The Perceptive Photographer

Have you ever looked at two versions of a photograph where one is technically clean and the other one a little rough around the edges. For some reason, you feel something pull you toward the scruffy one. It drives you crazy because you can’t explain it and put words to why? Well for this weeks podcast we are going to dig in a talk about that and how to sit with that feeling.

In my practice and in helping others I see us spend a lot of time learning to justify our choices. Composition, exposure, light di...

Hey all. We are up to episode 589 of the Perceptive Photographer. This week, we are going to talk about how nothing is ever wasted in the creative process.
I think one of the most damaging ideas for artists and photographers is the belief that every effort must produce a successful result. We head out with our cameras, hoping for great light, compelling subjects, and portfolio-worthy images. When those expectations aren’t met, it’s easy to label the experience a failure.

But creative practice doesn’t work that way. Every frame, every mistake, every abandoned idea or pro...

Before we dive into this week’s episode (number 588, btw), just a quick reminder: two spots are still available in the Photo Book Club—Click on the link under the workshop menu for more details. 

This week, the inspiration for this episode came from the book we are reading for the book club — Robert Adams’s Why People Photograph. But before we dig into our topic. We lost two great photographers this past week. Both Duane Michals and David Hockney passed away. Duane pushed photography into the realms of narrative, imagination, and personal expression, and reminded us that photographs...

Before getting into today’s episode, I want to acknowledge the passing of Jeff Schewe. Jeff’s contributions to the photographic community were immense, and his passion for the craft touched countless photographers worldwide. I learned so much about printing and processing from Jeff. He will be deeply missed, and my thoughts are with his family, friends, and everyone whose life he influenced through his teaching and work.
On a happier note, congratulations to Makeda Best, who recently stepped into a wonderful new role as the photo curator at the MOMA. I can’t wait to see the progra...

Photographers often hear that they should “shoot with intention.” I agree with this for the most part, but thought it might be a great topic for today’s episode of the Perceptive Photographer (episode #586). Like I said, I do agree that there is some intention always at play, but I don’ think we always know that intention before we pickup the camera. Sometimes, we learn about that process when editing, processing or writing about our work and more important than that, intention doesn’t always begin as a fully formed idea.

More often, it starts as curiosity or awarene...

In this episode of the podcast, 585, I talk about something that has come up in conversations several times over the past few weeks with different friends and colleagues: the challenge of photographing familiar places.

There’s a tendency in photography to believe the next great image exists somewhere else. So we travel to new cities, another country, or another landscape. We just want something new, but some of the most meaningful photographic work comes from returning to the same places over and over again until they begin to reveal something deeper.

Familiarity can make us st...

In Episode 584 of The Perceptive Photographer, I dig into some ideas about how photography is ultimately about creating connection. Sure, a camera can record information, but meaningful photographs ask something deeper of us. They change how we relate things in the frame, such as people, objects, emotions, and ideas, into new ways that create coherence and resonance. I would argue that photographers create a connection twice: first visually, then emotionally.

Visual connections are the relationships within the frame. What most of us call composition. Visual connections guide the viewer through the image. Foreground and background, leading lines, r...

On this week’s episode of The Perceptive Photographer, I talk about the idea that editing may be one of the most personal parts of photography. Not that behind the lens isn’t important, but long before someone knows anything about us, they can often sense something in the way we process an image. After all that is a part of what we emphasize, what we remove, and how we shape what we see in the light, color, and mood of an image.

In the classic photography example of seeing, two photographers can stand in the same place...

As I think about topics for The Perceptive Photographer, I spend a lot of time thinking about how we see not just with our eyes, but with our awareness. And oddly enough, as we approached May 4 which is Star Wars Day I keep finding those same ideas is in Star Wars. In many ways both photography and Star Wars are about perception from a certain point of view.

I often talk about the idea that the camera doesn’t create meaning we do. It’s about paying attention, noticing what others might pass by. “Trust your feelings” is really ab...

Welcome to episode 581 of the Perceptive Photographer. This week, I am sharing what I hope are five insightful suggestions to help you think differently about your work in your photography and deepen your creative practice. As I was digging into some new books, class prepping and thinking about some classic comedy and photographic techniques, I came up with five simple ideas for you to try out and see if it can jump start soemthnign in your work.

When we’re not curious, when we’re not interested in something, it becomes very easy to fall back on clic...

