The No Film School Podcast

How do you edit a film that blends fantasy, comedy, romance, and the structure of a fable? Editor Sofi Marshall returns to the No Film School Podcast to discuss her work on Wicker, starring Olivia Colman and Alexander Skarsgård and directed by Alex Huston Fischer and Eleanor Wilson. Marshall joins host GG Hawkins to break down the challenges of finding the film's distinctive tone, cutting comedic performances, and building a collaborative post-production workflow across three continents. She also shares how Adobe Premiere Pro, LucidLink, and Frame.io helped streamline the editing process, why practical effects made a difference i...

What happens when a longtime podcast listener takes the leap into feature filmmaking? No Film School listener turned filmmaker Douglas A. Plomitallo joins GG Hawkins to share how he went from making 86 horror shorts to directing, self-financing, and securing distribution for his debut feature, Halloween Candy. Doug explains how he repurposed existing short films into a feature-length horror anthology, found a distributor, and built on that experience to create Halloween Candy 2. He also discusses balancing independent filmmaking with his full-time job as a director of photography for WWE, editing movies while traveling, stretching microbudgets with a skeleton crew, and...

How do you adapt a novel that takes place almost entirely inside the stomach of a sperm whale? For writer-director Brian Duffield and Pulitzer Prize-winning author Daniel Kraus, the answer started with admitting they didn't know how to pull it off. In this episode, No Film School's GG Hawkins speaks with Duffield and Kraus about bringing Whalefall, starring Austin Abrams and Josh Brolin, from page to screen. They discuss the scientific research behind the story, the challenges of adapting a novel with dozens of flashbacks, building practical whale interiors with Wētā Workshop, and directing a physically demanding survival th...

How do you bring Jane Austen's Sense and Sensibility to life for a modern audience while preserving its emotional depth? Director Georgia Oakley joins No Film School's GG Hawkins to discuss her new adaptation, starring Daisy Edgar-Jones and Esmé Creed-Miles as the Dashwood sisters. Oakley shares how she approached the film through the lens of sisterhood, longing, and the timeless tension between women's expectations and societal constraints. She breaks down her filmmaking process, from shooting on 35mm film and using two cameras to capture authentic performances, to collaborating with cinematographers Arnaud Potier and Tasha Back on naturalistic visuals. The c...

Saturday Night Live’s prerecorded sketches can go from first footage to national broadcast in roughly 36 hours. Host GG Hawkins talks with SNL editors Christopher Salerno and Mak Makower about the post-production workflow behind that turnaround, including their work on the Emmy-nominated “MAHAspital” sketch starring Harry Styles. They break down how footage moves from set to the edit, why line-by-line stringouts are essential, how they use Adobe Premiere Pro tools like transcription, Essential Sound, multicam sequences, and reverse match frame, and how sound design helps build tension before a joke lands. They also discuss the differences between editing SNL, commer...

Writer-director Lee Kirk joins No Film School’s GG Hawkins to break down the making of Nimrods, his Green Day-inspired coming-of-age road movie. Kirk traces his path from studying acting at DePaul University to learning screenwriting and eventually directing, and explains how his acting background continues to shape the way he works with performers. He also discusses developing Nimrods with Billie Joe Armstrong, weaving real stories from Green Day into the screenplay, casting and rehearsing a young ensemble, building a collaborative crew, creating a timeless visual texture, embracing improvisation, and shooting a live Green Day concert with thousands of ac...

Ryan Koo and Jourdan Aldredge report from Fantastic Fest 2026 in Austin, Texas, where they explore how the festival is expanding beyond exhibiting genre films to helping filmmakers actually get movies made. They break down the first completed feature from Fantastic Pitches, Nicholas Curcio’s Playhouse, what filmmakers can learn from its $100,000 production, and this year’s ambitious winning pitch, Father Figure. They also discuss the value of pitching even when you don’t win, the advantages of designing films around microbudget constraints, and some of the movies and filmmaking communities they’ve encountered at the festival.

In this epi...

Recorded at Fantastic Fest 2026 in Austin, No Film School founder Ryan Koo talks with Into the Sky writer-directors Drew Mylrea and Evan Buxbaum about the decade-long path to making their sci-fi comedy. They trace the project from an early script that Evan initially rejected through Black List evaluations, financing, casting Sam Richardson, and an ambitious 25-day production with dozens of locations and hundreds of VFX shots. Drew and Evan also explain how they divided responsibilities as co-directors, used LiDAR scans and Lego figures to pre-visualize scenes, navigated production setbacks, tested unfinished cuts with audiences, and learned to trust their...

