Story Nerd

Primal Fear is a superb film. The novel, by William Diehl, is even better. This is a story to add to your short list of go-to stories to study for absolutely any aspect of the craft. Enjoy! - V.

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This week we're throwing it back to season 2. Valerie is studying The Hero's Gift Expressed and Melanie is studying Forces of Antagonism. Legally Blonde is a beautiful example of both!

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

In this week's episode, Melanie introduces the concept of conflict triangles and honestly, if you use them in your work, your story will improve immediately. In terms of cast design, while usually the plot supports the development of the characters in this case, the characters support the development of the plot. If you don't know which option best serves your story, you'd better tune in.

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In this episode, Melanie is studying female characters and how women are presented in modern stories (her work in this episode is reeeeally interesting!), and I investigate something I learned from Steven Pressfield, which is that we shouldn't introduce anything new after Act 2.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, v...

Whatever kind of story you're writing, if you want a reader to stick with you all the way to the end, you've got to build tension! Believe it or not, The Bourne Identity is a terrific example to study - even for a love story or coming of age story.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

T...

Puzzled about what it takes to write a great mystery? Then grab your notebook because this episode is chock-full of tips. No red herrings in this show, we promise!

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Ummm … I don’t know what to say to introduce this week’s episode. Perhaps I should start with a simple question, ‘What makes a story un-watchable/un-readable?’ Part of the answer is chickens. If you’d like to know the rest of the answer, then buckle-up and dive in. -M

“Foe makes all the same mistakes that most novelists make.” - Valerie Francis

Related Story Nerd Episodes

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THE MIRACLE CLUB is a multiple protagonist, miniplot, story. That means that each protagonist is also an antagonist. Sounds cool, right? But how the heck do you pull it off? Well one of the ways is to give each POV character her own villain's monologue. This film misses on one character and you just have to hear what happens to the story because of it! Melanie continues her study of turning points and this week, she shows us how they impact a story's pacing. Don't miss out! -V.

“The villain drives the middle build of your story.” - Va...

Valerie’s focus on the villain’s monologue in She Said was always going to be risky because we’d have to hear Harvey Weinstein's justification but justification requires the villain owning his stuff! What’s interesting is not what’s said but who says it. There’s also differences between the turning points in this movie and the others we’ve watched, and it has a big impact on the story. -M

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The antagonist drives the middle of a story, so what happens when the antagonist is a really weak character? Well, if you're a filmmaker and can cast Emilio Estevez, you might get away with it. If you're a novelist, you're in trouble. This week, Melanie and I take a look at The Mighty Ducks where the story is thin but the ice is thick. While this movie doesn't offer up the best example of the villain's monologue, thankfully, it's got lots to teach us about turning points. -V.

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Melanie and I have both had to do page-one rewrites (actually, I've done TWO!!!), and they're not fun. Not fun at all. We want to keep you from suffering the same fate, so in this episode, we explain where we went wrong and what you can do to make sure you never ever have to start your novel from scratch. -V.

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Announcing THE FUNDAMENTALS OF STORYTELLING on-demand course, available now. Visit storynerd.ca/courses and use coupon code CANADA50 for 50% off, now through July 7, 2025.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

Mission: Impossible Rogue Nation is a great example of good, straight forward storytelling. Yes, it’s an action movie with big stunts. Yes, you have to suspend your disbelief.  Yes, it’s Tom Cruise.  But there’s more craft in this movie than meets the eye. This episode, I’ll show you what I mean and Valerie will give her take on the interesting variation of the Villian’s monologue. Just in case anyone was wondering, Valerie and I do our own stunts on the podcast. -M

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It's a brand new season and that means two brand new study topics! In Season 15, I'm studying something called the villain's monologue and Melanie is studying turning points. Guardians of the Galaxy vol. 3 is one of those films that's ok as long as you don't look too closely! There are definitely logic problems but insofar as our study topics are concerned, this movie offers up some valuable craft advice. Enjoy! -V.

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Authors often ask us for our advice about publishing models and whether traditional is better, or worse, than indie/self publishing. So this week, we're bringing you an interview with writer and podcaster, Matty Dalrymple. Matty also happens to be the Campaigns Manager for ALLi (the Alliance of Independent Authors) and she takes us through what she calls the ABCs of the traditional and indie publishing paths. This interview isn't meant to sway you in one director or another. Rather, we want to highlight the strengths and weaknesses of each path, and of course, we want let you know...

