Filmsuck

Delving into YOU CAN SEE EVERYTHING, the mind-blowing new film by Nathan Fielder and Lance Oppenheim currently wowing audiences at a theater new you. I'm joined by special guest [M]ichael Dalebout, a scholar whose work in the fields of rhetoric, art, and film and media examines the interrelation of authenticity, artificiality, and self-identity in comedy. This gives them unique insights into Fielder’s complex approach to these issues in his “cringe comedy” television series THE REHEARSAL and NATHAN FOR YOU as well as into Fielder's increasingly fraught interrogation of disgraced health tech CEO Elizabeth Holmes, whose maddening insistence on her...

Even knowing that writer-director-producer Ryan Murphy routinely chooses fascinating television series topics based on historical figures and then makes infuriatingly stupid shows about them, co-hosts Eileen and Dolores were unprepared for the big bloody mess that is MONSTER: THE LIZZIE BORDEN STORY. The biggest problem is that it’s not actually the Lizzie Borden story, if you know anything about the notorious ax-murderer, acquitted in 1893 of killing her rich miserly father and hated stepmother, but assumed to be guilty by almost everybody down through the generations. It’s also not the Aileen Wuornos story or the Countess Elizabeth Bathory stor...

Co-hosts Eileen and Dolores have high praise for TEENAGE SEX AND DEATH AT CAMP MIASMA, the new horror-comedy by up-and-coming writer-director Jane Schoenbrun (I SAW THE TV GLOW). It’s about nerdy, academically-trained filmmaker Kris Williams (Hannah Einbinder of HACKS), who’s been hired to reboot an old 1980s slasher film franchise yet is in denial about the taboo sexual charge the slasher films give her. As part of her research and an expression of her intense fandom, she seeks out the reclusive star of the first CAMP MIASMA movie, Billy Presley, played by Gillian Anderson (THE X-FILES). Together at B...

Host Eileen Jones is joined by writer and cinephile Alex Deley in celebrating Ken Russell's THE DEVILS, a 1971 film so controversial in its day that it was heavily censored, then banned in many countries, then released but rated X in the UK and USA, then critically reviled—Roger Ebert gave it zero stars—and then made very hard to find for decades. Now with a director's cut finally and fully restored in 4K, with an upcoming theatrical re-release, we can access and fully appreciate the brilliance of Russell's best film.

Based on Aldous Huxley's 1952 book THE DEVILS OF L...

The only film that actor Charles Laughton directed is the now-celebrated NIGHT OF THE HUNTER (1955), a unique, nightmarish, dark fairy tale vision that's part of the "Southern Gothic" series of films currently running on the Criterion Channel.

The film's an adaptation of Davis Grubb's 1953 novel, which in turn was based on the real-life Depression-era case of Harry Powers, a serial killer who answered lonely-hearts ads and then murdered widows for their life savings, killing several of their children in the process. Powers was hanged in West Virginia in 1932. In THE NIGHT OF THE HUNTER, the phony preacher "...

Co-hosts Eileen and Dolores provide a rundown on what's on TV, which starts off as a cheerful endeavor and ends up in a state of despondency over our grim cultural moment.

We report on the third season in twenty years of THE COMEBACK, the HBO Max cringe comedy starring Lisa Kudrow as Valerie Cherish, an eternally optimistic and terminally obtuse former TV sitcom star of the late 1980s-‘90s trying to get her career going again in the age of reality TV, AI, influencers, and online everything. Dolores also describes the "death-drive" third season of HBO Max's EU...

Filmsuck co-hosts enjoy the old-fashioned movie-fun of watching what's essentially one long chase in the new Steven Spielberg action-adventure DISCLOSURE DAY. It's his return to sci-fi alien-invasion-themed movies that are a specialty of his represented by CLOSE ENCOUNTERS OF THE THIRD KIND (1977), E.T. THE EXTRA-TERRESTRIAL (1982), and WAR OF THE WORLDS (2005). It's true that DISCLOSURE DAY might be sappy and absurdly implausible and have an ending that falls so flat it causes audience members to exclaim "What the hell?" But on the other hand, it's a Spielberg summer blockbuster just like we used to see in the olden times...

Co-hosts Eileen and Dolores praise the complex and ultimately harrowing Susannah Herbert documentary NATCHEZ, currently streaming on YouTube and Apple TV+ and soon to arrive at PBS. It focuses on the engine driving this Mississippi River port town's economy, which is tourism—specifically the guided tours through plantation houses that have, for nearly a hundred years, "stuck to the script" of the romantic fantasy of the gracious Old South. However, new tour guides and local activists, several of them Black locals, have emerged recently who insist on factually accurate tours that include the history of slavery and the people he...