Writer-director-actor Leah McKendrick joins GG Hawkins to break down the long road to getting Voicemails for Isabelle made after years in development. McKendrick traces her unconventional path from aspiring pop singer to independent filmmaker, studio screenwriter, and director, explaining how the frustration of watching projects stall pushed her to bet on herself and make Scrambled. She shares how directing that indie feature changed the way studios saw her, helped her reclaim Voicemails for Isabelle, and ultimately led to Netflix and Sony backing her as its director. The conversation also covers navigating Hollywood development, creating opportunities without permission, collaborating with...

Writer-director Sabrina Greco joins No Film School to discuss the making of her feature debut, Lockjaw, a dark comedy centered on a woman whose jaw is wired shut after a car accident. Greco explains how the project grew from a short into a feature, why she committed to an 11-day all-night shoot in Los Angeles, and how a tight-knit filmmaking community helped make the production possible. She also breaks down directing Blu Hunt’s physically constrained but highly expressive lead performance, adapting scenes when they stopped working on set, using two cameras to move quickly, and drawing on her ed...

Writer-director Alex Ullom and producers Carrie Carusone and Evan Barber break down the unconventional path behind It Ends, their micro-budget indie horror feature about four friends trapped on an endless road. They explain how they raised their initial financing, leaned on their filmmaking community, turned production limitations into creative advantages, and used multiple rounds of strategic reshoots to transform an early cut that wasn’t working. The team also shares how they cut a Jeep in half to shoot on an LED volume stage, navigated an expensive and complicated post-production process, premiered at SXSW, and generated enough grassroots momentum th...

Writer-director Sam Hayes and actor-filmmaker Michael Vlamis break down the making and unconventional release of Pools, a coming-of-age film built around an overnight pool-hopping adventure. They discuss the logistical challenges of shooting underwater on an indie schedule, building an ensemble cast around specific actors, and why traditional distribution offers pushed the team toward a hands-on grassroots strategy. Sam explains how pool-party premieres, years of networking, and a wine-fueled cold email helped Pools find a new audience through the Letterboxd Video Store, while Michael compares the scrappy production of Pools with working on Christopher Nolan’s The Odyssey. They also sh...

Tribeca Festival Director and SVP of Programming Cara Cusumano joins No Film School’s GG Hawkins to reflect on 25 years of Tribeca and explain what independent filmmakers should understand about today’s festival landscape. Cusumano discusses Tribeca’s evolution from its post-9/11 roots into a multidisciplinary storytelling festival, how programmers evaluate nearly 14,000 submissions, why filmmakers should build relationships with their peers instead of chasing gatekeepers, and how festivals are responding to shifts in film distribution and audience behavior. She also shares how emerging filmmakers can participate in festival communities even without a film in the lineup and why creating distin...

Fiscal sponsorship can give independent filmmakers access to tax-deductible donations, in-kind contributions, corporate partnerships, and other fundraising opportunities without changing how they monetize their films after completion. Host GG Hawkins talks with filmmaker Lindsay St. Laurent and New Hollywood's Ian Mark about how fiscal sponsorship works, how to approach donors, and why building sustainable working conditions into an indie production matters. They also discuss tax incentives, pre-production strategies that can prevent burnout, protecting cast and crew on low-budget sets, and creating long-term relationships with supporters.

In this episode, No Film School's GG Hawkins and guests Lindsay St...

Editor Jon Fine joins GG Hawkins to discuss shaping The Revisionist, a dialogue-driven drama directed by Alex Vlack and starring Alison Brie, André Holland, and Dustin Hoffman. Fine explains how the cast’s performances transformed the tone of the script, how music and abrupt sonic interruptions helped place viewers inside a writer’s creative process, and how restructuring the film made its shifting layers of fiction and reality clearer. He also shares his Premiere Pro workflow, his approach to testing editorial ideas, and why emerging filmmakers should learn by making their own projects.

In this episode, No Film...

Most filmmakers wait until after production to identify their audience and develop a distribution strategy. In this partner episode, GG Hawkins speaks with Greenlight Coverage founder Jack Zhang and Level 33 Entertainment Vice President Andreas Olavarria about evaluating a screenplay’s commercial potential before production begins. They explain how AI-assisted script coverage can support—not replace—human decision-making, what distributors look for when assessing independent films, and how the Greenlight List gives screenwriters a path toward $100,000 in equity financing and guaranteed distribution.

