Story Nerd

On the list of films that haven't aged too well, THE MAN WHO KNEW TOO MUCH is near the top. Because it's Hitchcock I'll get flack for saying that, but watch it first and then decide. In terms of study topics this season, I'm looking at The Speech in Praise of the Villain and Melanie is examining Constant Characters. Its portrayal of women and parenting aside, this movie offers up interesting insights on bits of story theory. Enjoy! -V.

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Using a framing story in your novel? Maybe you're writing multiple plot lines. Or perhaps you want to know what truly masterful storytelling looks like. This week, we take a deep dive into THE PRINCESS BRIDE. Melanie and I were spoiled for choice in this What Went Right episode because, when you're dealing with a William Goldman story, pretty much everything is going right. Enjoy! -V.

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If you’re wondering what NOT to do when adapting your novel, there are great tips in this episode. We've all experienced the feeling of walking out of a cinema and saying, the book was better. That's definitely the case for The Golden Compass. I’ve read the book and thoroughly enjoyed it plus the book won the Carnegie Medal which means it's excellent. So how did such a good children story go so wrong when it was adapted for film? That is the question we answer in this episode.

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We're wrapping up Season 16 with our best advice, lessons learned and a-ha moments about The Shadow and The Hero's Monologue. If you didn't get a chance to listen to all the episodes this season, you'll definitely want to tune in and maybe even bookmark this episode! - V.

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For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

You control the shadows in your characters. This week we reveal how a negative shadow looms large despite being dead. Daphne du Maurier’s ‘Rebecca’ crushed everyone she came into contact with, even her allies. With our study of The Shadow drawing to a close, it’s time to look at how suppressed emotions break free and cause chaos. The Hero’s monologue is also treated differently in this film. See if you can pick where it is!

"The shadow isn't always bad character traits." - Melanie Hill

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Genre is enigmatic (at best). Writers, agents, readers, and editors, all have different perspectives, and sometimes they lead to heated debates. In this episode, which originally aired in Season 2, Melanie and I totally disagree on the genre. She thinks it's a horror, I think it's a thriller. Which of us is right? Tune in to find out. We'll be back next week with a brand new episode. Until then, Happy New Year! - V.

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Did you know that the beginning of your story, and the end of your story, work together as a unit? This this episode, which originally aired back in Season 3, we explore how the powerhouse pairing of Jane Austen and Emma Thompson put this bit of theory into action. For the rest of your story, understanding sequences might just be the key to making your story sing! We'll be back on January 14, 2026 with a brand new episode. Until then, we wish you a happy, healthy, and prosperous new year! - V.

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Holy smokes! Now THIS is how you write a murder mystery. If you're a mystery writer, or simply want to watch an absolutely fantastic film during the holiday season, be sure to check out THE LAST OF SHEILA. This episode originally aired in Season 9 and it's one of our favourites. So sit back and enjoy, and we'll be back with a brand new show on January 14, 2026. -V.

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Wayne's World is a superior example of an anti-plot story (and it's hilarious to boot!). As Melanie and I take a much deserved recording break to enjoy the holidays with our families, we're sharing this archive episode with you because, if nothing else, it'll bring a smile to your face and give you a good laugh. We'll be back on January 15, 2026 with a brand new episode. Until then Happy Holidays, everyone! - V.

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It's a brand new season and that means Melanie and I are studying two new topics: narrative drive and conflict triangles. Conflict and page-turners are usually associated with action stories, thrillers and the like. But DOUBT is a quiet, character-driven film that is so expertly crafted it grabs the viewer's attention immediately and holds it right to the bitter end. Seriously, there's so much for novelists in here. -V.

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This is storytelling at its finest. We could study it to learn about almost any aspect of writing, but this week, Melanie and I are highlighting the complexity and nuance of the main character. He's a passive character, which makes for an especially interesting study of both the hero's monologue and the shadow. If you've not seen THE HOLDOVERS yet, watch it as a gift to yourself this holiday season. You won't be disappointed. We'll be back in January  with a new episode. Until then, we'll be sharing some of our favourite episodes from the vault! Happy Holidays, everyone! A...

If you are writing a villain’s POV in your story, this episode is for you. Lydia Tar is a villain but she’s also the protagonist of the story. Quite simply: villain + protagonist = anti-hero. The slow reveal of Tar’s shadow is a masterclass in writing a villain POV. You could start off with an evil villain and maintain that line in your story, but it’s much more compelling to watch the villain’s camouflage and true nature being revealed over time. -M.

