The Perceptive Photographer

We are up to episode 603 of the Perceptive Photographer podcast, and this week we are going all meta meta on how to make projects.

Just a quick note before we jump into the actual meat and potatoes of the podcast show notes. Save November 5 if you’re in the Pacific Northwest area to pop by the Photographic Center Northwest for my lecture on the Landscape as Language and Identity. It should be an exciting evening and will be covering a lot of different photographic concepts.

For the podcast this week, as I said, we’re goin...

In this week’s episode, we’re gonna be talking a little bit about questions and asking the correct questions. Before we jump into the nuts and bolts of the week, just a couple of quick reminders: first, I’ve got a book club that’s running, so you can join that by clicking on the book club link from the workshops and classes section of my website. Also, save the date: November 5 for a lecture I’ll be presenting at the Photographic Center Northwest on ” Does a Landscape Speak, and How Do We Listen? It’ll be free to anyone who...

Hello, everyone! Thanks for joining me for episode 601 of The Perceptive Photographer. Before we jump into this week’s show notes, I want to take a moment to say thanks to every one who reached out with kind messages and emails during our milestone of 600 episode and to all of those of you who are listening all these years. Your support is awesome and really makes me appreciate the wonderful community around this podcast.

This week’s topic is again a smash up of a few random thoughts. The first is that recently I came across an insi...

Well, this marks a special episode of the podcast. Today we release our 600th episode of The Perceptive Photographer. I wanted to take a moment to say that it has been a blast to do that many, and at the same time it’s hard to grasp the significance of that number. That is roughly 11½ years of commitment to showing up every week. There are very few things in my life that last that long, so it is pretty cool to have a relationship with this podcast that is as consistent and reliable as it is. In looking back at...

What makes something great in our work?

As I sit in the studio getting ready to record this podcast, I am finding the irony of the topic to really have a stinging bite to it. As I look across the studio, I see so many things that aren’t done, from putting away images recently returned from the gallery, to still lifes yet unfinished, to the buzz of the hard drive telling me that I haven’t finished the last of the organization of keywords and collections from my travels over the past 6 weeks. 

It has m...

The Sales Pitch

I was recently talking with a friend of mine who is an absolutely incredible salesperson. You can walk into his studio to bring him a cup of coffee, and within five minutes you’ll probably be discussing whether you need a painting or a sculpture. He is good at art, and he is good at selling his art.

And it got me thinking about how often photographers say, “I’m terrible at sales.” But like my friend, maybe we aren’t that bad. Maybe we’ve simply been thinking about the wrong kind of sale...

The Way We See: Topic Two is Attention

This week we dig into part two of our mini-series with a focus (pun intended) on attention. As photographers, we often find ourselves debating what essential gear we need in our camera bags. Is it the camera itself? A favorite lens? A sturdy tripod? While all of these pieces of equipment hold their own value, I would answer that way myself. In reality, I think one of the most important tools is our attention. Understanding this concept can explain not only your photography but also the way you experience...

Asking a simple question

I’ve been pondering a deceptively simple question: What makes a photograph good as part of my book club this month? But, before diving into that, a couple of quick announcements! I’ve got some new workshops lined up in 2027 at Badlands, Adventures in the Palouse, and the Oregon Coast and Redwoods. Check out the details on my website. Plus, I’ll be teaching a masterclass called “The Landscape is Language” at the Photographic Center Northwest in November 2026.

As for the topic of episode 596, the source of this question comes from re-reading...

Welcome to episode 595 of the Perceptive Photographer. This week, we are exploring the importance of asking questions about our work—not questions related to critique or the meaning of our completed images, but rather questions we consider before taking the shot.

I hypothesize that the questions we ask play a crucial role in shaping the central theme of the image. If we prioritize technical elements and settings over feelings or storytelling, the final image may feel off in its narrative. This disconnect occurs because we focused on the wrong aspects when creating the photograph.

When we...

In this episode of The Perceptive Photographer (number 594), I return back to dig a little deeper into one of the most common pieces of creative advice: know your audience. Your audience is not your starting point. Your audience is the people who see themselves in the work you made that began with your act of seeing and sharing something more universal than just here is a picture of a thing. The more clearly you understand what you’re exploring through photography, the easier it becomes for the right audience to find and value your work. Finding your audi...

This week we are talking critique and seeing. I think one of the most powerful ways to grow as a photographer, or any creative professional, is to invite critique from outside your own niche. A great photo editor can look at any set of photographs and know what makes good photography, reminding us that fresh eyes often see what we can’t. I also discuss how seeing isn't just behind the camera but an act that happens over and over again in our process.

This month, I'm starting a mini-podcast episode on silence in photography. What does silence look like? While we see silence as the absence of sound, it's more about how we capture it in images. Mindful observation helps us overcome both auditory and visual noise, allowing us to create calmer compositions. Silence lives in negative space and soft light, teaching us patience and restraint. The most meaningful photographs may not be the loudest, but those that encourage us to slow down and truly see.

