Gear Club Podcast

In 1973 Laurie Spiegel walked into Bell Labs and into a room where someone was steering lasers through mirrors with audio signals. She stayed six years.

Part two picks up where part one left off. Laurie talks with Eventide's Tony Agnello and James Frazee about GROOVE, the computer controlled analog system she used to interact with music in real time while everyone else was waiting until Monday for thirty seconds of audio. She describes porting it to video and inventing a system she called VAMPIRE, which she could only run at night because Bela Julesz needed the video...

Laurie Spiegel taught herself notation in an off-grid trailer in western Illinois, with no running water and a kerosene lamp, because she wanted to write down what she was making up on the guitar. A few years later she was at Bell Labs with Max Mathews and Ken Thompson, writing software that let a computer improvise alongside her.

Somewhere in between, a forwarded phone call reached her in a backyard in Woodstock, asking to send her work out of the solar system. She assumed it was a crank call and asked them to put it in writing...

John Agnello and Stewart Lerman kick off a new Record of the Week with The War on Drugs' Red Eyes, off 2014's Lost in the Dream. They trace the two-year process behind the track (six or seven studios, by their own count), break down the harmonic choices that give it its pull, and swap stories about how they each got hooked on Adam Granduciel's band in the first place.

Elvis Costello sits down with Gear Club for a career-spanning conversation, from the tiny London room where My Aim Is True was recorded to the unpublished Bob Dylan lyrics he helped finish decades later. John Agnello and special guest host Tony Agnello of Eventide join for a conversation that gets surprisingly candid about the studios, the producers, and the gear behind four decades of records, including the Eventide H910 Harmonizer that helped define the guitar sound on This Year's Model. Topics include the 49th anniversary box set of My Aim Is True, the making of Imperial Bedroom, working with...

This week, we take a look at the acclaimed Surf's Up by The Beach Boys. In 2004, the album was included in Rolling Stone's "The 500 Greatest Albums of All Time" and ranked 61 on Pitchfork Media's "The Top 100 Albums Of The 1970s". 

In this episode we present the history of Eventide, makers of revolutionary audio products for over 50 years, as told by founder and owner Richard Factor. Eventide's history stretches back to 1971, but Richard was tinkering with audio electronics well before that, paving the way for some of the first Eventide products.
Richard takes John and Stewart through the early history of Eventide, from its founding and naming to its first groundbreaking products, among them the first remote tape machine transport control and the first digital audio device, the 1745 Digital Delay Line.

From there it's on to...

In this episode we present the history of Eventide, makers of revolutionary audio products for over 50 years, as told by founder and owner Richard Factor. Eventide's history stretches back to 1971, but Richard was tinkering with audio electronics well before that, paving the way for some of the first Eventide products.
Richard takes John and Stewart through the early history of Eventide, from its founding and naming to its first groundbreaking products, among them the first remote tape machine transport control and the first digital audio device, the 1745 Digital Delay Line.

From there it's on to...

In this episode we present the history of Eventide, makers of revolutionary audio products for over 50 years, as told by founder and owner Richard Factor. Eventide's history stretches back to 1971, but Richard was tinkering with audio electronics well before that, paving the way for some of the first Eventide products.
Richard takes John and Stewart through the early history of Eventide, from its founding and naming to its first groundbreaking products, among them the first remote tape machine transport control and the first digital audio device, the 1745 Digital Delay Line.

From there it's on to...

In this Record of the Week, John and Stewart dig into "Peaches en Regalia" by Frank Zappa, the opening track from his 1969 masterpiece Hot Rats. They break down the recording techniques Zappa used across the album and how those techniques shaped one of the most celebrated instrumentals in rock history. Along the way, John shares his own story of accidentally reinventing the same trick decades later, and why Hot Rats still sounds like nothing else ever made.

Here's Record of the Week, where we listen to records that inspire us and made us wonder, how did they do that? This week: Fat Old Sun by Pink Floyd. John & Stewart hone in on production techniques used to create the piece, and dissect the wacky, experimental nature of this song in Atom Heart Mother in comparison to later Pink Floyd albums.

Here's Record of the Week, where we listen to records that inspire us and made us wonder, how did they do that? This week: Fat Old Sun by Pink Floyd. John & Stewart hone in on production techniques used to create the piece, and dissect the wacky, experimental nature of this song in Atom Heart Mother in comparison to later Pink Floyd albums.

