Chasing Phantom

40 Episodes
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By: David Timberline

Broadway's longest running shows

#95: Guys and Dolls, but mostly Dolls with Rachel Abrams & Rita Neidich
#25
Today at 7:00 AM

Is there a more iconic musical than “Guys and Dolls?” Probably not. That doesn’t mean it’s easy to do well and my guests for this episode are a testament to how to make a classic musical really sing.

This is a show that can be dominated by its many engaging male characters, so I wanted to push aside the Guys for just a bit and talk to the Dolls. “Guys and Dolls” is never supposed to be realistic but there’s a danger in making it too broad for an audience to care about the characters. Ad...


#62: Waitress and modern relationships with Kylee Marquez-Downie
#24
06/25/2025

Both me and my guest in this episode had the chance to see "Waitress" on Broadway and we chose not to. And boy, were we both sorry!

It's not often with this podcast that we talk about a show you can see right now. But "Waitress" is one of those shows that had suddenly started appearing on regional stages all over the country so there's a pretty good chance it has, is or soon will be appearing somewhere near you. 

It's a feel-good story that also deals with a couple serious issues along the way, p...


#97: Amadeus, starlings and genius with Daniel Myssyk
#23
06/11/2025

Art about other art is fascinating to me, and only one of the many reasons I love "Amadeus," a play about music. Of course, it's also about envy of another man's genius: the play cemented the image of Salieri in popular culture. But really, at its heart, it's a play about faith and Salieri's contentious battle with his own faith, and also, playwright Peter Schaffer's ongoing artistic conversation about faith.

In the podcast, me and classical music expert and VCU professor Daniel Myzzyk mostly talk about the classical music of it all. But we also start out...


#79: Mummenschanz and the human experience with Heidi Rugg
#22
05/28/2025

Is it mime? Is it puppetry? Is it augmented sketch comedy? Rather than try to categorize "Mummenschanz," it seems best to just wonder at the inventiveness and enjoy the fun of the experience. That was certainly what people were doing in the 1970s and for many decades afterwards.

"Mummenschanz" holds the record for longest running special on Broadway. Scheduled for a limited engagement after a successful national tour, the troupe proved too popular to shut down, drawing crowds for over 3 years. The brainchild of 3 performers, they ultimately had to hire additional members, sending them back out on...


#96: In the Heights with RVA's Piragua Guy, Fernando Rivadeneira
#21
05/14/2025

Over the past 20 years or so, a handful of shows have revolutionized what can be done on Broadway. You could point to "Hamilton" as one of the biggest of those but that revolution actually started with "In the Heights," which remains my favorite of the two. Call me a traditionalist at heart but I love that it's a warmer and more personal show. And fantasizing about winning the lottery is simply more relatable that worrying about building a new nation.

Speaking of warm, my guest for this conversation is the always personable Fernando Rivadeneira who played the...


#89: Cactus Flower and manic pixie dream girls with Jordan Schildcrout
#20
04/30/2025

Why is a conversation with Jordan Schildcrout always a good time? Because in the course of just 30 minutes chatting about the relatively obscure play “Cactus Flower,” you’ll hear about additionally fascinating plays like “Two for the Seesaw” and “The Sign in Sidney Brustein’s Window.” Jordan and I dig into both the weird and wonderful aspects of “Cactus Flower,” the show that brought Lauren Bacall back to Broadway. The movie version would win Goldie Hawn her only Oscar and feature a decent comic turn by the legendary Ingrid Bergman and a befuddling romantic lead performance by Walter Matthau.

Jordan wrote an...


#94: Sugar Babies and the history of vaudeville with Phil Crosby
#19
04/16/2025

Easter is this weekend and, while you might think I'm featuring the show "Sugar Babies" to make an allusion toward those sweet treats found in children's Easter baskets, well, you're right! BUT, thanks to my always incredibly knowledgeable guest, Phil Crosby, it came to light that this throwback vaudeville revue would also make sense to highlight because of Ann Miller's star turn in the movie "Easter Parade." Phil makes the astute point that Miller, who was the co-headliner of "Sugar Babies" with Mickey Rooney, was not often given her due as an excellent light comic actor. In "Easter Parade,"...


#87: Promises, Promises and the cultural divide with Jesse Rabinowitz
#18
04/02/2025

"Promises, Promises" had a dream team of talent, both backstage and onstage. Neil Simon, Hal David, and Burt Bacharach are the big three, but it was also directed by Robert Moore ("The Boys in the Band" off-Broadway, "Woman of the Year") and choreographed by Michael Bennett. It was also based on an incredible movie, "The Apartment." What could go wrong?