Welcome to episode 580 of Perceptive Photographer. and today I want to explore the ever-evolving relationship we photographers have with technology. From the most basic cameras to today’s powerful digital tools, technology is always a factor but it shouldn’t determine how or why we create.

Embracing — and Moving Beyond — Technology

Photography has always been intertwined with technology, from pinhole boxes to today’s advanced cameras. While that tech is necessary, it shouldn’t dictate our creative vision. When you find yourself fixating on technical gear or settings, try resetting your focus: reconnect with inspirations like literat...

Welcome to episode 579 of the Perceptive Photographer. This week, we explore the unexpected connection between the distillation of alcohol and the art of photography. This idea came to me when I was thinking about a visit to a local distillery mean years ago. I was amazed how the process of removing impurities from spirits mirrors the photographic journey of refining images to their essential core.

So this week I thought I would talk about the “triple distillation” mindset and how distilling your images, your intention, and your creative approach can lead to photographs that are clearer, more inte...

This week on the podcast, we explored a deceptively simple but powerful mental exercise: What if nobody cared about what you care about in your photography? By playing this “what if” game, my hope is hat the can rethink not just what we photograph, but how we talk about our work, share it, and even how we select which images to show.

As we open this episode, we dig into the importance of letting images speak for themselves. When a photograph requires excessive explanation, it may not be communicating as clearly as it could. Over-explaining can take a...

In episode 577 of the Perceptive Photographer, I wanted to offer a different take on how we approach composition that goes beyond traditional rules. Instead of simply arranging subjects within a frame, I wanted to start from the frame’s edges and working inward. I stumbled across this concept inspired by Charles Traub’s truism: “Construct your images from the edge inward.

For me, the edges of a photograph aren’t just boundaries—they’re pivotal to how an image communicates. Edges create tension, define limits, and invite viewers into the scene. By consciously shaping what lies within these bounda...

In this episode, we explore the “sweet spots” in photography. You know when things feel right when those , settings, and workflow tweaks that make your images realy connect. From camera settings to post-processing, sequencing, and viewing, I spend a little time diving into these little adjustments which can elevate our photos

I talk about how small tweaks in camera settings can make a huge difference in your photos and how thinking about your approach to aperture, shutter speed, ISO, and white balance shift your awareness. When you adjusting exposure, contrast, color, and cropping it is again about tryi...

This week, I explore a positive “mind game” you can play in your photography that can inspire you to see your work differently. These mental strategies can motivate you to approach each shoot with fresh energy and purpose. 

Your approach as you head out the door says a lot about your work. Are you looking for things, emotions, ideas, or concepts? What you set up as the basics is what will come out of the work. Recognizing how your mindset shapes your focus can help you aim for deeper, more meaningful photography. So if you want deep work...

In episode 574 of The Perceptive Photographer, I dig into the idea of the emotional “entry points” that invite viewers into a photograph.

This isn’t about leading lines or the rule of thirds. It’s about whether someone who knows nothing about you or your story can still feel something when they look at your work.

It’s easy to make work that’s so personal it becomes a closed loop. It is meaningful to you, opaque to everyone else. Don’t make photos like walnuts that need a hammer. Make pistachios — already cracked open a bit so it is e...

In this episode of The Perceptive Photographer, I sit down with Jenny Hansen Das a great friend and Seattle-based fine art photographer whose work has always amazed me as it finds intersections of beauty, absurdity, and deep emotional connection and notions of everyday life. Jenny’s photography centers on the simplicity of the everyday but presents it in unexpected ways, combining analog and digital modes and prioritizing the creative process over where an image originates.

Her experimentation with alternative processes including chromoskedasic sabatier, image transfers, and cyanotypes reflect a deep interest in pushing the boundaries of photographic ex...

Hey there!  I hope you are having a great week. In this week’s podcast, I wanted to talk about some of the things that came up for me when I revisited John Berger’s essay, “Understanding a Photograph.” As I was preparing for a class, this essay got me excited for a podcast discussion about meaning in our work. Berger asks us, at the core of the essay, a few things. One of which is: What really gives a photograph its meaning? 

Before we even get to first off, one of my favorite phrases from Berger is that a...

In the start of our 11th year, episode 572 of The Perceptive Photographer, I dive back into a often discussed topic that every photographer eventually faces: conflicting critique.

