Story Nerd

What happens when a story's logic falters? You end up with plot holes...and boy oh boy, does Miss Peregrine's Home for Peculiar Children (film version) have plot holes! How could they have been avoided? Well, that's exactly with Melanie talks about in this episode. For my part, I examine what happens to a reader's/audience's attention when the villain exits the story. This problem is more common than you think — you might even be doing it in your own WIP. -V.

The Hook Formula: the works-every-time method for describing your book in a way tha...

Kathleen and I run the gamut of opening pages advice in this episode. We discuss the pros and cons of time travel stories (why we love them and why they're so prone to plot holes), setting up reader expectations, writing working scenes, genre identification, and the one thing your opening pages MUST do if you're to hook your reader. This is a jam-packed episode that you'll want to bookmark and keep. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Ever heard of a story having a saggy middle? It's a real thing and this season, I'm revealing the fix for it! Meanwhile, Melanie is study story logic. I know, it sounds kinda dull but trust me on this one - you want to pay close attention because your reader sure will. -V

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 P...

There are a whole lot of people writing memoir and the competition to get an agent is fierce! In this episode Kathleen and I discuss the story-related challenges to writing memoir, we gush over the killer opening line (and all the other 'hooky' lines in the sample pages), and we reveal the trick to holding a reader's attention. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.c...

Never has there been a better example of why world building is so important. Fans of Sex and the City love to live vicariously through Carrie Bradshaw so it's no surprise that audiences gave this film a 77% Rotten Tomatoes score. However, film critics gave it a 50%, and we tend to agree. What is they see that fans don't? Tune in to this week's episode so that you can emulate the good and avoid repeating the bad. -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg...

Boy, prologues are tricky things. How do you know if your story needs one? If you do want to use one, how do you make sure it enhances your story, or detracts from it? Kathleen and I discuss all this and more in today's Hook Your Reader episode. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit v...

Because the novel is so funny and easy to read, and because the film is a romcom, it's easy to dismiss Bridget Jones's Diary as a simple story that Helen Fielding simply dashed off on a weekend. But nothing could be further from the truth. Even though it's a lighthearted story, Bridget is still a dimensional character and that's why we love her. -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample...

Might there actually be a demand for AI-generated books?! What do publishers expect authors to do during these uncertain times? And what should authors expect of publishers? Will AI ultimately make us value art more, or less? In this episode, Melanie, Kathleen and I tackle these questions, and more, as we all try to navigate this bizarre AI-in-publishing landscape. - V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at s...

Holy smokes. The publishing industry is really stumbling its way through this new AI landscape. Some writers, agents, and publishing houses have chosen to use various AI tools and software, some have not. Some are open and honest about the way they do, or do not use AI, some are not. In this episode, where all three of us have come together for the first time, Melanie, Kathleen and I discuss whether AI is something writers should fear or embrace. We talk about critical thinking skills and whether we're losing the ability to recognize good writing from bad, human...

Ah, nonlinear timelines. You don't have to be in this business very long to hear some "expert" claim that flashbacks and flashforwards are bad. Not so! When used correctly, they can make a mediocre story, truly amazing. So what's the key to using flashbacks and flashforwards to greatest effect? And what are the pitfalls to be avoided? That's what Kathleen and I discuss in today's episode. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query l...

The movie had both me and Valerie on the edge of our seats. When we come across a masterful movie we pull out as much as we can for you. This episode is chock-a-block full of info about point of view, narrative drive, clues, and liars. We also examine how the twist in The Good Liar is set up and pulled off. I continue to track the clues and motives this week...or should we say I track the lies. Valerie discusses how point of view and narrative drive work together to create this exciting thriller.

If...

It's not unusual for a debut author to query agents too soon. After all, this is a new skill and often they don't realize that their submission might not be ready. Yes, official queries require completed manuscripts (although on this show it's not necessary). But is that all a writer needs or could there be more? Tune into today's episode to find out. -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample...

In this episode, Melanie takes us on a deep dive of spy stories, their conventions and subgenres. It turns out that what we usually think of as spy stories might not be spy stories at all! Meanwhile, Valerie examines the testing plot and offers advice about how to write historical fiction that works. -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages...

How much worldbuilding should you do in your opening pages? Does it depend on which genre you're writing in? What happens if you do too much, or too little? Will the reader get lost or confused, or will they just go with it and fill in the blanks based on their personal past experiences and knowledge? We discuss all this and more in today's episode. Enjoy! - V.

Not gonna lie ... this episode kinda went off the rails. We're supposed to talk about why Hitchcock's Vertigo is such a fabulous story — after all, it is lauded as one of his greatest films. Buuuut ... I didn't watch it before I recommended it for our What Went Right episode. Yes, the narrative drive works well in places. No question. However, to say this movie doesn't age well is an understatement and Melanie lets Hitchcock have it with both barrels. I roared with laugher through her whole bit (thankfully, my mic was muted so you'll have no trouble hearing her). Th...