In this episode, No Film School's GG Hawkins and guests Jack Zhang and Andreas Olavarria discuss...

Wonder Dynamics co-founders Tye Sheridan and Nikola Todorovic join GG Hawkins to explain how their filmmaking backgrounds shaped the development of AI-powered production tools for artists. They trace the company’s evolution from an interactive storytelling startup to Autodesk Flow Studio, a tool designed to transfer live-action performances to CG characters while preserving creative control and compatibility with established VFX pipelines. The conversation covers Hollywood’s changing relationship with artificial intelligence, the potential for lower-cost sci-fi filmmaking, Autodesk’s acquisition of Wonder Dynamics, the continuing importance of marketing and distribution, and how emerging filmmakers can prepare for an AI-integrated indust...

Editor, director, and producer Whit Conway explains how the Hulu comedy Never Change! was assembled on an unusually compressed post-production schedule. He discusses cutting scenes while production was still underway, building an organized Adobe Premiere Pro workflow, using searchable transcripts to locate alternate performances, and collaborating with director and co-editor Marty Schousboe. Conway also shares how constant iteration shapes comedy, why editors cannot become precious about an early cut, and how aspiring comedy filmmakers can create the work they want to be hired to make.

In this episode, No Film School's GG Hawkins and guest Whit Conway...

Producer and Joy Coalition founder Joy Gorman Wettels joins GG Hawkins to discuss the long, uncertain path of building a producing career, from developing Next to Normal and spending 17 years at Anonymous Content to betting on herself as an independent producer. She explains why she staffed Little House on the Prairie before it received a green light, how she develops projects designed to create cultural conversations, and why the industry’s shrinking infrastructure threatens the next generation of producers. Gorman Wettels also shares lessons from 13 Reasons Why, Home Before Dark, and The Bell Jar, emphasizing empathy, creative conviction, audience-building, an...

Emmy-nominated stunt coordinator and performer Victor Paguia joins No Film School’s GG Hawkins to explain how action sequences are designed around character, story, safety, and production realities. Drawing on more than two decades of experience—including his work on I Am Legend, Zombieland, and CBS’s FBI—Paguia discusses breaking into the stunt industry, developing distinct fighting styles for characters, creating ambitious television action on an eight-day prep schedule, and using previsualization to make sequences safer and more effective. He also shares practical advice for independent filmmakers staging action with limited time and resources.

In this episode...

Madhouse Films co-founders Katherine Romans and Charlie Traisman join GG Hawkins to explain how they built an independent production company from the ground up. They discuss using short films as their version of film school, raising project financing through relationship-building, approaching investors as creative partners, and transitioning from shorts to feature films. The conversation also explores cold outreach, fiscal sponsorship, balancing artistic ambition with financial realities, building durable producing partnerships, and why filmmakers must treat their projects like small businesses.

In this episode, No Film School's GG Hawkins and guests Katherine Romans and Charlie Traisman discuss...

After an earlier feature project collapsed, filmmakers Amanda Drexton, Michael A. Drexton, and Samantha Westervelt decided to stop waiting for permission and make Sour Party with the people, locations, equipment, and lived experiences already available to them. They discuss financing and shooting the microbudget comedy, surviving festival rejection, finding a distributor, budgeting for post-production, and campaigning through Decentralized Pictures until Steven Soderbergh selected the film to receive his support and the “Steven Soderbergh Presents” credit.

In this episode, No Film School's GG Hawkins and guests Amanda Drexton, Michael A. Drexton, and Samantha Westervelt discuss...

Turning the...

No Film School’s Jo Light records live from Aspen Shorts Fest with Julia Aks and Steve Pinder, the co-writers and co-directors of Jane Austen’s Period Drama. The conversation covers how the short grew from a period-drama pun into an Oscar-nominated comedy, what it took to produce an ambitious period piece on a limited budget, and how the filmmakers navigated festivals, awards qualification, campaign strategy, and the career momentum that followed.

In this episode, No Film School's GG Hawkins, Jo Light, and guests Julia Aks and Steve Pinder discuss...

How Julia Aks and Steve Pind...

In this episode, GG Hawkins talks with writer, director, producer, assistant, and Not Your Daddy’s Films co-founder Vika Stubblebine about building a sustainable film career through assistant work, mentorship, community, and creative self-advocacy. Vika traces her path from acting and theater at UCLA to working in TV production at Sony, becoming a writers’ assistant, writing episodes of S.W.A.T., and helping build Not Your Daddy’s Films into a Los Angeles community for women and non-binary filmmakers.