It is bound to happen to all of us. That moment when two thoughtful people look at the same photograph and see completely different things. One person calls it powerful and restrained. Another calls it distant and unresolved. Same image. Same moment. Completely different reactions.

When that happens, it can shake your confidence. So I thought we might try to unpack why critique in a slightly different way a...

I hope you are having a great week and thanks for tuning into this week’s episode of the Perceptive Photographer. The just happens to be episode 571 and we still have one week of the Winter Olympics left. Woo H00!. This week, we’re diving deep into the art of photographic composition and what truly makes a photograph great based on the inspiration of two quotes. One by Ansel Adams and the other by Edward Weston.

Ansel Adams once said, “A great photograph is a full expression of what one feels about what is being photographed in the de...

In Episode 570 of The Perceptive Photographer, I found myself circling a couple of questions: Is an audience required for meaning, or just for momentum? And if no one ever sees a photograph, does it still matter? (and the difference between sees and seen)

As photographers, we’re surrounded by feedback. Images are shared, measured, ranked, and quickly replaced by the next shot. It’s easy to absorb the idea that a photograph only becomes real once it’s been seen. But when I slow down and think about why I started making photographs in the first place, the audie...

When was the last time a photograph or moment behind the camera lens truly made you stop and catch your breath? Not just a quick “oh, that’s nice,” but a real, lingering moment of connection? Well, that is the topic for the show today, which is episode 569, btw. podcasts

If you think about the images you see every day, there are so many of them. We’re living in an age of visual overload. It can be easy to become distant and sort of numb to the images. We walk past or scroll by without really seeing...

In this week’s episode, Episode 568 of The Perceptive Photographer, I spend some time reflecting on a tension many photographers experience, whether we admit it or not: the pull between photographing for ourselves and photographing for validation.

At some point, often without realizing it, we start making images with an audience in mind. We think about what will be liked, shared, or understood rather than what genuinely holds our attention. Validation isn’t inherently bad. It can be encouraging and even motivating, but when it becomes our north star, so to speak, when we make photographs, it quiet...

In this episode of The Perceptive Photographer, I’m exploring why photography is never truly objective. I mean, why is it that two photographers standing in the same place, at the same time, will always see something different? This has always been one of the things that has always fascinated me about photography.

Same moment.

Different photographs.

That difference has very little to do with gear or technical skill and everything to do with perception and intention.

It’s easy to think of photography as a record of reality. After all, the c...

In this episode, I begin by asking photographers to consider not what a photograph shows, but how it is encountered. I frame the conversation around two different modes of looking one being relational and the other transitional.

Transitional viewing describes photographs that move a viewer forward. The image is read quickly, its meaning largely resolved, and attention shifts to what comes next. I think you often find this in the pace of social media scrolling, editorial sequencing, or maybe a portfolio review. The goal of those works is momentum and clarity. Those concepts are prioritized. In these...

I am so excited for this episode of In Conversation, where the amazing Rachel Demy joins me to discuss the periphery in photography. I have known Rachel for years, and we had such a great conversation. I was thinking about our conversation over the past few weeks and how to introduce you to Rachel’s work. I think that one of the hallmarks of her latest work is that it isn’t loud. It unfolds quietly, asking you to slow down and look again. Her photographs sit somewhere between studied observation and intuition, where mood, atmosphere, gesture, and restraint beco...

As we start a new year, I want to talk about a feeling that almost never gets discussed openly, even though nearly all of us experience it. That moment when you look at your recent work and think, “This is fine… but it feels boring.” Not bad. Not broken. unsurprising. feel it myself. And over time, I have come to believe that this feeling is not a warning sign. It is often a signal that something important is happening.

The strange thing about making work is that we experience it twice. First while we are making it, and th...

In Episode 564 of the podcast, I’m thinking through an idea that comes up often in photography but is rarely examined closely: consistency. We tend to treat a recognizable style as a sign of maturity or a settled voice, a clear direction. And for a while, that recognition feels like progress. But consistency can quietly become a constraint.

The problem is that consistency is often mistaken for coherence. Consistency lives on the surface of photographs. It shows up as repeated visual solutions: similar compositions, familiar subjects, reliable color and tone. Coherence operates underneath the work it is si...

In this episode of the podcast (episode 563), I want to first say Happy Solstice and how nice it is to start getting those longer days. I discuss the moment when a photograph and photographer stop explaining everything or at least trying to. Not because we fail,, but because it can’t explain everything nor should it.

