Reduced Shakespeare Company Podcast

Christopher Moore's new novel Anima Rising combines his signature elements – complicated artists, suspicious detectives, a bawdy sisterhood, and supernatural bonking – into a strangely moving tale of friendship and survival. Set in 1911 Vienna, Chris's new novel is a spiritual sequel to his 2012 art world masterpiece Sacré Bleu: A Comedy d'Art and, in anticipation of his upcoming book tour, Chris reveals how his fondness for Gustav Klimt and Mary Shelley drives this unlikely comic adventure; how both Sigmund Freud and Carl Jung had to figure into the story (because: 1911 Vienna); and how his novels are becoming increasingly touching...or at least that’...

Playwrights and RSC artistic directors Reed Martin and Austin Tichenor discuss the updates they've been making to all their scripts (including All the Great Books (abridged), featuring Doug Harvey, Tré Zijuan Tyler, and Michael Faulkner, below) and how their writing process begins with coming up with material that's personal resonant. Martin and Tichenor reveal the despair of artists listening to the mortgage when evaluating their work; how not all laughs are created equal; how the great job of making people laugh now feels like an supremely important job; and how hearing the audience gasp at the turns in the n...

409 years ago today, on April 22, 1616, William Shakespeare himself spoke to Tony Dean, the creator and host of the Calling History Podcast, which features conversations with history's most influential and interesting people. Tony explains how the podcast got started, how he finds his guests (including Austin Tichenor as Shakespeare), how Ralph Waldo Emerson remains the podcast's great white whale, and how the Calling History Podcast is filled with unbelievable but absolutely true stories. HEAR HERE! (You can listen to part one of Tony's conversation with Shakespeare here and part two here.) Length 19:50.

Do you not "get" Shakespeare? Well, you're not alone! Improviser and "ensemble whisperer" Liz Allen returns to the podcast to explore the reasons she's never really connected with Shakespeare's plays. Allen famously coached the fictional improv team in Mike Birbiglia's film Don't Think Twice but fears missing out on both cultural and satirical opportunities, and discusses with host Austin Tichenor the ways in which she (and many others) have missed the Shakespeare boat; how to describe the appeal of Shakespeare in five words; the value of “Tools, Not Rules;” drawing inspiration from Darren Freebury-Jones’s Shakespeare’s Borrowed Feathers; how bein...

Julie Hammonds's debut novel Blue Mountain Rose is a love letter to theatre and a valentine to the perfect summer Shakespeare festival we all wish we lived next to or worked at year-round. On this week's episode, Julie discusses how you create in fiction the things you can't in real life; the relief of dramatizing professionalism rather than soap-opera histrionics; investigating the perils of celebrity and the timelessness of Shakespeare; and how reading Blue Mountain Rose might just have you booking a flight to Flagstaff, Arizona. (Length 19:50)

7 Ages Theatricals is producing the world premiere of Fool, Austin Tichenor's adaptation of Christopher Moore's New York Times bestselling comic novel. Tom Berger, 7AT's executive artistic director, talks about how this theatrical collaboration came to be, and reveals how the combination of Tichenor and Moore creates "a match made in Shakespeare comedy heaven" (Broadway World). Berger discusses the pleasure of being a theatre slut; the importance of staying in one’s artistic lane; the stress of not wanting to disappoint each other (or Fool’s creator); the paradox of having written "Schrödinger’s Play;" the trick of making sure th...

Anne Sheridan Smith plays the title role in the Redtwist Theatre production of Titus Andronicus, directed by Redtwist's co-artistic director Dusty Brown, and both actor and director talk about how their production evolved from its original conception. Dusty and Anne reveal how they navigated both Redtwist's beautifully renovated but incredibly intimate space, and the changing political landscape; how they discovered both real-life and theatrical inspirations; and how they're going to pair this production with next month's production of Taylor Mac's Gary: A Sequel to Titus Andronicus. (Length 21:52)

After a pandemic-related programming pause, Chicago's Tony-winning Lookingglass Theatre Company returns with a new season of programming, including their current production of Circus Quixote, based on Miquel de Cervantes's novel. Longtime LTC ensemble member and newly appointed artistic director Kasey Foster discusses how Lookingglass managed to survive the pandemic; how they created a much more welcoming presence on Michigan Avenue; how she's gone from being a performer to being a classic actor-manager; and most importantly, how Lookingglass offers the sort of performance spectacle you can only get in a live theatre experience. (Length 19:25)

