviePass, and Police Academy 5: Mission to Moscow. They all connect...somehow.

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It's a belated Holiday Special episode...although still within the 12 days of Christmas. We've got a loaded episode full of some, well, interesting films. Some you may even want to add to your own Holiday playlist: Jingle Bell Heist; Regalo di Natale; Christmas, Again; Mon Oncle Antoine; The World of Kanako; and Santa Claus (Santa Claus vs. the Devil). 

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Another episode, another Altman film. This time, the forgotten/under seen, Images from 1972, starring Susannah York and Renee Auberjonois. We also talk two new films: The Smashing Machine (the first solo-Safdie), and the latest from Yorgos Lanthimos, Bugonia. And we touch on the QT vs. Paul Dano affair and which billionaire controls the future of movies.

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We're back with a double feature of Good Boys: Good Boy (2022) and Good Boy (2025). And we also continue our journey into the early-Alts with Robert Altman's McCabe and Mrs. Miller. Brock's dog, Marcy, asks the question: what about good girls? And was Ed Burns too good looking? 

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Hey, Screamers, we have a special guest on today's episode! It's 'Rugby' Ryan Morris, and he's here to help us talk about three films: Lurker, Relay, and another one from Robert Altman, Brewster McCloud. We also chat about sumo, disposable income, movies we're looking forward to, and so much more. Enjoy!

Check in with Ryan and keep tabs on what he's doing with the Aggie Arthouse

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On today's episode: three films that ask the question: yes, but at what cost? Albeit in very different ways. We're talking "Him," Spike Lee's Kurosawa re-imagining, "Highest 2 Lowest," and our first trip to the early Alts with Robert Altman's "Mash." At least one of these films was fun to watch.

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We're a little late to the party, but, hey, we were busy--we finally talk 'Together', and 'Weapons' Two buzzy horror films. We also look back at 1994s 'The Crow.' And also, Brock apologizes to Chloe Zhao. He hopes she forgives him.

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What a special episode we have for you today. First, we discuss the charming, riotous, bawdy new Spanish film "The Fantastic Golem Affairs," and then we have a conversation with the filmmakers: Burnin' Percebes (Juan González and Fernando Martínez). Listen to the whole episode! Or skip to the conversation with Burnin Percebes (that's the really important part)! Keep an eye out for a screening of "The Fantastic Golem Affairs" near you. And keep a close watch on these brilliant, funny filmmakers.

The Fantastic Golem Affairs trailer

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Another episode, another three films you don't necessarily expect to be in conversation with one another...Eddington, Sorry, Baby, and Give Me Pity! 

This will be last Amanda Kramer film for a while until So Unreal and By Design are released. But rest assured, when that happens, we'll be on it.

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We're back with a new "regular" episode after a string of interviews and festival recaps (which we hope you enjoyed). Today, we dig into all kinds of stuff and it takes us all kinds of places. On the docket: I Know What You Did Last Summer (lega(c)sequel); 28 Years Later; Good Will Hunting (dangerous banger); and Please Baby Please (the Amanda Kramer Experience). Have fun!

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The last in our DIFF Interview series: we sit down with 'Motherland' director Evan Matthews. Such a rewarding, vulnerable discussion. This film is one that raises so many issues and forces the viewer to ask themselves important questions. Watch this one over and over once it becomes available.

Motherland trailer.

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This was such a wonderful conversation with the filmmakers Biliana and Marina Grozdanova. 'Eastern Western' is a beautiful immigrant story--and so much more. It really was our honor to talk to these wonderful artists and people. 'Eastern Western' premiered at DIFF, so keep your eyes open for your chance to catch this at a theater or screener near you.

Find out more about Eastern Western

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It's our final Driving While Screaming for the 2025 Oak Cliff Film Festival. It was a good festival (it always is), good slate of films. Some real standouts that we can't wait to watch again. If you were in attendance, we'd love to hear your thoughts on the festival, and any films you were impressed with. Talk to you soon...

Check out OCFF 25

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It's the last day of the Oak Cliff Film Festival 2025. We decided to finally talk 'Sinners' (and other things) on our drive to the Texas Theatre. Make sure to check out part 2 for the final OCFF films.

Check out OCFF 25

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Day three of the Oak Cliff Film Festival. We just spent twelve hours watching movies. We're tired; Brock's cranky. It's a tough job. Someone has to do it. You're welcome.

Check out OCFF 25

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Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm

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Artwork by @_mosla_