Story Nerd

Welcome to a brand new season! This time around I'm studying the 4 Story Questions and Melanie is focused on tension. This week we're looking at CALENDAR GIRLS. We love these actresses (I mean, honestly, what's not to love?) but the storyline threw us for a loop because when it felt like it was coming to a natural conclusion, we realized there was still another hour to go. What happened? And was that a good thing or not? Tune in to find out! -V.

"Making a sale or getting an agent hinges on your ability to describe your...

You want to get published, right? You want to see your book in bookstores, you want to hit a bestseller list, and maybe you want Reese Witherspoon to pick your book for her bookclub. Well, before any of that can happen you need an agent and an outstanding query letter is the key to getting one. That's why I developed my brand new course, THE ART OF THE QUERY. It includes everything you need to know and I even show you a super simple way to tackle the hardest part of the pitch. Grab the course now through Cyber...

We're trying something new this week! Writers are constantly asking me and Melanie to explain why a story seems weird to them. So to help you understand why some stories flop, at the end of each season we'll pick a film that doesn't work and we'll try to figure out why. In this inaugural episode, Melanie chose IN THE COLD LIGHT OF DAY because it got a whopping 4% on Rotten Tomatoes. It's an eye-opener, that's for sure! I'd love to hear if you agree, or disagree, with our assessment. -V.

"This movie failed because it didn't follow...

It's that time again! We've reached the end of the season and that means Melanie and I are wrapping up all our a-ha moments and lessons learned about writing exposition and creating character arcs. Plus we've got a special surprise coming for you and we talk about it in this episode to be sure to listen all the way to the end! - V.

"The closer a scene and its exposition are to real life, the easier it is to make it invisible." - Melanie Hill

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Up In The Air, boring or not, is this week’s question. Why do I find this movie interesting, and why does Valerie find it boring? Could the answer lie in Ryan Bingam’s character arc (and does he have one)? Could it lie in the small amount of exposition? Or could it be that George Clooney movies are boring? One thing is certain: this episode is the opposite of boring. -M

"Is this story interesting, entertaining and worthwhile if the protagonist doesn't have an internal worldview shift?" -Melanie Hill

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Th...

This movie is almost entirely exposition, and while this isn't an approach I'd recommend for novelists, I can't imagine telling this particular story any other way. You might say that ALL THE PRESIDENT'S MEN is the exception that proves the rule. Master storyteller, William Goldman, pulls it off and that means there's a whole lot we can learn about how and when to use exposition when writing a story. When it comes to character arcs (Melanie's topic this season), neither of the protagonists change in this story but they change the world around them and what that reveals about...

Most stories are about change. However, there is also a place for stories when the protagonist doesn’t change. The outcomes can still be positive - just watch James Bond and Erin Brockovich!  There are also stories where the protagonist doesn’t change, and the outcome is ambiguous. This movie combines an ethical dilemma with a constant character to create a haunting outcome. The movie also has buckets of exposition. Is this a case of too much is way too much? Never fear, Valerie groups and summarises all the exposition into four key types. -M.

"Patrick's constant chara...

As Melanie and I prepared for this episode one question kept coming up ... Who is the protagonist? Melanie argues that the entire family is the protagonist, but I think that Olive (who is the Little Miss Sunshine contestant) is the protagonist. It's an interesting question and our discussion about it is even more interesting. If you're writing a multi-POV story, be sure to check out this episode! -V.

"Exposition is all about the facts that we need to convey to the reader so that they can follow a story without getting confused." Valerie Francis

Related...

This season, I am focused on stories with negative or neutral character arcs. Sometimes, finding out what a character doesn’t want is the first step to discovery. On the surface, Cathy Whitaker has a perfect life. However, it’s a shallow life. Cathy’s choices are symbolically represented by her husband, Frank, and her gardener, Raymond. The two male characters are interesting external representations of Cathy’s internal choices. There’s a small amount of exposition in Far From Heaven, but when it features, it’s done straightforwardly and with simplicity. -M

“The interesting events in Cathy’s arc ha...

Wowzers! I, TONYA is absolutely chock-full of exposition. It's a documentary-style film so at first blush it doesn't seem to offer up many story lessons for novelists. However, DAISY JONES & THE SIX is a documentary-style novel so this is an episode you might want to pay attention to — not just for their handling of exposition, but also for their portrayal of the character of Tonya Harding. -V.

"Introducing characters can only be done via exposition." -Valerie Francis

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The Social Network (Season 12, Episode 1)

Dorian Gray (Season 12, Episode 2)

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