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If you're curious about how to handle unlikeable protagonists, this episode is for you! In Hitchcock's classic, DIAL M FOR MURDER, the protagonist is the villain — he plots the murder of his wife, and that's about as unlikeable as it gets! His anti-hero's monologue is a veritable masterclass and his shadow reveals that he's actually kind of a nice guy underneath it all ... when he's not blackmailing people and planning murders that is. -V.

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The villain isn’t a stand in for the hero’s shadow. The villain is a warning to the hero if the hero doesn't learn to integrate their shadow. The Incredibles is storytelling gold and a very clear example of the role of the villain and hero plus their relationship to the hero’s shadow. Of course, every good superhero movie needs a hero’s monologue and The Incredibles delivers. This week is a great week for both our topics, so join us as we don our capes and wear our undies on the outside! -M.

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If you're writing a dual protagonist story, a story with multiple plot lines or a romance, this episode is for you! After the spookiness of last week's episode, I thought we are all due for a feel-good, positive juju kinda movie. What better choice than THE PROPOSAL? Enjoy! -V. Acquire the power to write a bestselling story at storynerd.ca/courses  For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle. To learn to read like a writer, visit Melanie's website.

You need to read stories you don’t like. Yep, it’s true. This week I put my body on the line and I forced myself (and Valerie - so sorry, please forgive me) to watch The Substance. I don’t read, watch, or listen to horror, but there are times when I need to go outside my comfort zone to learn more about the craft. My topic this season is The Shadow, so it would be remiss of me to ignore a genre that relies on The Shadow. You don’t need to watch The Substance because I summaris...

How does your reader know why your protagonist does what she does? This seemingly minor detail is one of the most important parts of your story and the way you let the reader know about it is through the hero's monologue. What aspect of your protagonist is hidden from her, from your reader, or both? If you want to create a main character with dimension and an arc, then understanding her shadow is key. The hero's monologue and the shadow are our study topics in this brand new season of the podcast. Enjoy! - V.

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I think I missed the mark with my choice for What When Right this Season. I went with The Outrun because it scored well on ratings sites. Why did this movie get such good ratings when both Valerie and I had trouble staying engaged? It’s a story that has great performances and it handles addiction without judgement. There’s also some parallel story telling in the shape of traditional Orkney fairy tales, which assists the viewer with navigating Rona’s view of the world. This is a puzzling movie but it has some good elements. -M.

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Today is a fantastic day for the Story Nerd Podcast. We are celebrating the launch of Melanie’s new middle-grade novel, Jett Cooper, by sharing a behind the veil look at how she put theory into practice. 

Join us for this special episode and learn more about Melanie, what inspired her to write this novel, and why it took her so long. Valerie also shares her reaction to reading the completed novel for the first time with Melanie. 

If you’ve ever wondered why Valerie and Melanie started the Story Nerd podcast then join us for th...

STAYIN' ALIVE has a 0% rating on Rotten Tomatoes (I didn't even know that was possible!) so Melanie and I wanted to see if we could figure out where the storytelling in this movie went wrong. And boy, did it give us the giggles. In this episode, we cover everything from missing empathy to missing pants. So come join us, and be sure to let us know what you think of our analysis. -V.

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We've come to the end of another season and that means it's time for our best advice about the villain's monologue (what it is, and why it's essential you have one in your story) and turning points (those unexpected events that create opportunities for you to reveal character). -V.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

I think BLACK BAG misses the mark but it's one of Melanie's favourites. So what happens when we disagree on whether, from a craft perspective, a story is working or not? Well, you'll have to tune in to this week's episode to find out. One thing I'll say is that this might be a film that is meant for super fans of the spy genre (i.e., Melanie) because it seems to assume a level of knowledge about the world of espionage that the average viewer (i.e., me) simply doesn't have. Enjoy! -V.

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Primal Fear is a superb film. The novel, by William Diehl, is even better. This is a story to add to your short list of go-to stories to study for absolutely any aspect of the craft. Enjoy! - V.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

This week we're throwing it back to season 2. Valerie is studying The Hero's Gift Expressed and Melanie is studying Forces of Antagonism. Legally Blonde is a beautiful example of both!

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

In this week's episode, Melanie introduces the concept of conflict triangles and honestly, if you use them in your work, your story will improve immediately. In terms of cast design, while usually the plot supports the development of the characters in this case, the characters support the development of the plot. If you don't know which option best serves your story, you'd better tune in.

