Reduced Shakespeare Company Podcast

RSC actor Joseph Maudsley (William Shakespeare's Long Lost First Play (abridged)) talks about his solo show Biff to the Future, which celebrates the epic Back to the Future trilogy from the point of view of Biff Tannen, the bully in all three movies. Joe shares how Biff came to life through his experience performing with Oddsocks, Potted Potter, and the RSC; how he made new discoveries in the sacred texts; how he honors the craving to make rehearsed text sound spontaneous every single time; the power of creating your own work; leveling up from reduced production values to more ela...

Theater artist and church elder Seth Willis conducts post-show talkback services at the Family of Christ Presbyterian Church in Greeley, CO, home of the Greeley Garage Sale Theater, connecting the art of the theater to the mission of the congregation in both profound and emotional ways. Willis, whose production of Christopher Trumbo's Red, White, and Blacklisted runs October 23-24 & 30-31, 2026, discusses how the particular ritual came to be, his own background with both theology and the arts; the beauty of unanticipated depth and connection; and the brilliant and generous understanding that “wisdom literature” comes in many forms. (Length 21:52) 

Playwright Sara Farrington, whose terrific two-hander "Look Out" has just dropped from Broadway Play Publishing, also writes the most excellent Substack "Theater Is Hard," wherein she writes entertainingly and usefully about not only the difficulties of the artistic process but the business process as well. Sara shares the blessing and curse of playwrights not having bosses; how theater's limitations are what make it an amazing art form; the way in which the audience is always complicit in the theater’s art of “collective imagination;” how there needs to be an “injection of inevitability” in everything; being inspired by both Eugene O’N...

Veteran TV & film actor (Man on the Inside, Mr. Show with Bob and David) and VoiceOver artist (SpongeBob SquarePants) Jill Talley returns to the legitimate stage this month in Bill Odenkirk's new play We Interrupt This Program, about an alien invasion that coincides with the broadcast of Orson Welles's War of the Worlds. Jill talks about the challenges of voice acting vs. full-body acting; the minor difficulties of playing a crotchety old Chicago lady; how fans of SpongeBob Squarepants are the nicest fans in the world; how she's returning to acting with longtime friend Bob Odenkirk; whether it’d be...

Director Phillip Breen discusses his Chicago Shakespeare Theater production of The Merry Wives of Windsor and his contention that this less-produced play is in fact Shakespeare's Greatest Comedy. Phillip explores why Merry Wives is not just Shakespeare's funniest play but his most transgressive; how it dares to imagine female sexuality; how it resembles Midsummer except the lovers are in their 40s and 50s; how he's a Darwinist in the rehearsal room; how tired we are of the “largely rubbish” idea that Shakespeare’s text gives us absolutely everything we need; the sad truth that there aren’t enough theatre folks who are...

The Reduced Shakespeare Company joins those fighting to save Washington DC's Kennedy Center from those who would destroy it. RSC artistic directors Reed Martin and Austin Tichenor share their favorite memories of the eight summers they performed in the KenCen's Terrace Theater; the celebrities whose paths they crossed; the many opportunities that came their way as a result of performing in our nation's capital; how we ended up performing both on National Public Radio and at the White House; the identities of the Reduced Shakespeare Company Dancers; jokes and bits we weren’t allowed to do; encounters with amazing se...

The Greeley (CO) Garage Sale Theatre hosted a talkback during the closing weekend of Austin Tichenor's play Puritans, and the cast, director Daniel Mothershed, and playwright took questions from an audience that included over a dozen theatre students from Frontier Academy. Austin and the cast share how the play combines autobiographical with fictional elements; how hard it is to pretend characters from other time periods aren't there; how hard it is to understand our past; how multiple generations can be in conversation with each other; how the playwright's a sucker for epic multi-generational family epics; how Puritans evolved from...

Longtime full-time teacher and longtime part-time improviser Kate Wiersema talks about her very fun and incredibly helpful book Playing to Learn: Using Improv in the K-8 Classroom, which creates suggestions and games that provide a "structure for fun" in the classroom. Kate shares how these games and tools can be used for curriculum as well as emotional learning; how these tools require no extra supplies and help build a sense of community; how learning can be collaborative rather than adversarial; how they can help get out of the rote of everything becoming "standardized;" the importance of combating ‘boy syndrome;’ the v...

