London Review Bookshop Podcast

Deep Into the Sixties (Bloomsbury), the latest instalment in David Kynaston’s ‘Tales of a New Jerusalem’ series, covers the short but intense period between Churchill’s death and England’s footballing triumph at the World Cup. As a social historian, Kynaston is unrivalled in his masterful handling of a diverse range of sources, including diaries, newspaper reports and historical archives. He was in conversation with Alison Light, author of Red, Red Robin, A Radical Romance and Common People.

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Patricia Lockwood’s literary career began with poetry, and her second poetry collection (the first to make it to the UK) Motherland Fatherland Homelandsexuals, published in 2014, left her many fans desperate for more of her surreal, subversive, zany, deadly serious wit. For more than a decade they’ve had to make do with a brilliant memoir, two brilliant pieces of autofiction and her many superb essays and reviews in the pages of the LRB. Now at last comes Agate Head / Stone Soup, a poetry collection that blends her new-found passion for metalwork with reflections on geological time, internet memes, expl...

Jeremy Lee’s smoked eel sandwich became a London sensation when it was introduced at Soho’s Quo Vadis, where Lee is chef proprietor and, amongst other things, led Jay Rayner to call him ‘a rare phenomena in the London food world; a chap everyone agrees is a good thing.’ Now his second cookbook Kitchening (4th Estate) continues his exploration of the two most important things in great cooking: simplicity and deliciousness. Jeremy discussed his philosophy of food with one of the country’s leading food writers Bee Wilson, author of, most recently, The Heart-Shaped Tin (4th Estate).

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In On Difficulty (Faber), her latest book of non-poetry, poet and essayist Lavinia Greenlaw explores the fascination, terror and opportunity of wrestling with the opaque, the obscure, the complex and the indeterminate. Is poetry really difficult, and do we like it more when it is? Can difficulty provide its own solution? These and other questions are answered by Lavinia Greenlaw in conversation with the artist Mark Wallinger.

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Triage (Allen Lane), Claudia Rankine’s new book, is an unclassifiable piece of writing, blending narrative, criticism and lyricism to create something capable of facing ‘the collective devastation of the present’ (in Saidiya Hartman’s words). Two friends meet in an art gallery after decades of silence: we eavesdrop on their conversation, memories and enduring friendship. Rankine was in conversation with Victoria Adukwei Bulley, whose debut collection Quiet (Faber, 2023) won the Rathbones Folio Poetry Prize.

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In Transitions, the latest title in MACK’s ‘Discourse’ series writers Sita Balani and Jay Bernard, guided by Stuart Hall’s notion of ‘conjuncture’, draw on literature, social theory, and lived experience to offer an urgent account of our fractured present. Their dialogue takes in Britain’s colonial past, the advent of AI and the legacy of extractive capitalism to ask the urgent question: what does it mean to be human in a political culture determined to devalue the Humanities? Their conversation is chaired by Sana Goyal, editor of Wasafiri.

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In How to Be Well, journalist and essayist Amy Larocca takes on the behemoth which is the contemporary ‘wellness’ industry, in prose which Joanna Rakoff has described as a ‘magical synthesis of crackerjack reporting, incisive cultural commentary, and, most importantly, elegant, self-reflective memoir’. From active charcoal toothpaste to green juice enemas, Larocca explores the science and history of various controversial treatments, to reckon with the 3.7-trillion dollar industry’s profits and promises.

Larocca was in conversation at the Bookshop with journalist and literary critic Gaby Wood.

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Haitian-American scholar Edna Bonhomme, now based in Berlin, is well placed to unpick what it means to be Black at home and abroad. In Tending to Our Wounds, part memoir, part history, part polemic, she unlearns the lies that she was told about slavery and colonialism, and charts a breathtaking course between the individual and the collective, between past and future, and between oppression and resistance. She was in conversation with Lola Olufemi, author of Feminism for the World, Feminism Interrupted and Experiments in Imagining Otherwise.