How do you know if you're ready to query? The short answer is: when you've finished your manuscript. But could there be more to it than that? Do you need to run it past beta readers first, or is that a waste of time? If it's a good idea, then who do you choose to be on your beta reader team? We discuss all this and more on today's Hook Your Reader episode. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg...

How did such a successful franchise get the last Bourne film wrong? There’s a simple answer - repetition and forgetting the rules of the world. This is an episode about the details, and it’s perfect for those writing a series because there’s a lot of good lessons to learn. - M

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First...

Genre is a funny topic in our business because nobody can seem to agree on it. That makes querying agents a particularly tricky situation ... what if the agent has a different perspective of your story's genre than you do? What happens then? In today's Hook Your Reader episode, we offer our take on a horror story with fantasy elements that may, or may not, actually be an action story or a haunted house story or even a global internal genre story. -V.

The Hook Formula: the works-every-time method for describing your book in a way...

In this episode we share our lessons learned and a-ha moments about the 4 Types of Protagonists and the Premise statement. The ability to summarize your story in one sentence is an absolute must and over the course of the season, Melanie explored several different methods for doing just that. Which one was her favourite and why? This week, she reveals all. And for my part, I explored the 4 different types of protagonists and was happily surprised to have found three such different examples of the anti-hero — a protagonist type that, I think, is both misunderstood and under used. What do...

Steven Spielberg listens to Story Nerd. My proof? In a recent interview with The New York Times, he said, "The first thing I look for [in a story] is a very compelling premise. The second thing is a character we can hitch our wagons to." THIS is exactly what Melanie and I have been discussing all season. So yeah, he MUST be listening to us, right? ;-) Seriously though, you want to tune into this episode to hear why Spielberg thinks these two things — premise and character — are so important. -V.

The Hook Formula: the work...

Serenity is the follow-on movie from Joss Whedon’s series, Firefly. While the movie had a guaranteed audience, the story suffers because the main protagonist doesn’t have a clear object of desire, however, the antagonist’s OOD is super clear and it saves the movie. Valerie’s exceptional study of the four types of protagonist moves up a notch again, as she explores the ‘lost soul’ theory for the anti-hero. - M

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit...

Querying agents can be a daunting task but there's a way to do it effectively! Agents want to love your book but you have to know how to present it to them. Query letters aren't simply cover letters. They're sales letters and their job is to convince an agent to ask for more. Putting a query package together is a skill, and if you want to get an agent, it's a skill you must master! The Query Starter Kit available at learn.storynerd.ca now. -V.

The Hook Formula: the works-every-time method for describing your...

What's the key to choosing comp (comparative) titles that pique an agent's curiosity? Should you use films or tv shows? What about huge bestsellers — would those make good comps, and if so, in which circumstances? In today's episode, Kathleen and I discuss an upmarket speculative thriller and discuss comp title choices, killer opening lines and, you guessed it ... exposition! And if you want to read the query letters and first 10 pages writing samples we discuss in these Hook Your Reader episodes, be sure to subscribe to my mailing list. -V.

The Hook Formula: the works-every-time me...

How do you create an emotional connection between a reader and an unlikeable character? That's one of the most common questions we get as editors. The answer lies in understanding the anti-hero protagonist and Birds of Prey offers up a whole group of them to study. And where there are multiple protagonists, there are multiple plotlines. And each of those plotlines needs its own premise statement. It's a full episode this week! Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for...

Nothing is what it seems in this mercenary mystery. I discovered a way to use two premises to create mystery and a twist - a great find for everyone writing mysteries or spy stories. Valerie works out what type of protagonist Sam is, and it’s not what I thought! -M

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, vi...

What kind of story are you writing? That question is actually much trickier to answer than it seems, and that's because writers and agents look at genre differently. What happens if, after reading the query letter, an agent isn't clear on your story's genre? What role do comp titles play in explaining genre? We answer these questions and many more in today's Hook Your Reader episode. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query...

Well, well, well ... this has to be THE most interesting presentation of an underdog protagonist that I've ever come across. Not only have the filmmakers gone above and beyond with respect to their audience's expectations, but they've innovated the heck out of the underdog. This you've got to see! And if you're not sure whether you've written a logline or a premise statement for your story (or why you'd need both and when you'd use them) then Melanie's got your back because in this episode, she explains it all. Enjoy! -V.

The Hook Formula: the...

This week I practised writing a premise for each of the characters in Notting Hill and I experimented with the ending to see if this tool helps writers evaluate writing ideas. Valerie studied the value of the “everyman” punching above his weight in a romance - a winning formula if ever there was one! - M.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your...