In this episode we talk with author, producer, engineer and musician Tom Beaujour. Tom's career started as a writer for Guitar World Magazine, going on to found Revolver magazine and Guitar Aficionado, and most recently co-writing The books Lollapalooza and Nothin' But a good time, Oral histories of two pivotal moments in rock music. In tandem with his writing Tom has been recording and producing albums for the likes of Nada Surf, Juliana Hatfield Three, and Doug Gillard. We chat with Tom about writing his latest book, striking a balance between journalism and record making, and hear some great...

This week on Record of the Week, we dig into one of the most overlooked and mysterious songs connected to The Band: "Out of the Blue," tucked away on The Last Waltz Suite. Robbie Robertson's lead vocal, the unusual arrangement, and the lack of clear information about who actually played on the track all make this song a real puzzle.

John Agnello and Stewart Lerman sit down with David Mansfield - violinist and multi-instrumentalist for Bob Dylan's Rolling Thunder Revue - to dig into the mystery. We discuss Robbie Robertson's voice and his role in The Band's...

In this episode John and Stewart sit down for a chat with friend and mentor Rick Chertoff. Rick is a Producer and songwriter whose career started in A&R for Clive Davis's newly minted Arista records in 1974. From there, he went on to be senior VP of A&R at Columbia records, started his own Blue Gorilla record Label at Polygram, and all the while produced songs and albums for Cyndi Lauper, The Band, Joan Osborne, Sophie B Hawkins, and many others. In this interview Rick discusses his path through the music industry, gets in depth about the writing...

In this episode John and Stewart sit down for a chat with friend and mentor Rick Chertoff. Rick is a Producer and songwriter whose career started in A&R for Clive Davis's newly minted Arista records in 1974. From there he went on to be senior VP of A&R at Columbia records, started his own Blue Gorilla record Label at Polygram, and all the while produced songs and albums for The Kinks, Air Supply, Cyndi Lauper, The Band, Joan Osborne, Sophie B Hawkins, and many others. In this interview Rick discusses his path through the music industry, gets in...

In this episode John, Stewart, and myself sit down with Tad Kubler, best known as guitarist and songwriter for the best bar band in the world, The Hold Steady. John and I have both made records with the band and it was awesome to catch up with Tad about gear, guitars, and all things Hold Steady. We also got into Tad's production and engineering work, his burgeoning home studio, and his writing and demoing process.

For our centennial episode, we took a trip down memory lane and revisited all the interviews we've shared over the years. We gathered some of our team's favorite moments—stories that inspired us, moved us, and reminded us why we love making this show. We're incredibly proud of everything we've created together, and we hope you can feel that joy and gratitude in this special episode. Thanks for being here, and we hope you enjoy listening as much as we enjoyed putting it together!

In this episode, I sit down with Grammy award-winning producer, engineer, musician, studio owner, and cool name having Lorenzo Wolf. Lorenzo has worked with artists such as Taylor Swift, Randy Newman, Lauryn Hill and and just about every musician local to New York City. Lorenzo owns and operates the recently expanded and renovated Restoration Sound in Brooklyn, New York, featuring a main tracking studio with a 32-channel 80-series Neve console and multiple production rooms — including one reserved for his Resident C program, a rotating residency supporting local artists. We talk about his work on Grammy-winning albums, his ongoing work wi...

This week on Record of the Week, we dive into Rod Stewart's classic song Every Picture Tells a Story. We break down what makes it so memorable, how the band works together, the production choices that make the song stand out, and why it still rocks hard, even 45 years later. If you love classic rock or just want to hear what makes a song timeless, this episode is for you!

Recently, we caught up with Ed Stasium about remixing classic albums from The Replacements and Talking Heads and his dive into the world of immersive audio. In this clip, Ed walks us through remixing the Ramones catalog in Atmos and how he used Eventide's immersive plugins to both stay true to the original recordings and bring them to new life in the spatial audio arena.

Hey everyone! Recently, we had the band ZOPA over to the studio for a listening party! Their new album, Diamond Vehicle, was produced, engineered, and mixed by our very own John Agnello. We had Michael Imperioli on the show in Episode 89 where he talked about his own creative process and the history of the band. In this episode, John sits down with ZOPA to listen through the album and give us a behind the scenes look at the recording, songwriting, creative process, and gear that went into this fantastic record.