If you're writing a quiet, character-driven story — especially if it deals with questions of morality — Juror #2 is a film you must watch. The storytelling craft is rock solid, and although it's a legal drama, it's also highly nuanced with complex characters and an unbelievably intriguing plot. There's no spectacle here. It's all substance. Check out this hook: What if a juror in a murder trial realized that he is the killer? -V.

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If you are wondering what kids mean when they say, “It’s cringe” then watch this movie. Otherwise save yourself some time. On paper everything about this movie should work, but, and it’s an enormous but, it doesn’t. It’s easy to identify why. This movie doesn’t know what it wants to be when it grows up - is it a romance, a spy or an action movie. On the upside, if you listen to this episode you will learn the difference between action stories and spy stories - I have very strong opinions about this. We also have l...

We've reached the end of another season and that means it's time for me and Melanie to give your our best advice, our a-has, and our key takeaways all about the core event and progressive complications. You'll want to bookmark this episode! -V.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, v...

We’ve had a number of masterful movies this season and Women Talking is another one. Q: How do you tell a story when everything you’ve ever known is at stake? A: Consider the pros and cons using multiple protagonists. This is a great movie where the level of writing craft is high, and the core event provides more relief than you thought possible. If you can bear to watch this movie more than once, it will be worth it. -M.

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This movie looks like an innocent little story about seniors who want to make the most of their golden years, but the craft behind it will knock your socks off. It's a multiple POV, multiple plot film and believe me, this is NOT an easy format to pull off. So if you're writing a story with more than one protagonist and/or more than one plot line, do yourself a favour — listen to this episode and learn from these master storytellers. -V.

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Every-now-and-then we stumble across unassuming movies that blow our socks off. Anatomy of a Fall is one of these. There’s so much to love about this movie which is a masterclass in character, mystery, tension, and nearly every story telling principle we’ve discussed on the podcast. Of course, there’s a great deal to learn about progressive complications and the climatic moment. -M

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

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I think the filmmakers had good intentions when they made SHIRLEY, unfortunately, they failed to stick to the essentials of storytelling. In this episode, Melanie does a fantastic job of illustrating what happens to a story when writers fail to create obstacles that progressively complicate the plot. (Progressive Complications are a big deal - you're going to want to pay attention to this one.) And I do a deep dive into the core event (aka the climax) and explain why it doesn't work and how you can avoid making the same mistake in your novel. -V.

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The antagonist owned the progressive complications in this movie. Celine shows her best friend Alice what a fate worse than death could be. Valerie explains how the Core Event is linked to its genre and why it’s important to understand the difference between the core event in an action, horror, or thriller. -M

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inn...

If you're writing a character-driven story, or a story where society is the antagonist, or a story with broad societal issues, add Greenbook to your list of films to study. I know all about the controversy surrounding this film but our analysis this week is, as always, on the storytelling craft. And from a craft perspective, this movie does a whole lot of things right. - V.

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First of all I have to let you know that it’s a miracle that no podcasters were harmed during the making of this episode.

Bloody hell! What have I done? The cringe factor in this movie is off the charts - it’s worse than getting “sand up your clacker” (if you’ve watched this movie, you’ll get the reference). However, the opening scene does provide a reasonable example of progressive complications in action. Not surprisingly, Valerie’s study of the Core Event is hampered by, um, by, everything. -M

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It's a brand new season and that means two brand new story theory principles to discuss! This time around, I'm studying the core event (aka a story's climax) and Melanie is studying progressive complications. The writers of THE BANK OF DAVE definitely poured some sugar on this genuinely sweet, feel-good movie. It's rock solid. As an added bonus, it also features Def Leppard (seriously!). Let me know if you literally stand up and dance at the end of this movie. I did! -V.

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In this special bonus episode, I interview Brian Proctor, a bestselling author in the field of personal development. This might seem like an odd fit for the show until you realize that it's not our talent or ability that holds us back as writers, it's our mindset. In this interview we discuss  how to conquer procrastination, the truth about manifesting, and the mindset Brian used to become a bestselling author with his very first book. -V.

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While Melanie and I continue to beaver away in the background, we thought we'd pull PRETTY WOMAN from the archives for you. This movie is a fan favourite and here's the thing, it gets all the storytelling fundamentals exactly right. We can't wait to share our new project with you. Stay tuned for more! - V.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

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While Melanie and I cook up something extra special for you, we're highlighting some past episodes that you might have missed. THE DRY is an Outback Noir that we studied back in season 9. We talk about the environment as an antagonist, character archetypes, and a whole lot more. Check it out! - V.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner C...