Co-hosts Eileen and Dolores express their admiration and affection for comedian Chris Fleming and his hilarious new HBO special CHRIS FLEMING: LIVE AT THE PALACE. Highly recommended!

You may know Fleming from his dazzling comic flights on YouTube and Instagram, but as Fleming puts it, this special is designed to expand his audience beyond "women who brought a knife to prom." Wearing a four-way-stretch purple jumpsuit made by Prince's longtime costume designer Anthony Sartino, Fleming is able to prance, race, strut, flap, tumble, and moonwalk freely around the stage characterizing the freaky eccentrics and wanna-be-freaky normies who...

Co-hosts Eileen and Dolores resisted seeing HAMNET, so they both marvel at the emotional impact it achieves by the poignant ending, when almost everyone in theater audiences dissolves into tears. HAMNET is a period tragedy by Chloe Zhao (NOMADLAND) that’s been playing in arthouse theaters for two months. It’s still drawing crowds, and it’s nominated for a number of Academy Awards including Best Film, Best Director, Best Adapted Screenplay (by Zhao and the author of the source novel by Maggie O’Farrell), and Best Actress (Jessie Buckley). It deals with the relationship of husband and wife William...

Co-hosts Eileen and Dolores agree that the title character in writer-director Maggie Gyllenhaal’s THE BRIDE!, played by Jessie Buckley (who also portrays the wry, raddled spirit of author Mary Shelley) is terrific. She has a brilliantly disheveled look of undead glamor featuring wild bleached-blonde hair, wonderfully garish orange dress, black lips, and the inky splotch that spews up from the corner of her mouth, a chemical stain left over from the process of reanimation. Dolores is forgiving of the way THE BRIDE!, especially in its addled second half, fails to live up to central character and best scenes, wh...

Co-hosts disagree on THE TESTAMENT OF ANN LEE, a new film about the title character (played by Amanda Seyfried) who founded the Shaker religion. Eileen liked it because she has a morbid religious streak that makes her obsessively interested in movies about old-time people who see visions and start mad spiritual communities. Dolores, on the other hand, hates movies set in the 18th century “when everything was so ILL” and found THE TESTAMENT OF ANN LEE a dull empty frustrating would-be-hipster work that makes the artfully simple utilitarian structures of Shaker architecture look like Restoration Hardware stores. A lively deba...

Co-hosts Eileen and Dolores found Jim Jarmusch’s new indie film Father Mother Sister Brother a sleep-inducing slog. It’s a comedy-drama anthology film in three chapters about difficult family relationships that won the Golden Lion at the Venice Film Festival and stars Adam Driver, Tom Waits, Mayim Bialik, Cate Blanchett, and Charlotte Rampling. Jarmusch calls it an “anti-action film” that avoids commercial expectations of such typically hard-hitting effects as “drama, violence, revenge, sex” in order to create a film that’s minimalist, focused, delicate, and deliberately simple, like “three flower arrangements.” So consider yourself warned!

In honor of the season, co-hosts Eileen and Dolores take on the made-for-TV holiday movie, focusing especially on the perennial Hallmark Channel favorite, A SHOE ADDICT’S CHRISTMAS (2018). It’s about a thirtysomething department store employee and shoe-lover named Noelle (Candace Cameron Bure) who’s lost both her creative and romantic mojo, which leads her guardian angel Charlie (Jean Smart) to use her Ghost of Christmas Past and Future powers in showing Noelle how to find a man and a plan. Naturally several Christmas miracles ensue. Eileen, a Hallmark Channel newbie, is appalled by these eye-hurting spectacles while Dolores points...

Co-hosts Eileen and Dolores disagree when it comes to their basic reactions to the new FRANKENSTEIN, written and directed by Guillermo Del Toro and currently playing on Netflix. Whereas Dolores finds a number of aspects of the film compelling, such the opulent production design, the sensitive performances of Jacob Elordi and Mia Goth, and the all-out melodramatic emotionalism typical of Del Toro, Eileen experienced such a blinding hatred of the whole thing she could only gradually realize that…yes, Mia Goth is always interesting.

Co-host Eileen Jones and special guest Conan Neutron of the Movie Night Extravaganza podcast enthuse about the wild and riveting new Yorgos Lanthimos film, Bugonia. It concerns a pair of rural cousins, played by Jesse Plemons and Aidan Delbis, who abduct the CEO of a pharmaceutical company (Emma Stone), convinced she’s an alien come to destroy planet Earth through corporate means. Their plan is to force her to arrange a meeting between the cousins and the “Andromedans” on their mother ship in order to negotiate an agreement for the aliens to leave Earth in peace. Which is a fairly...

