Jazz Bastard Podcast

Pat had so much fun at the 2026 Chicago Jazz Festival that he wanted to take the fun home with him, which in this day and age means multiple visits to bandcamp. (In theory some artists pedal CDs after their shows but they are more elusive than you'd think). He brings five albums to the show by artists who graced the 2026 edition . . . and Mikey likes it! Arman Sangalang – WAYPOINTS; Bruce Henry - LIVE AND NATURAL; Dr. Emma Dayhuff – INNOVATIONS AND LINEAGE; Heat On (Lily Finnegan)– HEAT ON; Kevin King Regime – CALL TO ACTION.

The boys sit down for a nice chat with trombonist, composer, and very busy guy in general Steve Davis, who reminisces about his experiences with Art Blakey and other luminaries, specifically pianist and eldest member of one of the great jazz families, Hank Jones. We learn about how Steve's trio project with Mr. Jones came together, why it was recorded in 2008 but released in two volumes much more recently (with volume 2 dropping this year), and find out about other ensemble projects Mr. Davis is taking on. 

Hewing to our promise made in oaths of blood and tears, the bastards talk about four more releases from this banner year of 2026. The bag, my friends, as you may well have guessed, is mixed. Mike and Pat have the same favorite from the episode (hint - the artist has been eligible for social security for decades) but after that, the feelings are as mixed as the bags. Stefon Harris – LEGACY DANCES; Shawn Lovato – BIOTIC; Dave Wilson – WHEN EVEN GOES EAST; Ran Blake – VOICES.

The boys are sticking to recent releases for the foreseeable future and this episode, inasmuch as it has a discernible theme, is about how different jazz musicians are trying to reach audiences in 2026. Feel free to listen, though, if you are against cerning in any form. Tigran Hamasyan – MANIFESTE; Ben Wolfe – ANY TIME AFTER NOW; New Jazz Underground – HOODIES; Lakecia Benjamin – WE DREAM.

A nice, straight-forward jazz album caught Mike's ear, so he decided to do a podcast devoted to new releases that don't over egg the pudding, or as google suggested, "go all around Robin Hood's barn"? (Google's been drinking again). Anyway, while he came up with two fine straight-ahead examples, Pat's offerings ended up a little thornier, if still on the right side of "academic brain-ouch inducer." Jesse Davis – REFLECTIONS; Ize Trio – GLOBAL PRAYER; Emily Kuhn – FEATHERED THINGS; Seamus Blake – THE ELECTRIFYING SEAMUS BLAKE

Mike is swamped in Spain (with homework, not water), so Pat does an intermediary episode that is .5 by name, .5 by nature. He takes a look at five box sets in three completely made up categories and when he's done you'll still have time to go out for a nice dinner. John Coltrane - THE COMPLETE 1961 VILLAGE VANGUARD RECORDINGS; Charles Mingus - THE COMPLETE 1970s STUDIO RECORDINGS; Miles Davis - MILES IN FRANCE 1963 & 1964: THE BOOTLEG SERIES VOL. 8; Various Artists: NEWVELLE RECORDS SEASON FOUR: COMPLETE BOX SET; Various Artists: COMPLETE KEYNOTE COLLECTION. 

Those of a certain age remember the early eighties, and those with adventurous ears remember it wasn’t all about young lions and retro-cool on the jazz front. A personal hero of Pat’s from this era recently passed, and so here’s another episode devoted to a fallen giant of the music – James Blood Ulmer. Or, as Mike calls him, James High-Blood Pressure Ulmer. Dig him or not, no one brought his kind of harmolodic, cross-over energy to the electric guitar – and no one sang so many syllables most listeners could never hope to decipher. 

 In this installment, the boys look at some albums by the great Sonny Rollins after the second and best-known of his several sabbaticals, when he spent hours honing his craft on the Williamsburg Bridge. (We talk about the iconic album named after that period on Episode 34.) Mike asks us to tackle these in reverse chronological order - tune in to see why. (How do you "tune" a podcast? You tell me.) Sonny Rollins - THE SOLO ALBUM, DON'T STOP THE CARNIVAL, EAST BROADWAY RUN DOWN, SONNY MEETS HAWK!