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Sex in novels is commonplace, but how do poets write about sex--and is it any good? Join Sarah Howe and Sandeep Parmar for a live recording of the LRB podcast Poetry and the Turning World, with special guests Sophie Robinson (Prairie Oyster) and Oluwaseun Olayiwola (Strange Beach). Poetry and the Turning World is a special short series on the LRB Podcast, looking at the ways in which contemporary poetry deals with our everyday challenges and the wider changes we face globally. Sandeep and Sarah take different themes and explore when and where poetry can be a guiding force for...

Holly Pester’s Cafés (Fitzcarraldo) continues the trajectory which, since her debut Comic Timing, has made her one of the most exciting poets writing. An elegy for lost communal space, and a stylish political intervention, Francesca Wade has described Cafés as embodying ‘a public space or a place to hide; to meet friends and strangers or to be alone; Pester's brilliance builds this cafe up and invites us in to linger’. Pester was in conversation with Luke Roberts, lecturer at King’s College London, co-director of the small press Distance No Object, and author of (most recently) Bad Omens...

Shortly after the pandemic lockdown Sara Baume came across a painting in a pop-up exhibition in a renovated West Cork shed. Fascinated by it, she became determined to make the painter’s acquaintance – although a native of North Dakota the artist Mollie Douthit was now living and working in rural Ireland. Bonded by a common love of nature and a commitment to their respective artistic practices, they began to meet regularly, to talk, to eat and to swim. What would it be like, Baume wondered, to write a book in the style of Mollie’s painting? Opening Night is the re...

In a series of provocative essays encompassing Marilyn Monroe, the myth of Apollo and Daphne, octopuses and girlbosses, reluctant heterosexuals, lesbian separatists, and anti-work cats, Sophie Lewis, author of Enemy Feminisms, Abolish the Family, and Full Surrogacy Now, seeks to put the femme back into feminism. In Femmephilia, Sophie Lewis makes the case for the vital importance of politicized femme-ness: a feminism that is self-consciously artificial, extravagant in its erotic and political appetites, and staunchly anti-work, abolitionist, and utopian. She was in conversation with novelist and poet, Keiran Goddard, author of Hourglass and I See Buildings Fall Like Lightning.<...

To call Elizabeth Bishop one of the greatest female American poets of the 20th century is to make too many qualifications. Increasingly, critical opinion has converged with Dwight Garner’s assertion that she was perhaps ‘the most purely gifted poet of the 20th century’. To mark the publication of his new book, Elizabeth Bishop’s Styles of Writing, Andrew Dickinson was in conversation with the poet and critic Peter McDonald. Poet Mark Ford, actor Juliet Stevenson and writer Lamorna Ash will also read from a selection of Bishop’s work.

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Historian Colin Grant and WritersMosaic writers have travelled the length and breadth of the country to gather the voices and experiences of immigrants living in Britain. In What We Leave We Carry we meet, amongst others, a Czech-Roma lawyer in Reading, an Iranian taxi driver in Shropshire, a Sierra Leonean actor in Northampton, and a Romanian police officer in Edinburgh. Together, these accounts ask questions about assimilation, identity, belonging and the emotional cost of migration in twenty-first-century Britain. Grant was in conversation with the author, broadcaster and former Children’s Laureate Michael Rosen.

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Erin Maglaque’s first book, Presence, explores the hidden history of the female body through deep archival research: fragments in medical texts, trial transcripts, legal treatises, prayerbooks, letters, and diaries come together to make tangible a vanished past, unfamiliar because of its deliberate suppression. The artist Celia Paul has described Presence as ‘a landmark book’, which makes the female body in the past ‘real as never before’. Maglaque was in conversation with Hannah Dawson, a historian of political thought at King’s College London and the editor of The Penguin Book of Feminist Writing.