Shelby Bond's Dungeons & Shakespeare is a hilarious and interactive blend of two seemingly disparate elements of pop culture that share more qualities than you might think. Bond reveals the shows Renaissance Faire origins and how early triumphs like Testaclese and Ye Sack of Rome led to its creation; how one survives the challenges of small theaters with no dressing rooms; how the show depends on chaos and if you plan your adventure, they inevitably crash and burn; how improv differs from magic; what Edinburgh offers that Ren Faires and other festivals don’t; how getting audiences is the work bu...

John Ahlin and Christopher Patrick Mullen are the creators and stars of Chip & Gus: A Comedy with Balls, an amazing two hander in which the two title characters resolve the crisis in their relationship while playing ping-pong at the same time. John and Chris discuss how their shared expertise in table tennis and experience as actors led them to create this unique theatrical event; how the play both is and isn’t autobiographical; how they navigate “the Wild West of entertainment” that is the Edinburgh Fringe; how, like Harpo Marx playing the harp on screen, the playing of ping pong o...

Playwright John Kolvenbach has directed his own play Stand Up If You're Here Tonight in productions in Los Angeles, Chicago, Boston, Paris, and now the Edinburgh Festival Fringe, and he discusses how putting the play on its feet on the stage helps complete his work of writing it on the page. John shares how directing your own play isn’t for everyone; how much of it is simply being a control freak; how much directing the script helps the writing process; how, to quote Edward Albee, one’s play is never as good as one’s idea of the play...

Tyler Anthony Smith’s Out, Darn Spot! is a hilarious hour-long fever dream that imagines Shakespeare's Lady Macbeth as the host of a 60’s daytime chat show (pictured above). Smith talks about the play's evolution and how they share the character's desire to be "unsex'd"; how Smith plays fair with Shakespeare's plot and characters; how we need to rethink how we introduce young people to Shakespeare; and how Smith's work brings Shakespearean figures into the modern world, as in their latest show Queen for a Day, which brings Queen Elizabeth I (played by Smith) into the 1980s to meet fash...

August 8, 2026 is the 45th anniversary of the Reduced Shakespeare Company's first performance at the Northern California Renaissance Faire in 1981, and co-artistic directors Reed Martin and Austin Tichenor discuss the RSC's legacy from their respective locations in California and Edinburgh, Scotland. Reed and Austin share the subtle nuances between being a pack-rat and an "archivist;" how it's nearly impossible (or at least too time-consuming to bother) to count the number of performances the RSC has given over the years; favorite moments they've experienced; memorable Edinburgh Fringe highlights; how the RSC helped changed the reputation of the Criterion Theatre, their West...

A ghost story...but not. A time-travel tale...but not. Describing Austin Tichenor's new play Puritans accurately and intriguingly reveals that writing the play and describing the play are two completely different skillsets. Austin talks with Daniel Mothershed, the director of Puritans's world premiere in Greeley, CO and shares the challenges of marketing a kind of play that's never been seen before; how the play “tesseracts through time” and what association that phrase conjures up; how Puritans both is and isn’t “a Bible- and door-slamming farce”; how the play resembles both Slaughterhouse-Five and Dr. Manhattan; the power of a fraught...

RSC alum Dee Ryan returns to the 2026 Edinburgh Festival Fringe to perform the European premiere of Broadguess, her interactive comic Shakespeare solo show. Dee discusses the evolution of her show's script, and its roots in both Shakespeare and improvisation; how she finds the balance between the deep cuts and the funny; her favorite things to do in Edinburgh and where to find the best cream tea; how long it's been since she last performed at the Fringe (in The Complete Millennium Musical (abridged)); the joys of self-production; how Broadguess fits into the grand tradition of Shakespearean solo shows; and...

Michael Doherty and Will Mobley return to talk about the continuing adventures of their very funny buddy comedy Dogberry & Verges Are Scared, which runs at Cincinnati Shakespeare Company through July 25, 2026, and the Edinburgh Festival Fringe from August 5-30, 2026 (with the RSC's own Austin Tichenor as Verges). Doherty and Mobley share how the play just keeps getting sharper and tighter; how the clowning manages to also provide insight into Shakespeare’s characters and the plays from which they came; how audiences are surprised to encounter unexpected humanity; how it's inspired by Tom Stoppard's Rosencrantz & Guildenstern Are Dead; the difference between wa...