This week we are talking plateaus. A creative plateau is that strange phase where progress feels stagnant. You’re not getting worse, but it feels like you’re also not getting any better. It’s like hiking. There are flat stretches where you can’t see the summit, yet you’re still on your way there, just on a less steep path. so in this episode we dig into those long flat stretches that are in many ways my favorite parts of a hike.

In Episode 590 of The Perceptive Photographer, we explore those moments when something in your work feels right or wrong and you can't explain why. Instinct isn't mystical. it's compressed experience, but we often drown it out with external validation and over-analysis. This episode examines how to tell healthy critique from noise, offers three practices for building trust with your own seeing, and encourages listeners to honor the quiet voice that responds before logic catches up. Mystery is part of the work, not a bug to fix.

In episode 589 of the Perceptive Photographer, we discuss how nothing is ever wasted in the creative process. Every effort, whether successful or not, contributes to growth. Mistakes and unfinished projects teach valuable lessons and enrich our artistic journey, ultimately shaping the photographer we are becoming.

Photography is something many of us do every day, yet we rarely stop to ask why. In the week's episode 588, we dig into some of the reasons and motivations for why we make photographs. Photography is more than documenting what we see; it is a way of noticing, remembering, understanding, and connecting with the world around us. The images we make reveal what captures our interest and what we value. Over time, our photographs become a reflection of how we see the world and, perhaps, a reflection of ourselves. Ultimately, photography is an act of attention and awarenes

This week we share in the sadness and impact of Jeff Schewe’s passing, a major loss to photography. We offer up some congrats to Makeda Best, new photo curator at MOMA! Finally we dig into and explore how hesitation can cost us great images.

Photographers often hear that they should "shoot with intention," and I mostly agree. But for today’s episode of The Perceptive Photographer (episode #586), I wanted to dig a little deeper. While some level of intention is always at play, we don’t always know what it is before picking up the camera. Often, we discover it later while editing, processing, or writing about our work. And importantly, intention doesn’t always start as a fully formed idea; sometimes it emerges gradually as we engage with the creative process.

In this episode of the podcast, 585, I talk about something that has come up in conversations several times over the past few weeks with different friends and colleagues: the challenge of photographing familiar places. There’s a tendency in photography to believe the next great image exists somewhere else. So we travel to new cities, another country, or another landscape. We just want something new, but some of the most meaningful photographic work comes from returning to the same places over and over again until they begin to reveal something deeper.

In Episode 584 of The Perceptive Photographer, I explore how photography is fundamentally about creating connection. Photographs connect twice: first visually through composition, light, layering, and perspective, and then emotionally through meaning, memory, and shared experience. The strongest images are created when visual structure and emotional resonance support one another. At its best, photography becomes more than documentation; it becomes a bridge connecting the subject, the photographer, and the viewer through a shared moment of understanding.

On this week’s episode of The Perceptive Photographer, I explore how editing reveals the photographer behind the image. From cropping and contrast to color and mood, our processing choices shape emotional meaning and reflect personal perspective. Photography may document the world, but editing often becomes a quiet form of self-portraiture.

May the Fourth be with you. It's Star Wars day and there is a lot of of overlap between photography and Star Wars I often say the camera doesn’t create meaning. We do. you have to learn to “Trust your feelings” . It's really about shifting how we see and embracing that way of seeing. Light shapes everything. In Star Wars, Darth Vader lives in shadow while light carries hope and tension. Every frame tells a story and being present matters. Yoda tells us can’t force a photograph, but rather you have to notice it. It’s about the moment and...

Welcome to episode 581 of the Perceptive Photographer. This week, I am sharing what I hope are five insightful suggestions to help you think differently about your work in your photography and deepen your creative practice. As I was digging into some new books, class prepping and thinking about some classic comedy and photographic techniques, I came up with five simple ideas for you to try out and see if it can jump start soemthnign in your work.

In this episode, I reflect on how easy it is to get lost in the technical side and why it’s so important to shift our focus back to what truly matters: our voice, our vision, and our story. I’ll talk about the value of studying our own work, learning from both successes and mistakes, and recognizing the hard and soft rules we set for ourselves in composition.

Welcome to episode 579 of the Perceptive Photographer. This week, we explore the unexpected connection between the distillation of alcohol and the art of photography. This idea came to me when I was thinking about a visit to a local distillery mean years ago. I was amazed how the process of removing impurities from spirits mirrors the photographic journey of refining images to their essential core.

Welcome to episode 578 of the Perceptive Photographer. In today’s show, I invited you to play a mental “what if” game. Specifically, what if nobody cared about what you care about in your photography? My hope is to challenge your assumptions about what really makes a photograph resonate with yourself and others.

Welcome to episode 577 of The Perceptive Photographer. Today, I’m exploring the power of composition and especially how the edges of the frame shape what we feel and see. You know me so a few quotes from the likes of Charles Traub, Henri Cartier-Bresson, and Robert Frank got me going on this. So I’m looking at why building a photograph from the edges inward can lead to stronger, more intentional images. I’ll touch on how light, aspect ratio, and framing choices influence perception and how paying attention to them can elevate your work.