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The kitchen has always been a complex space for women: a place of labour and gendered expectations, as well as a site of nourishment, care and company. But how does this change when you’re alone, not cooking for family or friends, but simply for yourself? In The Spinster Cookbook (Indigo Press) Eli Davies explores what happens when food is uncoupled from domestic duty and romantic relationships and what it means to cook (or not) for yourself and by yourself. Davies was in conversation with Rebecca May Johnson, author of Small Fires and editor at Vittles magazine.

Rachel Long’s debut collection, My Darling from the Lions (Picador), was nominated for the Forward Prize, the Costa, and the Sunday Times Young Writer of the Year Award. Sparrow on the Rooftop (Chatto & Windus) is the eagerly-awaited follow-up: Saba Sams has described it as ‘gruesome and intimate, alive to the rot, funny’. Long read from the collection and was in conversation with Sarah Howe, poetry editor at Chatto, whose own second collection Foretokens was published last year.

You can buy a copy of Sparrow on the Rooftop from the London Review Bookshop.

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In Michael Bracewell’s new novella The Smiths an anonymous narrator recounts the impact of the iconic pop group on his life. Accompanied by the French actress Carole Bouquet he embarks on a picaresque journey from the old Selfridge Hotel to West Hollywood, via a park bench in Cavendish Square. Deeply romantic and laced with comedy - not unlike the band themselves – The Smiths is an affectionate celebration of a pivotal episode in popular music history. The author read from his work, and discussed it with the novelist and journalist Leo Robson.

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The poetry of the sixteenth-century Spanish mystic, John of the Cross, has inspired and consoled for hundreds of years, influencing writers from James Joyce to Seamus Heaney, Geoffrey Hill to T.S. Eliot. Dark Night (Penguin Classics) gathers all of John’s poetry, together with a selection of his prose. The book’s translator, poet Martha Sprackland, joined LRB contributing editor James Butler for a discussion of the life and work of John of the Cross, and his abiding influence.

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Venice, September 1974. A chance meeting between a young English artist and Danilo Donati, production manager for Fellini and Pasolini, leads us into a tale of queer love, political intrigue and brutal murder. Emily Watlington wrote in Art in America ‘In our own era of rising fascism, of increasing violence and conservatism, Laing's novel feels eerily timely.’ To mark the paperback publication of The Silver Book Olivia Laing was reading from their work, and in conversation with Jack Parlett, author of Flamboyance, Fire Island and The Poetics of Cruising.

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In Vocal Break: On Women, Music and Power Lauren Elkin uses her own experience of training as a young soprano in the 1990s as a springboard for a powerful investigation of the female voice, from Maria Callas to Beyoncé and beyond. Part manifesto, part cultural history and all full-throated celebration, Vocal Break is a joyous call to arms and hymn of praise. Lauren Elkin was in conversation with writer, academic and broadcaster Shahidha Bari.

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Doireann Ní Ghríofa’s new book Said the Dead is part history, part ghost story and part unreliable memoir, exploring the lives, presences and forgotten voices of a derelict Victorian mental asylum in Cork. Ní Ghríofa, whose previous book A Ghost in the Throat won the James Tait Black Memorial Prize, was in conversation with Rachael Allen, author of the poetry collections Kingdomland and God Complex.

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Regular LRB contributor Daniel Trilling has been researching and writing about the far right in Britain and beyond for more than a decade. His latest book If We Tolerate This (Picador), published ahead of the momentous English local, Senedd and Scottish Parliament elections on May 7, is a short and powerful polemic examining how far right ideas have come to dominate the political agenda, and outlining a strategy for how we might combat them. Pankaj Mishra writes ‘Combining forensic enquiry with moral passion, Daniel Trilling has emerged as one of our most intrepid and resourceful reporters.’ He was in conversation abou...

The great M. John Harrison – ‘The closest thing we have to a present-day Wyndham or Ballard’ according to the New Statesman – returns to the shop to present his latest novel The End of Everything. In a post-apocalyptic Britain a beachcomber makes his living collecting artefacts washed up on the Channel shore. But when he comes across a strange, shape-shifting creature he realises he must take it inland, before it destroys everything he knows. The author was in conversation with Julia Armfield, author of Private Rites, Our Wives Under the Sea and Salt Slow.