Most of us are taught to search for photographs. We head into the world with a sense of purpose, a checklist of things to photograph, or an idea of what would make the outing worthwhile. Searching is active can feel productive. It...

In this episode of the podcast, I dig into an idea that feels increasingly important in a culture built around constant sharing. Not every good photograph needs to be shared. That may sound counterintuitive, especially when so much of contemporary photography is tied to visibility, platforms, and audience response. But making a photograph and sharing a photograph are two very different acts.For many photographers today, the question of where an image will be posted arrives almost immediately after the shutter is pressed. Sometimes it even arrives before. That subtle shift can quietly change our relationship to photography. The...

In this episode of The Perceptive Photographer, I talk about book ideas for the holiday season, especially for photographers and creative folks. Thanks to a listener, David, I once again share some of my favorite reads or books for giving ranging from creative practice and photography theory to memoirs and photo books. The goal of this week’s episode (561) is to hopefully help you find meaningful books for yourself or the photographers in your life. so without future adieu here is a list:

Creativity / General Art & Practice

In this episode of the podcast, I explore the notion of what it means for a photograph to be something it wants versus something I like. We all spend time thinking about what we want our photos to be or be about. We might even have some unintentional expectations that develop long before we click the shutter. Those expectations can be a problem because once the photo is made, it becomes something different than what we thought we photographed. So this week, we are going to dig into what it means to let a photograph be its own thing.<...

this episode of the podcast we dig into the idea of editing as translation. I have been thinking a lot about what really happens once the shutter is pressed and the file shows up on the screen. For so many photographers, editing is framed as a technical chore. It is often reduced to slider management or a list of corrections that must be made before an image can be considered finished. But for me, editing has always felt more like the work of a translator who is trying to bring a lived moment into a new language that a v...

Photography has always lived in that strange space between solitude and connection. This week on The Perceptive Photographer, we are exploring the delicate balance between the solitude that shapes our work and the community that completes it. We will look at why so many photographers thrive in the quiet, how loneliness creeps into the process, and why sharing your work, even when it feels imperfect or unfinished, might be one of the most generous things you can do for your own creative process.

So much of the craft asks us to be alone: long walks with a...

As photographers, it is easy to get caught up in the technical parts of our craft: camera settings, lenses, editing workflows, and all the details that make up the process. Every once in a while, though, something reminds us that the real heart of photography lies beyond the gear and the techniques. In episode 557 of The Perceptive Photographer, I shared how a simple act of cleaning my studio turned into a moment of rediscovery. I came across my well-worn copy of Galen Rowell’s The Inner Game of Outdoor Photography, a book that has shaped not just my approach to i...

In this week’s podcast, we talk about burnout verse resting. Creative burnout and creative rest may look similar on the surface, but they come from very different places. Burnout is the slow unraveling of connection to your work . It shows up when the camera feels heavy, ideas feel stale, and even looking at images becomes tiring. It often shows up after long periods of constant output or comparison, when making photographs becomes more about productivity than discovery.

Creative rest, on the other hand, is a conscious act of stepping back. It’s not quitting or losing inte...

In this magical episode, cause it has 555 as the episode number, we are looking at the everyday of life, because in photography, it is easy to fall for the idea that creativity lives somewhere else. We scroll through endless images of faraway places and imagine that if we could just get there, we’d finally make the work that matters. But often, the most profound photographs come from right where we are. They grow out of the people we love, the light we see every morning, and the small moments that quietly shape our days.

When we st...

As the days get shorter, I find myself paying more attention to how light changes this time of year. The low angle of the sun, the long shadows, and the quiet warmth that hangs in the air all ask for a slower kind of seeing. In this week’s episode of The Perceptive Photographer, I talk about using this shift in light as an opportunity think about how we approach our work and to build a small quick body of work.

Rather than chasing dramatic scenes, I try to get you think about noticing how light itself bec...

In this episode, I wanted to slow down and reflect on five essential but straightforward ideas that can help keep your creative life moving forward. So much of what we do as photographers, artists, and makers comes with pressure always to do more, do better, and never fall short. But often, the real growth happens in the small, imperfect, and even uncomfortable moments of our process.
The first idea is about finishing. It is better to complete a project that might not be your best than to leave it half done. There is a real value in seeing...