The great Sonny Rollins left this dimension on May 25, 2026, and the boys find it only fitting to devote two episodes to the jazz colossus. This first installment looks at four albums from the magical 1950s, when every album Sonny released was an event and even John Coltrane was just an up and coming challenger. Sonny Rollins: TENOR MADNESS!, VOLUME 2, NEWK'S TIME, SAXOPHONE COLOSSUS. 

Back on Episode 247.5 Pat gave an overview of Creed Taylor's famous (infamous?) CTI label that bestrode the first half of the nineteen seventies like a jazz colossus. Now we've got both members of the 'cast weighing in on four of the label's better productions. So comb your sideburns (and your shag rugs) and settle in for a discussion of the best jazz-oriented baby-making label of the first half of the "me" decade. Milt Jackson – SUNFLOWER; Antonio Carlos Jobim – STONE FLOWER; Joe Farrell – OUTBACK; Airto – FREE.

We've done vocalists before, but never devoted an episode to the Chairman of the Board. Now we have, so that's off the bucket list. Listen as the boys discusses five of fantastic Mr. Frank's platters, and opine where newbies should get to know this cultural shibboleth. Frank Sinatra - SWING AND DANCE WITH FRANK SINATRA, IN THE WEE SMALL HOURS, CLOSE TO YOU, I REMEMBER TOMMY, FRANCIS ALBERT SINATRA AND ANTONIO CARLOS JOBIM.

A common canard about jazz is that the acoustic variety was unsaleable during the 1970s, and while there's a germ of truth in it, lots of exceptions prove that particular rule. This podcast looks at three releases from the early seventies and a little-known English gem from the late sixties. Two of the releases are tasty treats from Manfred Eicher's ECM label, though Mike has a more graphic way of putting it. Mike Taylor – TRIO; Bennie Maupin – JEWEL IN THE LOTUS; Catalyst – PERCEPTION; Paul Bley – OPEN TO LOVE.

As this Spring’s Record Store Day flood of releases floats past our wondering eyes on the stream of time, Pat and Mike discusses four selections you might want to pluck out of the metaphoric water to add to your own collections. Let’s hope we don’t damp your enthusiasm too much. Among other insights, we learn the piano tuner at the Jazz Showcase didn’t have perfect pitch, because he didn’t exist. Michel Petrucciani – KUUMBWA; Cecil Taylor – FRAGMENTS; Mal Waldron – STARDUST AND STARLIGHT AT THE JAZZ SHOWCASE; Buster Williams – PINNACLE.

The boys take a peek at four releases from 2025 sprawling all over the map. If you ever wondered what would happen if Dave Brubeck met an African percussion ensemble, you're about to find out. You'll also find out why evocations of the "young lions" period gives Pat PTSD, how a vocalist / trumpeter's new release deals with actual trauma, and why putting more sugar on your frosted flakes still won't help you catch up with a mononym keyboard wonder-woman. Domo Branch – HAND OF GIFTS; Raphael Pannier – LIVE IN ST. LOUIS, SENEGAL; Hiromi – OUT THERE; Emma Jean Thackray – WEIRDO.

Every now and then the boys bring vocal albums into the mix, but vocal group albums - now those are rarities. This time they take on two, at as opposite ends of the soul spectrum as it's possible to get. There's still room for releases led by instrumentalists, this time by a somewhat "out" bassist and a vibraphonist playing with how "in" he can get. Mario Pavone – TOULON DAYS; Andy Bey and the Bey Sisters – ROUND MIDNIGHT; Warren Wolf – SMOOVE VIBES; Dave Holland and Norma Winstone – VITAL SPARK.

We try to cover a wide gamut of improvised music in the podcast, buttoday's episode must surely have the widest spread of any recent offering. We've got spiritual jazz from the late sixties, a quartet featuring clarinet from a few weeks ago, an album by a British mover and shaker that could easily be filed under New Age, and an encounter between a saxophonist and guitar player that will leave most listeners cowering under their sofas. In pop matters, Pat learns that even Korean ladies can be F-boys and then pontificates about his latest live encounter with vibes-meister Joel...