Nothing did go wrong, really: the show was very popular and its best song, "Never Fall in Love Again," was a big radio hit. But it's another one of those shows that doesn't really age well, the...


#99 (tie): Memphis, "race records," and DJs with Melissa Chase
#17
03/19/2025

It's about music, it's about race relations, but it's NOT about how to be a good radio disc jockey. In giving a very loose account of the rise and fall of true-life music pioneer Dewey Phillips, the musical "Memphis" amps up the conflicts - which you would expect - in part by making the Phillips surrogate, Huey Calhoun, kind of an asshole. Still, the story of a DJ breaking conventions of the 1950s by playing "race records" on white radio stations is very compelling, has great songs and downright electrifying choreography. So how did I not even know about...


#92: 1776, alpha males, and optimism with Debra Clinton
#16
03/05/2025

Am I too on the nose here? Pretty much any time seems like a good time to reflect on the founding of the United States of America, but boy howdy, does this current time we're in seem like a specifically good time to do so. The musical "1776" is a not-quite-historically-correct dramatization of the drafting and ratification of the Declaration of Independence. It focuses on John Adams as the instigator, the leader who pushes a reluctant Continental Congress toward making a historic decision.

This is a show focused nearly-exclusively on men so it was fascinating and unexpected when...


#99 (tie): Cabaret, the B Plot, and Meeskite with Doug Schneider
#15
02/19/2025

Nope - I am definitely NOT making any kind of political statement by doing an episode on "Cabaret" at this specific moment. Nope, not at all. My delightful conversation with actor and director Doug Schneider steers clear of any chatter about what's happening in politics in America right now. But, that said, this is certainly a good show to revisit if you want a dramatic window into the insidious effects of the rise of right-wing political power.

Doug played Herr Schultz in two different productions and yet never got to sing his favorite song from the show...


#98: Once, unexpected love, and the state of the American musical with Nathaniel Shaw
#14
02/05/2025

Valentine's Day has been commercialized to such an outrageous degree, pushing models of hetero-normative romantic commitment so hard that any other kind of love can end up seeming marginal or even invisible. That's one of the reasons why "Once" is such a fascinating story: a man and a woman fall into a certain kind of love but it's less romantic and more of a beautiful bridge that helps each of them get to a different place in their lives.

Another, more specifically theatrical reason to talk about "Once" is its weird journey from a small, scruffy movie...


#81: MJ: The Musical with national tour star Jordan Markus
#13
01/22/2025

When you want to hear about Michael Jackson, it's best to talk to the man himself...or, given the impossibility of that, the man who's playing him. As of New Year's Eve 2024, the actor playing the title role in "MJ: The Musical" on the show's first national tour has been Jordan Markus. Markus worked his way up into the role, starting as an understudy, moving into the alternate role, and then finally hitting the top of the marquee after more than a year with the tour.

Markus lends me some insight into the workings of "MJ: The...


#90 (tie): "Sleuth," classism, misogyny and Sondheim with Grace Todd
#12
01/08/2025

Happy New Year to all! During these cold winter months, there's nothing as cozy as an old-timey murder mystery and "Sleuth" is one of the twisty-est. Helping me navigate the plot -- not to mention the embedded commentary on class, race and misogyny -- is Grace Todd. As a literature doyenne with the fabulously entertaining podcast, Didn't Read It, Grace has a perfectly tuned perspective on what playwright Anthony Shaffer is playing at with this complex, tete-a-tete between two British gentlemen.

Bolstered by a fantastic movie adaptation, "Sleuth" was a supremely popular play, both on...


#84: Brighton Beach Memoirs, family dynamics and Jill Bari Steinberg
#11
12/23/2024

Happy Hanukkah! Oh, and Merry Christmas, but to be honest, this is more of a Hanukkah-forward episode, only because "Brighton Breach Memoirs" is very succinctly the story of a Jewish American family, the challenges, foibles and laughs shared amongst the family members as they struggle through tough economic times in the 1940s.

For this episode, the holidays arrived just a little early because I got to reconnect with Jill Bari Steinberg, the amazing actress and wonderful mensh of a human being. JB played Kate Jerome, the matriarch of the Jerome family, in two productions at Virginia Repertory...


Bonus Episode: #88: The King and I, spoiling the ending and more history with Phil Crosby
#10
12/12/2024

In the first ever bonus episode of Chasing Phantom, Phil Crosby and I talk about the ending of "The King and I," one that was a surprise to me so don't listen if you want it to be a surprise to you! We also get back into some of the history of the real life King of Siam and Anna Leonowens.