In this episode, I talk about finding the “sweet spots” in photography from camera settings and post-processing to sequencing your photos and optimizing how you view them. I share practical tips and personal insights to help you take sharper, more balanced images and create photo collections that truly tell a story.

This week, I discuss a positive "mind game" in photography that encourages a refreshing perspective on our work. Your mindset influences what you choose to photograph—whether it's objects, emotions, or concepts. By shifting focus from tangible things to feelings or ideas, you can create more meaningful images and deepen your engagement. This conscious approach helps uncover what truly matters in your photography, revealing that the essence of a photo often transcends its subject.

In episode 574 of The Perceptive Photographer, I dig into the idea of the emotional "entry points" that invite viewers into a photograph. This isn't about leading lines or the rule of thirds. It's about whether someone who knows nothing about you or your story can still feel something when they look at your work. It's easy to make work that's so personal it becomes a closed loop. It is meaningful to you, opaque to everyone else.

n this episode, I'm joined by Seattle-based fine art photographer Jenny Hansen Das for a conversation about exceptions in photography and working with galleries. Jenny's work blends analog and digital processes, with a focus on everyday moments presented in unexpected ways. She experiments with alternative techniques like cyanotypes and image transfers, creating handcrafted, one-of-a-kind pieces. She's also the founder of The Seattle Light Room, a community darkroom and gallery in Seattle's Seward Park neighborhood. Explore her portfolio at jennyhansendas.com, find her community darkroom at theseattlelightroom.com, and follow her on Instagram at @jennyhansendas and @theseattlelightroom.

Hey there!  I hope you are having a great week. In this week's podcast, I wanted to talk about some of the things that came up for me when I revisited John Berger's essay, "Understanding a Photograph." As I was preparing for a class, this essay got me excited for a podcast discussion about meaning in our work. Berger asks us, at the core of the essay, a few things. One of which is: What really gives a photograph its meaning?  Before we even get to first off, one of my favorite phrases from Berger is that a photograph is a...

In the start of our 11th year, episode 572 of The Perceptive Photographer, I dive back into a often discussed topic that every photographer eventually faces: conflicting critique. It is bound to happen to all of us. That moment when two thoughtful people look at the same photograph and see completely different things. One person calls it powerful and restrained. Another calls it distant and unresolved. Same image. Same moment. Completely different reactions.

In this episode, I dive into what really makes a great photograph, drawing on quotes from Ansel Adams and Edward Weston. We dig into how composition isn’t just about following rules, it’s about personal growth and expressing how we see the world. I encourage you to focus on your own vision and connection to your subjects, rather than trends or techniques.

In Episode 570 of The Perceptive Photographer, I found myself circling a couple of questions: Is an audience required for meaning, or just for momentum? And if no one ever sees a photograph, does it still matter? (and the difference between sees and seen) As photographers, we’re surrounded by feedback. Images are shared, measured, ranked, and quickly replaced by the next shot. It’s easy to absorb the idea that a photograph only becomes real once it’s been seen. But when I slow down and think about why I started making photographs in the first place, the audience was originall...

When was the last time a photograph or moment behind the camera lens truly made you stop and catch your breath? Not just a quick “oh, that’s nice,” but a real, lingering moment of connection? Well, that is the topic for the show today, which is episode 569, btw. podcastsIf you think about the images you see every day, there are so many of them. We’re living in an age of visual overload. It can be easy to become distant and sort of numb to the images. We walk past or scroll by without really seeing. I do it all the

In this week’s episode, Episode 568 of The Perceptive Photographer, I explore the tension between photographing for validation and photographing for myself. I reflect on how my work changed when I stopped trying to impress, rediscovered curiosity, and allowed more honest, meaningful photographs to emerge.

In this episode of The Perceptive Photographer, I explore why two photographers never see the same scene. Photography isn’t objective; it’s shaped by perception, experience, emotion, and intent. Every choice such as where we stand, what we include, and when we press the shutter reflects how we see the world. Rather than searching for the “right” photograph, this episode encourages photographers to understand their own visual awareness. By paying attention to what draws our attention and why, we can create more personal, intentional images that reflect our unique way of seeing.

In this episode, I explore how photographs are encountered rather than what they depict, focusing on two modes of looking: transitional and relational viewing. Transitional viewing moves the viewer forward, prioritizing speed, clarity, and momentum, often seen in social media, editorial work, and portfolio reviews. Relational viewing asks the viewer to stay, allowing meaning to unfold over time through return, familiarity, and duration. I argue that this distinction matters because viewing is not neutral. As photographers, we shape how our work is experienced. Episode 566 ultimately asks whether your photographs are made for movement, for staying, or somewhere in between.

In this episode, join me and my guest Rachel Demi as we talk about the idea of the periphery in photography. Not only what’s just outside the frame, both visually and emotionally, but what else sits in our periphery. Rachel shares how her experiences, including night walks and struggles with addiction, shaped her work and her view on intuition, imperfection, and creative pauses. We discuss how meaning often comes from the edges, not just the center, and how embracing uncertainty and receptivity can lead to deeper artistic connections. It’s a conversation about seeing, feeling, and trusting what’s not al...