Veteran Shakespearean actor Geoffrey Barnes joins the Reduced Shakespeare Company to play Yorick and Ophelia's mother in the regional theatre premiere of The Comedy of Hamlet! (a prequel). The RSC's 11th stage show marks the company's seventh appearance at Merrimack Repertory Theatre, as well as MRT's 300th production, and Geoffrey discusses how his many years at Cincinnati Shakespeare Company and Oregon Shakespeare Festival – as well as his background in musical theatre and experience performing RSC scripts at CSC – serve him well in this comic prequel to Shakespeare's greatest tragedy. Geoffrey reveals the value of a comedian not thinking he’s funn...

Playwright David Blixt talks about Eve of Ides, his play and new audio drama which imagines the relationships between the main characters of Julius Caesar. David reveals the ways in which Eve of Ides is both a sort of prequel and a sequel to Shakespeare's play; how he was introduced to Roman history as a child from a Colleen McCullough audiobook; how he borrowed from Shakespeare in the same way Shakespeare borrowed from Plutarch; why Shakespeare never explores the most important relationship in the play; how Shakespeare reclaimed and completely redefined the reputation of Brutus; and how the fall...

Author Nicole Galland returns to the podcast to discuss her page-turning new historical novel Boy, a story of young love, political intrigue, and cross-dressing both onstage and off in Shakespeare’s London. Nicole reveals how she discovered that the separate characters she was imagining belonged in the same book; how the historical Alexander Cooke differs from her fictional creation; how she's able to so brilliantly describe the streets of 16th-century London; the art of reverse-engineering Shakespeare's characters to create the actor who might have played them; why Nicole’s a novelist and not a playwright; and how there’s nothing...

RSC artistic directors Reed Martin and Austin Tichenor discuss their return to Merrimack Repertory Theatre with the company's 11th show, The Comedy of Hamlet! (a prequel) as MRT's 300th production. Reed and Austin reveal the RSC's deep connections to New England; how this will be the RSC's third show to premiere at MRT (after The Complete World of Sports (abridged) and The Ultimate Christmas Show (abridged) and seventh visit overall; and share insights into the creation of the show and why they changed the title; how the show's roll-out and script development got interrupted by the pandemic; what milestone...

Candice Handy, associate artistic director of Cincinnati Shakespeare Company, discusses her production of Lanie Robertson's Lady Day at Emerson's Bar and Grill at Merrimack Repertory Theatre, and reveals how she first connected to the material and how the play lands differently now. Candice shares her background as both an actor and musician; Billie Holiday’s connection to Lowell; how actors are doctors to the soul; the wonder of discovering things you didn’t know you knew; the danger of silencing artists; the value of art in troubled times; and the importance of giving a play the grit it requires to d...

Successful playwrights and television writers (and married couple) Barbara Wallace and Tom Wolfe are playing successful playwrights (and married couple) Charlotte and Arthur Sanders in the Waterfront Playhouse production of Paul Slade Smith's The Angel Next Door through February 8, 2025. Friends of the pod Barb and Tom make their first joint appearance to talk about their return to the stage as “eccentric artists” playing eccentric artists; being directed by Waterfront Playhouse artistic director Patrick New; help from Chicago actor (and friend of the pod) Laura T. Fisher and the LineLearner app; the importance of reading a script’s “funny type;” a possible...

Perennially one of the most-produced playwrights in America, Lauren Gunderson returns to discuss A Room in the Castle, her new play based on the women of Hamlet now having its world premiere at the Cincinnati Shakespeare Company and Folger Theatre in Washington DC. Lauren talks about the evolution of her play and reveals how it became more focused on Gertrude, rather than Ophelia; an excellent reason why artists should lunch with other artists; how there is always another story going on; how young people in love are dumb; what her next play will focus on; the definitive answer to...

Tyrone Phillips is the founding artistic director of Chicago’s Definition Theatre and directing Definition’s co-production of James Ijames’s Pulitzer Prize-winning play Fat Ham at the Goodman Theatre through February 23, 2025. Phillips discusses the many Shakespearean connections of this “hilarious yet profound tragedy, smothered in comedy” (New York Times); his instinct to always look at plays as music; his realization that he gives every one of his productions “injections of joy;” how he brings a modern energy to classics (like his Twelfth Night at Chicago Shakespeare Theater), and vice-versa; how our past informs our future; how "coming of age" stories c...