Michigan Shakespeare Festival artistic director Janice L. Blixt returns to discuss MSF’s new season, their first in several years, and their new home at Wayne State University in Detroit. Blixt reveals how MSF, like so many arts organizations, not only endured but survived “death by a thousand cuts;” the importance of having a supportive board of directors; putting their best foot forward in a new venue; how they embrace being a fully professional company as well as Shakespeare’s sheer epic-ness; how MSF likes to mix it up with both its programming and its casting; and now everybody should b...

Reduced Shakespeare Company founder Daniel Rover Singer returns to talk about his new play Louisa At Fruitlands, about the intersection of Louisa May Alcott, the author of Little Women, when she was a little ten-year-old herself, and the Fruitlands transcendentalist community. Daniel talks about the origins of the RSC and how the landmark work The Complete Works of William Shakespeare (abridged) burst the bonds of "the perfect context" of the Northern California Renaissance Faire; how he balances creativity and commercialism; the perils of illegal beard display; the importance of including a tiny bit of Transcendentalism 101; the value of playwrights...

Jason King Jones, artistic director of the Pennsylvania Shakespeare Festival, shares details about PSF's current season, their plans to host the 2027 Shakespeare Theatre Association conference, and how he's retained his ability to laugh and his capacity for joy. Jason shares how he threads the needle of programming work that reaches his diverse audience; how the entire western canon of theatrical literature is descended from Shakespeare; how theatre is important to the health of the community; the virtues of hosting a really great party; how Pennsylvania's Lehigh Valley is "Fest Central;" fantastic advice from playwright Ken Ludwig; and how Shakespeare...

Carey Perloff (Pinter and Stoppard: A Director's View) discusses how she worked with Tom Stoppard to bring his last and most personal play Leopoldstadt to Chicago's Writers Theatre and shape it into a form American theaters will be able to produce more easily. Perloff, the former artistic director of San Francisco's American Conservatory Theatrewhere she directed the U.S. premieres of several of Stoppard's plays, reveals how she brings her personal history into this production; how much she enjoys working with Chicago actors; how this epic muscular work plays in an intimate non-proscenium space; how she's able to encourage...

Caroline Bicks, the inaugural Stephen E. King Chair of Literature at the University of Maine, returns to continue our conversation about her new book, Monsters in the Archives: My Year of Fear with Stephen King. Caroline reveals her own terrifying fears and shares the kind of book she did not want to write; how she dared to infuse her academic writing with (gasp!) personality; her desire to become a bridge that connects King to the Renaissance to academia and back again; why anyone would want to sleep in room 217; the prospect of reading King aloud at bedtime to your k...

In the glorious American Blues Theater production of Always...Patsy Cline, Molly Hernández discusses how her character of Louise brings a lively theatricality to what could be "just" a well-produced jukebox musical. Molly shares how she was encouraged to bring her authentic "chaos gremlin" self to the role; how this show differs from other shows she's done in Chicago (including Lookingglass Theater's Lookingglass Alice); the privilege of playing in theaters ranging from giant auditoriums to tiny storefronts; how she brings all her skills to convey an improvised unpredictability; and how The Actor's Gymnasium not only trained her to b...

In his own personal Year of Lear, Daniel Mothershed (above) is playing both King Lear and the Fool in the Bowls With The Bard production of King Lear, immediately after directing the second production of Austin Tichenor's adaptation of Christopher Moore's novel Fool. Daniel discusses this experiment with theatrical duality; how the RSC Podcast interview with famous Fool Adrian Scarborough unlocked Daniel’s interpretation (plus appreciation for the even deeper cut of this "Drawing on Shakespeare" conversation); shout-outs to previous Lears; and the potential danger of playing both roles driving you genuinely mad. (Length 24:40)

Chicago's City Lit Theater presents the world premiere of Kingsley Day's and James Grossman's Scaramouche: The Swashbuckling Musical! and City Lit's executive artistic director Brian Pastor and the show's director Beth Wolf discuss how this ambitious musical came to be. Brian and Beth reveal the secrets to being a good producer (spoiler: it’s creative problem solving) and directing new works; leaning into a show's style and heightened language; balancing a season both artistically and financially; the value of ambition and the power of intimate spaces; getting the word out; and how audiences must recognize their own responsibility to BYOF...