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In this episode, Melanie is studying female characters and how women are presented in modern stories (her work in this episode is reeeeally interesting!), and I investigate something I learned from Steven Pressfield, which is that we shouldn't introduce anything new after Act 2.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Whatever kind of story you're writing, if you want a reader to stick with you all the way to the end, you've got to build tension! Believe it or not, The Bourne Identity is a terrific example to study - even for a love story or coming of age story.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's w...

Puzzled about what it takes to write a great mystery? Then grab your notebook because this episode is chock-full of tips. No red herrings in this show, we promise!

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Ummm … I don’t know what to say to introduce this week’s episode. Perhaps I should start with a simple question, ‘What makes a story un-watchable/un-readable?’ Part of the answer is chickens. If you’d like to know the rest of the answer, then buckle-up and dive in. -M

“Foe makes all the same mistakes that most novelists make.” - Valerie Francis

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THE MIRACLE CLUB is a multiple protagonist, miniplot, story. That means that each protagonist is also an antagonist. Sounds cool, right? But how the heck do you pull it off? Well one of the ways is to give each POV character her own villain's monologue. This film misses on one character and you just have to hear what happens to the story because of it! Melanie continues her study of turning points and this week, she shows us how they impact a story's pacing. Don't miss out! -V.

“The villain drives the middle build of your story.” - Va...

Valerie’s focus on the villain’s monologue in She Said was always going to be risky because we’d have to hear Harvey Weinstein's justification but justification requires the villain owning his stuff! What’s interesting is not what’s said but who says it. There’s also differences between the turning points in this movie and the others we’ve watched, and it has a big impact on the story. -M

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The antagonist drives the middle of a story, so what happens when the antagonist is a really weak character? Well, if you're a filmmaker and can cast Emilio Estevez, you might get away with it. If you're a novelist, you're in trouble. This week, Melanie and I take a look at The Mighty Ducks where the story is thin but the ice is thick. While this movie doesn't offer up the best example of the villain's monologue, thankfully, it's got lots to teach us about turning points. -V.

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Melanie and I have both had to do page-one rewrites (actually, I've done TWO!!!), and they're not fun. Not fun at all. We want to keep you from suffering the same fate, so in this episode, we explain where we went wrong and what you can do to make sure you never ever have to start your novel from scratch. -V.

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Announcing THE FUNDAMENTALS OF STORYTELLING on-demand course, available now. Visit storynerd.ca/courses and use coupon code CANADA50 for 50% off, now through July 7, 2025.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Mission: Impossible Rogue Nation is a great example of good, straight forward storytelling. Yes, it’s an action movie with big stunts. Yes, you have to suspend your disbelief.  Yes, it’s Tom Cruise.  But there’s more craft in this movie than meets the eye. This episode, I’ll show you what I mean and Valerie will give her take on the interesting variation of the Villian’s monologue. Just in case anyone was wondering, Valerie and I do our own stunts on the podcast. -M

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It's a brand new season and that means two brand new study topics! In Season 15, I'm studying something called the villain's monologue and Melanie is studying turning points. Guardians of the Galaxy vol. 3 is one of those films that's ok as long as you don't look too closely! There are definitely logic problems but insofar as our study topics are concerned, this movie offers up some valuable craft advice. Enjoy! -V.

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Authors often ask us for our advice about publishing models and whether traditional is better, or worse, than indie/self publishing. So this week, we're bringing you an interview with writer and podcaster, Matty Dalrymple. Matty also happens to be the Campaigns Manager for ALLi (the Alliance of Independent Authors) and she takes us through what she calls the ABCs of the traditional and indie publishing paths. This interview isn't meant to sway you in one director or another. Rather, we want to highlight the strengths and weaknesses of each path, and of course, we want let you know...

If you're writing a quiet, character-driven story — especially if it deals with questions of morality — Juror #2 is a film you must watch. The storytelling craft is rock solid, and although it's a legal drama, it's also highly nuanced with complex characters and an unbelievably intriguing plot. There's no spectacle here. It's all substance. Check out this hook: What if a juror in a murder trial realized that he is the killer? -V.

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If you are wondering what kids mean when they say, “It’s cringe” then watch this movie. Otherwise save yourself some time. On paper everything about this movie should work, but, and it’s an enormous but, it doesn’t. It’s easy to identify why. This movie doesn’t know what it wants to be when it grows up - is it a romance, a spy or an action movie. On the upside, if you listen to this episode you will learn the difference between action stories and spy stories - I have very strong opinions about this. We also have l...

We've reached the end of another season and that means it's time for me and Melanie to give your our best advice, our a-has, and our key takeaways all about the core event and progressive complications. You'll want to bookmark this episode! -V.

Acquire the power to write a bestselling story at storynerd.ca/courses 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.