Co-hosts Eileen and Dolores agree that Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER is a must-see movie and a model for American filmmaking right now. An adaptation of Thomas Pynchon’s 1990 novel VINELAND, ONE BATTLE makes brilliant use of such dynamic genres as action, dark comedy, and the political thriller to drive this depiction of an aging radical leftist in hiding, hilariously played by Leonardo DiCarprio, who’s trying to protect his teenage daughter from his past. Then they’re targeted by rightwing political forces led by the repulsive Col. Lockjaw (Sean Penn) and compelled to go on the run...

New Filmsuck episode! Dolores and I enthuse about CAUGHT STEALING. It's doing pretty badly at the box-office, though it's a timely dark comic noir of chaotic working class life, and Austin Butler has a delightful co-star in the cat actor playing Bud. 

Special guest Asali Echols, documentary filmmaker, talks to me about the current state of documentary films. We discuss a recent trend toward reviving the strict "observational documentary," led by filmmakers like Elizabeth Lo, whose breakthrough film was the dog's-eye-view movie STRAY (2020). Her upcoming new doc MISTRESS DISPELLER, about a "love industry" in China involving wives hiring undercover operatives to break up the relationships of husbands and their mistresses, tests the limits of Lo's "observational not interventionist" documentary filmmaking ethics. https://www.patreon.com/posts/straying-into-136099786

New Filmsuck episode! While Dolores is making the world safe for opera in Santa Fe, I'm talking to my friend M Dalebout, whose area of scholarly expertise is identity construction in onscreen comedy. We start off with the 2025 HBO Max documentary PEE-WEE AS HIMSELF!

New Filmsuck episode! I rage against Lena Dunham, who cursed us all with GIRLS and is back doing further harm to impressionable minds everywhere with her new, semi-autobiographical Netflix romantic comedy TOO MUCH. Dolores has a more measured reaction to this low-stakes entertainment about an arrested development case played by Megan Stalter (HACKS) who tries to get over a bad breakup by relocating from Brooklyn to London and immediately starting a messy relationship with an indie rocker played by Will Sharpe (WHITE LOTUS 3).How high is your Lena Dunham tolerance? 

Season 4 of Mike White's big hit show WHITE LOTUS might not be the most profound thing you've ever seen, but Dolores and Eileen still enjoy its excellent cast reveling in portraying the latest tales of ghastly behaviors of the rich.

Co-hosts Dolores and Eileen enthuse about the messy but compelling thrills of Ryan Coogler's delirious Deep South vampire extravaganza!

Action film enthusiasts rejoice! Special guest Forrest "Flacko" Miller of the lively and popular Movie Night Extravaganza podcast joins co-host Eileen Jones for an episode delving into the everybody's-a-killer world of JOHN WICK 1 - 4, including the new riotously violent spin-off BALLERINA starring Ana de Armas. Discussion includes wild speculation about the likely plot for the upcoming JOHN WICK 5, featuring the return of Keanu Reeves as everyone's favorite world-weary assassin.

All about that time Dolores interviewed her favorite living director Todd Haynes (SAFE, FAR FROM HEAVEN, I'M NOT THERE, CAROL, MAY DECEMBER)--which was only two weeks ago! Filmsuck co-hosts exult in all things Haynes, including his films, his academic background, his current political take, his unforgettable meeting with Barbra Streisand, his cocktail of choice, his upcoming projects, and much, much more. 

Late in the narcotizing Oscars 2025 telecast, host Conan O'Brien made the oddly poignant promise that "Through trauma and joy, this seemingly absurd ritual is going to be here." It was a weird, oblique, it'll-be-okay reference to the seismic upheavals in America, after the whole nearly-four-hour show had made a point of avoiding any reference to them. Notice the absence of any outspoken left-wing celebrities who would've been inclined to rail at the current administration's punitive tear through the government? Mark Ruffalo? Susan Sarandon? Jane Fonda, who just made a barnburner of a speech at the SAG Awards--where were you...

Talking about I'M STILL HERE, a new political drama based on the 2015 memoir by Marcelo Rubens Paiva about the fracturing of his leftist family in the early 1970s, during the right-wing military dictatorship in Brazil. It's the latest film by Walter Salles (MOTORCYCLE DIARIES, CENTRAL STATION), who knew the Paiva family personally, and it's Brazil's biggest film hit since the Covid pandemic. It's also up for multiple Academy Awards including Best Picture, Best International Film, and Best Actress for the formidable Fernanda Torres. Co-hosts aren't in total agreement about I'M STILL HERE--Eileen loved it while acknowledging Dolores's misgivings about...