Have no fear - the boys are not discussing just any four quartets. No, there's a couple of matching sets. An influential album from a certain "European Quartet" confronts its doppelganger from fifty years later; a recent leader date from a guitarist known for his electric work faces off with a work of his youth dating back forty-five years. And if that's not exciting enough, Pat leads Mike into the dark alleyway of Beach Boy bootlegs. Branford Marsalis – BELONGING; Keith Jarrett – BELONGING; Nels Cline, et al – QUARTET MUSIC; Nels Cline – CONSENTRIK QUARTET.

It's too early for March Madness, but just in time for the bastards to wrap up their survey of the New York Times' Top Ten list of 2025 jazz albums. Some of the choices give the boys mixed emotions and some barely any emotions at all, but at the end of this journey we can all say one thing for certain- that sure was definitely ten albums of jazz. Pop matters stretches to include a discussion of a life-enhancing live set from Indianapolis mainstay Steve Allee. Billy Hart – JUST; Jacob Garchik - Ye Olde 2:  At the End of Time; Kassa Ove...

It's episode two of three covering the New York Times list of Top Ten 2025 jazz albums, and since we generally cover 4 albums a show, and the Times only picked 10 for their top 10 list, we add a couple of our own picks to this "middle" episode to make the math work. We've got a drummer led live date that sounds studio bound, a duet veering towards new age, a bizarre and challenging disc from a long running Underground ensemble, and an album of Monk covers by a quartet featuring a tenor saxophone - how original! Marcus Gilmore – JOURNEY TO THE NE...

It's sort of nearly a yearly ritual - Pat and Mike pick an outlet's top 10 list for the previous year, work their way through it, and pass FINAL JUDGMENT. Because of course these lists are anything but subjective. Mike picked the list this year: the good old New York Times, whose choices have been discussed before in these parts. He's not as grumpy as sometimes about the paper's East Coast bias, but this episode covers only 4 of the 10, so no long-term promises. Marshall Allen’s Ghost Horizons – LIVE IN PHILADELPHIA; Brandee Younger - GADABOUT SEASON; Amina Claudine Myers - SOLA...

Welcome to 2026! As what will certainly prove to be an interesting year kicks off, the boys dive deeply into little-discussed keyboard master Kirk Lightsey's discography, checking out a couple of leader dates, an unusual duet exploration of a single composer, and a sideman appearance in a saxophonist's band who at least one Allaboutjazz reader finds worthy of a box set. Kirk Lightsey – ISOTOPE, COLTRANE REVISITED AT BIRDSEYE; Kirk Lightsey and Harold Danko – SHORTER BY TWO; Ricky Ford – SHORTER IDEAS.

For our last podcast of 2025 we delve into two very different big band projects, check out a recording by a brass band formed to cheer a guy up on his half-centenary, and dig through crates to pull out a harmolodic gem from the early eighties, when bass knew how to be big. Pop matters is light this week, focusing mostly on an English trio who took on a nickname for residents of Indiana for no apparently reason. Odean Pope - ALMOST LIKE ME; Mark Masters – SAM RIVERS 100; John Yao - POINTS IN TIME; Wild Iris Brass Band – WAY UP.

It's that time of year again, when Mike insists on a holiday music themed episode and Pat is too worried about upsetting Santa to say "no." This year's bag o' tunes has very little coal in it, unless you are allergic to smooth jazz. Mike, anyway, thinks his choice is one of the least offensive as the genre goes. You be the judge. Lincoln Center Jazz Orchestra – BIG BAND HOLIDAYS II; Cincinnati Contemporary Jazz Orchestra – THE NUTCRACKER REMIX; April Varner - WINTER SONGS VOL 2; Dave Koz – DECEMBER MAKES ME FEEL THIS WAY.

Join us for a very special interview with Chicago jazz trio Twin Talk, who have made it over a decade without swapping any of the three - count 'em - musicians comprising this fascinating group. Two of those musicians - saxophonist Dustin Laurenzi and drummer Andrew Green - join the boys for a wide-ranging discussion about their formative years, goals as a group, musical heroes, and much, much more. We intersperse the talkin' with twins with selections from their releases: SIGHTLINE (released under the Laurenzi Enrst Green moniker), LIVE, TWIN TALK, and WEAVER. 