This bonus is also an opportunity to drop a couple more sound bites in from the show's score which is a real treat. Happy holidays everyone!

Please check out my website ChasingPhantom.net<...


#88: The King and I, family, and forgotten stars with Phil Crosby
#9
12/11/2024

We are hurtling towards the holidays and so, for this episode, I make the case for "The King and I" to be considered among your holiday viewing options. Even though it's a 70+ year show, it's a smart and sophisticated musical with interesting cross-cultural dynamics. And so, of course, I turned to the smart and sophisticated Phil Crosby, most knowledgeable of all humans on the subject of older musicals, to help me explicate and praise this wonderful show.

Phil provides some vital context on Gertrude Lawrence, who originated the role of Anna and who is a Broadway diva...


#9: Mamma Mia! Female friendships and communal effervescence with Grey Garrett
#8
11/27/2024

For this pre-Thanksgiving episode, we hurtle up the list of long-running productions to give everyone something to celebrate and lift our spirits. "Mamma Mia!" may be the longest-running jukebox musical ever to run on Broadway (so far) but it's story transcends that reductive label. As expertly elucidated by Grey Garrett, who won a Best Supporting Actress in a Musical award for her performance as Tanya, this is a show that foregrounds female life experience and friendship in a somewhat revolutionary way for a show created in 1999.

Drawing from the experience of playing Tanya twice, Grey...


#101: Mister Roberts, humble heroes and thankfulness with Jesse Rabinowitz
#7
11/13/2024

On the week after Veteran's Day, my friend Jesse and I dig into "Mister Roberts," a play about sailors during World War II and humble hero who was an example of (mostly) passive resistance to a petty tyrant. When we recorded this episode, I had no idea how appropriate it would be to air during this week. Don't get me wrong - as a 1940s era comedy, it's not a great show by any means. But still, in these times in particular, it does offer some intriguing ideas about what service and leadership look like.

Jesse and...


#85: Angel Street, Gaslight and spooky season with Lindsey Zelli
#6
10/30/2024

What could be more terrifying than to think you’re going insane? That basic horror makes “Angel Street” the perfect show to talk about during spooky season. Originally produced in London as “Gas Light” and adapted for the screen (twice) as “Gaslight,” this tale of a husband psychologically abusing his wife in order to access hidden riches was a surprise hit on Broadway in the 1940s. It was so popular, it overcame the monumentally bad timing of opening just days before the Pearl Harbor bombing to ultimately run for more than 3 years.

My guest, Lindsey Zelli, made her debut in t...


#102: Annie Get Your Gun and child stardom in the 1940s with Mary Ellen Ashley
#5
10/16/2024

When you want to know about a production, there's no better source than talking to someone who was in it. I never thought that would be possible with the original Broadway run of "Annie Get Your Gun" - I mean, it closed in 1949! But Mary Ellen Ashley, who had a marquee role as the Girl in the Lampshade Hat in the show, is still alive and very much kicking. Though only 8 years old when the show opened, she was already a child star, having been in 2 other major productions and even appearing in a promotional film produced by the...


#90 (tie): Torch Song Trilogy, understudies and awards, with Keegan Ferrell
#4
10/02/2024

"Torch Song Trilogy" was a ground-breaking production and opened many doors for openly gay artists. It launched the career of Harvey Fierstein who would go on to write and perform in some additionally landmark shows on Broadway. In my hometown, it also was a landmark of sorts for one local actor, Keegan Ferrell. The recent college graduate was slated to be the understudy of the lead role, Arnold Beckoff, but ended up performing the opening weekend of the show due to an illness in the cast.

In our fun conversation, Keegan talks about that experience as well...


#93: Equus, sex, religion and Daniel Radcliffe with McLean Fletcher
#3
09/18/2024

We all know that sex sells, but is that the only thing that drove thousands of people to see "Equus" back in the mid-1970s? Listen in on my discussion with McLean Fletcher  as we discuss the explosive intersection of sex, religion and psychology that playwright Peter Schaffer squeezes into this sometimes disturbing tale.

McLean starred in the Cadence Theatre production of the play in 2015 as Jill Mason, one of two characters who spend an extended scene naked on stage. McLean argues that the nudity wasn't really the point but also, in many ways, really was the p...


#84: Lightnin' & the demise of long-running plays with Jordan Schildcrout
#2
09/04/2024

The chase is back on! Welcome to season 2 of the podcast dedicated to exploring...and sometimes explaining...Broadway's longest running shows!