Behind the scenes, Melanie and I are cooking up something very special for you! While we work on that, for the next few weeks we'll be replaying some of our best episodes for you. This week it's WHIPLASH. This is one of my all-time favourites because it's an excellent example of every story principle (seriously). Enjoy! -V.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), s...

What makes the Paddington franchise so popular with audiences? That's exactly what Melanie and I set out to discover as we take a deep dive into the first film in the trilogy in this brand new What Went Right episode. We look past the CGI and get straight to the heart of the story. -V.

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It's our second "what went wrong" episode and this time we're taking a deep dive into the 2011 film, GREEN LANTERN. Even Ryan Reynolds says this one is a dud, so where did the storytelling go wrong? Tune in to find out! -V.

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. 

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit M...

That's a wrap on Season 13! Over the past eight episodes Melanie took a deep dive into one of the most important concepts in storytelling: tension. In this episode, she reviews the concepts of high and low tension, and highlights the principles you can use to create tension in your story. Meanwhile, I spent the season studying The 4 Story Questions. This is really important stuff. Trust me on this...if you can't answer these questions clearly and succinctly, your story might be in big trouble. -V.

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Valerie and I take a scalpel to some well loved movies this season. First there was the Nightmare Before Christmas and now Sleepless in Seattle. I’m not a believer in ‘magic love’ so I find the premise of the movie silly, but there are some good examples of tension. However, under the microscope of Valerie’s 4 Story Questions, this movie is lacking in some fundamental storytelling scaffolding. Without clear wants there isn’t anything meaningful at stake. The take away - the story could be better. There, I said it. I am the Scrooge of Valentine’s Day. -M

"Te...

Writers of quiet, character-driven or "literary" stories often ask me if all this story theory stuff applies to them, or if it's only for "commercial" fiction. Believe me when I say that it's even more important and in this episode of the podcast, I explain why. Meanwhile, Melanie conducted an experiment this week. She wanted to discover how knowing the ending impacted the tension of a story. Does it kill the tension or enhance it? What she learned may surprise you. -V.

"Our jobs, when we're writing a novel, is to grab our readers' attention early, as...

Frustration follows flaws! Can you create tension and conflict if the 4 Story questions haven’t been answered? The simple answer is “no”. I desperately wanted to love this movie because I’m writing a short story based on selkies. This is a sweet movie. It lacks some storytelling basics, which results in minimal tension and conflict. I know I’ve said it before, but learning from stories that don’t work is more valuable when you're learning to write.  -M

"Conflict relies on tension to make readers want to know what happens." Janice Hardy

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Melanie and I talk about Object of Desire all the time and boy, oh boy, this movie really drives home why it's so important. The writers didn't go for the obvious choice here and it makes the movie, and the protagonist, so much more interesting because what Judy wants more than anything in the world is not to perform, but to be with her kids. In terms of tension, it's hit-and-miss. Tune in to find out how you can emulate the tension-creating techniques and how you can avoid the pitfalls. -V.

"It's the conflict that creates tension...

I love it when Valerie and I study different theories and come to different conclusions about the movie. Crazy, Stupid, Love has great examples of slow/low tension and high/intense tension - it’s a great movie demonstrating how tension works. However, it doesn’t work so well when the 4 Story Questions are applied. Why? Because a multi-point-of-view story needs answers for all POV characters! Which POVs work and which don’t…dive into this episode and find out. -M

"Having your characters make stupid decisions is a great way to increase tension." -Melanie Hill

Relate...

In this archive episode, we revisit our study of FATAL ATTRACTION which first aired as episode 5 of season 7. I was studying character revelation and Melanie was studying worldbuilding, but what I find most fascinating about this movie is that, viewed through a modern lens, it's unclear who the antagonist really is. We'll be back next week with a brand new episode, until then, Happy New Year! -V.

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While I'm teaching my kids to surf during our summer beach holiday, and Valerie is shovelling out from a winter storm, we're bringing you a throwback episode from season 6 where we studied stakes and empathy. Based on Shakespeare's "The Taming of the Shrew", "10 Things I Hate About You" is packed with lessons about what not to do. We'll be back with a brand new episode on January 8. Until then, Merry Christmas and Happy Holidays story nerds! - M.

"Stakes equals object of desire plus consequences." Melanie Hill

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