In this episode, No Film School's GG Hawkins and guest Vika Stubblebine discuss...

How Vika moved...

Filmmaker Joe Burke and actor-writer-producer Oliver Cooper join No Film School to discuss the making and release of Burt, a black-and-white micro-budget feature inspired by real-life musician Burt Berger. The conversation covers how Burke and Cooper built a narrative film around a non-actor, shot the movie in seven days for $7,000, used a tiny crew to preserve authenticity, and pursued a self-distribution strategy through Filmhub after the film gained momentum on the festival circuit.

In this episode, No Film School's GG Hawkins, Joe Burke, and Oliver Cooper discuss...

How Joe Burke and Oliver Cooper first met...

GG Hawkins speaks with production designer Vivian Gray about building the visual world of Obsession, from Southern Gothic references and texture-heavy interiors to practical blood gags and micro-budget problem-solving. They discuss what a production designer actually does, how Gray collaborated with the director, cinematographer, costume designer, and art team, and why color, texture, aging, and window treatments can make a major difference on an indie horror film.

In this episode, No Film School's GG Hawkins and guest Vivian Gray discuss...

What a production designer does and how the role shapes the visual world of a...

No Film School’s GG Hawkins speaks with Kanopy’s Aaron Spears and Matt Lewis about curation, film discovery, and how independent films find audiences in a streaming landscape shaped by algorithms. The conversation covers Kanopy’s library- and university-based model, the importance of human-led programming, how poster art and social media influence discovery, and why theatrical and festival experiences still matter for the long-term life of a film.

In this episode, No Film School'se GG Hawkins and guests Aaron Spears and Matt Lewis discuss...

What Kanopy is and how it differs from subscription-based streamers like N...

GG Hawkins speaks with BAFTA-winning director Marc Munden about directing the new Netflix adaptation of Lord of the Flies, written by Jack Thorne. Munden discusses revisiting William Golding’s novel, shaping the series’ visual language, filming on a remote island in Malaysia, working with 36 young actors, and how limitations around child actors’ schedules helped inspire the show’s hallucinatory nighttime look.

In this episode, No Film School's GG Hawkins and guest Marc Munden discuss...

Why Munden was initially conflicted about adapting Lord of the Flies again

How Jack Thorne structured the four-part series around P...

GG Hawkins continues No Film School’s 2026 distribution experiment with filmmaker Pete Ohs, focusing on the release of Erupcja, his Warsaw-shot microbudget feature starring Charli XCX, Lena Góra, Will Madden, and Jeremy O. Harris. Pete breaks down how the movie was made, how its TIFF premiere led to a deal with One Two Special, and what he learned from theatrical touring, Q&As, VOD timing, marketing assets, fan edits, and the emotional sustainability of releasing independent films.

In this episode, No Film School's GG Hawkins and guest Pete Ohs discuss...

Making Erupcja in Warsaw, Pol...

No Film School’s GG Hawkins talks with filmmaker Shane Brady and producer Emily Zercher-Brady about turning a devastating real-life hack into the revenge comedy-horror feature Hacked: A Double Entendre of Rage Fueled Karma. The conversation covers the couple’s filmmaking origin stories, how losing $20,000 sparked the movie’s premise, why they pushed forward after their budget was cut in half, what it took to shoot between Los Angeles and Florida during the SAG strike, and how they approached building a collaborative low-budget set.

In this episode, No Film School's GG Hawkins, Shane Brady, and Emily Zercher-Brady discus...

No Film School’s GG Hawkins speaks with writer-director Hasan Hadi and producer Leah Chen Baker about the development, financing, production, and release journey behind The President’s Cake. The conversation traces the film from NYU and COVID-era writing sessions through the Sundance Labs, the challenge of building an aggressively independent financing plan, shooting on location in Iraq with non-professional actors, and the impact of winning both the Caméra d’Or and the Audience Award at Cannes.

In this episode, No Film School's GG Hawkins, Hasan Hadi, and Leah Chen Baker discuss...

How Hasan and Lea...

Jourdan Aldredge speaks with Blackmagic Design’s Simon Westland at NAB 2026 about the company’s latest camera, live production, mobile filmmaking, DaVinci Resolve, Blackmagic Cloud, and AI workflow updates. They discuss how Blackmagic’s new products serve both high-end live production and independent filmmakers, why hands-on trade show demos matter, and how filmmakers can think about camera choices as they grow their craft.

In this episode, No Film School's Jourdan Aldredge and guest Simon Westland discuss...