Improv: The Play at Chicago’s IO Theatre pairs an actor and an improviser performing a two-person scripted scene where only the actor knows their lines, followed by a team of improvisers who perform an extended improvisational scene inspired by the scripted scene they all just watched. Producer and cast member Cory Hardin reveals the show's inspiration from friend of the pod Matt Walsh (Veep); how narrative emerges in improv rather than being consciously created; how the goal is to stop thinking already and get out of your own head; and the incredible importance of teaching the value of jo...

Helen Joo Lee and Lucky Stiff are two of the nine solo performers guiding audiences through the Goodman Theatre production of David Byrne and Mala Gaonkar's Theatre of the Mind, a uniquely interactive and immersive theatrical experience now running in Chicago through July 12, 2026. Helen and Lucky share stories about the audition process and reveal the new skills they get to call upon; how so many wildly different actors become David Byrne; the value of controlled violence and being a not-so-secret potty mouth; the variety of special interactions they've had with different audience members; how the show is like the...

At Cincinnati Shakespeare Company, Pericles boldly goes where no Pericles has gone before. Artistic Director Brian Isaac Phillips discusses how his space-age setting for Shakespeare's underrated Romance is weirdly more relatable than the maritime travel in the original; how they've changed very little language (apart from some references of ‘sea’ to ‘sky’); how there's nothing new under the sun (from any galaxy); how he and his cast are playing it straight and not campy or spoofy; how companies don't program Pericles unless they have a passion for it, which always shows; how this bucket-list show gives both actors and audience...

Professor Caroline Bicks holds the inaugural Stephen E. King Chair of Literature at the University of Maine, and is the first scholar to be granted extended access by King to his private archives. That research has led to Monsters in the Archives: My Year of Fear with Stephen King, her new book that digs deep into King's original manuscripts and discovers connections to William Shakespeare along the way. Bicks reveals how she was able to confront her fears sparked by King's books and meeting the man himself; how King initially conceived The Shining as a Shakespearean tragedy; how King's...

Playwright Jacques Lamarre returns to discuss his epic new work, Circus Fire, which commemorates one of the worst fire disasters in U.S. history, and which Hartford's Theaterworks is producing as part of its 40th anniversary season. Jacques reveals the origins of his own fascination with the topic; how this is the largest production Theaterworks has ever mounted; how it's already been extended twice, despite some public controversy; where Jacques got his start as a playwright (and who gets the credit and/or blame); the inspiration he takes from Tectonic Theater’s The Laramie Project; how this event changed li...

Actor, author, director, and educator Ben Crystal returns to discuss his book Shakespeare on Toast, which just celebrated its 10th anniversary and is now available in short entertaining clips on Instagram. Ben shares how the book came to be and the origins of its terrific title; how he and his father wrote the definitive work for the 21st century Shakespeare's Words: A Glossary and Language Companion, and how the books continues to be improved and an online resource; how bringing his scholarship to social media combines his academic and artistic skills; incredible insights into 17th-century language from 21st-century students; an...

Matthew Croke, former clown, RSC actor, and current podcast consigliere, returns to discuss where the RSC Podcast should go in its next 1000 episodes. Matt and Austin discuss the huge recent bump in German listeners; share tips and cautionary tales for our fellow content creators; compare podcast editing platforms Descript and Riverside; tease a possible new recurring segment; reveal the importance of breaking eggs when you're learning to make an omelette; engage in shameless product placement; and strategize how we can continue to build our community of RSC fans and theatre lovers. (Length 27:15)

After shocking upsets in last week's Rounds of 64 and 32, our Ides of March Madness tournament continues with a Sweet 16 consisting of Nick Bottom vs. Richard III, Beatrice vs. Sir John Falstaff, Juliet vs. Cassius, Marc Antony vs. Margaret, Aaron vs. Hamlet, Emilia vs. Prince Hal/Henry V, Lady Macbeth vs. Caliban, and Paulina vs. Viola. Judges DeeDee Batteast, Nate Cohen, Elizabeth Dennehy, Gregory Linington, and Austin Tichenor call it the way they see it and reveal how some unjustifiable seeding gets exposed when characters go head-to-head; how “the noblest Roman of them all” fares against a teenage girl from Vero...