There's a historical selection this podcast, with an alto player whose mid-eighties comeback comprised one of the great jazz narratives. But the rest of the episode is devoted to new releases, with a familiar twangin' guitarist, and two newcomers. Mike brings forth his latest vocal find with trepidation - how much bastardy will Pat bestow upon it? Download and/or stream to find out. Tyreek McDole – OPEN UP YOUR SENSES; Frank Morgan – MOOD INDIGO; Mary Halvorson – ABOUT GHOSTS; Dabin Ryu – TRIO! 

It's been a hot minute since the boys did a "pop" episode, but given this very special installment is devoted to jazz-rock gods of the seventies Steely Dan, maybe this doesn't count. The Dan's somewhat controversial 1980's sign-off gets a good look in and then various tributes are dissected, with Pat arguing that jazz musicians need to take the kid gloves off when confronting this most seminal of cross-over hit-makers. Also, Keith Jarrett called and he wants his royalties. Steely Dan - GAUCHO;  Chris Ingham – WALTER/DONALD; Sara Isaksson and Rebecca Tornqvist - FIRE IN THE HOLE; Marian McPartland’s Pia...

Some indie labels find a happy home in the afterlife - think Prestige, Contemporary, et al who thrived for years under the Fantasy banner and are now sheltered under the wing of Craft Records. Others aren't so lucky. Super-producer and Record Store Day regular Zev Feldman has now made an enterprise of rescuing records from the long-dormant Muse label. What do the boys think of Zev's first three picks for deluxe vinyl reissues? How about the bonus Muse recording they included to fill out the episode? And what will Mike say when he talks about Talk Talk? You know...

"High Concept" is sometime used as a derogatory term for movies that are more about a saleable idea than a good script. This installment of the podcast is definitely "high concept," but we can assure you, it still isn't particularly saleable. Struck hard upside the head by inspiration, Mike decided to do a show entirely dedicated to jazzers named Jason - without even one Moran in sight. The results may confound you or titillate you. Either way, we won't be winning any Oscars. Jason Charos – OPENING STATEMENT; Jason Miles – THE LISBON ELECTRIC QUARTET; Jason Palmer – THE CROSSOVER LIVE IN BROOKL...

Yep, it's one of those "what did Pat find at the record store?" episodes, with an emphasis on lesser known artists (unless the guitarist from Tortoise is a secret superstar). It's a testament to jazz's recent love affair with vinyl that the newest album came out on the black stuff, one of the "historic" albums is a reissue, and another one - a "crate-digger's delight" - is slated for its own deluxe edition.  Franco Ambrosetti – WINGS; Charlie Rouse – CINNAMON FLOWER; Luis Gasca – FOR THOSE WHO CHANT; Jeff Parker – THE WAY OUT OF EASY.

This fortnight, Mike's cued up four newish releases with very different approaches to modern jazz. We have a couple piano trios (one of which calls in reinforcements from time to time), a duet with some space-age percussion, and a gigantic, sprawling big band project. Pat sneaks some jazz vinyl talk into pop matters. Omar Thomas – GRIOT SONGS; Rachel Eckroth – SPEAKING IN TONGUES; Bill O’Connell – TOUCH; Eric Bell – VULNERABILITY.

The Bastards delve into the fecund fields of fusion once again, focusing on that most electric of decades, the 1970s. This excursion sticks mostly to lesser known stars in the fusion firmament, but there's one exception to this rule. That exception likes his finger-picking fast and his cover-girls nekkid. Neal Ardley – KALEIDOSCOPE OF RAINBOWS; Hermann Szobel – SZOBE; Al Dimeola  - ELEGANT GYPSY; Passport – HAND MADE; Ryo Kawasaki – JUICE.

For this particular fortnightly excursion, Mike suggested we look at four newish recordings by artists we've covered - or at least listened to a bit - before. The fresh from the familiar as it were. The results leave Pat speechless. Gonzalo Rubalcaba -  FIRST MEETING LIVE AT DIZZY’S; Kurt Rosenwinkle – THE BRAHMS PROJECT; Jon Irabagon – SERVER FARM; 8 Bit Big Band – ORCHESTRATOR EMULATOR. 