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In Ambivalence (Fitzcarraldo) Brian Dillon explores what learning meant to its author, what it enabled and denied, between the ages of seventeen and twenty-six, when he left his native Dublin. It's at once a memoir of that city in the 1980s and 1990s, an uncynical portrait of the adolescent and early-adult mind, and an intimate defence of radical thinking about literature and life. Dillon was in conversation with writer Olivia Laing, author of The Silver Book.

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In Ambivalence (Fitzcarraldo) Brian Dillon explores what learning meant to its author, what it enabled and denied, between the ages of seventeen and twenty-six, when he left his native Dublin. It's at once a memoir of that city in the 1980s and 1990s, an uncynical portrait of the adolescent and early-adult mind, and an intimate defence of radical thinking about literature and life. Dillon was in conversation with writer Olivia Laing, author of The Silver Book.

You can buy a copy of Ambivalence from the London Review Bookshop.

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David Keenan’s Boyhood (White Rabbit) opens in 1979 with the abduction of a young boy outside a Glasgow football ground. Nine years later, the boy’s brother, blessed with the power to see into the past and future by a perhaps imaginary angel, leads us on a journey from wartime Paris to the Troubles in the 1970s, Mexico City in the 1980s to – of course – Glasgow, as the novel builds to an extraordinary, intense, climactic moment of redemption. ‘A complete triumph’ writes Irvine Welsh. ‘It slaps our dull, sterile culture hard across the face with a studded, uncompromising literary glove.’ David...

Andrew Durbin’s The Wonderful World That Almost Was unravels, for the first time, the intertwined stories and work of two boundary burning, paradigm-tilting, never more relevant American artists, Peter Hujar and Paul Thek. Weaving together deft art criticism with moving portraits of both men's inner lives, and assembled with exhaustive research, Durbin’s book is an ode to a lost but still-living world—and two men who defined it.

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Michelle Tea’s queer autofictional classic Valencia, which Torrey Peters described as ‘one of the few truly life changing books I've encountered’, is a quarter of a century old; to celebrate, her UK publisher Serpent’s Tail have released a 25-year anniversary special edition, with a new introduction by Maggie Nelson. Tea was in conversation with Lamorna Ash, author of Dark, Salt, Clear and Don’t Forget We’re Here Forever.

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While recuperating in hospital in Mexico, Flora meets Wilhelmina, an elderly German woman with pneumonia, who collects pre-cinema toys and instruments. The two of them embark on a series of dream-like conversations in the hospital corridors. Wilhelmina puts on a magic lantern show for Flora, leaving her spellbound. Then things take an unexpected turn…

Ardijis was reading from The Shadow of the Object and in conversation with Jennifer Higgie, editor of Frieze magazine, whose most recent book was The Other Side: A Journey into Women, Art and the Spirit World.

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To celebrate the publication of their respective new books, So Mayer (Bad Language) and Sarah Schulman (The Fantasy and Necessity of Solidarity) discussed the radical affinities between their work in exposing the power structures underpinning both the ways in which we communicate, and the language we use to do so.

You can buy Bad Language and The Fantasy and Necessity of Solidarity from the London Review Bookshop.

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Margaret Drabble’s new collection, The Great Good Places, is an omnium gatherum of essays, stories and memoir, drawing on a lifetime’s worth of insight and wisdom. ‘Generous, perceptive, and good-humoured, Margaret Drabble is always a delight to read’, wrote Joan Bakewell; The Great Good Places has all these qualities in evidence. Drabble was in conversation with Tessa Hadley, whose most recent novel is The Party (Vintage).