Today's episode features a true Broadway history whiz: author, dramaturg & professor Jordan Schildcrout has studied long-running plays in more depth than perhaps anyone else on the planet. In his book, "In the Long Run: A Cultural History of Broadway's Hit Plays," Dr. Schildcrout looks at the Broadway landscape over more than 100 years, going deep on the longest running plays in each decade. It's a fascinating and super fun read filled with unexpected facts and...


Season Two starts Sept. 4th!
#1
08/30/2024

We're back - better than ever! The second season of "Chasing Phantom" will feature celebrity guests, unexpectedly popular productions, and a cavalcade of trivia, insights and lively conversation about the longest running shows on Broadway. Be sure and check out the first episode where I chat with an author, professor and dramaturg who has written perhaps THE definitive book on long running plays.

That episode drops Sept. 4th and new episodes will follow every other week. Follow on Spotify now so you won't miss a single episode!

And be...


#108: Pins and Needles (End of Season 1)
#27
05/01/2024

For this very special episode, we welcome Barbra Streisand to "Chasing Phantom" to help us explore a show that was a monster hit in the 1930s. OK, it's more the spirit and definitely the Voice of Babs that highlights this exploration of "Pins and Needles," more than the actual person (though if someone wants to send me a Cease and Desist in such a way that my podcast blows up, I'm not above benefitting from the Streisand Effect!)

"Pins and Needles" foregrounded politics - union politics, no less - in a peppy, funny musical review that had...


#105: The 25th Annual Putnam County Spelling Bee
#26
04/17/2024

"The 25th Annual Putnam County Spelling Bee" is responsible for Mark Zuckerberg. Don't believe me? Listen as accomplished actor, director and video wizard Matt Polson and I wander around in nerd culture for a while, discussing this seminal musical. More than any show before or since, "Spelling Bee" demonstrated the unique attractions of live theater: with intense audience interaction and ad-libs aplenty, every performance was truly unique and you never knew what would unfold on any given night.

In this penultimate episode of season 1 of this podcast, Matt shares behind-the-scenes remembrances of how this show challenged him...


#106: Bring in 'da Noise, Bring in 'da Funk
#25
04/03/2024

Once again, the joy of this podcast for me is getting schooled on stuff I don't know about. In talking about "Bring in 'da Noise, Bring in 'da Funk," Dr. Julinda Lewis introduces me to a flurry of tap dance masters from the past that were influences on young Savion Glover. Glover first broke into the public consciousness in "The Tap Dance Kid," but with "Bring in 'da Noise," he solidified his standing as one of the most accomplished dancer / choreographers in Broadway's history. And he was only 22!

It's particularly timely to talk about "Bring in 'da...


#104: The Seven Year Itch
#24
03/20/2024

Before the iconic picture of Marilyn Monroe with her white dress billowing over a subway grate obliterated any other reference point, "The Seven Year Itch" was a long-running Broadway show. In fact, it was the longest running show of the 1950s and cemented the star power of the actor Tom Ewell who is not regularly remembered today (even though he would later star in the American premiere of "Waiting for Godot").

Just those facts alone make talking about this show interesting. Add in that my guest is psychologist / old movie superfan Jesse Rabinowitz, PhD, who calls "Itch"...


#30: Annie
#23
03/06/2024

Leapin' Lizards, what is going on here? Chasing Phantom has been methodically working through the list of 1,000+ performances on Broadway from the bottom up but, this week, we take a radical leap into the higher realms of theater success with an exploration of the much-heralded, often-rejiggered, musically-rich smash that is "Annie."

And I know no one better to dig into the history and lore of this Broadway classic than "Annie" superfan, Holly Timberline. Given that she was a working musical theater actress when we met, it wasn't long into our relationship that I found out about her...


#103: Guys and Dolls (1992 revival)
#22
02/21/2024

If you're reading this, I expect either you or someone you know has been in a production of "Guys and Dolls." There are so many reasons this show is a classic, from the colorful supporting characters to the silly romantic misadventures to the unbelievably catchy songs. The show has been revived 5 times but the 1992 production really set the template for how to successfully dust off a classic and breathe new life into it. It also was haled as a savior of American musicals at the time and proved the first of 3 key steps in the elevation of Nathan Lane...