The most recent Record Store Day episode is barely in the rear-view, but the boys decide to take on four more vault finds dug up by jazz detective Zev Feldman. Which ones are keepers and which ones get the dreaded label "redundant" and an invite off the island (or, at least, out of the record collection)? Only listening to this podcast will answer that query! Yusef Lateef – ATLANTIS LULLABY – THE CONCERT FROM AVIGNON; Sun Ra – AT THE SHOWCASE LIVE IN CHICAGO; Art Tatum – JEWELS IN THE TREASURE BOX; Bill Evans – LIVE IN NORWAY – THE KONGSBERG CONCERT.

From time to time this august podcast discusses the jazz vocal arts and opinions are expressed. Heavy hitters like Sinatra, Fitzgerald, Vaughan, and Torme have all been inspected. For this episode, the boys venture to the odder corners of the jazz vocal realm, looking at projects where the vocalist isn't the only - or sometimes even the main - talent featured. Also we talk about ELO, Astrud Gilberto – FOLLOW THE RAINBOW: Frankie Laine – JAZZ SPECTACULAR; Steve Swallow – HOME; Jackie & Roy – A WILDER ALIAS; Kurt Elling – GUILTY PLEASURES VOLUME 2.

This fortnight's 'cast looks at four recent albums by up and coming artists - from the fairly well known to the outright obscure. But hard-core listeners really want to wait for the so-called "pop matters" section, when we finally get to hear what Mike thinks of Brad Mehldau's autobiography. Is Brad teasing God? Or teasing us about God? Stay tuned to find out. Entre Amigos – ENTRE AMIGOS; Caleb Wheeler Curtis – THE TRUE STORY OF BEARS and the INVENTION OF THE BATTERY; Sullivan Fortner – SOUTHERN NIGHTS; Mehmet Ali Sanlical – SEVEN SHADES OF MELANCHOLY.

It's a well-known fact that Pat buys too much vinyl - just ask his long-suffering spouse. But at least some of it comes in handy 'round about podcast time. In this episode, our fearless two-some examine four vinyl finds, mostly by lesser known artists. Their work may not be as "collectible" as some, but that just means it's more reasonably priced. Lawrence Brown – INSPIRED ABANDON; Zoot Sims & Sweets Edison – JUST FRIENDS; Phineas Newborn Jr. – THE GREAT JAZZ PIANO; Lyle Mays – LYLE MAYS.

Mike's out, so Pat gets to interview publicist turned manager Matt Merewitz solo. Listen for lots of insights, opinions, and tales from the biz by Matt, who can be followed at https://thefullyalteredone.substack.com/.

RSD - or Record Store Day for you vinyl virgins- comes but once, er, or twice a year, and while the main focus is who will win the privilege to buy a color-vinyl edition of the Wicked soundtrack, there's a little bit of jazz sprinkled in there, too.  The boys talk about four selections, three recently uncovered live dates on the prolific Resonance Records, and a studio date from German stalwart MPS.  Kenny Dorham  - BLUE BOSSA IN THE BRONX; Charles Mingus – IN ARGENTINA – THE BUENOS AIRES CONCERTS; Freddie Hubbard – ON FIRE: LIVE FROM THE BLUE MOROCCO; Nathan Davis – HAPPY GIRL.

The boys ponder a batch of 2025 releases on the search for memorable, hummable melodies.  These being 2025 jazz albums, you can guess the results of the search.  Still, much to enjoy is these very diverse selections.  Sean Imboden Large Ensemble– COMMUNAL HEART; Dayna Stephens – HOPIUM; Chicago Jazz Orchestra – MORE AMORE; Camila Meza- PORTAL.

At Mike's suggestion, today's podcast explores the truncated career of hard bop trumpeter Carmell Jones.  We listen to four albums featuring the little-known musician and talk about the arc of his career, his work with running buddy Harold Land, and why he could'a been a hard-bop contender given the right circumstances.  Carmell Jones – BUSINESS MEETIN’; JAY HAWK TALK; Charles McPherson – BEBOP REVISITED!; Harold Land – JAZZ IMPRESSIONS OF FOLK MUSIC.