At the closing night banquet of last weekend's Shakespeare Theatre Association conference in San Francisco, Reduced Shakespeare Company artistic directors Reed Martin and Austin Tichenor were awarded the Sandra and Sidney Berger Award "in recognition of their outstanding talent and dedication to the works of William Shakespeare." In a conversation recorded immediately afterward, Reed and Austin express their shock and gratitude; thank the many people who have kept the RSC going over the years; share an excerpt of their acceptance speech; and talk about their decades-long journey that brought them to this unlikely moment. (Length 19:30)

Anne Curzan – University of Michigan linguistics professor, podcast host, and author of Says Who? A Kinder Funner Usage Guide for Everyone Who Cares About Words – returns to the podcast to talk about how William Shakespeare is used as a source for the origins of hundreds of words, as well as inspiration for a playful approach to language. Anne discusses the unprecedented speed with which language travels and changes today; how slang is "the people's poetry;" an unconventional definition of the word expert; how “it’s even in Shakespeare!” can serve as classroom legitimization; the British and American distinctions between collective...

For this first episode of 2025, RSC co-artistic directors Reed Martin and Austin Tichenor discuss how Austin plays the "Alternate Scrooge" in the Goodman Theatre production of A Christmas Carol for the third year in a row. Austin reveals how he threads the needle of honoring the Scrooges he alternates with (Larry Yando and Christopher Donahue) while still making the character his own; the difference between being an alternate and an understudy; how he inherited the role from previous alternate and now current Scrooge Allen Gilmore; the secrets to flying, including massive shout-outs to ZFX Flying, who makes the magic...

For this special encore podcast episode, we present – in its entirety – the complete and unabridged recording of A Little Dickens: The Complete Christmas Carol (abridged). (Dickens's story is abridged, not the recording. You'll work it out.) First heard on Public Radio International in 1995, this antic audio adaptation features Reed Martin as Jacob Marley, Matthew Croke as Tiny Tim, and Austin Tichenor as Ebenezer Scrooge (the role he's currently playing at Chicago's Goodman Theatre). May it warm your cockles! (Length 10:47)

Chicago actor Christopher Donahue (currently playing Ebenezer Scrooge in the Goodman Theatre's production of A Christmas Carol), discusses playing the role of Gayev in the Goodman's 2023 production of Anton Chekhov's The Cherry Orchard, directed by Robert Falls. Donahue reveals the challenges and rewards of discovering a character in rehearsal; how he finds humor alongside absurdity; how he takes inspiration from the original Dickens novel of A Christmas Carol; how people can be capable of change; his relationship with Tony-winning director (and friend of the pod) Mary Zimmerman; and finally, how the audience teaches you how to perform the play...

Richard Schoch returns to discuss How Sondheim Can Change Your Life, his latest book that offers new insights into the work of Stephen Sondheim, how it was created, how it’s affected audiences for over 60 years, and – yes – what life lessons can be gleaned from his shows. Richard reveals some fascinating inside publishing baseball; reasons for the addition of the song “Something Just Broke” in Assassins; academic backup from Mandy Patinkin; how he makes a close reading of the text so personal and readable; and a surprisingly cogent answer to the facile question of whether Sondheim is our modern Shakespeare...

Actor/comedian Mike McShane (Robin Hood: Prince of Thieves, Whose Line Is It, Anyway?) is playing Ebenezer Scrooge in A Red Carol, a new adaptation of A Christmas Carol for the legendary San Francisco Mime Troupe. Mike discusses how this "activist adaptation" differs from other takes on the Dickens classic; how he’s able to combine serious dramatic acting with, in his words, "as cheap comedy as you can get this year” and how a clown can play Hamlet easier than a proper actor can play a clown; the disconnect between Christmas Carol audiences in the theater and the same...

Humorist and novelist James Finn Garner returns to discuss his New York Times bestselling collection Politically Correct Holiday Stories and how the holidays represent a deeply personal literary tradition. Jim shares how challenging it was to walk that satirical line between poking fun at holiday cant while still embracing genuine sentiment; how a holiday story was his first published work; how bedtime stories were easier to satirize because everything’s so black and white; how play can be the best form of celebration; how he wants to shift holiday paradigms and sit down to a feast of mutual delusions; an...