#107: Butterflies Are Free
#21
02/07/2024

It's both a relief and a delight when a show that premiered on Broadway more than 50 years ago isn't a challenge or a slog to get through. "Butterflies Are Free" is a play about a young blind man out on his own for the first time but, thanks to its breezy good humor, is also a fun and satisfying romantic comedy. For an older show, it has a wonderfully progressive non-ableist message but, instead of clobbering the audience with it, it lets some fairly realistic characters convey the lessons in a believable way. And as a nice bonus, all...


#109: Plaza Suite
#20
01/24/2024

We start off 2024 with an old show that has surprising relevance today because of a very recent -- and somewhat confounding -- revival. "Plaza Suite" first premiered back in Neil Simon's imperial period when his shows were selling out before people even knew what they were about. Three vignettes that share a setting -- the same suite at the Plaza Hotel in NYC -- and a jaded view of American coupledom. It's a lot of dark stuff...when it's not downright uncomfortable.

Rich Griset once again joins the podcast to try to figure out what about this...


#110: Fosse
#19
12/20/2023

What a perfect way to end the year in quintessential Broadway fashion! For this episode I'm talking about "Fosse," the 1999 musical dance revue that featured what may be considered the "greatest hits" of choreographer Bob Fosse's career. The show was a smash hit at the turn of the century and was one of several dance-centric shows (e.g., Contact) that were drawing audiences at the time.

And I couldn't be more excited to be talking about Fosse with someone who has danced Fosse routines and studied Fosse techniques at Broadway Dance Center, the dancer / choreographer Kayla Xavier...


#111: They're Playing Our Song
#18
12/06/2023

For the first of several Neil Simon creations that this series will consider, we start off with one that may be a "meh" to listen to but is still fun to talk about if only for the speculation about what could have possibly motivated to keep this show running for 3 years.

"They're Playing Our Song" is a fictionalization of the relationship between composer Marvin Hamlisch and the lyricist Carole Bayer Sager. Apologies to those who may love this show but it just doesn't hold up to modern scrutiny. And luckily I've invited a first-class scrutinizer to talk...


#69: SIX
#17
11/26/2023

With this episode, Chasing Phantom inaugurates an intermittent series on shows that haven't technically made it over the 1,000 performance mark but are on the fast track to getting there.

SIX was the answer to Broadway fans' pent up demand when the theater world emerged from the pandemic and it's still packing theaters in NYC as well as in houses across the country thanks to its first national tour. While only at 850+ performances at this recording, there's no reason to think that it'll cross the 1,000 performance threshold early next year and start shooting up the longest running shows...


Up-N-Coming #1: SIX
#17
11/22/2023

With this episode, Chasing Phantom inaugurates an intermittent series on shows that haven't technically made it over the 1,000 performance mark but are on the fast track to getting there.

SIX was the answer to Broadway fans' pent up demand when the theater world emerged from the pandemic and it's still packing theaters in NYC as well as in houses across the country thanks to its first national tour. While only at 850+ performances at this recording, there's no reason to think that it'll cross the 1,000 performance threshold early next year and start shooting up the longest running shows...


#113: Spider-Man: Turn Off The Dark
#16
11/10/2023

Look, everyone knows this show was bonkers and, even after running more than 1,000 performances, was possibly the biggest money loser in Broadway's history. It'd be easy to just rag on "Spider-Man: Turn Off The Dark" -- and it certainly deserves to be made fun of -- but I wanted to talk a little bit more about why it failed and also, what little sparks of goodness it might have sparked in its wake.

For that kind of conversation, I couldn't bring in an expert -- few people I know saw this show. So I take on the...


#112: Kiss Me Kate
#15
10/25/2023

Marrying slices of Shakespeare with perhaps Cole Porter's finest score, "Kiss Me Kate" is one of the ultimate old Broadway hits. Fashioned as a response to "Oklahoma" and built with sturdy story beats that have allowed it to be revived as recently as 3 years ago, "Kate" has lore and legend to explicate for days.

So OF COURSE we had to bring back in Phil Crosby, Executive Director of Richmond Triangle Players, for another chat. Not only does Phil have plenty to say about "Kate," he adds related background on why the Barter Theatre is called that and...


#114: Don't Bother Me, I Can't Cope
#14
10/11/2023

"It transformed my life." That's the kind of statement you want from someone talking about a cultural experience. "Don't Bother Me, I Can't Cope" broke all sorts of barriers on Broadway in 1972 but it is not well known today. Even so, its impact is felt in the people it influenced like my guest, Dr. Tawnya Pettiford-Wates, or as she is affectionately known as, Dr. T.

The celebrated playwright, actor, director, and activist saw "Don't Bother Me" when she was in high school and it was a foundational experience, setting her on the path she's followed in her...