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What Am I, A Deer?, Polly Barton’s debut novel, takes on the vagaries of translation – linguistic translation, self-translation, and reinvention – which she’s previously explored in the much-loved Fifty Sounds, also published by Fitzcarraldo. ‘The protagonist of What Am I, A Deer? finds herself both Schrödinger and his cat on entering the Frankfurt tram, the office, and the ‘black box’ of the karaoke booth; inside and outside simultaneously, trying to figure out whether she exists and in a state of tingling oscillation’, writes Jen Calleja. ‘Polly Barton is the maestra of controlled dissolution.’

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In an audacious new take on the campus novel Luke Kennard’s protagonist, a penniless out-of-work actor, takes on a job unlike any other. He is hired to sit silently at the back of a lecture hall, concealed within a black bag. Black Bag (John Murray) examines, hilariously, modern masculinity, romance, identity and much else besides. ‘Such a smart and philosophical novel really has no business being this entertaining’ writes Anna Metcalfe. ‘Black Bag is hilarious, profound, tender and deranged. A deeply cathartic read for anyone seeking the funny side of the total decimation of the arts.’ Luke Kennard was in con...

In Magic and Mechanics, the latest in Scratch Books’ ‘Reverse Engineering’ series, six writers – George Saunders, Claire-Louise Bennett, Mark Haddon, Camilla Grudova, Amber Medland and Colin Barrett – present and disassemble one of their recent short stories. To celebrate its launch, join Claire-Louise Bennett in conversation with novelist Ben Pester as they discuss their work, exploring the ways that their backgrounds in theatre have led them to create exhilarating and innovative prose writing.

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In Analogue Africa, (Verso) essayist and LRB contributing editor Jeremy Harding explores the anti-colonial imagination through the works of African artists and film-makers, including Seydou Keïta, Sanlé Sory, Ernest Cole, Sarah Maldoror, John Akomfrah, William Kentridge and Binyavanga Wainaina.

‘In Analogue Africa, [Harding] is writing at the peak of his powers’, writes Adam Shatz, ‘eloquent, perceptive, attentive at once to questions of form and to the moral and political stakes involved in the creation of postcolonial culture.’

Harding was in conversation with Kevin Okoth, author of Red Africa and regular contributor to the LRB.

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When a steamy Netflix show called ‘Cheating’ becomes the much-talked-about megahit of the moment, baby-boomer Kate is alarmed to find it contains secrets from her marriage to architect husband Jack that only she should know. John Lanchester, LRB contributing editor and author of The Debt to Pleasure and Capital, explores popular culture, the dynamics of marriage and intergenerational conflict in his latest novel Look What You Made Me Do (Faber). Lanchester was in conversation with Hattie Crisell, author of In Writing (Granta).

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Rabbitbox is Wayne Holloway-Smith’s first foray into long-form narrative, but retains the originality, compression and power which characterize his poetry collections (most recently Love Minus Love, shortlisted for the T.S. Eliot prize). Exploring a mother and her young son’s reactions to an all-consuming domestic threat, Joelle Taylor has described how, in Rabbitbox, Holloway-Smith ‘bunches language like a fist, one that unravels into shadow butterflies’. Holloway-Smith was in conversation with the actor Adeel Akhtar.

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Artist and film-maker Lauren J. Joseph’s first novel At Certain Points We Touch, described by Olivia Laing as ‘A stone-cold masterpiece’ was hailed as a Debut Novel of the Year by the Observer in 2022. Her second novel takes us from the night-spots of Soho to the febrile Berlin music scene. A story of obsession and excess, doppelgängers and disassociation, fame and the terrible things we do to feel loved, Lean Cat, Savage Cat (Bloomsbury) is an unforgettable novel from one of the most exciting writers at work today. The author was in conversation about her book with Olivia...

Isabel Waidner’s latest novel As If (Hamish Hamilton) is an existential farce exploring fading hopes and lost dreams through the medium of two very different, but very similar men. ‘Reading Waidner is like plugging into an electric socket of language and ideas’ wrote Jude Cook in the Guardian. Waidner was in conversation with artist and film-maker Sarah Wood.

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