It. Has. Come. Down. To. This. RSC co-artistic director Austin Tichenor is joined by actors, directors, coaches, and Shakespeareans DeeDee Batteast, Elizabeth Dennehy, Gregory Linington, and director/mathemagician Nate Cohen to decide Shakespeare's Best Character in our (mostly) annual Ides of March Madness tournament. The distinguished panel reveals unexpected seeding for some characters fans won't see coming; some heart-stopping upsets; how the depth of some characters compares to the breadth of others; the kind of Rosalind we’re all dying to see; how Nate gamed out the entire season to arrive at this field of 64; threading the needle of Be...

William Sutton has memorized all of Shakespeare’s sonnets so you don’t have to, and created ILoveShakespeare.com (above), an online collection and examination of all 154 of Shakespeare’s sonnets organized by themes of Love, Death, Nature, Pain, and Time. Will is an actor, educator, and alumnus of The Shakespeare Institute in Stratford-upon-Avon, and reveals the possibly real reason Shakespeare wrote exactly 154 sonnets; how he mastered Elizabethan English by learning and speaking the sonnets; how you too can join the pantheon of actors who’ve come before us; how Shakespeare's words are only the beginning; that time he was invi...

The Coram Shakespeare Schools Foundation, one of the UK’s oldest cultural education charities, hosts the annual Shakespeare Schools Festival, which gives young people the confidence and skills to succeed in life by using the unique power of Shakespeare to transform lives. Mike Tucker, the head of the Foundation, discusses how they demystify Shakespeare (for teachers and students alike) by removing him from his pedestal; how the process of creating theater creates essential life skills; the importance of failing and learning you are more than your mistakes; the necessity of understanding that the value is in the process, not th...

Professor Ronan Hatfull literally wrote the book on the Reduced Shakespeare Company. His new book from Bloomsbury/Arden – Shakespeare in the Theatre: Reduced Shakespeare Company – is the very first full-length study to be published about the RSC. Focusing specifically on our Shakespearean reduction and adaptation, Ronan's book examines the origins and evolution of the company through the creation of The Complete Works of William Shakespeare (abridged), The Reduced Shakespeare Radio Show, William Shakespeare's Long Lost First Play (abridged), and The Comedy of Hamlet! (a prequel). Ronan shares his methodology; how he wanted to make his book accessible to the genera...

Say hello to the newest UK incarnation of the Reduced Shakespeare Company! Efé Agwele, Woogie Jung, Kiran Raywilliams, and Tom Pavey join director and RSC founder Adam Long to discuss our brand-new tour of The Complete Works of William Shakespeare (abridged) that's hitting at least 29 cities across the UK in this first half of 2026. The gang talks about how they were cast; their origins both humble and impressive; incorporating micro Shakespeare moments; experience with something called the Jesus College Shakespeare Project; our first live conversation from the back of the bus to Oxford University; and the key importance for t...

Our live celebration of 1000 weeks of podcasting onstage at Chicago's Annoyance Theater continues this week as Annoyance founder and directors Mick Napier and Jennifer Estlin discuss the evolution of their mentalism and closeup magic double-act. Mick and Jen share their early inspiration; a special appearance from telephone psychic Vanessa Sawyer from the Kenny Kingston Psychic Hotline; shout-out Chicago’s Magic Lounge, where Napier and Estlin have played before; and how the danger of knowing too much or overthinking a thing can sometimes destroy the magic of that thing; a fantastic definition of magic; how the value of most institutions is...

It's our 1000th episode! And we celebrated in high-style with a live recording onstage at Chicago's Annoyance Theatrewith Annoyance's founder and artistic director Mick Napier (Paradigm Lost, Exit 57) and its executive director Jennifer Estlin. Mick and Jen discuss the theatre's origins; how Mick wanted to set the Annoyance apart from what Second Citywas doing (but ended up returning to the mothership to direct a landmark production that changed the culture there forever); how Jen kept the Annoyance going during the pandemic; and how they both have made the Annoyance an artistic home for generations of multi-talented actors and improvisers...

Author James Finn Garner (Politically Correct Bedtime Stories) returns to discuss his latest satire, Politically Correct Peter Pan, and the difficulties of staying ahead of contemporary sensibilities. Garner reveals how his background as an actor informs his writing; how he gets to do what he loves; how he prefers editing what he's written to actually writing; the fun of playing in sandboxes other authors have created; the opportunities of his glorious Substack; and finally, the phenomenon of "Pansplaining." (Cover art by Lia Garner.) (Length 21:24)