Blackmagic Design’s NAB 2026 product announcements and why the company released news before the show

The value of hands...

GG Hawkins talks with writer-director Chandler Levack about making I Like Movies, Mile End Kicks, and Roommates, and how Levack protects a specific filmmaking voice while moving between indie features and studio comedy. They discuss the realities of Canadian film financing, directing with limited time and bigger resources, building cinematic worlds through research and memory, and why filmmakers have to keep making work instead of treating one movie as their only chance.

In this episode, No Film School's GG Hawkins and guest Chandler Levack discuss...

How I Like Movies helped open doors for Mile End...

No Film School’s Jourdan Aldridge sits down with Adobe’s Jason Druss at NAB 2026 to discuss Adobe Premiere’s new Color Mode, a three-year effort to rethink color grading for video editors. The conversation covers why Adobe rebuilt its color pipeline, how Color Mode differs from Lumetri and traditional pro-color tools, and what editors can expect from operations, styles, modules, film emulation, AI object masks, and upcoming beta features. Jason also shares his path from film school and color grading at NFL Films to product marketing at Blackmagic, Frame.io, and Adobe.

In this episode, No Film S...

Director Nicole Bazuin joins No Film School’s GG Hawkins to discuss the decade-long creative collaboration behind Modern Whore, a hybrid documentary based on Andrea Werhun’s memoir about her experiences in sex work. Bazuin explains how the project grew from a music video friendship into a book, short films, and a feature, while breaking down the film’s mix of interviews, stylized reenactments, storybook-inspired visuals, and post-production discoveries. The conversation also covers self-editing a feature, storyboarding an entire film, bringing Sean Baker on as an executive producer, and making work from the stories already in a filmmaker’s orbit.<...

Jo Light interviews documentary and commercial director Brendan Young live from Aspen Shortsfest about his short documentary The Meloneers, which follows the Rocky Ford High School wrestling program in rural Colorado. They discuss how Brendan found the story through a newspaper article, why he spent extensive time in the community before filming, how he balanced planned interviews with vérité moments, and how commercial work helps fund and shape his documentary practice. The episode also covers documentary ethics, collaboration with subjects, building trust before rolling, and Brendan’s advice for first-time documentary filmmakers.

In this episode, No Film...

In this episode of the No Film School Podcast, GG Hawkins speaks with cinematographer Johanna Coelho about building the immersive visual language behind The Pitt. Coelho breaks down how she approached the show’s real-time structure, 360-degree hospital set, handheld camera movement, lens choices, and complex multi-camera choreography to create an ER that feels immediate, intimate, and emotionally raw. She also reflects on her path from France to Los Angeles, becoming one of the youngest DPs to shoot network television, and the collaborative mindset required to lead ambitious productions without losing sight of story or performance.

In th...

GG Hawkins speaks with Kino co-founders Brit MacRae and Daril Fannin about the broken handoff between post-production and release, and how insecure screeners, fragmented feedback workflows, and fear-based distribution norms undermine independent film. They break down Kino’s evolution from an interactive streaming idea into a secure post-to-delivery platform, explain how they built a film fund around de-risked sub-$2 million features, and use Undertone as a case study for aligning budgets, creative ambition, and profitability.

In this episode, No Film School's GG Hawkins and guests Brit MacRae and Daril Fannin discuss...

Why the current post-production an...

In this sponsored episode, GG Hawkins speaks with Eddie AI co-founder and CEO Shamir Allibhai about Eddie AI’s latest release, Eddie v3, which launched on April 14, 2026 ahead of NAB Show 2026. Their conversation explores the new Night Shift workflow, designed to process footage overnight by sorting interviews from B-roll, syncing multicam interviews, logging media, and building a rough cut ready for Adobe Premiere Pro, DaVinci Resolve, or Final Cut Pro by morning. They also discuss Eddie’s expanding role as an AI assistant editor for professional workflows, including docu-style rough cuts with B-roll placement, and the broader questions filmmakers face...

Writer-director Lee Cronin joins No Film School to discuss how he approached reimagining The Mummy through the lens of family trauma, mystery, and body horror. In conversation with GG Hawkins, Cronin breaks down the emotional architecture behind effective horror, the challenge of staging fear in broad daylight, and the way Irish storytelling, personal experience, and practical effects continue to shape his work. He also reflects on building a long-term creative partnership, collaborating with horror powerhouses like Jason Blum and James Wan, and the discipline required to keep refining a film all the way through the edit.

In...