In this Record of the Week, John and Stewart dig into Waterloo Sunset by The Kinks. With its dreamy atmosphere, raw mono mix, and Ray Davies' poetic storytelling, the song captures a fleeting moment of beauty in 1960s London. Because of its lo-fi charm, Waterloo Sunset stands as one of the most emotionally resonant and sonically unique recordings of its era.

We first interviewed producer and engineer Ed Stasium in Episodes 80 and 81, where he spoke with John and Stewart about recording some truly seminal albums with Gladys Knight & the Pips, the Ramones, Talking Heads, and Living Colour, as well as his pivotal role in the design and construction of the Power Station in NYC. These episodes offer a fascinating inside look into music history— we highly recommend checking them out.

In this episode, John catches up with Ed about his recent work on records from the Hoodoo Gurus and The Dictators, remixing Tim by The Replacements and outtakes fr...

Take a closer look at Queen's epic song with John and Stewart. With aggressive guitars, rich vocal harmonies, and an over-the-top premise, the track is classic Queen. Ogre Battle also marks a pivotal moment in the band's evolution, as their recordings reached a new level under the guidance of producer Roy Thomas Baker.

In this episode, I sit down with Grammy winning producer and engineer Kevin Killen. We first interviewed Kevin in episodes 46 and 47, where he talks about his career in recording studios from Dublin to NYC, and working with Peter Gabriel, Kate bush, U2, Elvis Costello, and a host of others. If you haven't already, go check 'em out. Since then, Kevin has moved to his personal studio, and is teaching as an adjunct professor at the NYU Clive Davis Institute and Steinhardt School. He's also been busy working with the likes of Tony Levin and Cara Dillon, and recording drum...

Everyone at Gear Club was saddened to hear of the passing of The Left Banke's Steve Martin Caro, singer of Walk Away Renée. Eventide co-founder Steve Katz worked with The Left Banke back in the 60's and related some details of Walk Away Renée's recording to Gear Club. This episode is a reprint of that Song of the Week, followed by Steve Katz's memories and insights into the recording!

David Bowie's "Life on Mars?" stands as perhaps the pinnacle of his theatrical ambitions - and it's this week's Record of the Week. Join John and Stewart and learn about the impressive band behind the recording - Mick Ronson, Trevor Bolder, Woody Woodmansey plus Yes's Rick Wakeman on piano! If you've seen "The Life Aquatic" with Steve Zissou, then you're in for a treat as Stewart reminisces about remixing "Life on Mars?" for the film.

In this special episode, we pay homage to an artist who's a Member of the rock and roll hall of fame, has won Seven Grammys out of 38 nominations, sold over 150 million albums worldwide, with three of those in the Grammy hall of fame. In their almost 40-year career they've played almost 1500 concerts, released 38 albums, have a supposedly endless vault of unreleased material, and have nonetheless remained an enigma. We're talking about the one, the only, Prince. Listen in as we talk to the engineers who worked most closely with Prince in the studio on seminal albums across different eras...

Paul Prestopino was a musician, inventor, and technician with a long and varied career. From 1970 until its closure in 1989, Paul was a technician at the Record Plant in NYC, a venerated studio that helped produce an endless stream of hit records and launched dozens of careers for the engineers and producers that worked there. While working at the studio, Paul, known to everyone as "Presto," was charged with the maintenance and care of the recording equipment, but he also played on dozens of albums for bands like Aerosmith, The Hooters, Alice Cooper, Slade, and Edgar Winter. He was also...

Our guest is Doug Wimbish, one of the most renowned bass players of all time, known for his work with a wide range of artists, including Living Colour, Tackhead, Sugarhill Gang, Mick Jagger, Annie Lennox, and many more. He is also the founder of WimBash, a series of community-based charity events supporting music education. In this episode, John and Stewart talk with Doug about his extraordinary journey through the music industry. They discuss topics such as his start at All Platinum Records, the birth of Sugar Hill Records, recording "Rapper's Delight", his life-changing encounter with Jaco Pastorius, and his...

To celebrate Bob Dylan's birthday, we've compiled a special Gear Club episode that offers a behind the scenes look into Dylan's Life and music. Bob has been described as a shape-shifter, a song and dance man, and the Shakespeare of our time. Over his 60 plus year career, he's written more than 500 songs that have been covered by over 2,000 artists. He's played nearly 4,000 concerts. He's won 10 Grammys, an Oscar, and a Nobel prize in literature. But who is this guy? What's he like to work with? Listen in as Chris Shaw, David Mansfield, Toby Scott, and Steve Addabbo share their...