What happens when a story is pitched in the query letter as a mystery, but doesn't read like one in the opening pages? Where did the confusion creep in and how can you avoid a genre mismatch? We discuss this and much more (including writing unnamed protagonists and passive characters) in today's Hook Your Reader episode. Enjoy! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

Of all the types of protagonists, audiences/readers love the underdog the most, and our discussion of this beloved archetype led us down all kinds of interesting story theory roads including tension, stakes, objects of desire, the use of consequences as plot devices, suspension of disbelief and the Disneyfication of fairy tales! Meanwhile, Melanie continues her study of the premise statement and logline — what the difference between them is, how to formulate them, why they're important and, of course, when a writer would use them. This episode is jam-packed! Enjoy! -V.

The Hook Formula: the wo...

Sicario presented us with a few surprises this week. Valerie thought she’d be analysing a hero, but Kate is an underdog. She’s not presented as a typical underdog, nor does she have the typical underdog resolution. On my end, the logline for the movie misses some essential information. I try a new method of creating a premise that clarifies the conflict and story climax, and it delivers a surprising discovery about the real antagonist. -M

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them...

Can you write a killer opening line? Can you define what a killer opening line is? In this week's episode, we give our professional advice on the opening pages of a story described as upmarket with suspense elements, starting with a debate about the opening line. Don't get me wrong ... the first 10 pages are quite good, but we've got suggestions for how to make them great! Don't miss this episode! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

...

What type of protagonist does your story feature? There are 4 types, each of them can be a constant character or a change character, and each one evokes a different emotion from your reader/viewer. And that's exactly what I'm studying this season starting with the hero which could be a literal superhero, or it could be a little old lady. And Melanie is studying the story premise and how to articulate a story in one sentence (because it's a skill EVERY writer needs!). There's loads of great stuff coming up this season, starting with this episode all about Murder...

Poles apart - and not the dancing kind!

Anora won the 2024 Palme d’Or at Cannes and five out of six categories at the 2025 Academy awards including Best Original Screen Play and Best Film. Plus, it was nominated for a multitude of other awards and won its fair share. On Rotten Tomatoes it has an aggregated rating of 93%. That’s impressive. 

However, we disagree about What Went Right. I saw how the writer director crafted a pessimistic story arc combined with a negative character arc. Valerie believes that nothing went right in this movie because of th...

It's AMA time! When is the best time to query an agent? When is the best time to go out on submission? How on earth does a writer choose comp titles? Literary agent, Kathleen Foxx, answers these questions and more on today's Hook Your Reader episode. If you want our feedback on your query letter and first 10 pages writing sample, visit storynerd.ca for details on how to submit. We look forward to reading your work! -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes...

I'm convinced that the screenplay for this film was generated by AI. Of course, I have no proof for that, but 80 for Brady is so completely bizarre that if AI wasn't involved, I'd like to know what the filmmakers were smoking. It misses the mark at every turn and has so neglected (ignored? forgotten?) the fundamentals of storytelling that not even four legends of stage and screen can save it. This just might be the worst movie ever made. Oy with the poodles already! - V.

The Hook Formula: the works-every-time method for describing your...

In the season roundup, we share all our best advice about the speech in praise of the villain (what it is, how to craft it, and why it's important), and constant characters (they're waaaaaay more common than you think!). -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your query letter and first 10 pages writing sample at storynerd.ca.

For your FREE First 10 Pages Checklist, visit valeriefrancis.ca/checklist

To learn to read like...

This is the first episode of our brand new HOOK YOUR READER series! In these episodes, literary editor Kathleen Foxx and I review query letters and first ten pages writing samples from you, our listeners! While we're getting this off the ground, and to give you time to prepare your work, we've devoted this week's show to answering your questions about AI, writing and publishing. It's a good one! And, to find out how you can send in your work for review, be sure to stick around to the end of the episode. -V.

The...

What if you could get professional advice on your query letter and first ten pages writing sample BEFORE you started to send it off to agents? Well my friends, you're going to love this! Starting tomorrow, literary agent Kathleen Foxx and I are going to do just that (and it's free). For all the details about how you can get our feedback on your work, visit storynerd.ca. -V.

The Hook Formula: the works-every-time method for describing your book in a way that captivates readers and makes them beg for more.

Submit your...

In a twist that no one saw coming, not even us, the villains in this movie are Val and Mel! 

Despite this, I thought Thunderbolts would be better. :( However, the constant characters in this movie support a protagonist with a change arc, and fill archetypal roles in the movie. In another surprising twist - switching the villain in the end of the movie has a big impact on the effectiveness of the speech in praise of the villain. This episode has more twists and and turns than the MCU - and that is saying something! -M