Darren Freebury-Jones's fascinating new book, Shakespeare’s Borrowed Feathers: How early modern playwrights shaped the world’s greatest writer, contextualizes Shakespeare’s writing and examines how it expands upon and diverges from the other plays being written at the time. In this fun conversation, Darren, a lecturer in Shakespeare Studies in Stratford-upon-Avon, considers alternate ways of identifying Shakespeare’s artistry; dispels the myth of Shakespeare as a solitary genius; likens this kind of early modern study to examining the output of a single band’s music without reference to other bands making music at the same time; and reveals how Shakes...

It's the Podcast's 18th birthday! Austin Tichenor, Reed Martin, and Adam Long celebrate the 30th anniversary of The Ring Reduced, the RSC's 1994 film for Britain's Channel 4 which compressed Wagner's epic opera Der Ring des Nibelungen into a brief and palatable 24 minutes. Adam, Austin, and Reed share their favorite fun facts about Das Rheingold, Die Walküre, Siegfried, and Götterdämmerung; reveal their inspiration from Anna Russell; speculate on comic directions not taken; confirm that the Reduced Shakespeare Company is completely and utterly responsible for the success of Ted Lasso; disclose how they created the most expensive and complicated gag o...

Fresh off its successful run at Chicago Shakespeare Theater, The Lord of the Rings – A Musical Tale opens this week in Auckland, New Zealand, and Rick Hall discusses the challenges and pleasures of playing J.R.R. Tolkien's hobbit hero. Rick reveals the education he's received in Middle-earth and the pride he feels in no longer being a bit of an idiot; the struggle of getting your high school trombone lip back; the fun of jumping through traps and making eight-second costume changes; getting real-time notes from the audience; lengthy discussions about hobbit feet; and the emotional power of a...

Tamara Harvey, the new co-artistic director of the "other" RSC – the Royal Shakespeare Company – discusses her exquisite production of Pericles, and how it came to the Chicago Shakespeare Theater and speaks to our current moment on both side of the Atlantic. Tamara reveals how Shakespeare's characters navigate different kinds of leadership; how she and her co-artistic director Daniel Evans hope to reach across borders and collaborate with international artists; how the challenges of the play felts like a gift; her genius solution to the narrator; how she feels in collaboration with Shakespeare, and how his Pericles weaves a unique spel...

Director Malkia Stampley, whose beautiful production of Eboni Booth's 2024 Pulitzer Prize-winning play Primary Trust runs at Chicago's Goodman Theatre through November 3, 2024, discusses how she embraced the play's delicate intimacy and transformed a literary script into a theatrical event. Malkia reveals the ways in which a live audience and actors playing multiple characters lift a potentially naturalistic play into a theatrical realm; how she eschewed melodrama and discovered the mystery and curiosity she was looking for; how clowns can find the funny and serious actors the gravitas; and the value of always looking for – and finding – the light. (Length 18:23)

Charlotte Booker discusses her show Elsa Lanchester: She's Alive!, which celebrates the great character actress who played the title role in The Bride of Frankenstein and runs Wednesdays and Thursdays this month at the Venus Cabaret in Chicago. Charlotte is joined both onstage and in this conversation by her husband and accompanist Mark Nutter, and shares some of the secrets and similarities between her and her subject, including youthful flings with onstage nudity; the glory of being the first female monster; how Elsa was raised to be a free spirit by artist-Bohemians and became the former It Girl of...

In this new edition of Great Moments with Mr. Bakula, the former captain of the Enterprise and famous Quantum Leap-er discusses playing America's 16th president in Mister Lincoln, Herbert Mitgang's one-man show now onstage at the storied Ford's Theatre in Washington DC. Scott reveals how the role came to him; his long association with this particular venue; his history of leaping into the bodies of other notable Americans, such as Dr. Ruth; how his whole career has been a lovely surprise; coming full circle in the musical Shenandoah!; fudging the rules of time travel; hesitation to do his own...

Artistic director Edward Hall's production of Henry V at Chicago Shakespeare Theater includes the frequently cut "Salic law speech" ("the best speech in Shakespeare" – Mya Gosling, GoodTickleBrain), and friend of the pod Gregory Linington explains how he speaks the speech as the Archbishop of Canterbury, and how its inclusion is emblematic of the production as a whole. Gregory, who is a verse and dialect coach in addition to being an actor, shares how the speeches in this production are broken down surgically; how the historical Henry prized wisdom and experience over youth and moxie (as does this production); how di...