It's a Very Special Filmsuck episode open to the public! Co-host Eileen Jones interviews writer and cinephile Alex Deley, who wrote a fantastic piece for JACOBIN magazine about the glories of Lynch films.

We've got a rare total disagreement between co-hosts when it comes to FLOW, the highly praised Latvian animated feature that's up for Oscars for both Best Animated Film and Best International Film. Dolores found this dialogue-free tale of a housecat and several other animals trying to survive a disastrous flood moving, inspiring, and perhaps the greatest film this year. Whereas Eileen—who generally despises the whole movie history of animals being terrorized so we can be entertained and learn dubious lessons, going back to THE YEARLING and OLD YELLER—defies all critical and public opinion to declare her deathless hatr...

Can't get enough of that new NOSFERATU, so co-hosts Eileen and Dolores are debating its merits and demerits while at the same time embracing the film as a cinephile must-see. 

Can't let that NOSFERATU experience go, and the gods know there aren't likely to be any riveting film releases in the doldrums of early January, so here's the latest Filmsuck episode grappling with the highs and lows of Robert Eggers' new film! Co-hosts Dolores and Eileen agree the film is a must-see for cinephiles, though the film is a wild mix of mesmerizing sequences and puzzling effects that fall flat.

Co-hosts Eileen and Dolores take the "Glicked" challenge and watch WICKED and GLADIATOR II back-to-back. Here are hilarious our survivor's tales.

Filmsuck co-hosts Eileen and Dolores celebrate Halloween with a discussion of the witch films currently featured in the Criterion Channel series. They include such favorites as BLACK SUNDAY, SUSPIRIA, THE WITCHES, THE CRUCIBLE, and THE LOVE WITCH, but the most exciting discovery is IL DEMONIO (THE DEMON), a 1963 Italian Neo-realist film featuring a spider-walking peasant woman whose exorcism clearly inspired THE EXORCIST (1971)! 

Filmsuck co-hosts Eileen and Dolores celebrate the long-awaited sequel BEETLEJUICE BEETLEJUICE, thirty-six years after Tim Burton's beloved 1988 comedy hit. Michael Keaton is back as the high-living undead title character, a "freelance bioexorcist," along with Winona Ryder as former depressed teen Lydia Deetz, now a perplexed middle-aged woman with an alienated daughter of her own played by Jenna Ortega of WEDNESDAY. Add the divine Catherine O'Hara as Lydia's mother, the daffy conceptual artist Delia Deetz, and the stage is set for fantastical fun with the living and the "recently deceased" and the highly porous border in between.

Summer's nearly over and we're looking at the effect of carnivals and amusement parks in such hot-weather hits as ADVENTURELAND (2009), ZOMBIELAND (2009), THE LOST BOYS (1987), and SOME CAME RUNNING (1958).

Filmsuck co-hosts tackle the life and career of thorny but fascinating star Faye Dunaway, which is the topic of the new HBO Max documentary FAYE. Her long and turbulent stage and screen career includes such memorable films as BONNIE AND CLYDE, THE THOMAS CROWN AFFAIR, CHINATOWN, NETWORK, MOMMIE DEAREST, and BARFLY.

New Filmsuck episode! We're celebrating Scottish-born actor Deborah Kerr ("...rhymes with star!") whose stardom in 1940s England got her a Hollywood studio contract and a "ladylike" star image she had to fight in order to get better roles. She ought to be better known for her unusual air of compassion and worldly wisdom and her many great performances in such films as THE LIFE AND DEATH OF COLONEL BLIMP, BLACK NARCISSUS, FROM HERE TO ETERNITY, TEA AND SYMPATHY, HEAVEN KNOWS MR. ALLISON, AN AFFAIR TO REMEMBER, THE KING AND I, BONJOUR TRISTESSE, SEPARATE TABLES, and THE INNOCENTS.

Filmsuck co-hosts agree that this funny low-budget film by Ethan Coen and Tricia Cooke, which is the first film of their "lesbian B-movie trilogy," represents a challenge to our dull American film era. 

Co-hosts grapple with the new Barbra Streisand memoir, a 900+ page tome called MY NAME IS BARBRA that came out in November 2023 but takes three months to read. Latest Filmsuck! Co-host Dolores, a devoted fan of the EGOT award-winning singer-actor-producter-director, brings impressive insight to the way Streisand "needs a hostile world" in order to thrive creatively. The memoir's fascinating early chapters charting Streisand's youthful rise to fame bear this out, as she overcame harsh prejudices against her offbeat looks and personality and working-class Brooklyn Jewish roots to produce sensational performances in nightclubs, and on Broadway, and in films and recording...

We're wading into the Oscar nominations and the people who hate them!