Producer and Engineer William Wittman was one of our early guests in 2017 with a two parter, Episodes #15 and #16, where he discussed making seminal records with Cindy Lauper, Joan Osborne, and The Outfield, his time coming up through NYC recording studios, and his work/prank relationship with our very own John Agnello. In this episode, I catch up with Bill about making records with his band Too Much Joy, drum mic techniques, the things we like about in the box mixing, and working at the famed Van Gelder studio in Englewood, NJ.

In this episode, John and Stewart sit down with producer, engineer, musician, song writer, studio owner, and the Godfather of Jangle Pop, the one and only, Mitch Easter. Mitch has always been and continues to be a staple of the Indie Rock scene in North Carolina and beyond. First operating out of Drive in Studio located in his parents' garage, and in 1994 moving to his current studio, the Fidelitorium. Mitch has worked with a laundry list of seminal artists, including R.E.M., Helium, Pavement, Wilco, Ben Folds Five, Pylon, and Polvo.

He's also an active musician...

In 2018 the H9000 Harmonizer®, Eventide's flagship multi effects processor, won a TEC award for best signal processing hardware. We had the team behind the H9000's design and development on the podcast in Episodes #66.1, #66.2 and #66.3 to talk about the process of designing, building, and testing the latest in Eventide's revered Harmonizer line. Now we're back to talk about what's new at Eventide and the 2023 TEC award for best signal processing software awarded to their revolutionary equalizer plugin, SplitEQ. Russell Wedelich is the VP of development and director of signal processing at Eventide and had a heavy hand in writing t...

In this episode, we're delighted to talk with industry legend, Thom Panunzio. Getting his start as an assistant at NYC's Record Plant, Thom went on to work in every facet of the music business. He's produced, mixed, and engineered albums for Tom Petty, Bob Dylan, Joan Jett, Ozzy Osbourne, Bruce Springsteen, Patti Smith, Alice Cooper, and Aerosmith just to name a few. He helped design The Hit Factory in NYC, A&M Studios in LA, and the Thom Thom Club in Santa Monica, and was the Executive VP for Universal Music and head of A&R at Geffen Records...

Mastering engineer extraordinaire Greg Calbi is a dear friend and was our guest on Gear Club Episode #2 way back in January of 2017. Over the last 50 years Greg has mastered a seemingly endless list of albums across every genera of music, and it's almost a certainty he's had a hand in the making of one of your favorite records. In this episode Greg and I got to chat about Sterling Sound moving from Manhattan to its new facility in Edgewater NJ, his workflow from converters to compressors to clients, and the unique changes, challenges, and expectations of modern mastering.

In this episode, we sit down for a conversation with renowned rock photographer Bob Gruen. Bob has been documenting the artists, concerts, and clubs that have come to define rock music, and is responsible for some of the most iconic images of the idiom. Listen in as Bob talks with hosts John and Stewart about his artistic philosophy, his move from film to digital, and being a part of music history.

This month, we're thrilled to have David Mansfield on the show, a composer, multi-instrumentalist, producer, and arranger with a long and storied career. We have each worked with David for a long time, and know firsthand the talent and depth he brings to all the music he touches. Growing up in New Jersey and beginning his career in local bands, he started playing with Bob Neuwirth at The Bitter End and, at 18, joined Bob Dylan's Rolling Thunder Revue. From there, he went on to tour and record with Dylan over many albums, and in his 50-year career has worked...

In this episode, we talk with Jorma Kaukonen, electric guitarist extraordinaire for Jefferson Airplane, vocalist/blues picker for Hot Tuna, prolific solo artist, and all-around great guy. At 81 years young, Jorma is still writing, teaching, and gigging with no signs of slowing down. Listen in as we chat about his early career playing Bay Area clubs with Janis Joplin, life in The Airplane, his guitar mentors, speedskating, touring, and teaching guitar at his Fur Peace Ranch in Ohio.

Michael Imperioli is an Emmy award-winning actor, writer, novelist, and musician best known for his role as Christopher Moltisanti in the HBO series "The Sopranos". Since 2006 Michael has fronted the indie rock band "Zopa", and is currently working on a new album with our very own John Agnello. In this episode, Michael talks with our hosts about the parallels between acting and music performance and production, his musical influences, writing songs and screenplays, working on the new record, and whether you can know if a project is going to be a hit.