Actor and comedian Stephnie Weir (Mad TV, Crazy Ex-Girlfriend) discusses the origins of her one-woman show The West Texas Weirs, which she performs this weekend at Chicago's IO Theater. Stephnie shares how she grew up on a used car lot; how dealing with a complicated father made her the person she is today; the trick of navigating unconventional relationships with reality; how family vacations were planned around repossessing cars; the potentially NSFW origin of terms like "hunty” and "askholes;” how vowels are expensive; and how a comedic exorcism can help process our feelings about complicated men. (Length 18:06)

They keep writing American history so we have to keep reducing it! Playwrights Reed Martin and Austin Tichenor discuss how they've updated The Complete History of America (abridged), which they wrote with Adam Long back in 1993. Reed and Austin share how Dee Ryan's recent one-hour production of the script was so helpful; how Reed discovered who the most pivotal figure in American history has been for the last 30 years; the challenges of keeping up just the last two weeks of American history; how the "Special Election Edition" that the RSC performs differs from the published version of the script...

Novelist Louis Bayard’s new book The Wildes: A Novel in Five Acts, depicts the fateful weekend in 1892 that spawned not only the comedy of Oscar Wilde’s The Importance of Being Earnest but the tragic downfall of Oscar’s family. Bayard reveals how he walked that tonal line; how he's been in touch with Wilde’s still-living grandson; how he combined the historical romance of Courting Mr. Lincoln with the suspense and intrigue of The Pale Blue Eye; how it’s easier to depict famous characters through the eyes of their contemporaries; and how Constance Wilde finally glimpsed the flambo...

Writer and actor Mitchell Bisschop discusses his new one-man show Royko: The Toughest Man in Chicago, now running at the Chopin Theater until the end of September (2024). Bisschop shares his inspirations for the show, including talking to Royko's surviving friends and relatives; how he based his script on Royko's 34-year career and over 7500 columns; how Royko – like a Shakespearean fool – told truth to power and ended up winning a Pulitzer Prize; how he got to know Royko's "leg creatures;" and how Mike Royko asked the questions nobody else was asking. (LENGTH 18:20)

We remember longtime RSC colleague Jerry Kernion, who passed away last week after a short illness. Jerry acted for us in multiple shows and produced, directed, and edited our DVD film version of The Complete History of America (abridged). A much in-demand stage and film actor, we hear excerpts from previous podcast interviews where Jerry discusses performing both Dromios in A Noise Within's The Comedy of Errors, Sir Toby Belch, and Colonel Tom Parker in the jukebox musical Heartbreak Hotel. (Length 23:01)

Sara Holdren is not just one of the best theatre critics out there, she's a director as well whose production of As You Like It opens this week at Shakespeare at Notre Dame and plays through Labor Day. Sara reveals how she connected Shakespeare's 400-year-old play to the current moment; how we craft community; how she drew inspiration from Vermont’s Bread and Puppet Theatre; the challenge of being both textually and texturally surprising; how As You Like It requires an ensemble of clowns and the challenge of figuring out the comedy math; how “criticism is directing backwards;” the value...

Actor, director, and educator Rob Myles, co-creator of The Show Must Go Online, talks about how adhering too strictly to the supposed 'rules' of speaking Shakespeare leads to lazy interrogation of the text and a lack of clarity for the audience. Rob reveals the dangers inherent in the flawed ideology of trying to get Shakespeare ‘right’; the value of being a magpie and using whatever works in a given moment; how Shakespeare didn’t know a rule he didn’t break; how the speech is meant to be said, not read; and how Rob’s “toolkit for actors,” The Shakespeare De...

The best of America comes to Chicago this month as Dee Ryan (The Office, Second City, the RSC's Complete Millennium Musical (abridged)) directs a special one-hour, five-actor production of The Complete History of America (abridged) on Saturday nights at the IO Theater (plus Sunday, August 18 and Tuesday, August 20). Dee and cast member Sheri Flanders talk about the special energy fueling this production; how it's timed to coincide with the Democratic National Convention; the exciting Edinburgh Fringe-like vibe of IO; how they're keeping the bronzers locked up; the power of ensemble-driven theatre; and how Second City veteran Dee wants to...